furiosa furiosa is an experimental research-driven project founded by independent curators and art workers Arlène Berceliot Courtin & Thibault Vanco in 2018.

👀  The documentation of Fade-out, Hanne Lippard’s solo-show curated by furiosa, as part of the program, "I’m a private p...
08/02/2021

👀 The documentation of Fade-out, Hanne Lippard’s solo-show curated by furiosa, as part of the program, "I’m a private person, I’m a public mind" is now available online: https://f-u-r-i-o-s-a.com/Exhibitions

I'm a private person, I'm a public mind borrows its title from a poem performed by Hanne Lippard on a winter afternoon. Haunting the active memory of a cell phone's Notes application for two years. I’m a private person, I’m a public mind mark through Fade-out, the last opus of a program focusing on the lexicon of attraction and the intimate strategies, the obsession with language, and the migration of language.

The fading of the voice invites us to understand disappearance as an autonomous phenomenon. Thus, Fade-out allows us to consider this phenomenon through several entities, some voices understood as a set of sounds produced by the mouth resulting from the vibration of the glottis under the pressure of exhaled air and as such precedes speech. (1)

Through intertextuality, Hanne Lippard permutes, fragments, and reconstructs language using words in their potential echoes.

What is this ghost who echoes the call? (2) To be haunted by a ghost is to remember something you've never lived through. (...) Firstly, you're asking a ghost whether he believes in ghosts, Here the ghost is me. (3)

-

1. The voices of the revolution, Paul B. Preciado, Liberation Newspaper, November 20, 2020.

2. I heard a noise in the call, Speech was not natural or sounded distorted, the call ended unexpectedly, the other side could not hear any sound, I could not hear any sound, heard echo in the call, Volume was low, we kept interrupting each other, extracts from the message sent by Skype at the end of a call, November 2020, collection of the artist.

3. Ghost Dance, Ken McMullen, 16’11, 1983, Jacques Derrida playing his own role in an interview with Pascale Ogier.

With the support:
Royal Norwegian Embassy in Paris, France
Lafayette Anticipations, Paris
Department of Cultural Affairs, the Principality of Monaco
& BOTOX(S) – réseau d’art contemporain Alpes & Riviera

Images:
Exhibition views Fade-out, © the artist, furiosa and LambdaLambdaLambda, 2021.

27/01/2021
Fade-outIncl. fragments from R.Barthes, A Lover’s Discourse, 1977 The Human Voice, Jean Cocteau (played by Ingrid Bergma...
21/01/2021

Fade-out

Incl. fragments from R.Barthes, A Lover’s Discourse, 1977 The Human Voice, Jean Cocteau (played by Ingrid Bergman), 1966 Bruce Sterling, The Hacker Crackdown: Law and Disorder on the Electronic Frontier, 1992

A text that permutes, fragments, and reconstructs a new language through the intertextuality proposed by Hanne Lippard especially for her solo curated by furiosa on view through Saturday.

To enjoy, and pursue your reading or to book a private tour, please click on the links in bio.

With the support:
Royal Norwegian Embassy in Paris, France
Lafayette Anticipations, Paris
Department of Cultural Affairs, the Principality of Monaco
& BOTOX(S) – réseau d’art contemporain Alpes & Riviera






Fade-out:A solo by Hanne Lippard curated by Arlene Berceliot Courtin and Thibault Vanco on view at furiosa studio throug...
15/01/2021

Fade-out:
A solo by Hanne Lippard curated by Arlene Berceliot Courtin and Thibault Vanco on view at furiosa studio through January 23rd, 2021.

With the support:
Royal Norwegian Embassy in Paris, France
Lafayette Anticipations, Paris
Department of Cultural Affairs, the Principality of Monaco
& BOTOX(S) – réseau d’art contemporain Alpes & Riviera

Image:
Ghost Dance, Ken McMullen, 16’11, 1983, Jacques Derrida playing his own role in an interview with Pascale Ogier. © Ken McMullen, 1983.

For more information, check the links in the bio.

The documentation about the show is now online, thanks to .a.daily People a solo by Mélanie Matranga curated by Arlène ...
01/12/2020

The documentation about the show is now online, thanks to .a.daily

People a solo by Mélanie Matranga curated by Arlène Berceliot Courtin and Thibault Vanco as part of Manifesta 13.

With the support:
Mécènes du Sud Aix-Marseille
Department of Cultural Affairs, the Principality of Monaco
NMNM - Nouveau Musée National de Monaco



̀lesdusud






You can now find online hereafter: https://f-u-r-i-o-s-a.com/Melanie-Matranga, the documentation about People - a solo s...
09/11/2020

You can now find online hereafter: https://f-u-r-i-o-s-a.com/Melanie-Matranga, the documentation about People - a solo show by Melanie Matranga curated by furiosa as part of Manifesta 13.

Stay tuned for the next show of our annual program ”I'm a private person, I'm a public mind” dedicated to Norwegian artist Hanne Lippard which opening date will be announced soon.

Images:
Exhibition views, People, courtesy the artist and furiosa, © DR, 2020.

The erotic is a measure between the beginnings of our sense of self and the chaos of our strongest feelings.-Uses of the...
02/11/2020

The erotic is a measure between the beginnings of our sense of self and the chaos of our strongest feelings.

-
Uses of the Erotic: The Erotic as Power, Lorde, Audre, Sister Outsider: Essays and Speeches (Crossing Press Feminist Series), 2007.

More:
https://f-u-r-i-o-s-a.com/Notes-on-Self

People (detail), a solo exhibition of Mélanie Matranga curated by Arlène Berceliot Courtin and Thibault Vanco. Open by...
27/10/2020

People (detail), a solo exhibition of Mélanie Matranga curated by Arlène Berceliot Courtin and Thibault Vanco.

Open by appointment through Nov 8th at furiosa studio, Monaco

People marks the second part of the curatorial program I'm a private person, I'm a public mind program initiated by furiosa in August 2020, including its participation in Manifesta 13 - Les Parallèles du Sud, following the presentation of the series 18th near Castro Street (1978) by the American conceptual photographer Hal Fischer (1950, Kansas City).

With the support:
Mécènes du Sud Aix-Marseille
Department of Cultural Affairs, the Principality of Monaco
NMNM - Nouveau Musée National de Monaco



̀lesdusud






🤍 Wonderful news for our Parisian friends!Hanne Lippard’s work is currently on view as part of "HOSPITALITÉS" by LambdaL...
21/10/2020

🤍 Wonderful news for our Parisian friends!

Hanne Lippard’s work is currently on view as part of "HOSPITALITÉS" by LambdaLambdaLambda at Air de Paris from October 21–25, 2020! More info: http://airdeparis.com/now.htm

& very soon at furiosa studio on the occasion of her upcoming solo-show Fade-out from mid-November, 2020 with the support of the Royal Norwegian Embassy in Paris, France.  

Hanne Lippard has been using language as the raw material for her work for the last decade, processing it in the form of texts, vocal performances, sound installations, printed objects, and sculpture. Her work takes its place in a rich history of the performative use of the voice and the linguistic deconstruction of language, whose genealogy is found both in the fields of music, spoken word, theatre, sound, poetry, and art.

Image:
Curse series, 2018, courtesy of lambdalambdalambda and the artist.




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