Cultprint

We are a team of passionate artists, printmakers, photographers, writers, and more.

CultPrint is the brainchild of artist Ernest Zacharevic, birthed from his aspirations to have full independence in the creative process of printmaking and to bring the artist’s true vision to life. We strive for excellence in quality and aim to empower the artists we work with to best realize their visions in a way that reflects their practice.

04/05/2026

This Mother’s Day, join Red Hong Yi for an afternoon of reflection, gently holding the in-between moments of early motherhood.

In conversation with Ling Yah () from So This Is My Why (), Red Hong Yi () opens up her journey into motherhood, its shifts, repetitions, and the quiet, often unseen labour that shapes her days. The session will be followed by a book signing of 𝘏𝘰𝘸 𝘵𝘰 𝘗𝘢𝘪𝘯𝘵 𝘞𝘪𝘵𝘩𝘰𝘶𝘵 𝘢 𝘉𝘳𝘶𝘴𝘩: 𝘛𝘩𝘦 𝘈𝘳𝘵 𝘰𝘧 𝘙𝘦𝘥 𝘏𝘰𝘯𝘨 𝘠𝘪, alongside the launch of her calendar book 𝘐𝘴 𝘛𝘩𝘦𝘳𝘦 𝘈 𝘞𝘰𝘳𝘥 𝘍𝘰𝘳 𝘍𝘦𝘦𝘭𝘪𝘯𝘨 𝘌𝘹𝘩𝘢𝘶𝘴𝘵𝘦𝘥 𝘉𝘶𝘵 𝘍𝘪𝘭𝘭𝘦𝘥 𝘞𝘪𝘵𝘩 𝘓𝘰𝘷𝘦?, which captures the first 30 days with her newborn.

An opportunity to meet the artist, and to hold a part of the work a little closer. Books will be available on the day.

🔴 𝗖𝗼𝗻𝘃𝗲𝗿𝘀𝗮𝘁𝗶𝗼𝗻 𝘄𝗶𝘁𝗵 𝗥𝗲𝗱
🗓️ 10th May 2026, Sunday
⏰ 2:00PM
📌 𝘙𝘚𝘝𝘗 𝘳𝘦𝘲𝘶𝘪𝘳𝘦𝘥. 𝘚𝘪𝘨𝘯 𝘶𝘱 𝘷𝘪𝘢 𝘵𝘩𝘦 𝘭𝘪𝘯𝘬 𝘪𝘯 𝘣𝘪𝘰.
🎁 We’ll be giving all mums something special on that day!

🔴 𝗕𝗼𝗼𝗸 𝗦𝗶𝗴𝗻𝗶𝗻𝗴
🗓️ 10th May 2026, Sunday
⏰ 4:00PM

📍35, Lebuh Melayu, 10300 George Town, Penang

02/05/2026

Cultprint is proud to present ‘𝗜’𝗺 𝗮 𝗠𝘂𝗺?!’, an upcoming solo exhibition by artist Red Hong Yi ().

𝗜’𝗺 𝗮 𝗠𝘂𝗺?! by Red Hong Yi explores the visceral reality of early motherhood, the quiet labor and the shifting self that exist beneath the familiar refrain.

The exhibition chronicles a personal entry into the blur of those first 30 days, a space where time stops behaving like time and days fold into a rhythm of feeding, holding, and waking. Through thirty embroidered works and installations of muslin, Red Hong Yi captures the material reality of care. It is a trace of a love that doesn’t always announce itself, found in the small gaps where you are still yourself, and not yourself anymore.

𝗜’𝗺 𝗮 𝗠𝘂𝗺?!
𝘈 𝘚𝘰𝘭𝘰 𝘌𝘹𝘩𝘪𝘣𝘪𝘵𝘪𝘰𝘯 𝘣𝘺 𝘙𝘦𝘥 𝘏𝘰𝘯𝘨 𝘠𝘪
🗓️10th May - 7th July 2026
⏰12:00PM - 7:00PM (every Fri, Sat & Sun)
📍35, Lebuh Melayu, 10300 George Town, Penang

🎙️ 𝘾𝙤𝙣𝙫𝙚𝙧𝙨𝙖𝙩𝙞𝙤𝙣 𝙬𝙞𝙩𝙝 𝙍𝙚𝙙
🔴 10th May 2026, Sunday, 2:00PM

✒️ 𝘽𝙤𝙤𝙠 𝙎𝙞𝙜𝙣𝙞𝙣𝙜
🔴 10th May 2026, Sunday, 4:00PM

01/05/2026

Red Hong Yi () is a contemporary Malaysian artist widely recognised for her practice composing everyday, often overlooked materials into intricate, large-scale installations. Through the labor-intensive processes of accumulation and aggregation, she reimagines the mundane, amalgamating the domestic and the disposable into visually arresting compositions that occupy the space between sculpture and narrative image-making.

By bridging traditional craftsmanship with digital tools, Hong Yi probes how the act of repetition can generate rhythm and shared human experience. Her works often engage sensibilities of home, memory, and belonging, while more recently addressing the developing journey of motherhood.

30/04/2026

Last chance to catch the show, this final weekend before SUBCULTURE closes on 3 May. Drop by while you can, and stay tuned for what’s coming next.

29/04/2026

We’re truly grateful for the thoughtful coverage and generous support for 𝗦𝘂𝗯𝗰𝘂𝗹𝘁𝘂𝗿𝗲. Thank you to the press and platforms who took the time to engage with and share the exhibition. It means a great deal to us.

On view until 3 May. If you haven’t had a chance to experience it yet, we’d love to have you drop by before it closes. More to come soon.

26/04/2026

What you don’t see behind an exhibition. From building to installation, down to the finer details, it takes many hands to bring Subculture to life. Shoutout to laurin_guedel for the woodwork on the Mobile Art Gallery and to everyone on the team who made this happen.

24/04/2026

‘’Adding sausage has been a common staple for many students during my college era. We tended to add sausage to almost every meal we ordered, it was affordably cheap, and gave us that sense of eating meat in a way that felt oddly fulfilling.

And I thought, what if I added sausage to ikan bakar as well, since a skateboard kind of looks like a sausage anyway? Hence, ikan bakar can now skate on a sausage board while smoking.

None of this really makes sense, like why add sausage when an egg would suffice for protein? I don’t know. Why would the chicken want to cross the road?’’ - bibichun

𝗜𝗸𝗮𝗻 𝗕𝗮𝗸𝗮𝗿 𝗧𝗮𝗺𝗯𝗮𝗵 𝗦𝗼𝘀𝗲𝗷 𝘣𝘺 𝙗𝙞𝙗𝙞𝙘𝙝𝙪𝙣
Medium: Mixed Media on Wood
Size: 152.5 cm × 117 cm × 2.5 cm

Now on view in Subculture at Cultprint.

20/04/2026

Creating rooms, closets, and cabinets through the spatial qualities of the canvas as a found object, Jolene Liam situates a familiar material from the art world within an expanded context. In doing so, she explores how recognisable spaces and domestic objects can be re-seen and re-interpreted, and how our relationships with them shift over time.
Floor plans are shaped through the objects that inhabit each space, shifting emphasis away from architectural structure. This perspective reveals how accumulated things construct meaning, offering a reading of space that reflects not just where we live, but what we choose to live with, and what those choices say about us.
𝗜𝗻 𝗠𝘆 𝗖𝗮𝗻𝘃𝗮𝘀 𝗥𝗼𝗼𝗺 𝟮 𝘣𝘺 𝙅𝙤𝙡𝙚𝙣𝙚 𝙇𝙞𝙖𝙢
Medium: Acrylic and Monotype on Canvas
Size: 42 cm × 30 cm

Now on view in Subculture at Cultprint.

19/04/2026

“Our evolution as a species has been intermittently marked by the trail of barbarism we leave behind at every step,” explains , reflecting on the notion of progress as dictated by society. He suggests that tourists constitute the most effective army in history, one to which, at some point, all of us have belonged. In doing so, we become complicit in the slow erosion of the very places we seek to experience, gradually reducing cities to homogenised landscapes of global consumption, where local identity diminishes and, at times, even native residents are displaced.

Humour and irony are central to Cordal’s practice. Through his work, he raises critical questions around gentrification and the consequences of overtourism, often embodied in his recurring sculpted figure: a middle-aged, bald, uniformed man in a grey suit. This character first emerged in his ongoing nomadic project, 𝘊𝘦𝘮𝘦𝘯𝘵 𝘌𝘤𝘭𝘪𝘱𝘴𝘦𝘴 (), where Cordal stages scenes of quiet dislocation and systemic collapse. These miniature interventions are then documented through photography, preserving fleeting yet poignant reflections on the fragility of the contemporary world.

𝗧𝗼𝘂𝗿𝗶𝘀𝘁 𝟭 𝘣𝘺 𝙄𝙨𝙖𝙖𝙘 𝘾𝙤𝙧𝙙𝙖𝙡
𝗶𝗻𝗙𝗟𝗨𝗲𝗻𝗰𝗲𝗿 𝘣𝘺 𝙄𝙨𝙖𝙖𝙘 𝘾𝙤𝙧𝙙𝙖𝙡
𝗧𝗮𝘇 𝘣𝘺 𝙄𝙨𝙖𝙖𝙘 𝘾𝙤𝙧𝙙𝙖𝙡
Medium: Resin Polyurethane Sculpture with Acrylic
Size: 30 cm × 20 cm × 10 cm | 10 cm × 23 cm × 5 cm | 10 cm × 23 cm × 5 cm

Now on view in Subculture at Cultprint.

Address

35, LEBUH MELAYU
George Town
10300

Telephone

+601116089935

Website

http://www.cultprint.co/

Alerts

Be the first to know and let us send you an email when Cultprint posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Establishment

Send a message to Cultprint:

Shortcuts

Want your establishment to be the top-listed Arts & Entertainment in George Town?