Galleria Franco Noero

Galleria Franco Noero Galleria Franco Noero

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Fondata nel 1999 a Torino, sin dagli inizi la galleria si contraddistingue per i coraggiosi e significativi progetti espositivi prodotti coi suoi artisti, attraversando tutti i linguaggi artistici con un'attenzione particolare devota alle pratiche concettuali e alla radicalità della ricerca. Nel corso degli anni il programma ha mantenuto una costante evoluzione e crescita, accompagnata dalla migra

zione in 8 differenti spazi in città che, di volta in volta, rispondendo a differenti esigenze architettoniche e progettuali, lasciavano gli artisti liberi di creare ad ogni nuovo progetto un luogo diverso. Dal 2013 il centro delle attività è l’area di Via Mottalciata 10, zona nord di Torino, spazio duttile e generoso che si completa nel settembre 2020 con un area open air di 1000 mq, un giardino distante pochi passi. Accanto all’organizzazione delle mostre nei propri spazi e alla partecipazione alle principali fiere internazionali, la galleria collabora con le più importanti istituzioni italiane ed internazionali e con la città, promuovendo la pubblicazione di libri, sostenendo e contribuendo alla produzione di opere e progetti dei propri artisti. Founded in 1999 in Torino, from the very beginning the gallery has distinguished itself for the courageous and significant exhibition projects produced with its artists, crossing all artistic languages ​​with a particular attention devoted to conceptual practices and the radical nature of research. Over the years, the program has maintained a constant evolution and growth, accompanied by migration to 8 different spaces in the city which - responding from time to time to different architectural and design needs - left the artists free to create for each new project a different place. Since 2013 the center of its activities has been the area of ​​Via Mottalciata 10/B, in the northern side of Turin, a flexible and generous space that is completed in September 2020 with an open air area of ​​1,000 square meters, a garden just a few steps away. Alongside the organisation of exhibitions in its spaces and the participation in major international fairs, the gallery collaborates with the most important Italian and international institutions, promoting the publication of books, supporting and contributing to the production of works and projects of its own artists.

LAST DAY 📌Tomorrow is the last day to visit the solo exhibition "Copies of real-life objects, tools and food" by  , on v...
05/09/2026

LAST DAY 📌

Tomorrow is the last day to visit the solo exhibition "Copies of real-life objects, tools and food" by , on view at Kunsthalle Zurich, curated by F***y Hauser.

Olesen’s works likewise superimpose different periods of time, by bringing classical still-life motifs like asparagus and lemons (Édouard Manet), fish (Gustave Courbet) or chickens (Francisco de Goya) into dialogue with everyday objects of contemporary consumer culture such as laptops and keyboards.

Translated into a variety of materials including plaster, silicone and acrylic and epoxy resins, some of the casts in the installation are painted, while others are left untouched. This cadence is interrupted by occasional painted readymades, increasingly dissolving categories of original and copy, representation and object. Form no longer appears as something abiding and unequivocal, but rather as something that can continually be digested and reconstituted through repetition, reproduction and material transformation.
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Henrik Olesen, "Copies of real-life objects, tools and food", Kunsthalle Zürich, 2026 Image: Cedric Mussano
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  "Tre opere a San Filippo"5 September - 4 October 2026Fondazione Calzolari is pleased to announce "Tre opere a San Fili...
04/09/2026


"Tre opere a San Filippo"
5 September - 4 October 2026

Fondazione Calzolari is pleased to announce "Tre opere a San Filippo. Pier Paolo Calzolari" (Three Works at San Filippo. Pier Paolo Calzolari), an exhibition organised by Fondo Calzolari in collaboration with Fossombrone City Council and curated by Karine Marcelle Arneodo and Anna Matteucci.

The Church of San Filippo in Fossombrone, a remarkable example of Baroque architecture, will host three works by Pier Paolo Calzolari. The exhibition marks the return of Calzolari’s work to Fossombrone, where the artist lived for more than twenty years and where Fondazione Calzolari is based.
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Pier Paolo Calzolari, "Lasciare il posto", 1970. Photo credit Paolo Panzera. Courtesy Archivio Fotografico Pier Paolo Calzolari
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Happy birthday  !✨-Portrait by Carlotta Manaigo for the interview “The Other Side of Glamour: Pain, Sorrow, Solitude and...
01/09/2026

Happy birthday !✨
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Portrait by Carlotta Manaigo for the interview “The Other Side of Glamour: Pain, Sorrow, Solitude and The Violence of Exposure” by Olivier Zahm with Francesco Vezzoli.

The full interview is featured in Purple #45, The New Glamour Issue.

Happy birthday  !✨-Vernissage Jason Dodge, Kunsthalle Friart Fribourg, 2026. Photo: Julie Folly
26/08/2026

Happy birthday !✨
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Vernissage Jason Dodge, Kunsthalle Friart Fribourg, 2026. Photo: Julie Folly

  is taking part in "REGIFT " the group exhibition presented by Swiss Institute in New York. You can visit the exhibitio...
24/08/2026

is taking part in "REGIFT " the group exhibition presented by Swiss Institute in New York. You can visit the exhibition until 6 September 2026.

To mark its 40th anniversary, Swiss Institute revisits Regift, the landmark 2009 exhibition originally organized at SI in New York by John Miller with Piper Marshall.
The original Regift exhibition examined systems of gift exchange and their relationship to economic structures, social reciprocity, and the ways in which gifts bind relations of mutual obligation. Regift takes this premise as a point of departure, proposing that the artwork and the gift share a fundamental resistance to being fully accounted for within systems of measurable value.

In this new iteration, for SI’s 40th anniversary, Regift will broaden its scope to consider the rituals surrounding gift giving and the celebratory occasions that prompt such exchanges, from birthdays and anniversaries to communal and spiritual
observances.
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Darren Bader, "109 objects to begin a new civilization", n.d.
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Happy birthday  ! ✨Featured in the image "IDOLO", his first artwork in Mirafiori dopo il Mito | Arte, a program that cel...
20/08/2026

Happy birthday ! ✨

Featured in the image "IDOLO", his first artwork in Mirafiori dopo il Mito | Arte, a program that celebrates and reinterprets the neighborhood of Mirafiori Sud.

"IDOLO is the result of an invitation by the Mirafiori Foundation to create a temporary public work for the vicinity.
Historically the area was reimagined as a residential site, from the 1960s onwards it provided housing for factory workers, particularly those within the FIAT plants.
Amongst the tower blocks and low rise housing just across from the public park and beyond the mausoleum is a wild mountain river, the Sangone, which winds its way down from the Cottian Alps before joining the river Po beyond Turin. This river is quite at odds with the surrounding estates, their controlled vernacular a rational response to the needs of the people contrasted with the snaking wilderness of the barely contained water whose trajectory ebbs and flows with the mountain rain and ice melts. It is here we decided to place an object: a work." - Mike Nelson
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Photo credit: Mauro Vallinotto

Happy birthday  !✨
18/08/2026

Happy birthday !✨

Last days to visit "Unlicensed Goods", the exhibition is featuring the works by   and  . The exhibition is presented by ...
13/08/2026

Last days to visit "Unlicensed Goods", the exhibition is featuring the works by and . The exhibition is presented by Yan du Projects and curated by Billy Tang, Artistic Director at YDP and is on view until Saturday, 15 August 2026.

Inspired by the proximities and overlaps between underground and mainstream circulations of manufactured objects and stories, "Unlicensed Goods" surveys practices and initiatives at the intersection of art, design and fashion.
The exhibition marks the first major group survey since the opening of YDP. Occupying the entirety of the building with a combination of site-specific commissions, spatial interventions and existing works, the exhibition reflects on the material realities of globalised production. It examines questions of cultural access and exclusion, collaborative and collective forms of production that challenge singular authorship and modes of immigrant survival within environments that remain indifferent to—or actively erase—the visibility of outsiders.
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Unlicensed Goods, 2026, YDP, installation view. Photography by Reinis Lismanis. Image courtesy of YDP.
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Last days to visit “Weaving Culture”, the first solo exhibition by   at the National Gallery of Armenia. The exhibition ...
11/08/2026

Last days to visit “Weaving Culture”, the first solo exhibition by at the National Gallery of Armenia. The exhibition is on view until Saturday, 15 August 2026.

After her one-month residency with AHA collective, during which she visited carpet workshops, met with displaced women weavers from Karabagh, and traveled through southern Armenia to the border city of Meghri, a paper to carpet translation process was initiated. Over the course of nine months, the weavers, together with local dyers, translated the diasporic artist’s vision into a rich textile language, using local wool and more than two hundred dyes. Bringing together displaced women weavers, including those formerly part of the renowned Artsakh Carpet workshop, the project has supported them in re-establishing their practice in Yerevan and in workshops across nearby villages.

“It is a great opportunity to read what the weavers share about their lives and their experiences, their reactions to my work, and their experiences while weaving, especially in terms of color”, shares the artist.
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“Weaving culture. Anna Boghiguian” exhibition view.
Photo credit: Daniil Primak / AHA collective
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  is taking part in the 10th Biennial of Painting, curated by Anne Pontegnie. The exhibition is on view at Museum Dhondt...
10/08/2026

is taking part in the 10th Biennial of Painting, curated by Anne Pontegnie. The exhibition is on view at Museum Dhondt-Dhaenens through 18 October 2026.

The exhibition brings together new creations, in situ installations and existing works from public and private collections in varying constellations. The 10th edition of the Biennial of Painting explores how and why artists expand what painting can be. Textile, ceramic, glass, wax, plastic, beads and stone are among the materials artists use to escape the modern pictorial space and its correlated notions of autonomy and separation.

For formal and conceptual reasons, Eric N. Mack works primarily with fabric. The infinite variations in texture, print, and color allow for ever-changing compositions, while fabric’s fluidity enables the works to respond to space and architecture. Textile carries memories of the bodies who wore it and those who made it, resonating with global and personal histories of exploitation, craft, trade and resistance.
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Photo credit: Barth Decobecq
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Indirizzo

Via Mottalciata 10/B
Turin
10154

Orario di apertura

Lunedì 15:00 - 19:00
Martedì 10:30 - 19:00
Mercoledì 10:30 - 19:00
Giovedì 10:30 - 19:00
Venerdì 10:30 - 19:00
Sabato 15:00 - 19:00
Domenica 15:00 - 19:00

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