Monsoon Audio Works

04/04/2026

we do a little upgrade 🟠

29/03/2026

Making a great record isn't just pressing red button and making it sound pretty.

How do we know if the performance is good enough?

Does it carry the same emotion they intended when the last few words were penned?

As producers and engineers, understanding the artist's story shapes the sonics; by staying true to their musical intent and what they really want to say.

We're really excited to see start working on
's folk acoustic EP. Thank you for sharing your art.

23/03/2026

EVEN MY PLATE JUST GOT PLATED 🍽️

Laying down some bars for a track. Vocals coming in clean and smooth with the WA87R2 mic.

22/02/2026

Running your bass guitar into just an opto compressor and/or multiband compressor might not be enough for higher intensity modern arrangements.

This is how I've come to approach bass guitars recently with Black Salt Audio Low Control.

🎶 by .ben

20/02/2026

BRRRRRR(urhan) has an eclectic taste for amps for his baritone sets. And, its mostly about playing his part to fill in the mix for his band .

18/02/2026

Going lower is a vibe, but there's a trap we all fall into 💀

Burhan talks 7-strings and how they're incorporated with his band .

16/02/2026

Baritones are taking over, but you gotta know how you're fitting in the mix both live and in the studio.🟠

Burhan shows he uses his baritone in his band Seriate to do the jobs of a bassist and second guitarist. 🥶

11/02/2026

Is the Klon hype real? Here's how .frhn dials his version.

06/02/2026

.frhn shoots out his 1:1 Klon reproduction overdrive pedal. Which one do you think is which? Does it matter 🤔?

04/02/2026

If you’ve ever uploaded your mix to an AI mastering service (or iZotope Ozone) and thought “this is loud, but something feels off”...

It's not just you.

Here's what you might be missing out...

AI mastering hits targets fast, but it can’t hear intention or emotion. A deep dive into where AI helps and where it falls short.

25/01/2026

You can mix your own music.
Most of us do at some point.

But there’s usually a moment where the song feels “almost there” and no amount of tweaking really fixes it.

That’s not a skill issue. It’s usually an objectivity issue.

DIY mixing is great for learning and demos.

Professional mixing is about finishing the song properly with the best tools available. Its important, especially when it’s going out into the world.

Both have their place.

If you’re getting ready to release something and want a second set of ears, that’s literally what we do. 🟠

DM us or visit monsoonaudioworks.com for bookings.

22/01/2026

LUSCIOUS reverb blocks, new in the Quad Cortex CorOS 4.0 update. Check it 🟠.