Myriam Sirotto

28/08/2026

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Spider-Man is back in , but he is the real !
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🗓️ July 7, 2026
📍 Venezia, Veneto, Italia 🇮🇹
📷 Lumix DC-G90M
📸 1/8, 27 mm, ISO 1600, f/8
🗓️ July 10, 2026
🎨 Adobe Photoshop on Apple MacBook Air M2 13” mirroring on Apple iPad 6 gen 9.7”
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🗓️ July 7, 2026
📍 Venezia, Veneto, Italia 🇮🇹
📷 Lumix DC-G90M
📸 1/8, 27 mm, ISO 1600, f/8

Rì Parto da Torino

Ragno Venexian was born by Myriam Sirotto – katnisshawkeye’s brain, and she developed the character design during the Visual Arts Intensive Workshop of the Master’s degree in Visual Arts and Expanded Cinema at Università Iuav di Venezia.

Università Iuav di Venezia Iuav Arti Visive-Multimediali

22/07/2026

Ragno Venexian
4-pages of A Magazine Dummy

This project operates as a localized expansion of the global Spiderverse, a transfictional multiverse that welcomes Spiderpersons from diverse eras, cultures, and geographies. By introducing a Venetian counterpart, the work explores the f ric tion between global pop iconography and hyper-local identity.
Ragno Venexian becomes a visual manifestation of Venezia’s architectural and historical voice, showcasing how a universal contemporary archetype mutates when forced to swing not between skyscrapers, but across canals, calli, and centuries of layered history.

My voice also manifests through the technique of photograwing. In this workshop, l’ve explored the drawn line as my spoken word, to decode the city’s architecture and give a tangible shape to the hidden mythologies whispering within its stone and water.

Università Iuav di Venezia
LM Arti Visive e Cinema Espanso
Workshop intensivo di Arti Visive
Professor: Regina Maria Möller
Collaborator: Alessia Prati


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14/07/2026

GREEN
Documentary Short Film
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The documentary explores the microcosm of golf as a visual and sensorial metaphor for the complexities of human existence, where daily tensions, rhythms, and perceptions are concentrated in the precision and repetitiveness of a single gesture. Through a narrative that unites the physicality of bodies with the geometry of the landscape, the documentary translates the sporting act into an intimate journey of self-awareness. The camera focuses on the interaction between the individual and the green space, transforming the pursuit of the perfect shot into an investigation of time, consistency, and overcoming limits.
The short film focuses on the psychological and emotional dimensions of the practice, removing the discipline from its mere technical ex*****on. Mistakes and frustration are not interpreted as setbacks, but as structural elements and necessary stages in the development of an internal strategy. Pauses, deep breaths, and moments of waiting become cinematic tools to redefine the concept of error, transforming it into an opportunity for learning and personal evolution.
The work invites a profound reflection on resilience, in which concentration becomes an existential practice: harmony and the path to the goal emerge not as an immediate achievement, but as an experience of patience and acceptance of imperfection built over time.
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Full movie: https://youtu.be/FOyoMqqPE68
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Università Iuav di Venezia
LM Arti Visive e Cinema Espanso
Laboratorio di Cinema Documentario
Professor: Massimo D’Anolfi
Collaborators: Giuseppe Ferrari e Pierluca
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Special thanks to my mom, Claudia Angera
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03/06/2026

Avete presente la famosa torre di libri del Salone del Libro di Torino? Oggi vi porto a vedere una “torre” di libri orizzontale, veri e consultabili.

Ci troviamo a Venezia, nella splendida Biblioteca Nazionale Marciana (Piazzetta San Marco 13A).

Salendo lo Scalone d’Oro si accede al Vestibolo e al Salone Sansovino, spazi della Vecchia Biblioteca che ospitano due straordinarie installazioni per gli Eventi Collaterali della Biennale Arte 2026.

Entrambe le opere riflettono sul tema della memoria:
🔥 Monia Ben Hamouda – “Fragments of Fire Worship”. Qui il fuoco assume la logica dell’incendio, uno strumento di anichilimento della memoria che però lascia tracce visive. L’opera nasce dalla necessità di non tacere: i suoi segni sono presenze luminose, resti attivi di una scrittura spezzata che resiste al tempo e al valore imposto.
📚 Lara Favaretto – “Momentary Monument – The Library”. I libri diventano un’infrastruttura epistemica e la biblioteca uno spazio critico di verifica. Grazie alle donazioni di atenei, accademie e privati, una scaffalatura monolitica invita il pubblico alla consultazione, allo spostamento e al prelievo (uno a persona!). Testi specialistici o obsoleti funzionano come tracce della trasmissione del sapere. Ogni volume include un’immagine dell’archivio personale dell’artista: una biblioteca in trasformazione che con il tempo si svuoterà del tutto.

🖼️ Biennale Arte 2026, Eventi Collaterali, Fondazione Bvlgari
📍Biblioteca Nazionale Marciana, Piazzetta San Marco 13A, Venezia
🗓️ 9 maggio — 22 novembre 2026

🏷️ Tagga qualcuno con cui vorresti andarci!
💾 Salva e 🔁 ripubblica per il tuo prossimo viaggio a Venezia!

19/03/2026

ASCOLTARE VENEZIAInstallazione audiovisivaL'opera considera Venezia come ambiente da attraversare e da ascoltare, dove terra e acqua costruiscono modalità di...

03/03/2026

27/02/2026

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Why use an algorithm when you can use your bill-iant imagination?
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I ducktooned Carlo Conti to prove you don’t need generative artificial intelligence to get the job done. Oh, and just a little reminder that Topolino Magazine was ducktooning people long before it was a trend.
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🗓️ February 27, 2026
🎨 Adobe Photoshop on Apple MacBook Air M2 mirroring on Apple iPad 6 gen 9.7”
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digital illustration, illustrazione digitale, commissions are open, commissioni aperte, fanart, carlo conti, santemo 2026

09/02/2026

Ascoltare Venezia
Audiovisual installation
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The work considers Venezia as an environment to be traversed and listened to, where land and water construct different yet interdependent modes of experience. The audiovisual projection follows this dual condition, connecting walking through the streets and being transported by the canals, in a landscape that subsumes and recomposes itself through light, reflections, and acoustic resonances.
The installation focuses on the temporal and sensorial dimensionale the place removing it from the iconic and touristic image. Sound and movement become instruments of transformation, defined by rhythms, pauses and stratifications.
The work invites active listening, where attention becomes spatial practice: the identity of the place emerges not as a view, but as an experience constructed over time.
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Università Iuav di Venezia
LM Arti Visive e Cinema Espanso
Laboratorio Avanzato di Cinema Espanso
Professor: Sara Francesca Tirelli
Collaborators: Alessandro Vangi • Elisa La Boria
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Curatorship: Aman Novara
Curatorship assistant: Chiara Tessitori
Communication and graphics: Greta Pignatti • Malena Levorin • Roberta Cavuoti
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16/01/2026

🧠 An early report of 2026 trends by Martina Vezzoli on LinkedIn shows that this year:
• people prefer authentic content created by human beings over AI-generated one, despite the AI-boom on social media;
• people prefer content that isn’t algorithm-perfect, because they want connection more than perfection—so the “perfect” content will be imperfect;
• people are feeling nostalgic from 2016, and social media posting should be guided by playfulness rather than algorithms;
• long-form videos are coming back to build trust and community;
• people want to know more what happens behind the scenes of content creation, to prove that there’s a human being behind the content;
• social media is continuing to function as a search tool, because people look for real opinions.
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🫀 So, here I am with my short presentation—a human artist who draws for humans.
I draw because I love creating, and if you don’t have time to learn how to draw yourself, I’m here for you.
Art is a process that takes time to become something great, and I would love to create for you too.
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🎨 So, let’s work together! Don’t hesitate to write to me with your stories and visions at [email protected], and I’ll send you my personal proposal for you as soon as possible.
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08/01/2026

🧠 Drawing outside the box, simply following your instincts, fosters creativity and lateral thinking: it breaks the chains of conventional thinking, encouraging you to explore new perspectives, generate original ideas, and find non-obvious solutions. It provides a space of freedom necessary for creative problem-solving and the expression of your artistic and conceptual individuality.
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🎨 And this is how fantastic animals are born: from free forms, imagination, and listening. These imaginary creatures are exercises in visual freedom, unrealistic but possible explorations, questions that anyone can ask without the pressure of having answers.
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The first 14 fantastic beasts are:
1. Doraffe — duck + giraffe
2. Bullee — bull + bee
3. Whaird — whale + bird
4. Skunkerfly — skunk + butterfly
5. Flament — flamingo + ant
6. Batmel — bat + camel
7. Pufferooster — pufferfish + rooster
8. Rabbell — rabbit + squirrel
9. Snarilla — snail + gorilla
10. Craird — crab + bird
11. Pachyfly — elephant + dragonfly
12. Ductopus — duck + octopus
13. Corbee — corn + bee
14. Chickonkey — chicken + monkey
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🗓️ June 27, 2024 — May 5, 2025
🎨 Adobe Photoshop on Apple MacBook Air M2 13” mirroring on Apple iPad 6 gen 9.7”
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