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Art4u Gallery Art4u Gallery is the page selling artworks painted by Brian tai. The artworks are for decoration purpose for home, hotel & etc. Contact :+60123146578

Dujiangyan
25/09/2026

Dujiangyan

Different perspective of Petaling Street
22/09/2026

Different perspective of Petaling Street

16/09/2026

花花熊猫Hua hua Panda

Mee Soup
14/09/2026

Mee Soup

Plein air at a alley at Duxton Rd.
05/09/2026

Plein air at a alley at Duxton Rd.

O&S Restaurant, Taman ParamountWatercolour on paper38cm x 56cm O&S Restaurant is one of those familiar neighbourhood pla...
27/08/2026

O&S Restaurant, Taman Paramount
Watercolour on paper
38cm x 56cm

O&S Restaurant is one of those familiar neighbourhood places where the character of old Petaling Jaya comes alive. More than just a place to eat, it is a meeting point where generations of locals gather over simple, comforting Malaysian food.

The restaurant carries the lively rhythm of a traditional kopitiam — the clatter of plates, conversations across tables, hawkers preparing food, and the constant movement of people coming and going. Its modest surroundings are part of its charm, reflecting the everyday culture and nostalgic atmosphere of Taman Paramount.

For me, O&S represents something beyond food. It is a small piece of local memory and urban life — ordinary, authentic and full of human stories. The changing light, colourful stalls, old shopfronts and spontaneous interactions create endless possibilities for an artist.

It is precisely these imperfect, everyday moments that make O&S an interesting subject for painting: a place where food, people, memories and the rhythm of the city come together.

Plein air at Jalan Sultan 24.8.26
25/08/2026

Plein air at Jalan Sultan 24.8.26

Today demo work !
24/08/2026

Today demo work !

Jalan HJ Abu Muar
20/08/2026

Jalan HJ Abu Muar

“The inspiration for this painting came from a moment of looking up, then looking down.”In Kathmandu, the sky is not ope...
17/08/2026

“The inspiration for this painting came from a moment of looking up, then looking down.”

In Kathmandu, the sky is not open; it is a roof of tangled iron. I was walking through a busy alley when I paused and looked up. That utility pole stood like a dark, gnarled tree, shooting out hundreds of thick, heavy wires in every direction. They crossed over each other, fighting for space against the crumbling buildings. To me, those wires weren’t just electricity—they looked like the city’s own nervous system, a physical map of its rapid, chaotic growth over decades.

But as I stood there, I lowered my gaze. Right beneath that dense, oppressive canopy, the city was alive. People were moving—not rushing, but flowing. They walked in and out of the deep shadows cast by the awnings, carrying umbrellas against the sharp sun. They didn’t look up at the wires; they were completely used to them. They simply navigated the narrow space below, a river of humanity flowing effortlessly under the heavy metal sky.

That contrast is what inspired me to paint this. The heavy, rigid, unyielding black lines above against the fluid, colorful, breathing shapes below. I wanted to capture the strange harmony of Kathmandu: a city that feels tangled and overwhelming to the eye, yet somehow keeps moving with a natural, beautiful rhythm. I left the figures as anonymous shapes because they aren’t individuals—they are the spirit of the street, moving in sync with the chaotic pulse of the city above them.

The Tangled Pulse of Kathmandu
Watercolour on paper
51cm x 36cm.

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Jalan Besar
Ampang

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