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The FILM MONK 🎬 Award-winning Lebanese film & video production · Beirut
Executive Producer · Post Producer · Consultancy · Tutoring

19/05/2026
19/05/2026

Official trailer “LETTERS رسائل”

Proud to announce the official selection of our film “LETTERS رسائل” Étonnants Voyageurs film festival, screening Sun. 2...
19/05/2026

Proud to announce the official selection of our film “LETTERS رسائل” Étonnants Voyageurs film festival, screening Sun. 24 May 2026 at 13h45, Cinema Vauban-Garde Passerelle de Saint-Malo…

Proud to announce that our film “Letters رسائل” screens tomorrow 28 April - 3 pm at the Annaba Mediterranean Film Festiv...
27/04/2026

Proud to announce that our film “Letters رسائل” screens tomorrow 28 April - 3 pm at the Annaba Mediterranean Film Festival don’t miss it.

Alexandra El Kahwagi
Christy Whaibe
Corine Shawi
Damoun Ghaoui
Dwan Kaoukji
Elie Khalife
Hassan Zbib
Josef X Kalüf
Marie-Rose Osta
Michele Tyan
Mike Malajalian
Myra Zbib
Myriam Hage
Nadim Tabet Lemmy Caution
Rania Rafei
Reine Chahine
Salim Mrad
Daccache Zeina

The FILM MONK
Djinn House
MAD Solutions
Boghossian Foundation - Lebanon
Goethe-Institut Libanon
Fondation Liban Cinema (FLC)

This journey has its own logic, and looking back, every step made sense.From “Bonboné” to “Trumpets in the Sky” to “The ...
20/04/2026

This journey has its own logic, and looking back, every step made sense.

From “Bonboné” to “Trumpets in the Sky” to “The Key”, which I line-produced, I watched Rakan build a body of work that never compromised and never rushed. TIFF. Moscow. SXSW. The world kept saying yes to his vision, and he kept going deeper into it.

I believed in these projects because they were never safe choices, and because he always seemed to work with full confidence. Working alongside Rakan on those sets, I understood early that he wasn’t just making films, he was searching for something real. That search always drew from the same two wells: his grandmother, whose presence, and lately her absence (Roam In Peace), shaped his imagination in ways that keep surfacing in his work, and Palestine, his homeland, a place he carries and discovers through cinema, over and over.

His first feature, “Yesterday the Eye Didn’t Sleep البارح العين ما نامت”, shot in the Bekaa Valley with non-professional actors and no script, is exactly where that search leads when you trust it long enough.

Cannes Un Certain Regard is not a surprise. It’s a confirmation of a difficult but pleasant journey.

Proud to have been part of the road, my friend. Mabrouk to all of us.

Rakan Mayasi debut feature “Yesterday the Eye Didn’t Sleep البارح العين ما نامت” is in Festival de Cannes 2026 Official Selection, Un Certain Regard.

Featuring Rim Al Mawla Jawaher Al Mawla Yasser Al Mawla
Written and directed by Rakan Mayasi
Director of Photography Pôl Seif
Produced by Jennifer Ritter Rakan Mayasi
Editor Louis De Schrijver
Co-written by Wahid Ajmi
Sound Designer Lama Sawaya
Sound Recordist Bassam Lebbos
Re-recording Mixer Philippe Charbonnel
Original Music Abed Kobeissy
Art Director and Wardrobe Lea Chammas
Associate Producers Thomas Meys May Odeh Josh Palmer David Claikens Alex Verbaere Philippe Logie Valerie Berlemont
Associate Co-producers Beata Saboova Vincent Metzinger Juliette Hourcourigaray
Executive Producer Roger Waters
Line Producer Josef X Kalüf
Production Manager Anthony Merheb
Production Coordinator Alexandra El Kahwagi
Fixer Mohsen Chaaban
Assistant Director Jessica Jalalaty
1st Assistant Camera Jad AbouAbdo
2nd Assistant Camera Ashraf Aatieh
Gaffer & DIT Lea Skayem
Gaffer & Key Grip Raffi Kasparian
Platform Studios CAMESCOOP
Chant Etyemezian

With the support of light productions of the Federation Wallonie Bruxelles

With the support of the Final Cut in Venice program of the Venice International Film Festival 2025

With the support of CineLink Work in Progress of the Sarajevo Film Festival 2025

With the support of Red Sea Souk Work in Progress 2025

Winner of the Red Sea Souk Work-in-progress Special Jury Award

Participated in the Doha Film Institute Producers Lab 2024

Participated in the Doha Film Institute First Cut Lab 2025

With the support of SACD in BELGIUM

Fédération Wallonie-Bruxelles/Officiel
La Biennale di Venezia
Red Sea International Film Festival
Doha Film Institute
First Cut Lab Tatino Films
SARAJEVO FILM FESTIVAL CineLink Industry Days
Palestine Film Institute Marché du Film - Festival de Cannes

Mayana Camescoop Cobalt SACD Belgique Oticons
Komposit Proximus Be tv Orange Tax Shelter Belgique BNPPFFF

Visual Effects Komposit
VFX Producer Gilles Munten
VFX Compositor Sam Bodson
VFX Compositor Louna Dapoigny

Color Grading Cobalt Films
Colourist Loup Brenta
DI Lab Technician Titouan Le Guillou
DI Lab Technician Paul Millot
DI Lab Technician Lucien Keller

Foley Artist Geddy Kamel
Foley Artist Mohamed Choucair
ADR Recordist Bassam Lebbos
Music Supervision by Oticons George Christopoulos

Thanks to: Renée Awit

Some wins feel personal. This one does.Marie-Rose and I met through cinema, the way most real friendships start here. Wh...
20/04/2026

Some wins feel personal. This one does.

Marie-Rose and I met through cinema, the way most real friendships start here. When I initiated “Letters”, a collective film with 18 Lebanese filmmakers, she was one of the voices I wanted in the room. We made something together under impossible circumstances, the way Lebanon always asks you to. When the film premiered at Clermont-Ferrand, something shifted between us, from collaborators to friends, the kind you keep.

Watching her receive the Golden Bear at Berlinale - Berlin International Film Festival for “Someday, a Child” was one of those moments where you feel proud in a way that has nothing to do with you, and everything to do with you. Because you were there, somewhere in the story.
And then she opened her mouth on that stage and said what needed to be said, clearly, without fear, in front of everyone. That courage is not separate from her cinema. It’s the same thing.
The film itself, a child with extraordinary powers in a Lebanese village under the roar of warplanes, is exactly the kind of fable only she could make. Quiet on the surface, devastating underneath.
Proud of you, Marie-Rose. Proud that FilmMonk was part of this journey as line producer. Proud that “Letters” brought us closer.
Mabrouk. This one’s for all of us. 🤍
Director: Marie-Rose Osta
Producer: Marie-Rose Osta Christian Azoury
Co-Producer: Ana Maria Pirvan
Executive Producer: Josef X Kalüf
DOP: Sokol Keraj
Editor: Alex Pintica
Sound Design: Marius Leftarache Lama Sawaya Marian Balan Victor Miu
Art Director: Ali Khodr
Production Manager: Christian Azoury
Focus Puller: Ralf Moussa
2nd AC: Roupen Atamian Ketchedjian Rawan Moghrabie
Gaffer: Raffi Kasparian
Lighting Helpers: Hagop Tikijian Nassib Chahine Bernard Farah
Sound Engineer: Avedis Kelzy
Boom Operator: Elie Harb
Post Production Supervisor: Carmen Rizac
Colorist: Claudiu Doaga
Sound Editor: Tarek Dandan Mohamed Choucair
VFX Supervisor: Olga Avramova
Actors: Antoine Daher Khalid Hassan

The FILM MONK
Les Flâneurs Films
Avanpost Media
Studio Avramova VFX
Anchor Films
Le CNC
AFAC - The Arab Fund for Arts and Culture
DB Studios Beirut
Platform Studios
In Wave Films
Machrou3 Café

Thanks to: Renée Awit

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