MuMa

MuMa La bellezza dell'inutile Martina Musìo was born in Rome (Italy) on July 28, 1998.

Her artistic training began in high school, at the Liceo Artistico Enzo
Rossi in Rome, where she studied Interior Furniture and Design. After graduating in 2017, in the same year, she enrolled at the Academy
of Fine Arts in Rome, obtaining a degree in Sculpture during the Academic
year 2019/2020. During the three years at the Academy, she was able to experiment with
different techniques and materials in the field of sculpture, from the
classical ones (casting of metals, processing of marble and semi-precious
stones, clay modeling and the different casting procedures) in search of
new forms of expression. Having won the scholarship as an Erasmus student, she will spend her third
and final year (2019/2020) at the Bauhaus Universitat in Weimar, where
she will have the opportunity, as well as to deepen her knowledge of
English and start studying German, to broaden the media spectrum for his
work and artistic process. In fact, in this last year, her artistic research has focused on the theme
of language, where, ranging between different expressive forms and letting
herself be influenced by the multiculturalism of the university and
city environment, she has come to collect the material presented in her
thesis "Composition and decomposition - Language survey ". The intentionality of the work that combines the three years of study at
the Academy of Fine Arts is in the process of investigation and research
as a method for overcoming structures, physical static forms and thought. This means that the image proposed through his works is in constant
motion, an "Opera Aperta" an "image epistemological "of reality.

05/06/2026, Riccardo Baiocco and I had the opportunity to be guests of the seminar on Humanitarian Disarmament, organise...
09/06/2026

05/06/2026

, Riccardo Baiocco and I had the opportunity to be guests of the seminar on Humanitarian Disarmament, organised by Tibisay Ambrosini () and Marcello Musìo in collaboration with professor Francesco Antonelli (University of Roma Tre), at the Department of Political Sciences of the University of Roma Tre.

Se had the opportunity to reasoning on the role of the survivors in the humanitarian disarmament and the role of art in tackling the importance and results of this topic.

Many thanks to all the students that came despite the exam session 🙏
Thanks, as always, to Tiby and the Italian Campaign to Ban Landmines for supporting this project.
The powerful testimony of Margaret keeps traveling around the world and for me is a great honour to be a companion in this journey with such marvellous people.

🌱 This is just the beginning 🌱

To Margaret (2025) projected during professor Mara Matta course Global and Minor Cinemas (Global Humanities)It was an im...
27/05/2026

To Margaret (2025) projected during professor Mara Matta course Global and Minor Cinemas (Global Humanities)

It was an immense pleasure to be in the Aula Magna ISO yesterday with such special people sitting by my side and in front of me.

Thanks to everyone who came and was part of this event
Thanks to professor Mara Matta for hosting us, even from Orlando. Thanks to professor Nicoletta Dentico and professor Francesca Farruggia for the support in class 🌱

A special thanks to Margaret Arach Orech 🌻 I'm so happy to finally have met you in person after almost a year from our first Meet Call.

Thanks to the for sustaining this project and work and for making possible for Margaret to come here in Rome.

And finally a special thank to my sparring partner , despite the fighting during the editing process we have made something out of it. I won't use other words here because we already have said everything to ourselves ❤️

Scraps of "Against interpretation" (2026)First screening Barin Han, Istanbul. 04/09/26
18/05/2026

Scraps of "Against interpretation"
(2026)

First screening Barin Han, Istanbul.
04/09/26

Against Interpretation (2026)7 minutesWeimar 2019. Rome 2026.Past and present evaporate in memories and new consciences,...
07/05/2026

Against Interpretation (2026)
7 minutes

Weimar 2019. Rome 2026.
Past and present evaporate in memories and new consciences, where languages still interchange, losing their significance for their signs and vice versa.
No interpretation, just a flow of sounds and images open up to our senses.

First screening Saturday May 9th at 5 p.m. at , Istanbul.

Thanks to for thinking about me for this initiative and to Barin Han for hosting one of my works.

Bu fırsata sahip olduğum için onur duyuyorum, çok teşekkür ederim.

29/09/2025

[...] Words are not just for speaking; they can transform the invisible, building new possibilities between reality and dream.

Margaret’s lullaby is not only a personal comfort; it is also a political call for change. This means that we, as a human community, can and must act to address this important topic.
We need to think of communities capable of speaking to the inner child in all of us. Because many children around
the world are exposed to the violence of war and its long-term consequences, which should not be part of their childhood.

My only appeal is a request as a human community:
Protect the convention.
Cease the fire all over the world.
in Palestine, Yemen, Sudan, Syria, Lebanon, Libya, Morocco, Egypt, Turkey, Cyprus, Iraq, Afghanistan, India, Pakistan, Myanmar, Philippines, Ukraine, Burkina Faso, Cameroon,
Ethiopia, Mali, Mozambique, Nigeria, Senegal, Somalia, DRC, and many others [...]

There are no words to express the emotion of this moment.
I wish to thank once again the Italian Campaign to ban landmines for this opportunity and collaboration.
The presidency and ISU for organising the contest.
And all of you who supported this work and experience 🌱

In the edge in-between dreams and reality resides the possibility to rebuild.To Margaret (2025)Video, 3:00Voice: Margare...
17/07/2025

In the edge in-between dreams and reality resides the possibility to rebuild.

To Margaret (2025)
Video, 3:00

Voice: Margaret Arach Orech
Mise-en-scène:
With the support of:

"Am I they?"Editor's foreword Isabella Panigada, the marvelous editor of this work.Hinges on our stillness (2024)
22/03/2025

"Am I they?"

Editor's foreword
Isabella Panigada, the marvelous editor of this work.

Hinges on our stillness (2024)

Hinges on our stillness (2024)Prologue
14/03/2025

Hinges on our stillness (2024)

Prologue

Hinges on our stillness (2024)My first project realised in three different languages with the inestimable support of and...
03/03/2025

Hinges on our stillness (2024)

My first project realised in three different languages with the inestimable support of and collaboration with Isabella Panigada.

Italian and English texts: Martina Musìo
German text and editor: Isabella Panigada

Poetry and theatre are combined in a monologue to the collectivity, in which the violence of the present stays still and we watch.

Indirizzo

Rome
00139

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