Othman El Kheloufi

27/04/2026

On travail encore avec l’équipe pour vous préparer le concert du jazz day

27/03/2026

At 6, my father was teaching me these patterns in the workshop we had at home, a true craftsman, handcrafting furniture the old way. Years later, they found a new voice. In music.

26/03/2026

Spirituality is not confined to one worldview

25/03/2026

It’s been six years now that I’ve been immersed in this, to the point where I lose track of time.

17/03/2026

Ramadan! A journey within yourself

13/11/2025

Je suis sur TIK Tok finalement 🤣🤷🏻

TikTok

31/10/2025

🔥 Mon prochain concert

🎶 Un voyage entre jazz, groove et sonorités marocaines.
Deux albums sur scène : Zid Zid & Mazmout.
Avec un grand orchestre de musiciens

📅 Vendredi 7 novembre 2025
📍 Croon Lounge – Marriott, Rabat
⏰ 21h30

🎟️ Tickets & infos en bio

22/10/2025

Moi wallah je serai à l’heure. Et toi ? 😉

Le 7 novembre au .lounge.rabat , on va jouer, rigoler, respirer un peu de jazz, danser et passer un vrai bon moment.

🎟️ Billetterie en bio — viens avant que ma mère achète toutes les places.

20/09/2025

Avant première d’une nouvelle création.
Places limitées !
🎶 + 🍪 + 🍷

10/08/2025

Final stretch. I’m putting the last touches on the sound creation for Laila hida’s ( ) new film Sange Khara.

🎥 Sange Khara, will be presented at the 36th Bienal de São Paulo ( ), titled “Not All Travellers Walk Roads – Of Humanity as Practice.” The biennial, which takes its title from the poem ‘Da calma e do silêncio’ (Of calm and silence) by Afro-Brazilian poet Conceição Evaristo, will examine how humans understand and engage with each other. The 36th Bienal de São Paulo will take place from September 6, 2025, to January 11, 2026, at the Ciccillo Matarazzo Pavilion.

In Sange Khara, a new chapter of her long-form project Le Voyage du Phoenix, Laila Hida explores the constructed imaginaries of the oasis — from colonial travel writing and orientalist cinema to contemporary tourism and speculative landscaping. Through image, sound, and spatial assemblage, she traces the layers of myth, desire, and appropriation embedded in these aestheticized territories.

This edition is curated by Bonaventure Soh Bejeng Ndikung ( ), supported by Alya Sebti ( ), Anna Roberta Goetz ( ), Thiago de Paula Souza, Keyna Eleison ( ) and Henriette Gallus.