TUCCI RUSSO Studio per l'Arte Contemporanea

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TUCCI RUSSO Studio per l'Arte Contemporanea Contemporary art gallery based in Torre Pellice and Turin

IN THE GALLERY / Torre PelliceGiovanni AnselmoIn collaboration with Fondazione Giovanni e Alda Anselmo ETS—Photo:Archivi...
24/10/2026

IN THE GALLERY / Torre Pellice
Giovanni Anselmo
In collaboration with Fondazione Giovanni e Alda Anselmo ETS

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Photo:
Archivio Fotografico Galleria TUCCI RUSSO, Torre Pellice e Torino
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IN THE GALLERY / Torre Pellice
Giovanni Anselmo
In collaboration with Fondazione Giovanni e Alda Anselmo ETS

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Photo:
Archivio Fotografico Galleria TUCCI RUSSO, Torre Pellice e Torino
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IN THE GALLERY / Torre Pellice
Giovanni Anselmo
In collaboration with Fondazione Giovanni e Alda Anselmo ETS
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đŸ“· Cielo accorciato (Shortened Heavens), 1969-1987

This is a work conceived to enter into dialogue with the sky. The text is engraved on the upper section of the granite block, which is positioned vertically so that it appears to shorten the vertical line of the sky by 1 metre and 30 centimetres.
[...]

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Photo:
Archivio Fotografico Galleria TUCCI RUSSO, Torre Pellice e Torino
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IN THE GALLERY / Torre Pellice
Giovanni Anselmo
In collaboration with Fondazione Giovanni e Alda Anselmo ETS
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đŸ“· Cielo accorciato (Shortened Heavens), 1969-1987

This is a work conceived to enter into dialogue with the sky. The text is engraved on the upper section of the granite block, which is positioned vertically so that it appears to shorten the vertical line of the sky by 1 metre and 30 centimetres.
[...]

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Photo (detail):
Archivio Fotografico Galleria TUCCI RUSSO, Torre Pellice e Torino
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IN THE GALLERY / Torre Pellice
Giovanni Anselmo
In collaboration with Fondazione Giovanni e Alda Anselmo ETS
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Senza titolo (Untitled), 1988-1989

‘A slab of granite and a canvas of the same dimensions are suspended from the wall by means of a steel cable and slipknots, with the stone positioned in front of the canvas. The balance perceived by the eye is not the actual one: in fact, it is the slab that holds up the canvas, pulling it close to itself via the loop; it is the energy intrinsic to colour and gesture that lightens the material and supports the work. This physical arrangement embodies the ideal of painting.’ (Maddalena Disch)
[...]

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đŸ“· Photo:
Archivio Fotografico Galleria T

/ NEWS📌 Marisa Merz – La danza delle oreCastello di Rivoli / Fondazione Merz / GAM TorinoCurated by Chiara Bertola, SĂ©ba...
22/10/2026

/ NEWS
📌 Marisa Merz – La danza delle ore
Castello di Rivoli / Fondazione Merz / GAM Torino

Curated by Chiara Bertola, SĂ©bastien Delot, Francesco Manacorda, Beatrice Merz, Chiara Parisi and Marianna Vecellio
From 29 October 2026 to 4 April 2027

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Castello di Rivoli Museo d’Arte Contemporanea, Fondazione Merz and GAM – Galleria Civica d’Arte Moderna e Contemporanea di Torino have joined forces to present a three-part exhibition celebrating the centenary of Marisa Merz’s birth. Conceived to retrace the work and legacy of the artist, born in Turin on 23 May 1926, Marisa Merz – La danza delle ore constitutes an unprecedented retrospective, one that is unlikely to be replicated in terms of comprehensiveness and depth.

The exhibition brings together an extraordinary collection of works, some of which have never been shown before, bearing witness to a creative life that continues to be a source of inspiration and artistic rediscovery throughout the world. The three-part exhibition offers the opportunity to explore different facets of Marisa’s oeuvre, such as the creative process and the use of materials; everyday time as a creative dimension and the home as an alchemical laboratory; and the notion of space as a physical and metaphysical place. Overall, the exhibition aims to reflect the continuous evolution and transformation that the artist has undertaken throughout her life, giving rise to a body of work that remains ever-open.
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📾 Marisa Merz indossa “Scarpette”
1975
Galleria L”Attico, Roma
Photo: Claudio Abate




/ NEWS📌 Marisa Merz – La danza delle oreCastello di Rivoli / Fondazione Merz / GAM TorinoCurated by Chiara Bertola, SĂ©ba...
22/10/2026

/ NEWS
📌 Marisa Merz – La danza delle ore
Castello di Rivoli / Fondazione Merz / GAM Torino

Curated by Chiara Bertola, SĂ©bastien Delot, Francesco Manacorda, Beatrice Merz, Chiara Parisi and Marianna Vecellio
From 29 October 2026 to 4 April 2027

—
Castello di Rivoli Museo d’Arte Contemporanea, Fondazione Merz and GAM – Galleria Civica d’Arte Moderna e Contemporanea di Torino have joined forces to present a three-part exhibition celebrating the centenary of Marisa Merz’s birth. Conceived to retrace the work and legacy of the artist, born in Turin on 23 May 1926, Marisa Merz – La danza delle ore constitutes an unprecedented retrospective, one that is unlikely to be replicated in terms of comprehensiveness and depth.

The exhibition brings together an extraordinary collection of works, some of which have never been shown before, bearing witness to a creative life that continues to be a source of inspiration and artistic rediscovery throughout the world. The three-part exhibition offers the opportunity to explore different facets of Marisa’s oeuvre, such as the creative process and the use of materials; everyday time as a creative dimension and the home as an alchemical laboratory; and the notion of space as a physical and metaphysical place. Overall, the exhibition aims to reflect the continuous evolution and transformation that the artist has undertaken throughout her life, giving rise to a body of work that remains ever-open.
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📾 Photo:
Marisa Merz
Untitled (detail)
n.d.
Courtesy Collezione Lisa Tucci Russo




/ NEWS📌 Alfredo PirriPassi 2026 – The Number 6, TorinoSite-specific installation at The Number 6, Turin, ItalyFrom 28 Oc...
19/10/2026

/ NEWS
📌 Alfredo Pirri
Passi 2026 – The Number 6, Torino

Site-specific installation at The Number 6, Turin, Italy
From 28 October 2026 to 15 January 2027

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The project, realized with the support of the Building Group, is curated by Alessandra Siviero and Francesca Canfora, in collaboration with TUCCI RUSSO Gallery Torre Pellice and Turin.
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📍 The Number 6
Via Vittorio Alfieri 6, Turin, Italy

🕛 Opening hours:
Monday – Friday, 9 am – 1 pm | 2 – 7 pm
Saturday, 9 am – 11 am

🕛 Special opening hours during Artissima:
Saturday and Sunday, 9 am – 1 pm | 2 – 7 pm

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📾 Alfredo Pirri
"Progetto per Passi 2026 – The Number 6, Torino"
2026
Watercolor, oil, and silver leaf on Arches paper
Photo: Giorgio Benni
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/ NEWS📌 Alfredo PirriPassi 2026 – The Number 6, TorinoSite-specific installation at The Number 6, Turin, ItalyFrom 28 Oc...
19/10/2026

/ NEWS
📌 Alfredo Pirri
Passi 2026 – The Number 6, Torino

Site-specific installation at The Number 6, Turin, Italy
From 28 October 2026 to 15 January 2027

—
The project, realized with the support of the Building Group, is curated by Alessandra Siviero and Francesca Canfora, in collaboration with TUCCI RUSSO Gallery Torre Pellice and Turin.
—

📍 The Number 6
Via Vittorio Alfieri 6, Turin, Italy

🕛 Opening hours:
Monday – Friday, 9 am – 1 pm | 2 – 7 pm
Saturday, 9 am – 11 am

🕛 Special opening hours during Artissima:
Saturday and Sunday, 9 am – 1 pm | 2 – 7 pm

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Photo:
© Piero Ottaviano
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IN THE GALLERY / TorinoHarald Klingelhöller- and the world apart, twice ( horizont ) -Until 30 January 2027—In the exhib...
17/10/2026

IN THE GALLERY / Torino
Harald Klingelhöller
- and the world apart, twice ( horizont ) -
Until 30 January 2027
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In the exhibition, entitled - and the world apart, twice ( horizont ) -, the works on display are dated 2026 and thus represent the most recent evolution of the artist’s aesthetic; they are presented at different levels: suspended, on the floor or, in the case of the (Horizont) series, along a horizon line, supported by a lectern, onto which the words comprising the title are metaphorically transferred.
The suspended works are to be understood as constellations, in which previously created sculptures reappear in the form of their shadows (altered in size and multiplied as distorted three-dimensional silhouettes). They reveal a level of balance and resonance with what is evoked by the words that gave each earlier sculpture its title.
“In the journey from the object to its shadow, from the object to its concept, and from the Event to memory, something always remains in an infinite space that we do not know.”
The moment of suspension enters the imagination.
The floor-standing works, such as the ‘stars’, are made of solid metal forms (copper, brass, lead and powder-coated sheet steel) with a trapezoidal cross-section, each with one end at a right angle and the other cut diagonally. The wider, parallel trapezoidal surface faces upwards, and its dimensions are determined by the respective sizes of the words printed in the title (mostly in bold, uppercase Neue Helvetica).
The star-shaped sculptures represent a transformation of everything evoked by the words in the title into a condensed form, creating a new, non-identical presence. As the project developed, the idea of a complete transfer was abandoned, and the star shape came to be understood as a further form of presence for what has already been evoked and what remains to be evoked. [
]

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Photo:
Archivio Fotografico Galleria TUCCI RUSSO, Torre Pellice e Torino
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IN THE GALLERY / TorinoHarald Klingelhöller- and the world apart, twice ( horizont ) -Until 30 January 2027—Harald Kling...
13/10/2026

IN THE GALLERY / Torino
Harald Klingelhöller
- and the world apart, twice ( horizont ) -
Until 30 January 2027
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Harald Klingelhöller’s first exhibition at the Tucci Russo gallery took place in 1993.
Since the mid-1980s, Harald Klingelhöller has occupied a unique position at the intersection of sculpture and language. Defining himself as a “linguistic flaneur,” he transforms the written and spoken word into three-dimensional form. His practice creates a tension between narrative elements and visual art, employing a wide range of materials — from fragile paper, cardboard, and glass mirrors to heavy steel and granite.
Klingelhöller’s sculptures can be read as spatial transcriptions of language, playing with intonation, repetition, and the linear flow of letters. The metaphorical and poetic phrases he utilizes — drawn from the press, poetry, or medical and legal texts — are far more than mere titles. Instead, they establish a framework where language and object coexist without ever being entirely congruent. It is precisely this lack of congruence that Klingelhöller explores: the unpredictable relationship between the word and the parallel world of objects.
This open-ended dialogue allows his oeuvre to serve as a metaphor for a specific understanding of art: one that insists on the autonomy of the work while simultaneously inviting discourse on its meaning. [...]

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Photo:
Archivio Fotografico Galleria TUCCI RUSSO, Torre Pellice e Torino
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UPCOMING / Torre PelliceGiovanni AnselmoIn collaborazione con la Fondazione Giovanni e Alda Anselmo ETS—Opening:Sunday 1...
04/10/2026

UPCOMING / Torre Pellice
Giovanni Anselmo
In collaborazione con la Fondazione Giovanni e Alda Anselmo ETS

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Opening:
Sunday 11 October 2026
From 11 am to 5 pm
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Foto:
Federica Frache, Archivio Fotografico Galleria TUCCI RUSSO, Torre Pellice e Torino


UPCOMING / Torre PelliceGiovanni AnselmoIn collaborazione con la Fondazione Giovanni e Alda Anselmo ETS—Opening:Sunday 1...
03/10/2026

UPCOMING / Torre Pellice
Giovanni Anselmo
In collaborazione con la Fondazione Giovanni e Alda Anselmo ETS

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Opening:
Sunday 11 October 2026
From 11 am to 5 pm
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Foto:
1. Elena Manzone, Archivio Fotografico Galleria TUCCI RUSSO, Torre Pellice e Torino
2. Federica Frache, Archivio Fotografico Galleria TUCCI RUSSO, Torre Pellice e Torino


Indirizzo

Via Stamperia 9
Torre Pellice
10066

Orario di apertura

MercoledĂŹ 10:30 - 13:00
15:00 - 19:00
GiovedĂŹ 10:30 - 13:00
15:00 - 19:00
VenerdĂŹ 10:30 - 13:00
15:00 - 19:00
Sabato 10:30 - 13:00
15:00 - 19:00
Domenica 10:30 - 13:00
15:00 - 18:30

Telefono

+390121953357

Sito Web

Notifiche

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