ONE AND J. Gallery

ONE AND J. Gallery ONE AND J. GALLERY was founded in 2005 in Seoul as one of the first galleries to focus primarily on young contemporary Korean artists.
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Twitter Gallery was founded in 2005 in Seoul, Korea. The gallery focuses on the works of emerging contemporary artists. Works from the gallery are in the permanent collection of the Spencer Museum, the Mori Museum, Queensland Museum of Art, Samsung Museum of Art, the National Museum of Contemporary Art, Seoul Museum of Art, National Gallery of Victoria, B

ank of America, UBS, and Fidelity Investments. The gallery has participated in renown international art fairs such as Art Basel Statements, Frieze, and the Armory Show, Art Basel Miami Beach , Art Los Angeles Contemporary and Art Basel HK,

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Closing Today | ๐™๐™๐™š ๐™Ž๐™š๐™˜๐™ค๐™ฃ๐™™ ๐™Ž๐™ ๐™ž๐™ฃ์˜ค๋Š˜์„ ๋งˆ์ง€๋ง‰์œผ๋กœ ๐™๐™๐™š ๐™Ž๐™š๐™˜๐™ค๐™ฃ๐™™ ๐™Ž๐™ ๐™ž๐™ฃ ์ „์‹œ๊ฐ€ ๋งˆ๋ฌด๋ฆฌ ๋  ์˜ˆ์ •์ž…๋‹ˆ๋‹ค. ๊ทธ๋™์•ˆ์˜ ๊ด€์‹ฌ๊ณผ ์„ฑ์›์— ์ง„์‹ฌ์œผ๋กœ ๊ฐ์‚ฌ๋“œ๋ฆฝ๋‹ˆ๋‹ค.โ€”๐™๐™๐™š ๐™Ž๐™š๐™˜๐™ค๐™ฃ๐™™ ๐™Ž๐™ ๐™ž๐™ฃใ€Š๋‘๋ฒˆ์งธ ...
30/04/2025

Closing Today | ๐™๐™๐™š ๐™Ž๐™š๐™˜๐™ค๐™ฃ๐™™ ๐™Ž๐™ ๐™ž๐™ฃ

์˜ค๋Š˜์„ ๋งˆ์ง€๋ง‰์œผ๋กœ ๐™๐™๐™š ๐™Ž๐™š๐™˜๐™ค๐™ฃ๐™™ ๐™Ž๐™ ๐™ž๐™ฃ ์ „์‹œ๊ฐ€ ๋งˆ๋ฌด๋ฆฌ ๋  ์˜ˆ์ •์ž…๋‹ˆ๋‹ค. ๊ทธ๋™์•ˆ์˜ ๊ด€์‹ฌ๊ณผ ์„ฑ์›์— ์ง„์‹ฌ์œผ๋กœ ๊ฐ์‚ฌ๋“œ๋ฆฝ๋‹ˆ๋‹ค.

โ€”
๐™๐™๐™š ๐™Ž๐™š๐™˜๐™ค๐™ฃ๐™™ ๐™Ž๐™ ๐™ž๐™ฃ
ใ€Š๋‘๋ฒˆ์งธ ํ”ผ๋ถ€ใ€‹
๋…ธ์ถฉํ˜„, ์„œ๋™์šฑ, ์ด๋™๊ธฐ, ์ •์ˆ˜์ง„, ํ™์ˆ˜์—ฐ
2025. 3. 20 - 4. 30

ONE AND J. Gallery
(์„œ์šธ์‹œ ๊ฐ•๋‚จ๊ตฌ ์••๊ตฌ์ •๋กœ60๊ธธ 26)
(26, Apgujeong-ro 60-gil, Gangnam-gu, Seoul, 06014, Republic of Korea)
โ€ป ์ฃผ์ฐจ๊ฐ€ ๋ถˆ๊ฐ€ํ•˜์˜ค๋‹ˆ ๋Œ€์ค‘๊ตํ†ต ๋˜๋Š” ์ธ๊ทผ ๊ณต์˜ ์ฃผ์ฐจ์žฅ์„ ์ด์šฉํ•˜๊ธฐ ๋ฐ”๋ž๋‹ˆ๋‹ค.

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Images:
Installation view of โ€œ๐™๐™๐™š ๐™Ž๐™š๐™˜๐™ค๐™ฃ๐™™ ๐™Ž๐™ ๐™ž๐™ฃโ€ at ONE AND J. Gallery, 2025.

Photo byย ARTIFACTS
ยฉThe artist and ONE AND J. Gallery

โ€”
#ํšŒํ™”ย  #ํšŒํ™”์ „์‹œย  #์ „์‹œย  #๋…ธ์ถฉํ˜„ย  #์„œ๋™์šฑย  #์ด๋™๊ธฐย  #์ •์ˆ˜์ง„ย  #ํ™์ˆ˜์—ฐย  ย  ย  ย  ย  ย  ย  #์›์•ค์ œ์ด๊ฐค๋Ÿฌ๋ฆฌย  #์ „์‹œย  #๊ฐค๋Ÿฌ๋ฆฌย  ย  ย 

๐Ÿ“ข Notice | ํœด๊ด€ ์•ˆ๋‚ด4์›” 24์ผ(๋ชฉ) ํ•˜๋ฃจ, ๋‚ด๋ถ€ ์ผ์ •์œผ๋กœ ์ธํ•ด ๊ฐค๋Ÿฌ๋ฆฌ๊ฐ€ ์ž„์‹œ ํœด๊ด€ํ•ฉ๋‹ˆ๋‹ค.์ „์‹œ ๊ด€๋žŒ์„ ๊ณ„ํšํ•˜์…จ๋˜ ๋ถ„๋“ค๊ป˜ ์–‘ํ•ด๋ฅผ ๋ถ€ํƒ๋“œ๋ฆฌ๋ฉฐ,์ „์‹œ๋Š” 4์›” 30์ผ(ํ™”)๊นŒ์ง€ ์ •์ƒ ์šด์˜๋ฉ๋‹ˆ๋‹ค.Please note t...
22/04/2025

๐Ÿ“ข Notice | ํœด๊ด€ ์•ˆ๋‚ด

4์›” 24์ผ(๋ชฉ) ํ•˜๋ฃจ, ๋‚ด๋ถ€ ์ผ์ •์œผ๋กœ ์ธํ•ด ๊ฐค๋Ÿฌ๋ฆฌ๊ฐ€ ์ž„์‹œ ํœด๊ด€ํ•ฉ๋‹ˆ๋‹ค.
์ „์‹œ ๊ด€๋žŒ์„ ๊ณ„ํšํ•˜์…จ๋˜ ๋ถ„๋“ค๊ป˜ ์–‘ํ•ด๋ฅผ ๋ถ€ํƒ๋“œ๋ฆฌ๋ฉฐ,
์ „์‹œ๋Š” 4์›” 30์ผ(ํ™”)๊นŒ์ง€ ์ •์ƒ ์šด์˜๋ฉ๋‹ˆ๋‹ค.

Please note that the gallery will be temporarily closed on Thursday, April 24 due to internal scheduling.
We sincerely apologize for any inconvenience this may cause.
The exhibition will resume as usual from April 25.
Thank you for your understanding and continued support.

โ€”
๐™๐™๐™š ๐™Ž๐™š๐™˜๐™ค๐™ฃ๐™™ ๐™Ž๐™ ๐™ž๐™ฃ
ใ€Š๋‘๋ฒˆ์งธ ํ”ผ๋ถ€ใ€‹
๋…ธ์ถฉํ˜„, ์„œ๋™์šฑ, ์ด๋™๊ธฐ, ์ •์ˆ˜์ง„, ํ™์ˆ˜์—ฐ
2025. 3. 20 - 4. 30

ONE AND J. Gallery (์„œ์šธ์‹œ ๊ฐ•๋‚จ๊ตฌ ์••๊ตฌ์ •๋กœ60๊ธธ 26)
(26, Apgujeong-ro 60-gil, Gangnam-gu, Seoul, 06014, Republic of Korea)
โ€ป ์ฃผ์ฐจ๊ฐ€ ๋ถˆ๊ฐ€ํ•˜์˜ค๋‹ˆ ๋Œ€์ค‘๊ตํ†ต ๋˜๋Š” ์ธ๊ทผ ๊ณต์˜ ์ฃผ์ฐจ์žฅ์„ ์ด์šฉํ•˜๊ธฐ ๋ฐ”๋ž๋‹ˆ๋‹ค.
โ€ป Parking is not available. Please kindly use public transportation or nearby public parking lots.

โ€”
โž€,โž Installation view of โ€œ๐™๐™๐™š ๐™Ž๐™š๐™˜๐™ค๐™ฃ๐™™ ๐™Ž๐™ ๐™ž๐™ฃโ€ at ONE AND J. Gallery, 2025.

Photo: ARTIFACTS
ยฉThe artists and ONE AND J. Gallery

On View | Suejin Chung๐Ÿ“ƒ ์ •์ˆ˜์ง„(1969๋…„์ƒ, ํ•œ๊ตญ)์€ ํ™์ต๋Œ€ํ•™๊ต ํšŒํ™”๋ฅผ ์กธ์—…ํ•œ ํ›„, ์‹œ์นด๊ณ  ๋ฏธ์ˆ ๋Œ€ํ•™ ๋Œ€ํ•™์›์„ ์กธ์—…ํ•˜์˜€๋‹ค. ใ€Š์ •์ˆ˜์ง„ ๊ฐœ์ธ์ „ใ€‹(๋”ํŽ˜์ด์ง€๊ฐค๋Ÿฌ๋ฆฌ, 2024); ใ€ŠThe Last Scene...
15/04/2025

On View | Suejin Chung

๐Ÿ“ƒ ์ •์ˆ˜์ง„(1969๋…„์ƒ, ํ•œ๊ตญ)์€ ํ™์ต๋Œ€ํ•™๊ต ํšŒํ™”๋ฅผ ์กธ์—…ํ•œ ํ›„, ์‹œ์นด๊ณ  ๋ฏธ์ˆ ๋Œ€ํ•™ ๋Œ€ํ•™์›์„ ์กธ์—…ํ•˜์˜€๋‹ค. ใ€Š์ •์ˆ˜์ง„ ๊ฐœ์ธ์ „ใ€‹(๋”ํŽ˜์ด์ง€๊ฐค๋Ÿฌ๋ฆฌ, 2024); ใ€ŠThe Last Scenery of Mindใ€‹(์ด์œ ์ง„๊ฐค๋Ÿฌ๋ฆฌ, 2023); ใ€Š์ „์ง€์  ์ž‘๊ฐ€ ์‹œ์ ์ด ์กด์žฌํ•˜๋Š” ํ˜•์ƒ๊ณ„ใ€‹(์ด์œ ์ง„๊ฐค๋Ÿฌ๋ฆฌ, 2021); ใ€Š๋‹ค์ฐจ์› ์ƒ๋ฌผ โ€“ ์˜๋ฏธ์˜ ๊ตฌใ€‹(์ด์œ ์ง„๊ฐค๋Ÿฌ๋ฆฌ, 2018); ใ€Š๋‹ค์ฐจ์› ์กด์žฌ์˜ ์ถœํ˜„ใ€‹(๊ฐค๋Ÿฌ๋ฆฌ ์Šค์ผ€์ดํ”„, 2014); ใ€Š์ž…์ฒด ยท ๋‚˜์„ ํ˜• ๋ณ€์ฆใ€‹(๋ชฝ์ธ์•„ํŠธ์„ผํ„ฐ, 2011); ใ€Šํ˜„์‹œ(็พ่ฆ–)ใ€‹(๋‘์‚ฐ๊ฐค๋Ÿฌ๋ฆฌ, 2010); ใ€Š์ •์ˆ˜์ง„ ๊ฐœ์ธ์ „ใ€‹(์•„๋ผ๋ฆฌ์˜ค ๋‰ด์š• ๊ฐค๋Ÿฌ๋ฆฌ, 2009); ใ€Š๋‡Œํ•ดใ€‹(์‚ฌ๋ฃจ๋น„์•„ ๋‹ค๋ฐฉ, 2000) ๋“ฑ ๋‹ค์ˆ˜์˜ ๊ฐœ์ธ์ „์„ ๊ฐœ์ตœํ•˜์˜€๋‹ค. ์ฃผ์š” ๋‹จ์ฒด์ „์œผ๋กœ๋Š” ์›์•ค์ œ์ด ๊ฐค๋Ÿฌ๋ฆฌ, ์„œ์šธ (2025); ์ผ๋ฏผ๋ฏธ์ˆ ๊ด€, ์„œ์šธ (2023); ๋‘์‚ฐ๊ฐค๋Ÿฌ๋ฆฌ ๋‰ด์š•, ๋‰ด์š• (2019); ์ด์œ ์ง„๊ฐค๋Ÿฌ๋ฆฌ, ์„œ์šธ (2016); ๊ตญ๋ฆฝ ํƒ€์ดํŽ˜์ด ํ˜„๋Œ€๋ฏธ์ˆ ๊ด€, ํƒ€์ดํŽ˜์ด (2014); ๋ถ€์‚ฐ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€, ๋ถ€์‚ฐ (2013); ํ•™๊ณ ์žฌ ๊ฐค๋Ÿฌ๋ฆฌ, ์„œ์šธ (2012); ์—์ŠคํŒŒ์Šค ๋ฃจ์ด๋น„ํ†ต, ํŒŒ๋ฆฌ (2008); ํŽ˜๋ ˆ์Šค ํ”„๋กœ์ ํŠธ, ๋ฒ ๋ฅผ๋ฆฐ (2007); ๊ตญ๋ฆฝํ˜„๋Œ€๋ฏธ์ˆ ๊ด€, ๊ณผ์ฒœ (2000); ๋“ฑ์ด ์žˆ๋‹ค. ๋˜ํ•œ, ๋‘์‚ฐ ๋ฐ ์Œˆ์ง€ ๋ ˆ์ง€๋˜์‹œ ์ž…์ฃผ์ž‘๊ฐ€๋กœ ์ฐธ์—ฌํ•œ ๋ฐ” ์žˆ๋‹ค. ํ˜„์žฌ ๊ทธ์˜ ์ž‘ํ’ˆ์€ ํ•œ๊ตญ๋ฌธํ™”์˜ˆ์ˆ ์œ„์›ํšŒ, ๋‘์‚ฐ์—ฐ๊ฐ•์žฌ๋‹จ, ์„ ํ™”์˜ˆ์ˆ ๋ฌธํ™”์žฌ๋‹จ, ๊ตญ๋ฆฝํ˜„๋Œ€๋ฏธ์ˆ ๊ด€ ๋ฏธ์ˆ ์€ํ–‰, ๋กฑ ๋ฎค์ง€์—„(์ƒํ•˜์ด) ๋“ฑ ๊ตญ๋‚ด์™ธ ์œ ์ˆ˜ ๊ธฐ๊ด€์— ์†Œ์žฅ๋˜์–ด ์žˆ๋‹ค.

โ€”
๐™๐™๐™š ๐™Ž๐™š๐™˜๐™ค๐™ฃ๐™™ ๐™Ž๐™ ๐™ž๐™ฃ
ใ€Š๋‘๋ฒˆ์งธ ํ”ผ๋ถ€ใ€‹
๋…ธ์ถฉํ˜„, ์„œ๋™์šฑ, ์ด๋™๊ธฐ, ์ •์ˆ˜์ง„, ํ™์ˆ˜์—ฐ
2025. 3. 20 - 4. 30

ONE AND J. Gallery (์„œ์šธ์‹œ ๊ฐ•๋‚จ๊ตฌ ์••๊ตฌ์ •๋กœ60๊ธธ 26)

โ€ป ์ฃผ์ฐจ๊ฐ€ ๋ถˆ๊ฐ€ํ•˜์˜ค๋‹ˆ ๋Œ€์ค‘๊ตํ†ต ๋˜๋Š” ์ธ๊ทผ ๊ณต์˜ ์ฃผ์ฐจ์žฅ์„ ์ด์šฉํ•˜๊ธฐ ๋ฐ”๋ž๋‹ˆ๋‹ค.

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โž€,โž Installation view of โ€œ๐™๐™๐™š ๐™Ž๐™š๐™˜๐™ค๐™ฃ๐™™ ๐™Ž๐™ ๐™ž๐™ฃโ€ at ONE AND J. Gallery, 2025.
โž‚ Suejin Chung, The soul of icecream, 2025.

Photo:ย ARTIFACTS
ยฉThe artists and ONE AND J. Gallery

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#ํšŒํ™”ย  #ํšŒํ™”์ „์‹œย  #์ „์‹œย  #์ •์ˆ˜์ง„ย  ย  ย  ย  ย  ย  ย  #์›์•ค์ œ์ด๊ฐค๋Ÿฌ๋ฆฌย  #์ „์‹œย  #๊ฐค๋Ÿฌ๋ฆฌย  ย  ย 

ART FAIR | 2025 ํ™”๋ž‘๋ฏธ์ˆ ์ œ์›์•ค์ œ์ด ๊ฐค๋Ÿฌ๋ฆฌ๋Š” 4์›” 16์ผ๋ถ€ํ„ฐ 20์ผ๊นŒ์ง€ ์ด์–ด์ง€๋Š” 2025 ํ™”๋ž‘๋ฏธ์ˆ ์ œย ย ์— ์ฐธ์—ฌํ•ฉ๋‹ˆ๋‹ค.GALLERIES ART FAIR 2025๐Ÿ“ย Booth A392025. 4. 16 (์ˆ˜)...
11/04/2025

ART FAIR | 2025 ํ™”๋ž‘๋ฏธ์ˆ ์ œ

์›์•ค์ œ์ด ๊ฐค๋Ÿฌ๋ฆฌ๋Š” 4์›” 16์ผ๋ถ€ํ„ฐ 20์ผ๊นŒ์ง€ ์ด์–ด์ง€๋Š” 2025 ํ™”๋ž‘๋ฏธ์ˆ ์ œย ย ์— ์ฐธ์—ฌํ•ฉ๋‹ˆ๋‹ค.

GALLERIES ART FAIR 2025
๐Ÿ“ย Booth A39

2025. 4. 16 (์ˆ˜) โ€“ 4. 20 (์ผ)
4. 16 (WED) โ€“ 4. 20 (SUN), 2025

์„œ์šธํŠน๋ณ„์‹œ ๊ฐ•๋‚จ๊ตฌ ์˜๋™๋Œ€๋กœ 513 (์‚ผ์„ฑ๋™) ์ฝ”์—‘์Šค A&Bํ™€
Coex Hall A&B, 513, Yeongdong-daero, Gangnam-gu, Seoul 06164, Republic of Korea

VIP/PRESS: 2025. 4. 16 (์ˆ˜) 15:00 - 20:00
PUBLIC: 2024. 4. 17 (๋ชฉ) - 4. 19 (ํ† ) 11:00 - 19:30 / 4. 20 (์ผ) 11:00 - 18:00

โ€”
Featured artworks:
โž€ Hyangro Yoon, 29, 2018. Digital print on paper, 26 x 17 x 1.5 cm.
โž Kichang Choi, Hopydo (Tiger Painting), 2024. Ash and oil on canvas, 65.5 x 46 cm
โž‚ Sumin Song, ๋ถˆ.๊ฝƒ. (Fire.Flower), 2024. Acrylic on canvas, 200 x 200 cm (each 100 x 100 cm, 4pcs).

ยฉ The artist and ONE AND J. Gallery.

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#ํ™”๋ž‘๋ฏธ์ˆ ์ œ #2025ํ™”๋ž‘๋ฏธ์ˆ ์ œย  #์†ก์ˆ˜๋ฏผย  #์œคํ–ฅ๋กœ #์ตœ๊ธฐ์ฐฝ
#์›์•ค์ œ์ด๊ฐค๋Ÿฌ๋ฆฌย  #์•„ํŠธํŽ˜์–ดย  ย 

On View | Choong-Hyun Roh๐Ÿ“ƒ ๋…ธ์ถฉํ˜„(1970๋…„์ƒ, ํ•œ๊ตญ)์€ ํ™์ต๋Œ€ํ•™๊ต ํšŒํ™”๊ณผ ๋ฐ ๋™๋Œ€ํ•™์› ์„์‚ฌ๋ฅผ ์กธ์—…ํ•˜์˜€๋‹ค. ใ€Š์ฆˆ์Œใ€‹(๋“œ๋กœ์ž‰๋ฃธ, 2025); ใ€Š์‹ค๋ฐ€์‹คใ€‹(์ƒ์—…ํ™”๋ž‘ ์‚ฌ์ง, 2023); ใ€Š์ž๋ฆฌใ€‹(ํŽ˜๋ฆฌ...
08/04/2025

On View | Choong-Hyun Roh

๐Ÿ“ƒ ๋…ธ์ถฉํ˜„(1970๋…„์ƒ, ํ•œ๊ตญ)์€ ํ™์ต๋Œ€ํ•™๊ต ํšŒํ™”๊ณผ ๋ฐ ๋™๋Œ€ํ•™์› ์„์‚ฌ๋ฅผ ์กธ์—…ํ•˜์˜€๋‹ค. ใ€Š์ฆˆ์Œใ€‹(๋“œ๋กœ์ž‰๋ฃธ, 2025); ใ€Š์‹ค๋ฐ€์‹คใ€‹(์ƒ์—…ํ™”๋ž‘ ์‚ฌ์ง, 2023); ใ€Š์ž๋ฆฌใ€‹(ํŽ˜๋ฆฌ์ง€ ๊ฐค๋Ÿฌ๋ฆฌ, 2017); ใ€Š์‚ด-ํ’๊ฒฝใ€‹(๊ตญ์ œ๊ฐค๋Ÿฌ๋ฆฌ, 2013); ใ€Š์‚ด-ํ’๊ฒฝใ€‹(์กฐํ˜„ํ™”๋ž‘, 2011); ใ€Š์‹ค๋ฐ€์‹คใ€‹(์‚ฌ๋ฃจ๋น„์•„๋‹ค๋ฐฉ, 2009) ๋“ฑ ๋‹ค์ˆ˜์˜ ๊ฐœ์ธ์ „์„ ๊ฐœ์ตœํ•˜์˜€๋‹ค. ์ฃผ์š” ๋‹จ์ฒด์ „์œผ๋กœ๋Š” ์›์•ค์ œ์ด ๊ฐค๋Ÿฌ๋ฆฌ, ์„œ์šธ (2025); ์„ฑ๊ณก๋ฏธ์ˆ ๊ด€, ์„œ์šธ (2024); ์ผ๋ฏผ๋ฏธ์ˆ ๊ด€, ์„œ์šธ (2023); ๊ตญ๋ฆฝํ˜„๋Œ€๋ฏธ์ˆ ๊ด€, ์„œ์šธ (2023); ์ƒ์—…ํ™”๋ž‘, ์„œ์šธ (2022); ๊ตญ๋ฆฝํ˜„๋Œ€๋ฏธ์ˆ ๊ด€, ๊ณผ์ฒœ (2021); ๋ถ์„œ์šธ ๋ฏธ์ˆ ๊ด€, ์„œ์šธ (2018); ๊ฒฝ๊ธฐ๋„ ๋ฏธ์ˆ ๊ด€, ๊ฒฝ๊ธฐ๋„ (2016); ์•„๋ฅด์ฝ”๋ฏธ์ˆ ๊ด€, ์„œ์šธ (2012); ์›์•ค์ œ์ด ๊ฐค๋Ÿฌ๋ฆฌ, ์„œ์šธ (2012, 2010); ๋ถ€์‚ฐ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€, ๋ถ€์‚ฐ (2008); ๊ตญ์ œ๊ฐค๋Ÿฌ๋ฆฌ, ์„œ์šธ (2007); ํ•œ๊ตญ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€, ์„œ์šธ (2006) ๋“ฑ์ด ์žˆ๋‹ค. ๋˜ํ•œ ๋ชฝ์ธ์•„ํŠธ์„ผํ„ฐ ๋ ˆ์ง€๋˜์‹œ ์ž…์ฃผ์ž‘๊ฐ€๋กœ ์ฐธ์—ฌํ•œ ๋ฐ” ์žˆ๋‹ค. ํ˜„์žฌ ๊ทธ์˜ ์ž‘ํ’ˆ์€ ๊ตญ๋ฆฝํ˜„๋Œ€๋ฏธ์ˆ ๊ด€, ๊ตญ๋ฆฝํ˜„๋Œ€๋ฏธ์ˆ ๊ด€(๋ฏธ์ˆ ์€ํ–‰), ๊ฒฝ๊ธฐ๋„ ๋ฏธ์ˆ ๊ด€, ์„œ์šธ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€์— ์†Œ์žฅ๋˜์–ด ์žˆ๋‹ค.

โ€”
๐™๐™๐™š ๐™Ž๐™š๐™˜๐™ค๐™ฃ๐™™ ๐™Ž๐™ ๐™ž๐™ฃ
ใ€Š๋‘๋ฒˆ์งธ ํ”ผ๋ถ€ใ€‹
๋…ธ์ถฉํ˜„, ์„œ๋™์šฑ, ์ด๋™๊ธฐ, ์ •์ˆ˜์ง„, ํ™์ˆ˜์—ฐ
2025. 3. 20 - 4. 30

ONE AND J. Gallery (์„œ์šธ์‹œ ๊ฐ•๋‚จ๊ตฌ ์••๊ตฌ์ •๋กœ60๊ธธ 26)

โ€ป ์ฃผ์ฐจ๊ฐ€ ๋ถˆ๊ฐ€ํ•˜์˜ค๋‹ˆ ๋Œ€์ค‘๊ตํ†ต ๋˜๋Š” ์ธ๊ทผ ๊ณต์˜ ์ฃผ์ฐจ์žฅ์„ ์ด์šฉํ•˜๊ธฐ ๋ฐ”๋ž๋‹ˆ๋‹ค.

โ€”
โž€ Choong-Hyun Roh, room, 2023. Oil on canvas, 112 x 145.5 cm.
โž Installation view of โ€œ๐™๐™๐™š ๐™Ž๐™š๐™˜๐™ค๐™ฃ๐™™ ๐™Ž๐™ ๐™ž๐™ฃโ€ at ONE AND J. Gallery, 2025.
โž‚ Choong-Hyun Roh, room, 2025. Oil on canvas, 80.5 x 117 cm.

Photo:ย ARTIFACTS
ยฉThe artists and ONE AND J. Gallery

โ€”
#ํšŒํ™”ย  #ํšŒํ™”์ „์‹œย  #์ „์‹œย  #๋…ธ์ถฉํ˜„ย  ย  ย  ย  ย  ย  ย  ย  ย  #์›์•ค์ œ์ด๊ฐค๋Ÿฌ๋ฆฌย  #์ „์‹œย  #๊ฐค๋Ÿฌ๋ฆฌย  ย  ย 

On View | Dongi Lee๐Ÿ“ƒ ์ด๋™๊ธฐ(1967๋…„์ƒ, ํ•œ๊ตญ)๋Š” ๋Œ€์ค‘๋ฌธํ™”์™€ ์ˆœ์ˆ˜๋ฏธ์ˆ ์˜ ๊ฒฝ๊ณ„๋ฅผ ๋„˜๋‚˜๋“ค๋ฉฐ ๋…์ฐฝ์ ์ธ ์˜ˆ์ˆ  ์„ธ๊ณ„๋ฅผ ๊ตฌ์ถ•ํ•ด์˜จ ์ž‘๊ฐ€์ด๋‹ค. ๋Œ€ํ‘œ์ ์œผ๋กœ ๋ฏธํ‚ค๋งˆ์šฐ์Šค์™€ ์•„ํ†ฐ์„ ๊ฒฐํ•ฉํ•œ ์บ๋ฆญํ„ฐ์ธ โ€˜์•„ํ† ๋งˆ์šฐ์Šค(Atoma...
02/04/2025

On View | Dongi Lee

๐Ÿ“ƒ ์ด๋™๊ธฐ(1967๋…„์ƒ, ํ•œ๊ตญ)๋Š” ๋Œ€์ค‘๋ฌธํ™”์™€ ์ˆœ์ˆ˜๋ฏธ์ˆ ์˜ ๊ฒฝ๊ณ„๋ฅผ ๋„˜๋‚˜๋“ค๋ฉฐ ๋…์ฐฝ์ ์ธ ์˜ˆ์ˆ  ์„ธ๊ณ„๋ฅผ ๊ตฌ์ถ•ํ•ด์˜จ ์ž‘๊ฐ€์ด๋‹ค. ๋Œ€ํ‘œ์ ์œผ๋กœ ๋ฏธํ‚ค๋งˆ์šฐ์Šค์™€ ์•„ํ†ฐ์„ ๊ฒฐํ•ฉํ•œ ์บ๋ฆญํ„ฐ์ธ โ€˜์•„ํ† ๋งˆ์šฐ์Šค(Atomaus)โ€™๋ฅผ ํ†ตํ•ด ํ˜„๋Œ€ ์‹œ๊ฐ๋ฌธํ™”์˜ ์š”์†Œ๋ฅผ ์ฐจ์šฉํ•˜๋ฉด์„œ๋„ ์ถ”์ƒ์  ์กฐํ˜•์„ฑ๊ณผ ์‚ฌํšŒ์  ๋ฉ”์‹œ์ง€๋ฅผ ๋‹ด์•„๋‚ธ๋‹ค.
ใ€Š์ฆ์‹ํ•˜๋Š” ์•„ํ† ๋งˆ์šฐ์Šคใ€‹(์‡ผํ”Œ๋Ÿฌ์Šค์›, 2024); ใ€Š๋ฐ˜/๋ฐ˜ใ€‹(์šธ์‚ฐ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€, 2023); ใ€Š์ œ์–ดํ•  ์ˆ˜ ์—†๋Š”ใ€‹(์ŠคํŽ˜์ด์Šค์ด์ˆ˜, 2022); ใ€Š์ด๋™๊ธฐ: 1993-2014ใ€‹(ํ”ผ๋น„๊ฐค๋Ÿฌ๋ฆฌ, 2019); ใ€Š๋ฌด์ค‘๋ ฅใ€‹(๊ฐค๋Ÿฌ๋ฆฌ ํ˜„๋Œ€, 2014); ใ€Š๋”๋ธ” ๋น„์ ผใ€‹(๋งˆ์ดํด์Š์ธ ๊ฐค๋Ÿฌ๋ฆฌ, 2009); ใ€Š์Šค๋ชจํ‚นใ€‹(์›์•ค์ œ์ด ๊ฐค๋Ÿฌ๋ฆฌ, 2006); ใ€Šํฌ๋ž˜์‰ฌใ€‹(์ผ๋ฏผ๋ฏธ์ˆ ๊ด€, 2003) ๋“ฑ ๋‹ค์ˆ˜์˜ ๊ฐœ์ธ์ „์„ ๊ฐœ์ตœํ•˜์˜€๊ณ , ์ฃผ์š” ๋‹จ์ฒด์ „์œผ๋กœ๋Š” ์›์•ค์ œ์ด ๊ฐค๋Ÿฌ๋ฆฌ(2025), ๊ตญ๋ฆฝํ˜„๋Œ€๋ฏธ์ˆ ๊ด€(์„œ์šธยท๊ณผ์ฒœ, 2023, 2022), ๋ถ์„œ์šธ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€(2023), ์ฒœ์•ˆ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€(2024) ๋“ฑ์ด ์žˆ๋‹ค. ๋˜ํ•œ, ํ”„๋ž‘์Šค ์‹œ๋–ผ ์ธํ„ฐ๋‚ด์…”๋„ ๋ฐ์ž๋ฅด, ๋ฒ ์ด์ง• ๊ตฌ ์•„ํŠธ ๋ ˆ์ง€๋˜์‹œ์— ์ž…์ฃผ์ž‘๊ฐ€๋กœ ์ฐธ์—ฌํ•œ ๋ฐ” ์žˆ์œผ๋ฉฐ, ํ˜„์žฌ ๊ทธ์˜ ์ž‘ํ’ˆ์€ ๊ตญ๋ฆฝํ˜„๋Œ€๋ฏธ์ˆ ๊ด€, ๋ฆฌ์›€์‚ผ์„ฑ๋ฏธ์ˆ ๊ด€, ์„œ์šธ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€, ์•„ํŠธ์„ ์žฌ์„ผํ„ฐ, ๊ธˆํ˜ธ๋ฏธ์ˆ ๊ด€ ๋“ฑ ๊ตญ๋‚ด์™ธ ์œ ์ˆ˜ ๊ธฐ๊ด€์— ์†Œ์žฅ๋˜์–ด ์žˆ๋‹ค.

โ€”
๐™๐™๐™š ๐™Ž๐™š๐™˜๐™ค๐™ฃ๐™™ ๐™Ž๐™ ๐™ž๐™ฃ
ใ€Š๋‘๋ฒˆ์งธ ํ”ผ๋ถ€ใ€‹
๋…ธ์ถฉํ˜„, ์„œ๋™์šฑ, ์ด๋™๊ธฐ, ์ •์ˆ˜์ง„, ํ™์ˆ˜์—ฐ
2025. 3. 20 - 4. 30

ONE AND J. Gallery (์„œ์šธ์‹œ ๊ฐ•๋‚จ๊ตฌ ์••๊ตฌ์ •๋กœ60๊ธธ 26)

โ€ป ์ฃผ์ฐจ๊ฐ€ ๋ถˆ๊ฐ€ํ•˜์˜ค๋‹ˆ ๋Œ€์ค‘๊ตํ†ต ๋˜๋Š” ์ธ๊ทผ ๊ณต์˜ ์ฃผ์ฐจ์žฅ์„ ์ด์šฉํ•˜๊ธฐ ๋ฐ”๋ž๋‹ˆ๋‹ค.

โ€”
โž€,โž‚,โ‘ฃ Installation view of โ€œ๐™๐™๐™š ๐™Ž๐™š๐™˜๐™ค๐™ฃ๐™™ ๐™Ž๐™ ๐™ž๐™ฃโ€ at ONE AND J. Gallery, 2025.
โž Dongi Lee, A with the Head of A, 2012. Acrylic on canvas, 150 x 200 cm.
โ‘ค Dongi Lee, Atomaus, 2019. Acrylic on canvas, 40 x 50 cm.

Photo:ย ARTIFACTS
ยฉThe artists and ONE AND J. Gallery

โ€”
#ํšŒํ™”ย  #ํšŒํ™”์ „์‹œย  #์ „์‹œย  #์ด๋™๊ธฐ ย  ย  ย  ย  ย  ย  #์›์•ค์ œ์ด๊ฐค๋Ÿฌ๋ฆฌย  #์ „์‹œย  #๊ฐค๋Ÿฌ๋ฆฌย  ย  ย 

ON VIEW | Art Basel Hong Kong 2025๐Ÿ“Booth ๐Ÿญ๐—•๐Ÿฏ๐ŸฐPublic opening days: March 28-30Venue : Hong Kong Convention & Exhibition C...
29/03/2025

ON VIEW | Art Basel Hong Kong 2025

๐Ÿ“Booth ๐Ÿญ๐—•๐Ÿฏ๐Ÿฐ
Public opening days: March 28-30
Venue : Hong Kong Convention & Exhibition Centre, 1 Harbour Road, Wan Chai, Hong Kong, China

๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜
Hansol Kim (b.1988 | Korea)
Dongi Leeย (b. 1967 | Korea)
Ahnnlee Leeย (b. 1985 | Korea)ย 
Soyoung Chung (b.1979 |ย Korea)ย 
Suejin Chungย (b. 1969 | Korea)
Teppei Kaneujiย (b. 1978 | Japan)

โ€”
Images: Installation view of ONE AND J. Gallery booth 1B34 at ABHK 2025, Hong Kong.
โžAhnnlee Lee, Skin Drenched in Nectar 1, 2025.

ยฉ The artist and ONE AND J. Gallery.

โ€”
#์›์•ค์ œ์ด๊ฐค๋Ÿฌ๋ฆฌย  #์•„ํŠธํŽ˜์–ดย  ย 
ย  ย  ย  #๊น€ํ•œ์†”ย  #์ด๋™๊ธฐย  #์ด์•ˆ๋ฆฌย  #์ •์†Œ์˜ย  #์ •์ˆ˜์ง„ย  ย  ย  ย  ย 

On View | ๐™๐™๐™š ๐™Ž๐™š๐™˜๐™ค๐™ฃ๐™™ ๐™Ž๐™ ๐™ž๐™ฃ๐Ÿ“ƒ ํ™์ˆ˜์—ฐ(1967๋…„์ƒ, ํ•œ๊ตญ)์€ ํ™์ต๋Œ€ํ•™๊ต ํšŒํ™”๊ณผ ๋ฐ ๋™๋Œ€ํ•™์› ์„์‚ฌ๋ฅผ ์กธ์—…ํ•œ ํ›„, ๋‰ด์š• Pratt Institute ๋Œ€ํ•™์›์„ ์กธ์—…ํ•˜์˜€๋‹ค. ใ€ŠIn the flueใ€‹(๊ฐค๋Ÿฌ๋ฆฌ...
28/03/2025

On View | ๐™๐™๐™š ๐™Ž๐™š๐™˜๐™ค๐™ฃ๐™™ ๐™Ž๐™ ๐™ž๐™ฃ

๐Ÿ“ƒ ํ™์ˆ˜์—ฐ(1967๋…„์ƒ, ํ•œ๊ตญ)์€ ํ™์ต๋Œ€ํ•™๊ต ํšŒํ™”๊ณผ ๋ฐ ๋™๋Œ€ํ•™์› ์„์‚ฌ๋ฅผ ์กธ์—…ํ•œ ํ›„, ๋‰ด์š• Pratt Institute ๋Œ€ํ•™์›์„ ์กธ์—…ํ•˜์˜€๋‹ค. ใ€ŠIn the flueใ€‹(๊ฐค๋Ÿฌ๋ฆฌ ๊ธฐ์™€, 2025); ใ€ŠDrawn Elephant: ์ถ”์ƒ ๆŠฝ่ฑกใ€‹(์ฝ”๋ฆฌ์•„๋‚˜ ๋ฏธ์ˆ ๊ด€, 2022); ใ€ŠBetween Formsใ€‹(์†ก์•„ํŠธ ๊ฐค๋Ÿฌ๋ฆฌ, 2018); ใ€ŠStill Life in Spaceใ€‹(ํ”Œ๋ž˜๋‹› ๊ฐค๋Ÿฌ๋ฆฌ, 2010); ใ€ŠThe Roomใ€‹(ํ† ํƒˆ๋ฏธ์ˆ ๊ด€, 2009); ใ€ŠThe Firmamentใ€‹(๊ธˆํ˜ธ๋ฏธ์ˆ ๊ด€, 2002) ๋“ฑ ๋‹ค์ˆ˜์˜ ๊ฐœ์ธ์ „์„ ๊ฐœ์ตœํ•˜์˜€๋‹ค. ์ฃผ์š” ๋‹จ์ฒด์ „์œผ๋กœ๋Š” ์›์•ค์ œ์ด ๊ฐค๋Ÿฌ๋ฆฌ, ์„œ์šธ (2025); ์ฒญ์ฃผ์‹œ๋ฆฝ๋Œ€์ฒญํ˜ธ ๋ฏธ์ˆ ๊ด€, ์ฒญ์ฃผ (2023); ์ŠคํŽ˜์ด์Šค์†Œ, ์„œ์šธ (2022); ํฌ์Šค์ฝ” ๋ฏธ์ˆ ๊ด€, ์„œ์šธ (2018); ์‚ฌ์น˜ ๊ฐค๋Ÿฌ๋ฆฌ, ๋Ÿฐ๋˜ (2012); ๊ธˆํ˜ธ ๋ฏธ์ˆ ๊ด€, ์„œ์šธ (2010); ์ผ๋ฏผ ๋ฏธ์ˆ ๊ด€, ์„œ์šธ (2009); ๋ถ€์‚ฐ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€, ๋ถ€์‚ฐ (2003); ๋“ฑ์ด ์žˆ๋‹ค. ๋˜ํ•œ, Opekta ์ŠคํŠœ๋””์˜ค ๋ฐ ์ œ 1๊ธฐ ์ฐฝ๋™ ๋ฏธ์ˆ ์ŠคํŠœ๋””์˜ค ํ”„๋กœ๊ทธ๋žจ ๋ ˆ์ง€๋˜์‹œ ์ž…์ฃผ์ž‘๊ฐ€๋กœ ์ฐธ์—ฌํ•œ ๋ฐ” ์žˆ๋‹ค. ํ˜„์žฌ ๊ทธ์˜ ์ž‘ํ’ˆ์€ ๊ตญ๋ฆฝํ˜„๋Œ€๋ฏธ์ˆ ๊ด€ ๊ณผ์ฒœ๊ด€, ์„œ์šธ๋Œ€ํ•™๊ต ๋ฏธ์ˆ ๊ด€, ์ƒํ•˜์ด ํ•œ๊ตญ ์ด์˜์‚ฌ๊ด€, ๋„ค๋œ๋ž€๋“œ ํ•œ๊ตญ ๋Œ€์‚ฌ๊ด€, ํฌ์Šค์ฝ”์„ผํ„ฐ, ์กฐ์„ ํ˜ธํ…”, ์•„๋ผ๋ฆฌ์˜ค ์ปฌ๋ ‰์…˜, ๊ธˆํ˜ธ๋ฏธ์ˆ ๊ด€ ๋“ฑ ๊ตญ๋‚ด์™ธ ์œ ์ˆ˜ ๊ธฐ๊ด€์— ์†Œ์žฅ๋˜์–ด ์žˆ๋‹ค.

โ€”
๐™๐™๐™š ๐™Ž๐™š๐™˜๐™ค๐™ฃ๐™™ ๐™Ž๐™ ๐™ž๐™ฃ
ใ€Š๋‘๋ฒˆ์งธ ํ”ผ๋ถ€ใ€‹
๋…ธ์ถฉํ˜„, ์„œ๋™์šฑ, ์ด๋™๊ธฐ, ์ •์ˆ˜์ง„, ํ™์ˆ˜์—ฐ
2025. 3. 20 - 4. 30

ONE AND J. Gallery (์„œ์šธ์‹œ ๊ฐ•๋‚จ๊ตฌ ์••๊ตฌ์ •๋กœ60๊ธธ 26)

โ€ป ์ฃผ์ฐจ๊ฐ€ ๋ถˆ๊ฐ€ํ•˜์˜ค๋‹ˆ ๋Œ€์ค‘๊ตํ†ต ๋˜๋Š” ์ธ๊ทผ ๊ณต์˜ ์ฃผ์ฐจ์žฅ์„ ์ด์šฉํ•˜๊ธฐ ๋ฐ”๋ž๋‹ˆ๋‹ค.

โ€”
โž€ Sooyeon Hong, Synchronicity 02-25, 2025.
โž Installation view of โ€œ๐™๐™๐™š ๐™Ž๐™š๐™˜๐™ค๐™ฃ๐™™ ๐™Ž๐™ ๐™ž๐™ฃโ€ at ONE AND J. Gallery, 2025.
โž‚ Sooyeon Hong, Atmosphere_01-25, 2025.
โ‘ฃ Sooyeon Hong, Anamnesis_02-24, 2024.

Photo:ย ARTIFACTS
ยฉThe artists and ONE AND J. Gallery

โ€”
#ํšŒํ™”ย  #ํšŒํ™”์ „์‹œย  #์ „์‹œย  #ํ™์ˆ˜์—ฐ ย  ย  ย  ย  ย  ย  #์›์•ค์ œ์ด๊ฐค๋Ÿฌ๋ฆฌย  #์ „์‹œย  #๊ฐค๋Ÿฌ๋ฆฌย  ย  ย 

๐—”๐—ฅ๐—ง ๐—™๐—”๐—œ๐—ฅ | Art Basel Hong Kong 2025โ€œColor is, in itself, a transforming reality.The world we perceive is in a constant s...
26/03/2025

๐—”๐—ฅ๐—ง ๐—™๐—”๐—œ๐—ฅ | Art Basel Hong Kong 2025

โ€œColor is, in itself, a transforming reality.
The world we perceive is in a constant state of flux, continuously absorbing and reflecting new hues.โ€œ

Reality is never monochromatic. The world we observe ceaselessly shifts in color, overlapping and interweaving with light from countless angles. At Art Basel Hong Kong 2025, six artists present distinct yet interrelated explorations of colorโ€”each employing their own visual language to capture the mutable nature of perception.

๐Ÿ“Booth ๐Ÿญ๐—•๐Ÿฏ๐Ÿฐ
VIP Preview: March 26-27 (by Invitation only)
Public opening days: March 28-30
Venue : Hong Kong Convention & Exhibition Centre, 1 Harbour Road, Wan Chai, Hong Kong, China

๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜
Hansol Kim (b.1988 | Korea)
Dongi Leeย (b. 1967 | Korea)
Ahnnlee Leeย (b. 1985 | Korea)
Soyoung Chung (b.1979 |ย Korea)
Suejin Chungย (b. 1969 | Korea)
Teppei Kaneujiย (b. 1978 | Japan)

โ€”
Images: Installation view of ONE AND J. Gallery booth 1B34 at ABHK 2025, Hong Kong.

ยฉ The artist and ONE AND J. Gallery.

โ€”

#์›์•ค์ œ์ด๊ฐค๋Ÿฌ๋ฆฌย  #์•„ํŠธํŽ˜์–ดย  ย 
ย  ย  #๊น€ํ•œ์†” #์ด๋™๊ธฐ #์ด์•ˆ๋ฆฌ #์ •์†Œ์˜ #์ •์ˆ˜์ง„ #ํ…ŒํŽ˜์ด์นด๋„ค์šฐ์ง€

On View | ๐™๐™๐™š ๐™Ž๐™š๐™˜๐™ค๐™ฃ๐™™ ๐™Ž๐™ ๐™ž๐™ฃ๐Ÿ“ƒ ์„œ๋™์šฑ(1974๋…„์ƒ, ํ•œ๊ตญ)์€ ํ™์ต๋Œ€ํ•™๊ต ํšŒํ™”๊ณผ๋ฅผ ์กธ์—…ํ•œ ํ›„, ร‰cole Nationale Supรฉrieure dโ€™arts Paris-Cergy๋ฅผ ์กธ์—…ํ•˜์˜€๋‹ค. ใ€Šํ† ์„ฑ์ด...
25/03/2025

On View | ๐™๐™๐™š ๐™Ž๐™š๐™˜๐™ค๐™ฃ๐™™ ๐™Ž๐™ ๐™ž๐™ฃ

๐Ÿ“ƒ ์„œ๋™์šฑ(1974๋…„์ƒ, ํ•œ๊ตญ)์€ ํ™์ต๋Œ€ํ•™๊ต ํšŒํ™”๊ณผ๋ฅผ ์กธ์—…ํ•œ ํ›„, ร‰cole Nationale Supรฉrieure dโ€™arts Paris-Cergy๋ฅผ ์กธ์—…ํ•˜์˜€๋‹ค. ใ€Šํ† ์„ฑ์ด ์˜จ๋‹คใ€‹(์›์•ค์ œ์ด ๊ฐค๋Ÿฌ๋ฆฌ, 2024); ใ€Š๊ทธ๋Š˜์€ ํšŒ์ƒ‰๋ณด๋‹ค ๋” ์ฐฝ๋ฐฑํ•˜๋‹คใ€‹(์ƒ์—…ํ™”๋ž‘ ์šฉ์‚ฐ, 2022); ใ€Š๊ทธ๋ฆผ์˜ ๋ง›ใ€‹(์›์•ค์ œ์ด ๊ฐค๋Ÿฌ๋ฆฌ, 2020); ใ€Š๋” ์‡ผ๋ฃธ: ์—ฌ๋ฆ„-๋ฐ”๋‹ค-๋ˆˆ๋ถ€์‹ IIใ€‹(์ŠคํŽ˜์ด์Šค ์œŒ๋ง์•ค๋”œ๋ง, 2020); ใ€Š๋ถ„์œ„๊ธฐใ€‹(๋…ธ๋ธ”๋ ˆ์Šค ์ปฌ๋ ‰์…˜, 2019); ใ€ŠํšŒํ™”์˜ ๊ธฐ์ˆ ใ€‹(์›์•ค์ œ์ด ๊ฐค๋Ÿฌ๋ฆฌ, 2013) ๋“ฑ ๋‹ค์ˆ˜์˜ ๊ฐœ์ธ์ „์„ ๊ฐœ์ตœํ•˜์˜€๋‹ค. ์ฃผ์š” ๋‹จ์ฒด์ „์œผ๋กœ๋Š” ์›์•ค์ œ์ด ๊ฐค๋Ÿฌ๋ฆฌ, ์„œ์šธ (2025); X Museum, ๋ฒ ์ด์ง• (2024); Frieze No.9 Cork Street, ๋Ÿฐ๋˜ (2023); ์›์•ค์ œ์ด ๊ฐค๋Ÿฌ๋ฆฌ, ์„œ์šธ (2023); ์ƒ์—…ํ™”๋ž‘, ์„œ์šธ (2022); ๊ฐค๋Ÿฌ๋ฆฌ ์†Œ์†Œ, ์„œ์šธ (2021); ์šฐ๋ฏผ์•„ํŠธ์„ผํ„ฐ, ์ฒญ์ฃผ (2021); ์›์•ค์ œ์ด ๊ฐค๋Ÿฌ๋ฆฌ, ์„œ์šธ (2020, 2020, 2019); ํ™์ต ํ˜„๋Œ€ ๋ฏธ์ˆ ๊ด€, ์„œ์šธ (2017); OCI๋ฏธ์ˆ ๊ด€, ์„œ์šธ (2016); ์ผํ˜„๋ฏธ์ˆ ๊ด€, ์–‘์–‘ (2013) ๋“ฑ์ด ์žˆ๋‹ค. ๋˜ํ•œ, ์„œ์šธ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€ ๋‚œ์ง€ ์ฐฝ์ž‘์ŠคํŠœ๋””์˜ค, ๊ตญ๋ฆฝํ˜„๋Œ€๋ฏธ์ˆ ๊ด€ ์ฐฝ๋™ ๋ ˆ์ง€๋˜์‹œ ์ž…์ฃผ์ž‘๊ฐ€๋กœ ์ฐธ์—ฌํ•œ ๋ฐ” ์žˆ๋‹ค.

โ€”
๐™๐™๐™š ๐™Ž๐™š๐™˜๐™ค๐™ฃ๐™™ ๐™Ž๐™ ๐™ž๐™ฃ
ใ€Š๋‘๋ฒˆ์งธ ํ”ผ๋ถ€ใ€‹
๋…ธ์ถฉํ˜„, ์„œ๋™์šฑ, ์ด๋™๊ธฐ, ์ •์ˆ˜์ง„, ํ™์ˆ˜์—ฐ
2025. 3. 20 - 4. 30

โ€ป ์ฃผ์ฐจ๊ฐ€ ๋ถˆ๊ฐ€ํ•˜์˜ค๋‹ˆ ๋Œ€์ค‘๊ตํ†ต ๋˜๋Š” ์ธ๊ทผ ๊ณต์˜ ์ฃผ์ฐจ์žฅ์„ ์ด์šฉํ•˜๊ธฐ ๋ฐ”๋ž๋‹ˆ๋‹ค.
โ€ป Please kindly use use public transportation or nearby public parking lots. There is no parking available.

โ€”
โž€,โž Installation view of โ€œ๐™๐™๐™š ๐™Ž๐™š๐™˜๐™ค๐™ฃ๐™™ ๐™Ž๐™ ๐™ž๐™ฃโ€ at ONE AND J. Gallery, 2025.
โž‚ Dongwook Suh, Autumn-bat, 2025. Oil on canvas, 195 x 131 cm.

Photo:ย ARTIFACTS
ยฉThe artists and ONE AND J. Gallery

โ€”
#ํšŒํ™”ย  #ํšŒํ™”์ „์‹œย  #์ „์‹œย  #์„œ๋™์šฑ ย  ย  ย  ย  ย  ย  ย  #์›์•ค์ œ์ด๊ฐค๋Ÿฌ๋ฆฌย  #์ „์‹œย  #๊ฐค๋Ÿฌ๋ฆฌย  ย  ย 

Address

26, Apgujeong-ro 60-gil, Gangnam-gu, B1
Seoul
06014

Opening Hours

Tuesday 11:00 - 18:00
Wednesday 11:00 - 18:00
Thursday 11:00 - 18:00
Friday 11:00 - 18:00
Saturday 11:00 - 18:00
Sunday 11:00 - 18:00

Telephone

+8227451644

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