D-Vision Movie People

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D-Vision  Movie People Rental Equipment for Cinema / TV

On Friday, October 16, and Saturday, October 17, we’ll be at Cinecittà CINEVERSE to strengthen our collaboration with An...
12/10/2026

On Friday, October 16, and Saturday, October 17, we’ll be at Cinecittà CINEVERSE to strengthen our collaboration with Ancient Optics and showcase three lens sets that are set to make a lasting impact on the world of cinematography in the years to come: STATERA Anamorphic, SERIES 65, and TAMASHII.

Come visit us and get hands-on with the lenses and claim your Ancient Optics X Cineverse shirt!

Now available Zeiss Standard Speed TLS at DvisionMoviepeople!
02/10/2026

Now available Zeiss Standard Speed TLS at DvisionMoviepeople!

Stiamo raccogliendo candidature per l’assunzione di un magazziniere nel reparto Macchina da Presa.Per candidarti, inviac...
22/09/2026

Stiamo raccogliendo candidature per l’assunzione di un magazziniere nel reparto Macchina da Presa.

Per candidarti, inviaci un’email a [email protected]

‘Nessun Dolore’ by Gianni Amelio, with cinematography by .amelio.ujkaj, will be screened today at the 83rd Venice Intern...
04/09/2026

‘Nessun Dolore’ by Gianni Amelio, with cinematography by .amelio.ujkaj, will be screened today at the 83rd Venice International Film Festival.

It’s always a pleasure to collaborate with Luan and help him find solutions for his visual choices. For this project, he chose to shoot with a set of Leitz Summicron-C lenses and an ARRI Alexa 35.

D-Vision Movie People wishes you a wonderful summer holiday and reminds you that we will be closed from August 10th to 1...
05/08/2026

D-Vision Movie People wishes you a wonderful summer holiday and reminds you that we will be closed from August 10th to 16th. ⛱️🏔️⛵️

The Leitz HUGO lenses combine the precision of modern optics with an image that never feels clinical. Designed for Large...
03/08/2026

The Leitz HUGO lenses combine the precision of modern optics with an image that never feels clinical.

Designed for Large Format cinematography, they deliver exceptional micro-contrast, smooth focus fall-off, beautiful colour rendition and outstanding consistency across the entire set. The result is an image that feels rich, dimensional and incredibly natural, while maintaining the resolution today’s high-end sensors demand.

The set available at D-Vision Movie People consists of 9 focal lengths (18mm, 21mm, 24mm, 28mm, 35mm, 50mm, 75mm, 90mm, 135mm), offering a complete solution for productions looking for uncompromising optical performance with the unmistakable quality of Leitz.

At D-Vision Movie People we have a very special set of Cooke Optics S4/i lenses that we call Gold.Our Chief Lens Technic...
18/07/2026

At D-Vision Movie People we have a very special set of Cooke Optics S4/i lenses that we call Gold.

Our Chief Lens Technician, Massimo Proietti, personally modified the complete 12-lens set by integrating a custom optical element that enhances the highlights with a unique warm, golden glow while preserving the legendary Cooke character.

One of our favorite cinematographers, Cristiano Di Nicola, used the Cooke Gold set for Mr. Eazi’s music video “Legalize”, directed by Federico Mazzarisi.

A subtle optical modification, yet one that gives the image a truly distinctive signature.

Mauro Marchetti Camera Assistant to Cinematographer Vittorio Storaro on ‘Apocalypse Now’ still shares a close bond with ...
04/07/2026

Mauro Marchetti Camera Assistant to Cinematographer Vittorio Storaro on ‘Apocalypse Now’ still shares a close bond with the D-Vision Movie People family.

Thanks to him, the story of the legendary Technovision anamorphic lens sets lives on: the Technovision Zeiss lenses used for the daylight scenes and the Technovision Cooke lenses for the night sequences of the movie. Remarkably, both sets are still fully functional and ready to shoot today.

Mauro appears in two of the photographs in this post. In the first, he is alongside his father, Alfredo Marchetti, the film’s Key Grip, pushing the camera dolly In the second, he is the blond young man standing to the left of the taller camera.

More than behind-the-scenes photographs, these are fragments of cinema history.

Proud to have supported DP  on ’s La Grazia, now awarded at the Nastri d'Argento 2026.A beautiful recognition for Daria’...
25/06/2026

Proud to have supported DP on ’s La Grazia, now awarded at the Nastri d'Argento 2026.

A beautiful recognition for Daria’s work and the entire team behind the film.
Shot with 2 ARRI Alexa 35s, Leitz Hugo primes, Summicron-C, Angenieux EZ-1 zooms and a full DVision camera package.

Congratulations to Daria and everyone involved on this well-deserved achievement.

Dir:
Dop:

Camera Op.
1st AC: Alessio Robert Galasso
1st AC: Dario Paolini
2nd AC: Tonia Forte Maimone
2nd AC: Sofia Karakachoff
Video Assist:

Key Grip: Cristiano Biagioli
Key Rigging Grip: Marco “Marinese” Santarelli
Grip: Giuseppe Scudo, Lorenzo Sardini, Andrea Pomarici, Edoardo Toresi

Gaffer: Fabio Policastro
Key Rigging Gaffer:
Elettrician: Mauro Belli, Andrea Buzza, Matteo Zanchi

Producer: Anna Maria Morelli
Production Supervisor: Priscilla Pacetti
Head of Production: Camille Courau
Producer:
Producer:
Line Producer: Cristina Tacchino
Unit Production Manager: Elda Baldi
Unit Manager: Tobia Calevi
Unit Manager:
Unit Manager Assists: Vittorio Paladino Luca Seminario
Casting Dir. Massimo Appolloni annamaria sambucco
Production Design: Ludovica Ferrario

We are extremely proud of this unique set of lenses we have worked hard to rehouse together with TLS Long before large-f...
23/06/2026

We are extremely proud of this unique set of lenses we have worked hard to rehouse together with TLS

Long before large-format cinematography became fashionable again, Cooke Optics was already helping shape the look of some of cinema’s most ambitious productions. In the 1950s, the company developed the Double Speed Panchros and Duopanchros to cover the spectacular 65mm formats that defined the golden age of the movie roadshow era.
This set combines 9 of those rare lenses:
28mm T2.5
35mm T2.3
40mm T3
50mm T2.3
55mm T3
75mm T2.3
100mm T2.8
152mm T3.2
203mm T4.5

With 9 focal lengths spanning from 28mm to 203mm, this is probably one of the most complete surviving sets of Cooke Double Speed Panchros and Duopanchros in existence.

A remarkable piece of cinema history, now ready to shoot once again.

Indirizzo

Via Ruderi Di Torrenova 49
Rome
00133

Orario di apertura

Lunedì 08:30 - 13:00
14:30 - 18:00
Martedì 08:30 - 13:00
14:30 - 18:00
Mercoledì 08:30 - 13:00
14:30 - 18:00
Giovedì 08:30 - 13:00
14:30 - 18:00
Venerdì 08:30 - 13:00
14:30 - 18:00
Sabato 09:00 - 12:30

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