The Sea Art Gallery

15/08/2026

Big congratulations to our curator Mike Min Thu Kha Kyaw for your great works and proudly share this interview as a remarkable benchmark for your professional career as well as for The Sea Art Gallery. Let us keep on going and creating more fabulous works together for our new era. 🎉🎊✨️👏👏👏👏

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11/07/2026

Friction within a restricted palette. By pitting the distinct textures of acrylic against enamel, White & White builds a quiet landscape where physical layers continuously interrupt, override, and reassert themselves.

CLASH has been extended and will be on view at Supples Gallery from 9 May to 19 July 2026.




White & White, 2019
Acrylic & Enamel on Canvas
60 x 92 cm

10/07/2026

A statement of visual resistance. Aung Myint deliberately disrupts expectations of negative space, ensuring that color and form do not settle into easy harmony. Subtle strokes break the silence of the void.

CLASH has been extended and will be on view at Supples Gallery from 9 May to 19 July 2026.




It’s not white, 2022
Acrylic on Canvas
60 x 92 cm

09/07/2026

Dominance declared through how mass physically occupies space. A calculated collision of color, medium, and counter-pressure.

Black is Conquer, 2019
Acrylic & Enamel on Canvas | 60 x 92 cm
Using a thick, textured mixture of acrylic and enamel, the brush becomes an assertive tool—laying down deep, gestural marks with absolute speed and weight.

Red is Conquer, 2019
Acrylic & Enamel on Canvas | 60 x 92 cm
Serving as a direct counter-pressure to its counterpart, Red leverages vivid crimson and fast, sweeping strokes to overpower the surface.

CLASH has been extended and will be on view at Supples Gallery from 9 May to 19 July 2026.

08/07/2026

The isolation of the mark. Stripped of all superfluous elements, Black Riss forces a direct engagement with pure gesture—recording the exact velocity and pressure of the artist's hand.

CLASH has been extended and will be on view at Supples Gallery from 9 May to 19 July 2026.




Black Ring, 2022
Acrylic on Canvas
55 x 55 cm

05/07/2026

Meaning formed strictly through pressure. Every stroke on this canvas interrupts and overrides the last, documenting a direct collision of force and control.

CLASH has been extended and will be on view at Supples Gallery from 9 May to 19 July 2026.




Influence by which!, 2019
Acrylic on Canvas
60 x 92 cm

04/07/2026

A continuous push and pull of abstract forces. Aung Myint does not seek a peaceful resolution; instead, he allows the friction of transition, rupture, and overlap to remain completely visible on the canvas surface.

CLASH has been extended and will be on view at Supples Gallery from 9 May to 19 July 2026.




In & Out, 2019
Acrylic on Canvas
66 x 86 cm

03/07/2026

Direct visual pressure, entirely stripped of narrative. In these counterpart works, Aung Myint removes the safety of hidden stories, leaving only raw impact.

(Left) Red Eye Balls, 2022
Acrylic on Canvas | 92 x 92 cm
Intense crimson dominates the surface, advancing through forceful gestures and eyes that stare back without mediation. This is painting realized purely as action.

(Right) Black Eye Balls, 2022
Acrylic on Canvas | 92 x 92 cm
Heavy black forms crowd the canvas, asserting an intense graphic weight that refuses to recede.

CLASH has been extended and will be on view at Supples Gallery from 9 May to 19 July 2026.

03/07/2026

Aung Myint | CLASH

On view until 19 July 2026.