ARTRiBuTE

ARTRiBuTE ATtRIBUTE to ART : ArT oF LiFe : LiFe & ArT : bY ATeLier MuKA

MOHD HATTA ISMAIL-1 - BLACK SURFACE No.6 VERTICAL SiZE - 54 x 66 2 - BLACK SURFACE No.9 HORIZONTAL SiZE - 60 x 60 ...
16/10/2025

MOHD HATTA ISMAIL
-
1 - BLACK SURFACE No.6
VERTICAL
SiZE - 54 x 66

2 - BLACK SURFACE No.9
HORIZONTAL
SiZE - 60 x 60




MUSEUM oF CONTEMPORARY ArT
KUANTAN


DANSAEKHWA

단색화
TANSAEKHWA
.

#단색화
-












MOCA
MUSEUM oF CONTEMPORARY ArT

KUANTAN

MOCA MUSEUM oF CONTEMPORARY ArTKUANTAN-1.- BLACK SURFACE No.21 DIPTYCH 1:6 SiZE - 48 x 72 2- BLACK SURFACE No.22 ...
16/10/2025

MOCA
MUSEUM oF CONTEMPORARY ArT

KUANTAN
-
1.- BLACK SURFACE No.21
DIPTYCH 1:6
SiZE - 48 x 72

2- BLACK SURFACE No.22
DIPTYCH 1:6
SiZE - 48 x 72

MUSEUM oF CONTEMPORARY ArT
KUANTAN


DANSAEKHWA

단색화
TANSAEKHWA
.

#단색화
-











-

DANSAEKHWA단색화TANSAEKHWA-5- BLACK SURFACE No.21 SiZE - 48 x 72 TiTLE : DIPTYCH 1:66- BLACK SURFACE No.22 SiZE - 48 ...
13/09/2025

DANSAEKHWA

단색화
TANSAEKHWA
-
5- BLACK SURFACE No.21
SiZE - 48 x 72
TiTLE : DIPTYCH 1:6

6- BLACK SURFACE No.22
SiZE - 48 x 72
TiTLE : DIPTYCH 1:6
.
.
1- BLACK SURFACE . No.0
SiZE - 54 x 72
TiTLE : VOID 1:8

2- BLACK SURFACE. No.10
SiZE - 54 x 66
TiTLE : VOiD 1:6

3- BLACK SURFACE No.6
SiZE - 54 x 66
TiTLE : VERTICAL 1:6

4- BLACK SURFACE No.9
SiZE - 60 x 60
TiTLE : HORIZONTAL 1:8


DANSAEKHWA

TANSAEKHWA

-

#단색화
-








05/09/2025

MOCA

MUSEUM oF CONTEMPORARY ArT

KUANTAN
.
.
1- BLACK SURFACE . No.0
SiZE - 54 x 72
TiTLE : VOID 1:8

2- BLACK SURFACE. No.10
SiZE - 54 x 66
TiTLE : VOiD 1:6

3- BLACK SURFACE No.6
SiZE - 54 x 66
TiTLE : VERTICAL 1:6

4- BLACK SURFACE No.9
SiZE - 60 x 60
TiTLE : HORIZONTAL 1:8

5- BLACK SURFACE No.21
SiZE - 48 x 72
TiTLE : DIPTYCH 1:6

6- BLACK SURFACE No.22
SiZE - 48 x 72
TiTLE : DIPTYCH 1:6

Di Muzium Seni Kontemporari, Kuantan, Pahang

MOCA MUSEUM oF CONTEMPORARY ArTKUANTAN.1- BLACK SURFACE . No.0 SiZE - 54 x 72 TiTLE : VOID 1:82- BLACK SURFACE. No.1...
05/09/2025

MOCA

MUSEUM oF CONTEMPORARY ArT

KUANTAN
.
1- BLACK SURFACE . No.0
SiZE - 54 x 72
TiTLE : VOID 1:8

2- BLACK SURFACE. No.10
SiZE - 54 x 66
TiTLE : VOiD 1:6

3- BLACK SURFACE No.6
SiZE - 54 x 66
TiTLE : VERTICAL 1:6

4- BLACK SURFACE No.9
SiZE - 60 x 60
TiTLE : HORIZONTAL 1:8

5- BLACK SURFACE No.21
SiZE - 48 x 72
TiTLE : DIPTYCH 1:6

6- BLACK SURFACE No.22
SiZE - 48 x 72
TiTLE : DIPTYCH 1:6

YAYASAN TENUN PAHANG DIRAJA
Dengan hormatnya mempersilakan
ENCIK MOHD HATTA BIN DATO’ ISMAIL
& PASANGAN
ke Majlis Penutup Temasya Warisan Pahang
Disempurnakan Oleh

KEBAWAH DULI PADUKA BAGINDA SULTAN PAHANG
Pada 7 September 2025 (Ahad)
bersamaan
14 Rabiulawal 1447 H
Jam : 8.00 malam
Di Muzium Seni Kontemporari, Kuantan, Pahang
Pakaian
Lelaki :
Tenun Pahang Diraja / Batik Lengan Panjang
Perempuan :
Baju Kurung / Kebaya Labuh
Bertudung / Berselendang

The Korean bundles are usually made with traditional, coloured patterns, but in 2017 Kimsooja challenges the design of t...
17/01/2025

The Korean bundles are usually made with traditional, coloured patterns, but in 2017 Kimsooja challenges the design of these bundles by using plain black and white. The absence of colour transcends the usual bundle; it revokes the life, dreams, suffering and absence of those who wore these clothes.

Kimsooja, 'A Laundry Woman', 2000, site specific installation consisting of 27 Korean Bedcovers, 5 bottaris, and 6 fans, installation view at Kunstmuseum Liechtenstein, Vaduz, Liechtenstein, 2017. Photo by Aaron Wax, Collection of the Musee d’Art Contemporain, Lyon, France, Courtesy of Musee d’Art Contemporain, Lyon, France and Kimsooja Studio
“Bottari is an abstraction of a person, an abstraction of society and history, and that of time and memory. It is past, present, and future.”
- Kimsooja

The concept of the bottari gradually evolved and has infused her entire oeuvre. A continuation is Bottari 1999–2019 from...
17/01/2025

The concept of the bottari gradually evolved and has infused her entire oeuvre. A continuation is Bottari 1999–2019 from 2019. The shipping container is filled with the artist’s personal belongings from her house in New York, where she lived for twenty years. Painted in the bright colours of the traditional Korean Obangsaek spectrum –white, black, yellow, blue and red – it references not only Kimsooja’s life as a nomadic artist, but also the freedom of mobility and choosing one’s home. The colours of the Obangsaek symbolise five cardinal points (north, east, south, west and a centre), as well as five natural elements (wood, fire, earth, metal and water), which the artist has explored in her series of video works Earth–Water–Fire–Air (2009–2010).

Kimsooja, 'Botttari 1999 – 2019', 'Traversées'. Installation view at Cathédrale Saint Pierre. Courtesy of the City of Po...
17/01/2025

Kimsooja, 'Botttari 1999 – 2019', 'Traversées'. Installation view at Cathédrale Saint Pierre. Courtesy of the City of Poitiers and Kimsooja Studio, 2019.

The concept of the bottari gradually evolved and has infused her entire oeuvre. A continuation is Bottari 1999–2019 from 2019. The shipping container is filled with the artist’s personal belongings from her house in New York, where she lived for twenty years. Painted in the bright colours of the traditional Korean Obangsaek spectrum –white, black, yellow, blue and red – it references not only Kimsooja’s life as a nomadic artist, but also the freedom of mobility and choosing one’s home. The colours of the Obangsaek symbolise five cardinal points (north, east, south, west and a centre), as well as five natural elements (wood, fire, earth, metal and water), which the artist has explored in her series of video works Earth–Water–Fire–Air (2009–2010).

KiM SOOJA
17/01/2025

KiM SOOJA

Ting draws and paints from his early youth. Although he follows some lessons at the Shanghai Art Academy, the program do...
17/01/2025

Ting draws and paints from his early youth.
Although he follows some lessons at the Shanghai Art Academy, the program does not have much to offer him as is often the case with opinionated and talented artists. In his early years, he can be found in the streets of his hometown Shanghai where he illuminates the sidewalks with countless chalk drawings.

In 1946 he moves, inspired by I Ching (the book of Changes), to Hong Kong where he can soon exhibit his work in a bookstore.
In this period he starts selling watercolours to American collectors of Modern Art for the first time.

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