Curatorial Studies Venice

Curatorial Studies Venice Through interdisciplinary lectures, the course provides practical training and experience within museums and exhibition settings. Theory:

1. Fundraising
9.

Curatorial Studies Venice
Email: [email protected]
www.corsocuratori.com

- The School for Curatorial Studies, Arts and Communication is an ambitious and challenging project promoted since 2004 and conceived as a school committed to experimentation and interdisciplinary thinking. The main goals are to spread knowledge in the field of visual arts and to introduce the students to the prof

essions related to the art world, focusing on contemporary curatorial theory and practice and contemporary museology. The School’s activities are meant for all those interested and passionate of art, graduate students or professionals who want to deepen their knowledge and improve their practical skills. The centre’s teaching staff is formed by Italian and international professionals, scholars, historians and art critics of recognized experience.

- The program:
The Course in Curatorial Practice is an English-taught, intensive program on the history of contemporary visual arts and practices of exhibition-making. Its international faculty includes curators and museum professionals, artists and critics. The course is designed to increase the students understanding of the intellectual and technical tasks of the curator figure related to the set up of exhibitions and projects. The lectures cover both theoretical and practical topics that go from History of Exhibition to Exhibition Management. The students participate in weekly activities such as artist studio visits, tours of exhibition spaces, networking events, and workshops with a variety of experts and practitioners. The second module of the course includes a three week tour of a specific European area that is of interest for the contemporary art scene (every year a different place is chosen) . During the trip, our school will arrange meetings with artists, curators, museums and non-profit centres. The program culminates with the set up of an exhibition or an art event and the publication of a printed catalogue. The school’s means are to align specific theoretical lectures to a practical approach. Students will be offered the possibility of a gallery training, specifically focusing on the setting up of an event and concentrating on the possibilities offered by the chosen space. History of curatorial practices
2. Exhibition design
3. Aesthetics and Cultural theory
4. Contemporary art history
5. Cultural events management and organization
6. Curating exhibitions
7. Fine arts management.
8. Communication strategies and artistic events promotion
10. New media and digital technologies

Praxis:

The students will structure their own show project, performance, or any other form of artistic event they have chosen. Each participant will present and discuss their curatorial project. After the discussion phase, the students will be guided in the construction and production of their project. There will be two different workshops on press office skills and on the design of a catalogue for the fulfilment of the project in order to enrich the completeness of the job. The participants will coordinate artists, transportation, insurance policies, promotion and the organization of the final publication. The peak lies in the production of the event. After the presentation to the public the student will be given the tools to document the professional event. Lectures will be held from Monday to Friday, from 9.30am to 1.30pm and from 02.30pm to 05.30pm. Theoretical lectures will be held in the mornings, in order to provide conceptual and operational tools to independently manage the setting of an exhibition. In the afternoon, students will attend seminars, workshops, guided tours to museums and exhibitions which animate the rich cultural life of Venice. The participants will develop the themes as well as concepts, organization, acquisition, communication and the concrete implementation together with the course director and international guests (artists, curators, architects, critics, fine arts scientists and publishers of art journals). Start date, duration:

- How to Apply:

Xac – School for Curatorial Studies
c/o Progetto Venezia
San Marco, 3073, 30124 Venice
Email: [email protected]
www.corsocuratori.com

This Saturday, August 29, is the opening reception of the 2026 Summer Fellows’ exhibition, We All Needed the Same Sun.A ...
27/08/2026

This Saturday, August 29, is the opening reception of the 2026 Summer Fellows’ exhibition, We All Needed the Same Sun.

A plus A, San Marco 3073, Venezia, Italy.
6.30 pm.

The exhibition features work from the participating artists
Clelia Cadamuro Clelia Cadamuro
Simone Carraro Simone Carraro
Paola Cenati Paola Cenati
Jonathas de Andrade Jonathas de Andrade
Daria Dymtrenko Dmytrenko Daria
Ketty Gobbo Ketty Gobbo
Glenda León Glenda Leon
Anna Marzuttini Anna Marzuttini
Matilde Sambo 💓
Sebastiano Zafonte sebastiano zafonte

And curated by School for Curatorial Studies Venice and the fellows curators of the 2026 Summer cohort

Sophia Escalante Sophia Escalante Sophia Morgan Escalante
Nuria Peregrín Fernández Nuria Peregrín
Mishka Gavora PLUM GALLERY
Anu Hirvonen
AP Kaur Petrâ ਕੌਰ / A K S
Renata Nakonechnikova
Becca Ogden .textiles
Sarah M. Oliver Sarah Oliver
Georgios Pitsidopoulous
Héloïse Robinot
Idalia B. Santos idalia santos
Anaya Stets
Cristina Tolovi ToLovi Art Management

See you there.

Open Day OnlineSchool for Curatorial Studies VenicePresentazione del programma 20277 settembre 2026, ore 18Durata del co...
25/08/2026

Open Day Online
School for Curatorial Studies Venice

Presentazione del programma 2027
7 settembre 2026, ore 18

Durata del corso:
11 gennaio – 31 maggio 2027

evento gratuito

Iscrizioni open day:
[email protected]

20/08/2026

We are pleased to introduce the participating artists of the 2026 Summer International Programme’s exhibition, WE ALL NEEDED THE SAME SUN.

These artists bring a wide range of interdisciplinary practices from both local and international cultural backgrounds. Each of them delivers a distinct voice that contributes to the exhibition’s central exploration of the relationship between humans, animals, and nature.

Through the exhibition, each artwork becomes an important part of the dialogue that invites us to reconsider humanity’s position within the natural world, opening a conversation around coexistence, connection, and our shared place within it.

The School for Curatorial Studies is excited to present the participating artists’ work at A plus A Gallery, opening August 29th at 6.30PM.

Seeing Words, Reading ImagesThe exhibition at PalaisPopulaire brings together works from the Written Art Collection and ...
17/08/2026

Seeing Words, Reading Images

The exhibition at PalaisPopulaire brings together works from the Written Art Collection and the Deutsche Bank Collection.

How does a curator bring a collection to life? How do curatorial choices shape the way we see and understand a collection?

Featuring works by:
Etel Adnan, Mounira Al Solh, Joseph Beuys, Osman Bozkurt, Hoy Wong Cheong, Natalie Czech, Claudia Comte, Marcel Dzama, Larissa Fassler, Meschac Gaba, Ellen Gallagher, Shilpa Gupta, Jenny Holzer, Annette Kelm, William Kentridge, Imi Knoebel, Sean Landers, Ahmed Mater, Ahmad Moualla, Farhad Moshiri, Herta Müller, Shiryû Morita, Shirin Neshat, Simon Patterson, Zhijie Qiu, Karin Sander, Viviane Sassen, Yinka Shonibare, Slavs and Tatars, Agathe Snow, Kemang Wa Lehulere, Evelyn Teocheng Wang, Lawrence Weiner, Jiechang Yang, Inoue Yū-ichi and Charles Hossein Zenderoudi.

Thank you Daniela Medina Poch and Gropius Bau danielamedinapoch for introducing us to BAUBAU and for sharing this approa...
13/08/2026

Thank you Daniela Medina Poch and Gropius Bau danielamedinapoch for introducing us to BAUBAU and for sharing this approach to rethinking the relationship between museums and their audiences.

Opened at Gropius Bau in 2024 under the direction of Jenny Schlenzka with an environment designed by artist Kerstin Brätsch, BAUBAU is much more than a programme for children.

Inspired by The Model, the pioneering adventure playground created by P***e Nielsen at Stockholm’s Moderna Museet in 1968, BAUBAU brings together artistic practice, pedagogical research and a reflection on accessibility, participation and the role of museums today. By questioning who museums are for, how their spaces can be used and what meaningful engagement can look like.

Hamburger Bahnhof - Nationalgalerie der Gegenwart
12/08/2026

Hamburger Bahnhof - Nationalgalerie der Gegenwart

Thank you to  and Künstlerhaus Bethanien for welcoming us yesterday, and to Lesia Vasylchenko and Francisco Gonzalez-Ro...
11/08/2026

Thank you to and Künstlerhaus Bethanien for welcoming us yesterday, and to Lesia Vasylchenko and Francisco Gonzalez-Rosas for the generous studio visits and insightful conversations!

We are pleased to present the Fellow Curators of the 2026 summer Cohort: This summer’s international fellows bring a wid...
07/08/2026

We are pleased to present the Fellow Curators of the 2026 summer Cohort: This summer’s international fellows bring a wide range of professional and culutral backgrounds. The development of their exhibition opening at the end of August, We All Needed the Same Sun, coincides with and contributes to a distinctive voice to the artistic polyphony of the 61st International Art Exhibtion—La Biennale di Venezia. WE ALL NEEDED THE SAME SUN Openining Reception: August 29th at A plus A Gallery, curated by the School of Curatorial Studies Venice August 29th to Spetember 2026

Sophia Escalante (USA)
Sophia is an emerging art professional whose skills involve art historical research and operational management, from her studies as an undergrad from San Diego State California in the US, with a B.A. in Art History and B.S. in Business Administration. She specializes in early Californian, historical and modern fine art. Approaching projects with a passion for the arts and people, her research focuses on an audience’s understanding of art, with particular attention to diaspora, feminist methodologies, and the representation of historically underrecognized artists. Sophia’s education and experience in business have also given her a strong understanding of the operational and commercial dimensions of the art world, allowing her to navigate the intersection of art and business, bringing a unique perspective.
Sophia Escalante

Mishka Gavora (USA)
Mishka is a New York City based independent curator and the founder of Plum Gallery, a nomadic curatorial practice that produces exhibitions and programming across temporary and unconventional spaces. Her experience spans contemporary art, exhibition production, arts administration, and fine art logistics. Gavora works with emerging and underrepresented artists to create exhibitions that feel open, social, and alive. 
Mishka
PLUM GALLERY

Anu Hirvonen (Finland)
Anu is an educator, cultural heritage interpreter and curator whose work brings together language, visual culture and the histories that shape our understanding of place and identity, with a MA in English Philology and French language. Anu is committed to fostering critical th

From the archives: our international team of curators visited the ASAC, the library of the Biennale to conduct research ...
04/08/2026

From the archives: our international team of curators visited the ASAC, the library of the Biennale to conduct research for their upcoming exhibition. Gathering inspiration, influence and knowledge — research is an essential part of curation; it helps shape the narratives that give an exhibition depth and provides the audiences with more nuanced contexts for engaging with the work. In formulating the concept for their upcoming exhibition, WE ALL NEEDED THE SAME SUN, the 2026 cohort conducted extensive research from various published books such as “How Forests Think: Toward an Anthropology beyond the human” by Edward Kohn. We’re excited to see these ideas come to fruition in an exhibition setting.

Indirizzo

San Marco 3073
Venice
30124

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