23/11/2023
Yesterday, I presented my work at FiftySix Design Talks and took the audience on a chronological journey through my creations. For my graduation at the Royal College of Art, I not only worked on my signature white porcelain pieces but also delved into a series of works using black clay. I personally crafted the clay, incorporating a mixture of oxides.
Working with white porcelain is undoubtedly a luxurious experience, yet the exquisite nature of the material brought about its own set of challenges, demanding a high level of finesse. In contrast, my experience with dark clay was quite the opposite—it was grounding, forgiving, and provided the space for me to explore my more chaotic and spontaneous artistic side.
I've compiled a collection of images featuring works exclusively in the dark clay that I formulated. The idea of acquiring another 3D printing machine is tempting, with one dedicated to preserving the clarity and pristine nature of my white clay creations, and another for the expressive and dynamic pieces made from the dark clay. What are your thoughts on this?