Redefine Magazine

Redefine Magazine REDEFINE magazine is a Portland / Seattle publication, dedicated to "conscious growth thru long-form arts journalism". http://www.redefinemag.com

Interview with visual artist VAQUERO AZUL  - Spaces for Mesoamerican Trans RepresentationBy Vee Hua For REDEFINE magazin...
08/06/2026

Interview with visual artist VAQUERO AZUL - Spaces for Mesoamerican Trans Representation

By Vee Hua
For REDEFINE magazine

READ THE ARTICLE:
https://redefinemag.net/2026/vaquero-azul-artist-interview-seattle-tacoma-mesoamerican-latine-trans-costume-textile/

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Multidisciplinary Indigenous artist and community organizer Vaquero Azul (Indigenous Mexican and Boriken-Taíno) describes themselves as “[having their] hands a little bit in everything.’ Whether capturing attention with custom-made cowboy outfit in transgender colors, making illustrations depicting q***r love, or hosting events that allow Trans and Two-Spirit individuals from Mesoamerican communities feel comfortable in their own skin, Vaquero Azul proudly wears their identity in their many facets of work, in part because it took them to such a journey to arrive there themselves.

“It’s very warmly received, because I have a lot of people who are in my age range of their 30s in the diaspora who are very or are feeling very lost – who feel like they had to choose being q***r over their culture,” they say, of the work that they do with Latine communities.

Vaquero Azul goes on to describe the loss and grief they felt when they first came out in their early 20s. At the time, only their mother supported them, and the rest of the family cast them out.

“I thought, ‘Okay, well, I don’t belong in my culture,’ they recount, “but then coming back to it, it’s like, ‘Wait, no, this is who I am. This is my identity.'”

Interview with visual artist ERIC CHAN  - Narrative Explorations of Q***r Third Culture IdentityBy Vee Hua For REDEFINE ...
03/06/2026

Interview with visual artist ERIC CHAN - Narrative Explorations of Q***r Third Culture Identity

By Vee Hua
For REDEFINE magazine

READ THE ARTICLE:
https://redefinemag.net/2026/eric-chan-artist-interview-painter-korean-chinese-q***r-seattle/

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Q***r Korean-Chinese American painter and visual artist Eric Chan creates technically-proficient, symbolism-laden paintings that explore his intersecting third culture identities. A self-taught artist, Chan intermixes the personal, familial, and the historical by weaving together sense memories, diverse portrayals of q***r and Asian bodies, precious objects pertinent from his childhood or household, and references from Korean or Chinese antiquity.

“My artwork has allowed me to create a multicultural visual language that extends beyond my limited grasp and monolithic viewpoint of each of my parents’ and grandparents’ regional dialects, hometowns, and ethnic origins,” Chan explains. “As I continue to untangle and decipher folk art and ancestral traditions from afar, I hope to offer a knowingly unorthodox view of each of these histories to similarly displaced, diasporic, or hyphen-descendants and audiences who find moments of belonging to be extra precious when living within these in-between sometimes spaces.”

.chew.33

04/05/2026

Octopoulpe Live Show Review: Gamifying Performance with Drums, Videos, and Masks

By Vee Hua

READ THE LIVE SHOW REVIEW!
https://redefinemag.net/2026/octopoulpe-live-show-review-south-korea-french-mexico-oaxaca-noise-experimental-hardcore/

💕💕💕

Late on a Thursday evening, Octopoulpe headlined a humble show at Mandragora, a beloved community bar in Oaxaca, Mexico. I had been prepared to leave after listening to just one song, but after the squid mask-wearing South Korea-born Frenchie started his energetically-explosive math/noise/hardcore performance, I knew I was in for something different and special. By staying for the entire set, my mind was joyously blown.

On-stage, all one could really see in terms of Octopoulpe’s touring setup were lighting elements, a laptop, a projector, and a drum set — but Octopoulpe relied heavily on pre-produced videos that offered the sonic depth of a full-fledged band performance and the impressive interactivity of a video game.

.octopoulpe

Interview with Australian Director Josef Gatti: “The World Beneath the World” in PhenomenaBy Saelyx Finnq Seen at Trye/F...
14/04/2026

Interview with Australian Director Josef Gatti: “The World Beneath the World” in Phenomena

By Saelyx Finnq
Seen at Trye/False and Doc NYC

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Josef Gatti, a Melbourne-based filmmaker and pioneering cinematographer, spent nearly a decade building the “trippy science concept album” of Phenomena, his feature documentary debut. Phenomena is structured as ten chapters, each exploring a distinct natural phenomenon through meticulously conducted science experiments. 

Presented in astounding macro detail, the seemingly otherworldly visuals, filmed entirely in-camera, are matched by the immersive experimental electronic compositions of Nils Frahm and Rival Consoles.

Exquisitely rhythmic editing during the music-forward experiment sequences and Gatti’s light-touch voice-over narration guide the viewer through the spell-binding inner workings of the natural world.

READ THE ARTICLE:
https://redefinemag.net/2026/josef-gatti-documentary-interview-phenomena-nature-science-spirituality-movie/

Interview with Indonesian Film Director Wregas Bhanuteja: An Internal Creative Journey to LevitatingBy Saelyx Finnq Seen...
18/02/2026

Interview with Indonesian Film Director Wregas Bhanuteja: An Internal Creative Journey to Levitating

By Saelyx Finnq
Seen at Sundance 2026

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At Sundance 2026, Indonesian director Wregas Bhanuteja premiered Levitating (Para Perasuk), a highly imaginative film about a fictional trance party community in Indonesia. The Indonesian title, Para Perasuk, translates to “the possessors” or “spirit channelers” — a more literal description than the English Levitating.

The story centers around Bayu — played by Angga Yunanda — a young man determined to become a lead spirit-channeler in his community. The film’s narrative unfolds across the continuum of consciousness, taking viewers beyond the borders of the physical world through visually creative renderings of Bayu’s internal mental states and the trance realm he facilitates for participants. Bayu’s journey centers around a meditation on obsession, forgiveness, and what it really means to surrender.

READ THE ARTICLE:
https://redefinemag.net/2026/wregas-bhanuteja-director-interview-levitating-feature-film-sundance/

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