Bryony Dixon

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Twenty-year-old film doesn't come with promises.Most of these images were shot on expired Kodak E100 slide film dating f...
09/06/2026

Twenty-year-old film doesn't come with promises.

Most of these images were shot on expired Kodak E100 slide film dating from 2004, cross processed in c41 chemistry. Some rolls passed through point-and-shoots, others through cameras like my Nikon F100, Canon AE-1, and Minolta 7000i. Every frame was a bit of a gamble. After sitting for decades, there was no guarantee the film would produce anything at all, let alone images worth sharing.

What came back was something I never could have planned. Strange colour shifts, deep saturated tones, unexpected casts, and little imperfections created by time itself. The film had changed over the years, and those changes became part of the photographs. Instead of fighting them, I found myself embracing them.

This process has reminded me that not everything creative comes with certainty. Sometimes you have to trust the experiment, put in the work, and accept that the outcome might be completely different from what you imagined. You load the film, press the shutter, mix the chemistry, and hope. The rest is out of your hands.

Over the past year I've gone from being slightly intimidated by developing colour film to regularly processing both 35mm and 120 at home. Every roll has taught me something. Every mistake has led to another lesson.

These photographs are a reminder that sometimes the best things come from taking a chance on something old, uncertain, and imperfect. You never really know what is waiting inside until you open the tank and see the negatives hanging there in the light. 📷✨

As Cayman Art Week has concluded, we're feeling incredibly grateful for the experience of sharing What the Light Remembe...
05/06/2026

As Cayman Art Week has concluded, we're feeling incredibly grateful for the experience of sharing What the Light Remembers with the community.

The project grew from a simple idea: exploring how memories are carried, changed, and preserved through light, materials, stories, and time. By bringing together photography, handmade paper, cyanotypes, found objects, negatives, and abstract processes, we created a body of work that sat somewhere between memory and imagination, permanence and change. It became an exploration of what remains with us long after a moment has passed.

One of the greatest joys of this project was the collaboration itself. Working alongside E.A.Tofte challenged both of us to step outside our usual creative practices, trust the process, and discover new ways of making. We brought different perspectives, skills, and ideas to the table, and together created something neither of us could have made alone. The conversations, experimentation, successes, mistakes, and discoveries became just as important as the finished pieces on the wall.

We would like to extend our heartfelt thanks to the Cayman Art Week team for their incredible work in creating a week that celebrates creativity across all three islands. Cayman Art Week is a special season for artists, a time when creators and art lovers come together to share ideas, support one another, and see what everyone has been working on. In many ways, it feels like the island's biggest show and tell, and we're grateful to have been part of it.

A very special thank you goes to everyone at Whale Rider, every member of the team, thank you for welcoming us into your space and helping bring this exhibition to life. Whether it was assisting with installation, helping us move artwork, creating video/promo content, sharing information, or simply encouraging us throughout the process, your enthusiasm and generosity made this experience even more meaningful.

Finally, thank you to our family, friends, fellow artists, and everyone who visited the exhibition, asked questions, shared conversations, and spent time with the work.

A Moment in TimeNot just as history written in books, but as a reminder of what it means to exist freely. To walk throug...
08/05/2026

A Moment in Time

Not just as history written in books, but as a reminder of what it means to exist freely. To walk through nature on Emancipation Day, camera in hand, feels like one of the quiet rewards handed down by our ancestors and forefathers. To breathe clean air, wander familiar paths, smell the flowers, hear insects buzzing through the brush, and watch young birds awkwardly figuring out flight for the first time.

I spent the holiday at the Botanic Park letting nature pull me away from the noise for a little while. The mosquitoes were ruthless, the heat was heavy, but it was worth every second to stand still long enough for the birds to trust and allow me to sneak up just a little closer. Moments like this remind me how grateful I am to use the gifts God gave me to share pieces of the beautiful natural world through photography.

Shot on the Olympus OM-D E-M5 Mark I with a vintage Tamron 80-210mm lens from the 1970s series, found years ago in pristine condition at a thrift store and finally brought back out for some telephoto and macro work, alongside the Olympus Zuiko 60mm Macro lens.

Model and Photographer Meet Up May 2026A few frames from May’s Model and Photographer meetup at the amazing backdrop of ...
07/05/2026

Model and Photographer Meet Up May 2026

A few frames from May’s Model and Photographer meetup at the amazing backdrop of Miss Lassie's house and Mind's Eye Gallery.

Huge thanks to all the models, photographers, and everyone who braved the heat with us all that Sunday afternoon 🌞📷 The backyard, shoreline, artwork, and sunset gave us the kind of atmosphere you can’t really plan for, only stumble into together.

Shot across digital and 35mm black & white film using the Olympus OM-D E-M5 Mark I, Nikon Z5, Nikon D750, Nikon F100, and Konica C35. Ending the day with that sunset felt like the island exhaling.

Cyberpunk Shoot: Part 2 "Saltlight"The last light doesn’t disappear. It lingers, stretched thin across the horizon, caug...
11/04/2026

Cyberpunk Shoot: Part 2 "Saltlight"

The last light doesn’t disappear. It lingers, stretched thin across the horizon, caught somewhere between memory and signal.

She stands in that space, searching, not for a place or a person, but for something that answers back. The ocean stays quiet. The sky keeps its distance. And still, she looks.

Shot at the edge of sunset, when the sky turned that deep violet and the sea began to fall into shadow, this series leans into that transition. Natural light fading, artificial light taking over. The glow from the visor becomes its own horizon, cutting through the darkness, while the flash interrupts the scene, a brief, human pulse against something much larger and more silent.

I’ve been exploring what cyberpunk looks like here, not in a dense city, but along the coast. Neon against salt air. Signal against silence. Even the jewelry carries that idea, built from reclaimed electronics and cast in resin, fragments of old systems turned into something physical again.

This sits in that in-between space, where you have everything you need to survive, but you’re still searching for a reason why.


Resin-casting of recycled tech jewelry
Model | Fit | Makeup

Cyber Punk Shoot: Part I Concrete Tides"Somewhere between the shoreline and the structure, she exists."This series start...
08/04/2026

Cyber Punk Shoot: Part I Concrete Tides

"Somewhere between the shoreline and the structure, she exists."

This series started as a conversation about what the Cayman Islands might feel like in the near future if its natural rhythm collided even further with an acceleration.. (which in a way is already here if we're honest)... Not a collapse, not a dystopia… just a shift too far. The beach is still there. The ocean still breathes...
Yet things have long started to look unrecognizable to our ancestors as they watch us shift into the future from the afterworld.

This space in a way was the perfect representation, with the concrete corridors, the hard edges, the quiet geometry that begins to tell a story of the conflict of modern structures as they clash with nature's beauty around them.

We leaned into that contrast. Tropical identity meeting a kind of low-grade futurism. "Conch shell brass knuckles". Resin-cast jewelry built from recycled circuitry and fragments of old cameras... pieces of obsolete tech given a second life, worn like artifacts from a near-future that hasn’t fully arrived yet.

With swimwear as streetwear. Denim as armor. A jacket that moves between heat and structure. A mixture of faded blues, hot pink and red high tops... the fit draws you into an urban seaside jungle vibe.

Those brutalist walls, the narrow passageways, the sky cutting through above like a reminder that something softer still exists just out of reach.

This shoot took the Caymanian aesthetic and let it pass through a future lens. Not to replace it, but to see what remains as the environment shifts and hardens. The influence of cyberpunk and scifi lives in the edges, while the core stays grounded in salt, sun and memory.

Shot across digital and film with a Nikon Z5, Nikon D750, Fujifilm X100V, and even medium format on the Mamiya RZ67 Pro and 35mm film on the Nikon F100, this is only the beginning. The film shots will come later, like a memory catching up to the present.

Stay tune for Part II
Model | Make-up & outfit
Resin-casting of my recycled electronic built jewelry by


Before constant notifications, silly algorithms and endless scrolling, was the robotic sound of dial-up internet and the...
11/03/2026

Before constant notifications, silly algorithms and endless scrolling, was the robotic sound of dial-up internet and the click of a Game Boy cartridge sliding into place, afternoons were simple... no way around it.

Bikes thrown down on the lawn in the yard meant your friends were home. The basketball court was the meeting spot. Skateboards, Walkmans, CD players, sunset light, and conversations about whatever aired on Toonami the night before.

We shot this laid-back set at the North Side basketball court while chasing that warm sunset glow. I also ran a full roll of LomoChrome Metropolis through my Nikon F100 that I’ll be developing soon, but I wanted to capture the moment digitally as well.

Film for the nostalgia. Digital for the moment

The 90s aesthetic keeps finding its way back into modern culture. Anime, street culture and video games all mixed together. Even people who didn’t grow up in that era still gravitate toward it. Maybe it’s the style, maybe the music, or maybe it’s the memory of a time when life moved just a little slower and imagination filled in the gaps the internet hadn’t yet spoiled.

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