IGEDE Carnival

IGEDE Carnival To use Culture as a cornerstone to showcase the beauty of our heritage to the world

What is LION called in Igede language? ๐Ÿ‘‡๐Ÿ‘‡๐Ÿ‘‡๐Ÿ‘‡๐Ÿ‘‡๐Ÿ‘‡๐Ÿ‘‡  Letโ€™s see the real Igede sons and daughters in the comment section IGEDE...
19/05/2026

What is LION called in Igede language? ๐Ÿ‘‡๐Ÿ‘‡๐Ÿ‘‡๐Ÿ‘‡๐Ÿ‘‡๐Ÿ‘‡๐Ÿ‘‡

Letโ€™s see the real Igede sons and daughters in the comment section

IGEDE Carnival

2nd Edition of IGEDE Carnival  Working in progress ๐Ÿ’ช๐Ÿ’ช๐Ÿ’ช๐Ÿ’ช
12/05/2026

2nd Edition of IGEDE Carnival

Working in progress ๐Ÿ’ช๐Ÿ’ช๐Ÿ’ช๐Ÿ’ช


The 1st Edition of IGEDE Carnival  in 2019 marked the beginning of a beautiful cultural movement.We may not have reached...
11/05/2026

The 1st Edition of IGEDE Carnival in 2019 marked the beginning of a beautiful cultural movement.

We may not have reached our final destination yet, but the journey so far has shown growth, resilience, and steady progress. Every year, the vision becomes clearer, the impact becomes stronger, and the pride in our culture continues to grow.

โ€œIgede To The Worldโ€ remains our mandate, and promoting cultural awareness is not just a mission for today but a legacy we are building to last for generations.

The movement continues. The culture lives on. The dream is alive.


Lunch is ready ๐Ÿ˜„. If you know the name of this food, let me know in the comment section.IGEDE Carnival
09/05/2026

Lunch is ready ๐Ÿ˜„. If you know the name of this food, let me know in the comment section.
IGEDE Carnival


Today, we celebrate 19k amazing followers on the IGEDE Carnival  Page.This milestone is not just a number, itโ€™s a powerf...
02/05/2026

Today, we celebrate 19k amazing followers on the IGEDE Carnival Page.

This milestone is not just a number, itโ€™s a powerful community of culture lovers, supporters, and proud ambassadors of Igede heritage.
Your likes, shares, comments, and constant support keep this vision alive and growing every single day.

Igede Carnival is because of YOU.


Happy New Month, Great PeopleHappy New Month IGEDE Carnival  Family.As we step into a brand new month, we welcome fresh ...
01/05/2026

Happy New Month, Great People
Happy New Month IGEDE Carnival Family.

As we step into a brand new month, we welcome fresh energy, new opportunities, and greater expectations.

This month, may our culture shine brighter, our unity grow stronger, and our voices echo louder across the world. The Igede spirit is rich, vibrant, and unstoppable, and together, we will continue to showcase its beauty with pride.

IGEDE To The World ๐ŸŒ๐ŸŒŽ


20/04/2026

The Beauty Of Our Cultural
Heritage.

IGEDE Carnival

19/04/2026

Congratulations to our very own, AGWU Princess Igiri , on emerging as the winner of the Reality TV Show Season 3.
Winning โ‚ฆ10 million and a brand-new car.
What an incredible achievement, We are proud of you and celebrate this remarkable success.

IGEDE Carnival Team celebrates you .

Her Royal Majesty, Queen Esther Oga Ero, A mother whose kindness, strength, and grace touch everyone around her.Happy Bi...
14/04/2026

Her Royal Majesty, Queen Esther Oga Ero, A mother whose kindness, strength, and grace touch everyone around her.
Happy Birthday Ma.

THE IGEDE PEOPLEIGEDE Carnival  The Igede people are the third largest ethnic group in present-day Benue State of Nigeri...
11/04/2026

THE IGEDE PEOPLE

IGEDE Carnival

The Igede people are the third largest ethnic group in present-day Benue State of Nigeria. They are native to the Oju and Obi local government areas of Benue state, Nigeria. However, a large number of Igede people are dispersed across the state and the Nation.

For instance, the Igede language is also spoken in Nigeria's Cross River State, and a large number of Igede communities exist in Osun State and Ogun State. The Igede language is a member of the Benue-Congo subgroup of the Niger-Congo language family.

According to ORA tradition, the IGEDE people formally settled around Sabongida ORA in the present Owan West local government, Edo North, in the South-South region of Nigeria.

The Igede traditional dressing and cultural attire (called โ€œOdodogodo), comprises of three beautiful colours: blue, white and black, with variety of vibrant and colourful materials made into different elegant styles to reflect the cultural richness and confidence of the Igede people. Once sighted, the native and cultural attires can be distinguished from a broad range of traditional clothing worn by different tribes in Nigeria.

The BLUE colour in the Igede cultural dress symbolizes PEACE. The Igede people are peace-loving people, and united. They are very accommodative, and have great respect for the elders.

The WHITE stand for โ€œPURITY and TRUSTWORTHINESSโ€ of an Igede man. Once you entrust Igede people with anything, be rest assured that it is safe. They forbid crime and atrocity.

The BLACK stans for AGRICULTURE. The Igede people are hardworking, and their major occupation is agricultural practice.

In present-day, different types of Igede traditional attires are worn bases on occasions. For instance, some clothes are used exclusively for events such as the wedding ceremony, Igede Agba festival or to perform traditional dance during festival, each one having an eye-catching details and significance.

During Igede traditional marriage ceremony, brides are mostly adorned with beautiful colours. These attires can be made into different styles such as agbada and buba usually decorated with intricate embroidery, and is worn on special religious or ceremonial occasions.

The Igede people are predominantly farmers, hunters, potters and warriors. The most popular crop cultivated by the Igede farmers is yam, which is considered the best food that is befitting to the best stranger, especially when pounded. It is often eaten with the Benniseed Soup (Oho Nyi Ehia) and Ibehi Soup (Melon Soup aka Egusi Soup).


EFFECT OF SOCIAL MEDIA ON CULTURAL EXPRESSIONByOnwu Samson OnwuFor IGEDE Carnival  Icon MagazineIntroductionWith the adv...
09/04/2026

EFFECT OF SOCIAL MEDIA ON CULTURAL EXPRESSION
By
Onwu Samson Onwu
For IGEDE Carnival Icon Magazine

Introduction

With the advent of the internet, the world has evolved at such an incredible pace. Interpersonal interactions, cross-cultural relationships, and socioeconomic activities have been aided in no small measure through the use of the Internet. One of the foremost devices that have enabled this global interconnectivity is social media. In 2023, roughly five billion people will be using various social media platforms across the world. This figure constitutes about 63 percent of the world's population. This new development implies that the world has been reduced into a global village, and this has impressed so seamlessly on the lifestyle of the users that it has equally had a remarkable impact on the people and their ways of life. As different cultures have different value systems, cultural themes, grammar, and worldviews, they also communicate differently. As different cultures continue to connect through social media platforms, thinking patterns, expression styles, and cultural content that influence cultural values are chipped away.
What, however, seems to be the common notion about social media in Nigeria is that of the blighted version of the mechanism or its subterfuge. It is largely believed that due to the use of social media, Nigerians, especially the youth, no longer have regard for their culture; rather, they value foreign cultures. It would be difficult to affirm or discard this notion because of the inherent variances that could be derived from this situation, depending on the category of people and their focus at a given time. What is not debatable is that social media has increased the connections between people and created an environment in which people can create and share a lot of things.
Social media has presented itself as a ready tool for personal identification, identity validation, cultural crossbreeding, and exports, amongst other deliverables.

What is social media?

Social media refers to the means of interactions among people in which they create, share, and/or exchange information and ideas in virtual communities and networks. Some of the most popular social media platforms across the world include Facebook, YouTube, Twitter (now known as X), Instagram, Whatsapp, Messenger, TikTok, LinkedIn, Snapchat, Wechat, IMO, and others.
What is common among all these platforms is that they allow for free social interactions among users, and they also enable people to create and share a wide range of contents for a global audience. As of today, Facebook alone has over 3.03 billion users, YouTube has over 2.5 billion users, and WhatsApp, Instagram, Facebook Messenger, and WeChat all have over a billion users.
What these numbers imply is that the world has been knitted into a broad-based virtual community of inquisitive members who are out to seek fun, knowledge, social interactions, adventures, and even economic opportunities. These platforms have also become catalysts for the promotion and propagation of ideas, talents, fashion, and religious and cultural tenets.
It is, however, imperative to note that social media is not a pre-faceted system where particular ideologies thrive to the exclusion of others. Social media is rather an open field where all concepts can find expression depending on the viability of such content and the tenacity with which the proponents of such content indulge the audience.

Social media for cultural expression.

From the foregoing analysis, it could be deduced that social media is an open space for the generation, circulation, and optimization of content. This equally suggests that there are no specific precepts that favor certain kinds of content when getting traction on social media. What determines the vitality of any content is the value that is attached to the content, the status of the user that purveys the content, the season that the content is connected to, and most importantly, the volume of related content spiraling around a particular subject matter.
Cultural expression generally entails those expressions that result from the creativity of individuals, groups, and societies and that have cultural content. In this sense, fashion, music, dance, food, etc. are common ways to express a particular culture. This means that the food, dance, music, fashion, and marriage practices of the Igede people, for instance, represent their culture, and any content that would be viable about them must project the people in such alluring postures. These varieties have to be performed uniquely to suggest the identity and uniqueness of the people whose cultural heritage is being projected.
It therefore means that a person can project their culture and identity using social media platforms by consciously engaging the audience with valuable information about such culture and by developing creative ideas that recapture the people's ways of life in the most alluring way practicable.
Every culture is dynamic and lends itself to change without losing its core values. People can therefore reinvent their culture and modify it to suit common trends using social media. Thus, from common courtesies to fashion, from music to food, every culture yields itself for expression and exploration.

Social media traction is determined by consistency and creativity. Such persons who intend to project their culture on social media must devise means of creating varieties of content in beauty and glam to gain visibility and build sustainable momentum.
One common fear that arises when building a cultural image on social media is that of reckless adulteration and mutilation. Many times, in an attempt to generate viewership in the media space, people tend to manipulate longstanding practices just to appeal to their audience. Such aberration poses a threat to the sanctity of the culture and the acceptance that's required for such a culture to remain viable to outsiders. In common situations, adulteration occurs out of sheer recklessness or ignorance. Some people who feel that there is a cultural gap but who did not do thorough research on a particular topic may end up drawing assumptions about a culture and projecting the wrong doctrine to the world. Such situations would only lead to discrepancies in the narration of that culture and would affect its substance.
In some other common situations, alterations come by way of subdued modifications. This happens when people attempt to apply the rules in certain popular cultures to their own culture, which in their sense is seemingly undeveloped without recourse to the primordial precepts of that culture. There are cultural dynamics as well as cultural statistics. It would be erroneous to attempt to modify the statistics when the community or society has not unanimously accepted such modifications. Projecting such modifications on social media in contrast to what is acceptable in the community constitutes a threat to such a culture. That an aspect of the culture of the Igede people contrasts with what you have learned about that same aspect of the culture of Yoruba people or any other ethnic group does not imply that that of the Igede people should be faced out. All cultures are equal.

Conclusively, it is worthy of note that whatever we project to represent our culture on social media, wittingly or unwittingly, becomes our heritage and the hallmark of our being before external communities. We must therefore seek to know what exactly constitutes our accepted norms and traditions before dishing them out. We must also bear in mind at all times that we do not always have the opportunity to explain to people the real essence of our content other than what should be the interpretation of the average reasonable person. We must therefore be sensitive when designing contents that bother sensitive areas of our culture.


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