JinnD Productions

JinnD Productions - Performing Artist
- Choreographer
- Community
- Dance educator A bridge that connects art and the marginalized community. Leong Swee Hium, Mr. V.

JinnD Productions is a newly established dance platform to promote cross-art creation, sharing, and collaborations at both national and international level. It is also to provide art education through creativity, interest and stimulating thinking, to help more young dance creators. Simultaneously this enables more people to experience and have access to art making that is ….,

A platform that nu

rtures local young art workers and artists for international exposure. A somatic practice based on philosophy of Ashtanga yoga, Body-mind Centering, Chinese Classical Dance. The Beginnings of Cross-Cultural collaborations
In 2016, with the support of the Royal Art Gala Fund 2015, Malaysia and a partial venue sponsored by DPAC(Damansara Performing Arts Center), JinnD Productions produced “Where Two Seas Meet ''. A dance/performance piece that brings together Malaysian dancers in collaboration with cultural philosopher Marc Colpaert (Belgium) and choreographer Katja Grässli (The Netherlands). This inter-cultural project shown in Malaysia further extended into a working performance piece collaborating with Katja Grässli, Marc Colpaert, Dutch photographer Claudia den Boer (The Netherlands), dancer Nathalie Wagner (Switzerland) , coached by dance dramaturg Guy Cools . This cross-cultural exchange between Malaysia and Europe accumulated into a performance in Belgium and the Netherlands in March 2018 . Both of these projects intend to bring a dialogue between the multiplicities of Malaysia and Europe. These international collaboration projects help me to see and consider the multiethnic, multicultural and multilingual aspects of Malaysia from another perspective. This also creates awareness for me as a Malaysian and to improve a sense of belonging together by appreciating the presence of the ‘other. On the other hand can European artists become more aware of their own ‘fixed’ patterns, bringing an awareness of their own lens which they look upon at the South East Asian societies? The hope is that through exchanges and being in dialogue, we can come to a place of clarity and openness within and without the ‘otherness’.

“Your Memories, Our Identity (YMOI)”
Coming back to the local arena in 2018, we produced “Your Memories, Our Identity (YMOI)” . YMOI is a project focusing on the oral history of traditional jobs and skills on the verge of extinction in Butterworth city, Penang, Malaysia. It is an interdisciplinary and collaborative project engaging dancers, photographer, film artist, and artisans to present artistic research within site specificities. Three different discipline of artists group presenting their observations and research culminating in
a documentary installation ‘The Fading Hands’ by Malaysia Film Company, VFilm Productions,
a full length dance performance ‘Shǒu’ choreographed by Lau Beh Chin. a photo series ‘Silent Witness’ Dutch photographer, Claudia Den Boer,

“In the attentive way of how they were doing these jobs, jobs that to me seem a very specific feature of Malaysian culture, I feel a connection of what photography means to me. What I loved about working on this project is that as someone born, raised and living in Northern Europe, therefore being from a culture, environment and climate that is quite different, I could observe with the outlook of ‘the stranger’ to whom everything is sort of new and different. This outlook is what made it possible for me to create a photo series and videos for the scenography of ‘Shou’ in a short amount of time.”
~reflection by of Claudia Den Boer on “Your Memories, Our Identity (YMOI)” project

The success of YMOI brought in more stakeholders and was invited to be co-produced and participate in the Butterworth Fringe Festival 2018. This was well received from the audience and the project continued with the support of Think City Sdn. Bhd., INXO Arts Fund, MyDance Alliance and private fund AuntArt (NL). Residency supported by Hin Bus Depot, Zart, Rimbun Dahan, Casa Ninda, Bilqis Hijjas, Carbon Art Space, C-Section, Choong Fatt Sze. This project is possible with thanks form the hospitality of these artisans in Butterworth: Mr. Leong Yu Hin (Coconut Shell Craver) & family; Mr. Sim Ah Ba (Tau Sar Piah Biscuit Maker) & family; Mr. Chong Kean Soon (Rattan Weaver) & family; Mdm. Lim Teng Feng (Kopitiam Coffee Master) & family; Mr. Visualingam A/L Vai Thilingam (Typist). The beginning: https://youtu.be/Q4FtzwCUQ64
Project trailer: https://youtu.be/fiwybirVapA

Anjez Art Project(AAP)
Concurrently with YMOI, JinnD Productions also began working with refugees from Myanmar in 2018, by initiating the Anjez Art Project(AAP). This art education project initiates activities to help realize the potential of Burmese refugees which comprise two main programs: Art for Refugee and Refugee Artisan Program. Together in collaboration with MyDance Alliance (MyDance), the Art for Refugee programme educates young Burmese refugee students in Malaysia on different types of arts forms to express themselves. This programme also - provides performance by the refugees and voluntary opportunity to connect with the local community. In parallel to the arts education programme, AAP’s Refugee Artisan Program is created to further develop refugee artisans’ skills in handicraft making and e-commerce management thus helping refugee students and their mothers in earning basic living wages

Moving with artisans(MoA)
In 2020, our production received funding from CENDANA to produce a project continuing from the development of the work from YMOI titled, “Moving with artisans(MoA)”

25/04/2026

Final Call: Are you ready to move with us tomorrow? 🦢✨

From the precise Mon hand gestures to the ancient steps, tomorrow is the day we bring the “Living Archive” to life at The Godown. 🏛️

Don’t just watch the story; become part of it.

📍 Location: The Godown Arts Center
⏰ Time: 1:00pm - 3:00pm
🔗 Link in bio to grab the last few spots! 🕊️

This night has been so incredibly moving and full of chemistry. It’s still hard to believe that a casual conversation wh...
25/04/2026

This night has been so incredibly moving and full of chemistry. It’s still hard to believe that a casual conversation while sitting on the floor in Laos, followed by a single email, led to this sharing session. It made my last day in Taiwan with a heart full of gratitude.

To be honest, I often don’t know how much longer I can stay on this journey of working with refugees youth, or sometimes even don’t know how to move forward. The many setbacks and disappointments I’ve faced have gradually changed my mindset.

I’ve stopped pushing so hard, learned to let go, and started approaching things with a more “Zen” attitude. Yet, whenever I encounter challenges, the universe always seems to arrange the right person or event to give me fresh strength and the courage to keep going.

Hearing Vutha speak about his own land today, I felt his profound love mixed with a sense of helplessness, yet also his unwavering determination to hold onto his story. After listening to Lucy and Vutha, I realized that the work I do is actually quite small. Seeing how they use their expertise to tell the world about what is happening in their homelands is truly inspiring.

I want to thank Chun for taking the initiative to start this, her amazing team, and the full support from & Jennifer. I was also happy to see the friends from Providence University who have served at our learning center for two years and came all the way to join us, as well as every single one of you who attended. Your presence means the world to me.

I completely agree with what Lucy said: “The stories of one’s own land should be told by its own people.” But while these refugee children are still preparing and finding their own voices, I will be the one to speak for them for now. 🩷

📸: A Sun, Jennifer, Lucy and me.

25/04/2026

BMoA: Rattan Weaving in Taiwan, where we presented our lecture performance at Want To Dance Festival 2026 by . Joyful to experience the warmth of the Taiwanese aunties and uncles, who would stop by to sembang with Xue Li.

Curious about our process? I’ll be leading a workshop as part of 𝗦𝗘𝗧𝗔𝗠𝗣𝗨𝗞 𝗣𝗜𝗡𝗔𝗡𝗚: 𝗡𝗔𝗥𝗧𝗔𝗡𝗔 | Workshop by .phaf

Intergenerational Exchange: Dari Tubuh ke Tubuh explores how craft can become a living choreographic language through body archiving.

Together, we will embody artisans’ gestures, explore their rhythms, and transform heritage into movement.

Please come and join us.

23/04/2026

A taste of the Mon heartland.

Simple ingredients, ancient roots. Kwaing Khoul is more than just a snack. It’s a memory of home made from rice flour, fresh coconut, and the warmth of brown sugar.

Curious about the flavor of heritage? Come taste the story with us. 🌿🦢

Join us for the 2nd workshop of our series! Discover the graceful movements and ancient history of the Mon people; one of Southeast Asia’s oldest cultures.
✨ Learn traditional steps
✨ Hear stories of heritage
✨ Taste handmade Mon snack

📅 26 April | 1 PM - 3 PM
📍 The Godown Arts Centre
🎟️ RM 30

Let’s move, connect, and celebrate living history together.

AnjezArtProject

21/04/2026

A sneak peek of our Gerak Serumpun 01.

Listening to stories of the Chin people, learning about their traditional costumes and food, while moving our bodies together.

Our second workshop will be led by the Mon community. Don’t miss their stories, movement, and cultural sharing.

It was an honor to  be part of the festival & conduct the Beyond Moving with Artisan workshop in Penang, where the journ...
09/04/2026

It was an honor to be part of the festival & conduct the Beyond Moving with Artisan workshop in Penang, where the journey first began in Butterworth. From the residency at Hin Bus to being part of the Butterworth Fringe Festival, I’m glad to share the practice and the full creative process after so many years. Stay tune for more details.

07/04/2026

Beyond Moving with Artisans (BMoA)
From body to body, learning together.
In a circle, we share, listen, and move;
where knowledge is not taught, but passed, felt, and lived.

From artisans to refugees students, this is where it continues.

05/04/2026

Gerak Serumpun: The Mon 🌿

Join us for the 2nd workshop of our series! Discover the graceful movements and ancient history of the Mon people; one of Southeast Asia’s oldest cultures.
✨ Learn traditional steps
✨ Hear stories of heritage
✨ Taste handmade Mon snack

📅 26 April | 1 PM - 3 PM
📍 The Godown Arts Centre
🎟️ RM 30

Let’s move, connect, and celebrate living history together.

Gerak Serumpun: Ethnic Dance Series from Myanmar Workshop 02: The MonThe 2nd workshop in the Gerak Serumpun series, feat...
02/04/2026

Gerak Serumpun:
Ethnic Dance Series from Myanmar Workshop 02: The Mon

The 2nd workshop in the Gerak Serumpun series, featuring the Mon community. The Mon are one of the oldest ethnic groups in Southeast Asia, known for their rich history and their symbol, the Golden Swan.

In this session, community members will guide participants through the graceful steps of their traditional dance while sharing stories behind their cultural heritage and costumes. Participants will also learn about the Mon’s history and enjoy simple snacks prepared by the community. This workshop offers a welcoming space to learn, connect, and experience culture through movement.

———————————————————————————

About the Series
Gerak Serumpun is a dance workshop series celebrating ethnic communities from Myanmar, including the Kachin, Chin, Shan, and Mon. These dances are more than movement. They are living expressions of identity, resilience, and cultural memory. Organized by JinnD Productions and supported by The Godown Arts Centre, Anjez Art Project & COBEM series creates a space for dialogue and cultural exchange with communities living here in Malaysia.
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The Details
Date: 26 April 2026
Time: 1:00 PM – 3:00 PM
Venue: The Godown Arts Centre
Fee: RM 30

Organized by: JinnD Productions

Supported by: , & COBEM .

🇲🇲

  in Taiwan this April.
30/03/2026

in Taiwan this April.

‼️2026艋舺國際舞蹈節 啟售‼️
臺灣最具特色 #舞蹈慶典 即將展開 🎉
OPENCALL單元節目搶先看👀
https://shouse.tw/en06Q6zey
​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​
.⟢. ​ 𝟒/𝟏𝟕-𝟏𝟗 .⟢.
三大策展單元💙𝟏𝟔個艋舺特色場地‼️
匯聚國內外團隊!超過𝟕𝟎場演出‼️
✨多元演出類型於艋舺輪番上陣✨
⟢..⟢..⟢..⟢..⟢..⟢

準備好你的「 #舞蹈護照 」!
春天!我們相約艋舺跳舞💃

▚ 公開徵選單元 OPENCALL 節目 ▚
┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈
#呂覧製作- #呂紹可《尚未命名的信任》
#王馨《牽弧黏黏》
#非表演製作( #游伊嫺與莫棨翔)《浴室殺人事件》
#莊嘉杰《波返》
#張慈軒《走動的屍體》
#木13/ #徐智文(temu.masin)
《tmanguw》從裂縫中長出枝枒
#格桑製作《雜訊001》
#陳詠婕《枯香》
#吳采柔《祈福之身》— 我的儀式練習Embodied Blessing — A Personal Ritual Practice
#賴韋蒓/ #廖健堯《If I could, I couldn’t》
#許東鈞《第N碗夢婆湯》
#林穎《相機前Z世代的我 The Z Generation in Front of the Camera》
#謝劭暘《裂隙》
#混心路創作《牽繫》
X #張可揚《山地舞》
#劉芯慈《那天之後__(What Remains After)》
#並行之間《Breathing Time》
#陳鈺晶《被人指指點點的紅色內衣》
JinnD Productions/Lau Beh Chin (馬來西亞)《BMoA: From Ethnographic Craftsmanship Research to Choreographic Language》
Arts For All/ Alain SINANDJA (多哥)《L`PADO( BE STUCK )》
Maya Takeda (日本)《Lines》
YAMATO NO TAMASHII/YAMATO (日本)《Working“REAL”Japanese Man》
Daniel Navarro Lorenzo 西班牙/新加坡《PLACES》
Aiyu Collective / ChiWen Chang (美國)《What the Wind Taught Me》
Alina Menshchikova (俄羅斯)《Reserved for no one》
莫穎诗 (Vinci),Agung Gunawan (Agung Dancing Centre) (香港/印尼)《變臉 Face Cycle (雙人舞-爪哇面具x 舞踏)》

30/03/2026

Every gesture in “MY Rootopia: The journey” has a story. We aren’t just practicing steps. We are practicing how to carry the weight of each others stories. We are making the “invisible” visible.

 2025 🍃这是我第一次尝试以自己研究的  作为创作与编排的核心。我们一起走进 FRIM,从最基础的木行概念、与肝胆相关的动作开始练习。起初,我看到大家满脸问号,但他们依然愿意尝试。即兴、拆解、组合,一点一点地累积,慢慢走到最后呈现的样子...
31/12/2025

2025

🍃这是我第一次尝试以自己研究的 作为创作与编排的核心。我们一起走进 FRIM,从最基础的木行概念、与肝胆相关的动作开始练习。起初,我看到大家满脸问号,但他们依然愿意尝试。即兴、拆解、组合,一点一点地累积,慢慢走到最后呈现的样子。最让我感动的是,看见大家如何从“什么都没有”,一步步建立出细节与结构。

🍃坦白说,在过程中我也曾卡住、怀疑自己。但正是这些舞者让我确认,这个方法可以成为我创作的基础,@只是它需要时间去扎根,而不是急着产出结果。感谢所有舞者的信任与投入。谢谢你们很用心的去排练,去感受,把故事用身体演绎出来。

🍃同时,我也觉得让才华被看见、给予舞台同样重要。这次有在手作非常有天赋的学生,从头饰的草图开始,不断试验,最终发展成作品的重要元素。我也鼓励他们取材自然,于是他们去收集断枝,思考服装,用纸张制作原型。对我而言,我更像是在引导与陪伴,享受与他们讨论每一个细节,看见学生慢慢发光,是一件非常幸福的事。特别感谢这两位学生 & 允婕付出了很多心思去设计及制作,我真的为你们感到骄傲。还有帮忙捡树枝及树干的家长及学生。❤️

🍃今年的创作过程中,虽然有许多新加入的学生,但我感动地看见整体的成长及团结,在排练 全心帮助,还有嘉威的协助;帮忙协助行政的 & 陈沁; 负责老师们 , Ms. Ethel and Ms. Sharmila 与学校特别是联课处陈主任的支持下,还有所有的家长支持及载送,让我们完成了每一个使命。

🍃最后,我想特别提到这件作品的另一层意义:
就是我们不仅自行设计并制作头饰,也邀请 的妈妈以及一位神秘朋友的协助协助缝制服装, 过程中虽有不少沟通挑战,但当我看到学生穿着这些服装站上舞台时,我深刻感受到因为这件作品的价值不只在表演本身,更在于如何与身边的社区彼此支持,这也是我一直注重的。也因此,我们获得了 优异造型设计奖。

❤️2025年的最后一天,让我好好感恩这一切。
祝福2026年一切安好,继续创造无限!

📸: 允婕妈咪

#森生不息

Address

H-01, DPAC, Empire Damansara, Jalan PJU 8/8, Damansara Perdana, Petaling Jaya,
Petaling Jaya
47820

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