Nico Conti Art

Nico Conti Art I produce one-off pieces and limited edition work in fine 3D printed porcelain.

This is one of my favorite works. It demonstrates both restraint and meticulous precision, requiring significant patienc...
18/10/2024

This is one of my favorite works. It demonstrates both restraint and meticulous precision, requiring significant patience to achieve the final result.

Displayed at PAD with Adrian Sassoon Gallery.

Photographs by Slvain Deleu.

Tulip Vase and other works will be exhibited at PAD with Adrian Sassoon Gallery from the 8th till the 13th of October at...
05/10/2024

Tulip Vase and other works will be exhibited at PAD with Adrian Sassoon Gallery from the 8th till the 13th of October at Berkeley Square, London.

Photo by Sylvain Deleu.

Happy to be awarded first place in Category 1: Artisanal Products (Glass and Ceramics) by the Malta Crafts Foundation.
03/07/2024

Happy to be awarded first place in Category 1: Artisanal Products (Glass and Ceramics) by the Malta Crafts Foundation.

A side of my work rarely reveal - a work in progress, in motion. My machine, through years of daily use, now is an exten...
10/05/2024

A side of my work rarely reveal - a work in progress, in motion. My machine, through years of daily use, now is an extension of my limbs, its code interwoven into my thought. Its motion predictable yet still with minute imperfections and varied probabilities - crafting a hundred identical objects and not two of them would be identical. Initially controversial, the fusion of fine porcelain and technology now has widespread acceptance. I thrive in the convergence of technology and craft. My work pays homage to the embrace of innovation; without the machine, it would cease to exist.

Enjoying this new read from Ashley Thorpe: Contemporary British Studio Pottery - forms of expression. The chapter highli...
23/03/2024

Enjoying this new read from Ashley Thorpe: Contemporary British Studio Pottery - forms of expression. The chapter highlights the relationship between craft and machine. Very honored to be featured in this book alongside so many talented artists and friends; Magdalene Odundo, Akiko Hirai, Matthew Warner and others.

I was surprised to learn that this artwork, housed within the MUŻA reserve collection, has been selected for inclusion i...
16/03/2024

I was surprised to learn that this artwork, housed within the MUŻA reserve collection, has been selected for inclusion in the exhibits of the maltabiennale.art. Originating from my time in London, this unique crescent-shaped piece is one of a kind and I have not revisited this form. Typically displayed in soft natural lighting, the drastic illumination has transformed the piece into an almost architectural utopian model. It will remain on display until May 31st.

Yesterday, I presented my work at FiftySix Design Talks and took the audience on a chronological journey through my crea...
23/11/2023

Yesterday, I presented my work at FiftySix Design Talks and took the audience on a chronological journey through my creations. For my graduation at the Royal College of Art, I not only worked on my signature white porcelain pieces but also delved into a series of works using black clay. I personally crafted the clay, incorporating a mixture of oxides.

Working with white porcelain is undoubtedly a luxurious experience, yet the exquisite nature of the material brought about its own set of challenges, demanding a high level of finesse. In contrast, my experience with dark clay was quite the opposite—it was grounding, forgiving, and provided the space for me to explore my more chaotic and spontaneous artistic side.

I've compiled a collection of images featuring works exclusively in the dark clay that I formulated. The idea of acquiring another 3D printing machine is tempting, with one dedicated to preserving the clarity and pristine nature of my white clay creations, and another for the expressive and dynamic pieces made from the dark clay. What are your thoughts on this?

I've shared these pictures on different occasions before, but this time, I wanted to showcase my work in a more personal...
18/11/2023

I've shared these pictures on different occasions before, but this time, I wanted to showcase my work in a more personal light – how it's meant to be experienced, in a domestic setting, living and breathing alongside everyday life. While I appreciate well-captured studio shots that highlight intricate details without distractions, there's something magical about seeing my artwork transform within the familiar spaces of a home. Whether it's the sunlight shining through the windowsill or the intriguing interplay between my contemporary pieces and older objects, there's a unique charm that unfolds in these surroundings.

Images by myself, Sylvain Deleu (courtesy of Adrian Sassoon) and Matthew Rose.

It’s time to share very exciting news. I am extremely honoured to have been invited by  and  to work on their Coronation...
06/05/2023

It’s time to share very exciting news. I am extremely honoured to have been invited by and to work on their Coronation cake produced in collaboration with and .

The cake has been gifted at Windsor Castle in commemoration of the Coronation of Their Majesties.

The techniques I used to create the porcelain pieces combine modern 3D printing technology with skill and craftsmanship. This echoes the Prince’s Foundation ethos - Respecting the Past, Building the Future. On the fourth tier, the delicate porcelain surround was influenced by details on the Coronation Chair. Cresting the cake is a porcelain interpretation of the Sovereign’s Orb.

I thank pladis and McVitie’s for this once in a lifetime opportunity

A few detail shots of my older work using a macro lens. When seeing a finished object, the eye tends to focus more on th...
26/02/2023

A few detail shots of my older work using a macro lens. When seeing a finished object, the eye tends to focus more on the whole form rather than all the detail that it holds. One can see the versatility in texture achievable through the machine. 3D-printing is often associated with rigid horizontal lines and anything else is usually considered as a failure. I wanted to utilise these 'failures' and create a more organic end result.

My making process. I start by mixing my own clay mixture, in the case of porcelain I do not add much to it besides water...
21/02/2023

My making process. I start by mixing my own clay mixture, in the case of porcelain I do not add much to it besides water and liquid glucose in the case of wanting to achieve elasticity in the strands (learned this from a porcelain flower maker from Jingdezhen). Followed by the design process where I go back and forth between drawing digitally and referencing drawings from my sketchbook. I do so using a number of digital applications (currently using Rhino3D and Nomad Sculpt) and finish this off with a slicing programme (Cura). After this I load up my processed clay into the machine and start the printing process. This is usually a very hands-on step as I manipulate the form, add to the clay or distort the clay is it is being extruded. After a very slow air drying process of around two weeks, I load up the work into a kiln and fire it to a 1300°C. At this temperature the porcelain vitrifies, which gives it the translucency, whiteness and sheen porcelain is often associated with.

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Casal Paola

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