Five Arts Centre

Five Arts Centre Five Arts Centre Sdn Bhd 283460-K At the 12th Boh Cameronian Arts Awards in 2015, Five Arts Centre was awarded the inaugural “Most Inspiring Award”.

Five Arts Centre (established 1984) is a collective of artists, activists & producers dedicated to generating alternative art forms and images in the Malaysian creative environment. Five Arts Centre is a dynamic collective of Malaysian artists and producers, dedicated to generating alternative art forms and images in the contemporary arts landscape. It is well known for cutting edge performances i

n theatre, dance, music and young people’s theatre, and incorporates aspects of the visual and digital arts as well. The collective has performed and presented its work in Southeast Asia, Japan, Korea, Hong Kong, India, Egypt, Australia, Canada, Germany, Austria, Belgium, Portugal, Switzerland, Finland, the United Kingdom, and the United Arab Emirates. Since it was formed in 1984, by theatre directors Chin San Sooi and Krishen Jit, and dancer-choreographer Marion D’Cruz, Five Arts Centre has been committed to articulating the complexity of Malaysian culture and identity through explorations and fusions of local vocabularies, forms and traditions, in relation to the global, modern and cross-cultural. As such, it has been instrumental in the growth of a Malaysian identity in the arts that draws from multiple influences and hybrid histories. For over three decades, Five Arts Centre has been at the forefront of creating experimental, interdisciplinary and intercultural work, providing platforms for the next generation of arts practitioners. Contemporary social, political and cultural issues impinging on Malaysian life are precipitated by way of performances, exhibitions, creative seminars and research workshops. From 2004 to 2006, Five Arts Centre was the manager of Arts Network Asia, a regional organisation supporting arts work in Asia. In 2006, ASTRO and Five Arts Centre launched the Krishen Jit ASTRO Fund to support artistic work by Malaysians and others committed to the development of the arts in Malaysia. Today, the collective consists 15 individuals from diverse generations and disciplines. They are Anne James, Chee Sek Thim, Chew Kin Wah, Faiq Syazwan Kuhiri, Ivy N. Josiah, Janet Pillai, June Tan, Kubhaer T. Jethwani, Mac Chan, Marion D’Cruz, Mark Teh, Ravi Navaratnam, Suhaila Merican, and Syamsul Azhar.

05/08/2026

Pusat Sejarah Rakyat (PSR) is proud to present:

PSR Webinar - Not Here, Not There: law, death and social disappearance in Southeast Asia

Date / Day: 15 August 2025 / Saturday
Time: 8:30 PM
Streaming: Via Zoom

Kindly register to join: https://bit.ly/PSRWebinarAugust2026

(The organiser will send a notification email on 14 August 2026 to all registered participants)

Abstract:

This webinar is concerned with the notion of social disappearance amongst those living in the peripheries of the law, specifically within the Singaporean and Malaysian legal context. It looks specifically at the experiences of death penalty prisoners as well as their family members. Through specific case studies, informed in large part by in-depth interviews, the paper looks at the legal processes which works to take away essential elements of human existence such as time and human contact through bureaucratic violence.

To elucidate these points the sharing moves beyond definitions found in international human rights legislations and instead focuses on the intersectional elements which leads individuals not only to be disappeared physically but also socially. This research takes inspiration from Gabriel Gatti’s (2020) notion of ‘social disappearance’ by arguing that even in ‘normal times’, outside of so-called ‘states of exception’ individuals from ethnic groups, from specific locales or from underprivileged categories suffer the indignity of having their ‘social being’ eroded in a procedural fashion by the power of the law.

This webinar will show that the ‘socially disappeared’ and their families die social deaths due in part to their stigmatization by the communities they live amongst. This paper aims to expand the field of disappearance studies, emphasizing that the nature of being ‘disappeared’ is not necessarily premised on state violence alone but is part of a larger mechanism which includes social inequities and the flawed nature of legal systems more intent on criminalizing rather than assisting those at the very bottom rung of the socio-economic ladder.

Speaker:

Kar-Yen Leong is currently an associate professor at the National Chung Cheng University in Taiwan. His articles have appeared in Kritika Kultura, Memory Studies, Space and Culture, Indonesia as well as Death Studies. His other works also include contributions to an edited volume on Oral History in Southeast Asia published by Palgrave Macmillan and on Memory Activism published by Routledge. His interest looks at the intersection between memory, history, and human rights in Southeast Asia. Dr. Leong is currently involved in a project which investigates the materiality of human remains and bodies in the context of mass violence”

Discussant:

Thaatchaayini Kananatu is Deputy Head of School (Research) and Senior Lecturer in Global Studies at the School of Arts and Social Sciences, Monash University Malaysia. Her research focuses on sociolegal studies; law, politics and society; human rights and criminal justice in the Global South. Dr. Kananatu is author of Minorities, rights and the law in Malaysia (Routledge, 2020), and From the ghetto to the gallows: rights, race, class, and drug crimes in Malaysia in Capital Drug Laws in Asia (Cambridge University Press, 2025). She has published in Sociology Compass, International Journal for Crime, Justice and Social Democracy, Sexualities, and The Round Table: The Commonwealth Journal of International Affairs.

Moderator:

Por Heong Hong is a Senior Lecturer at the School of Social Sciences, USM. Her research explores the intersection of health, welfare, medicine, nationalism, modernity and politics of body. In recent years, she has expanded her research to include politics of heritage and memory.

05/08/2026
05/08/2026
05/08/2026

[REVIEW] [THEATRE] [★★★★★ Fragments of Tuah by Mark Teh and Five Arts Centre] Now out on Bakchormeeboy.com. “Under Mark Teh’s direction, research becomes music, paper becomes landscape, archives become performance, and uncertainty becomes a space for imagination. Anchored by Faiq Syazwan Kuhiri’s magnetic performance, Fragments of Tuah is a richly layered, visually striking and deeply moving work that transforms the act of questioning history into theatre of extraordinary power. Hang Tuah may endure in the collective imagination as an invulnerable warrior and symbol of unwavering loyalty, but this production reveals his own precariousness: a figure continually reshaped, appropriated and made to bear the weight of changing political ideals. In doing so, Fragments of Tuah reminds us that the stories we inherit are never fixed, and that the figures we elevate can become vessels for the values, anxieties and agendas of those who choose to invoke them.”

Photo Credit: Pam Lim

Fragments of Tuah played from 24th to 26th July 2026 at the Esplanade Theatre Studio. Faiq Syazwan Kuhiri Mark Teh Five Arts Centre Esplanade Singapore

05/08/2026

Dancer, choreographer, educator & Five Arts member Marion D'Cruz on kindness & the Malaysian dream.

Address

GMBB, Unit GM-9-15, 9th Floor, 2, Jalan Robertson
Kuala Lumpur
50150

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