Quali sono gli orari di apertura?

Martedì 11:00 - 20:00 Mercoledì 11:00 - 20:00 Giovedì 11:00 - 20:00 Venerdì 11:00 - 20:00 Sabato 11:00 - 20:00

Magazzino

Casa
Italia
Rome
Magazzino

Since 1997 Magazzino has supported and promoted research within the field of contemporary art. Via dei Prefetti 17 - 00186 Roma

19/11/2024

✨️ This year we will once again be attending Roma Arte in Nuvola, waiting for you at booth F06-10 ✨️

For the stand at Roma Arte in Nuvola 2024, Magazzino is pleased to present the significant collection of drawings from "The Natural History of Vedovamazzei". In addition to approximately two hundred drawings, copies of the book edited by Mirta d’Argenzio and published by Trolley Books in 2003 will also be available.

November 21: VIP Preview
November 22-24: Public days

📷️ Here are some pictures of the works we will present at this year's edition:

Self-portrait, 36 x 48 cm and Self-Portrait of Simeone as the Reincarnation of Trajan, as seen by Mario Merz, 31 x 23 cm;

Botanical Tables (tribute to a friend who has to lose weight), 31 x 23 cm;

A vintage sheepskin coat from the 1970’s, 40 x 30 cm;

External form of the corpus of Vedovamazzei pictures, 21 x 14,8 cm;

Study of illuminated steps, 21 x 14,8 cm;

Study for the "Marvellous Harmony" installation. Detail of the puddle, 35,5 x 25,5; cm

Pisanello at five years old. Self-portrait as a horse, 34 x 24 cm;

Study for portrait of A.C., 31 x 41 cm.

04/11/2024

We are thrilled to share some images from "Jean-Michel Basquiat and Ouattara Watts: A Distant Conversation ", on view at Currier Museum of Art until February 23, 2025.

The exhibition, curated by Lorenzo Fusi, brings together six artworks by American artist Jean-Michel Basquiat (1960–1988), one of the most celebrated and influential artists of his generation, and seven large canvases by New York–based Ivorian painter Ouattara Watts (b. 1958). The two artists first met in 1988 at the opening of Basquiat’s solo show at Yvon Lambert Gallery in Paris, which was held only seven months prior to his death. Following this first encounter, the two artists quickly established a strong intellectual connection and artistic partnership.

This "distant conversation" imagines how their artistic alliance and mutual influence could have evolved over time and demonstrates how, despite Basquiat’s untimely death, their dialogue and spiritual exchange have effectively continued.

📸
Jean-Michel Basquiat and Ouattara Watts, 1988, c-print, photographer unknown, from Ouattara Watts’ personal archive

Pictures by Morgan Karanasios

© Estate of Jean-Michel Basquiat. Licensed by Artestar, New York

02/11/2024

Weekend⚡
Visit us at booth White 3 / Purple 4 !

📸
Namsal Siedlecki, Testa (Trevis Maponos), 2019

Sandra Vasquez de la Horra, Geometría del Ser, 2024

Ala d'Amico, 19.03.24 (Memoriae), 2024

David Schutter, KH IB H 2, 2015

29/10/2024

✨SAVE THE DATE: NEIGHBORS by
🗓️ Opening: 7/11/2024 at 6 PM

Siamo felici di annunciare "Neighbors", la seconda mostra personale dell’artista americano David Schutter in galleria, dopo "Pergamena" (2016). La mostra aprirà il 7 novembre 2024 e sarà visitabile fino al 28 dicembre 2024.

Per questa mostra, l'artista ha realizzato una serie di dipinti basati sull'opera di John Constable, "The Admiral's House in Hampstead, called The Grove" (1821-22), conservata all'Alte Nationalgalerie di Berlino. I dipinti fanno parte di un progetto in corso, in cui l'artista studia paesaggi provenienti da collezioni pubbliche, che presentano una relazione tesa con il principio totalizzante e ultimo dell'Illuminismo sotto lo spettro del capitale. Rifacendosi al proprio bagaglio pittorico, Schutter ha "ricreato" il soggetto originale su scala 1:1, con materiali simili, come pigmenti storici, tela e gesso, e senza aiuti mnemonici, creando oggetti di indagine che sono allo stesso tempo familiari e stranianti.

Vi aspettiamo!
____
We are pleased to announce the opening of "Neighbors", David Schutter's second solo exhibition at the gallery after "Pergamena" in 2016. The exhibition will open on November 7th at 6.00 pm and will be on view until December 28, 2024.

For this exhibition, the artist created a series of paintings based on John Constable's work, "The Admiral's House in Hampstead, called The Grove" (1821-22), held at the Alte Nationalgalerie in Berlin. Schutter has “remade” his source subject on a one-to-one scale with like materials, such as historical pigments, canvas, and ground, and without aid memoires, resulting in objects of inquiry that are both familiar and estranged.

Looking forward to see you there!

28/10/2024

This year we will once again be attending Artissima, waiting for you at booth White 3 / Purple 4 !

Here are some pictures of the works we will present at this year's edition:

Elisabetta Benassi
The Pure Who Can, 2024

Fiamma Montezemolo
Between One Tremor and Another, 2023

Sandra Vasquez de la Horra
Las Abejas, 2024

Antonio Biasiucci, Museo delle Civiltà, 2022

Ala d'Amico, 13.03.24 (Memoriae) , 14.03.24
(Memoriae), 2024

Massimo Bartolini, Festone, 2019

Alessandro Piangiamore, Qualche uc***lo si perde nel cielo, 2023

Francesca Leone, Algae #10, 2024

October 31: VIP preview
November 1-3: Public days

26/10/2024

è fra gli artisti esposti al Louisiana Museum of Modern Art ( ) in occasione della mostra "Ocean", che riunisce arte, storia culturale e scienza, è un'ampia storia sull’uomo e la natura, la bellezza e l’orrore dell’oceano, i miti e la politica, il capitalismo e le realtà climatiche.

L'opera in mostra è "The Drowned World", 2023, composta da una copia della prima edizione del romanzo di J.G. di Ballard de "Il mondo sommerso" (The Drowned World, 1962), trafitto da una lancia da pesca ispirata ai modelli storici degli arpioni tribali.
La mostra sarà aperta al pubblico fino al 27 aprile 2025.

is among the artists shown at the Lousiana Museum of Modern Art ( ), as part of the exhibition "Ocean", which brings together art, cultural history, and science, it is a diverse story about man and nature, the beauty and horror of the ocean, myths and politics, capitalism and climate realities.

The exhibited work is "The Drowned World", 2023, which includes a first edition copy of J.G. Ballard’s 1962 novel "The Drowned World", pierced by a fishing spear modeled after the historic patterns of tribal harpoons.
The exhibition will be open to the public until April 27, 2025.

18/10/2024

Ha aperto al la mostra "Post Scriptum. Un museo dimenticato a memoria", visitabile fino al 16 febbraio 2025.
Tra le opere esposte è presente la "Madonna" di Alberto Garutti (), 2008. La scultura è una riproduzione in ceramica di una Madonna ottocentesca, al cui interno è inserito un dispositivo che la riscalda alla temperatura di 36,7°C, la stessa temperatura del corpo umano.
L'idea dell'opera parte dal rito spontaneo praticato dai fedeli, quello di toccare una statua sacra, aggiungendo un inaspettato aspetto esperienziale a un gesto di devozione.

The exhibition "Post Scriptum. A museum forgotten by heart" at is open until February 16, 2025.
Among the works on display is the "Madonna" by Alberto Garutti (), 2008. The sculpture is a ceramic reproduction of a nineteenth-century statue of the Madonna, inside which there is a a device which heats it to a temperature of 36, 7°C, the same temperature as the human body.
The idea behind the work starts from the spontaneous ritual practiced by the faithful, that of touching a sacred statue, adding an unexpected experiential aspect to a devotional gesture.

Credits
Foto 1 MACRO Roma, Piercarlo Quecchia - DSL Studio, Courtesy Studio Alberto Garutti, Milano
Foto 2 Museo Carlo Zauli, Faenza, 2008, Courtesy Magazzino Roma

16/10/2024

Ecco uno sguardo alle opere di Elisabetta Benassi () e Namsal Siedlecki () esposte nella mostra collettiva "Angels, Cinquant'anni del Pastificio Cerere" alla , aperta al pubblico fino al 30 novembre.

Per la prima volta dopo 34 anni è stata esposta al pubblico una delle prime opere di Elisabetta Benassi realizzate al Pastificio. Eseguita nel 1990, "Untitled" è costituita da grandi lastre di metallo bruciato dal sole che ricoprivano le finestre di vetro dell'edificio.

Namsal Siedlecki presenta una scultura appartenente ad una serie inedita, composta da teste scolpite e lasciate incompiute per motivi tecnici, da cui deriva il titolo "Interrotto", 2024.

Here is a look at the works by Elisabetta Benassi () and Namsal Siedlecki () on show at the collective exhibition "Angels, Fifty Years of Pastificio Cerere" at , open to the public until November 30.

For the first time after 34 years, one of Elisabetta Benassi's first works created at the Pastificio was exhibited to the public. Completed in 1990, "Untitled" is made of large sunburnt metal sheets that covered the building's glass windows.

Namsal Siedlecki presents a sculpture belonging to an unpublished series, made from sculpted heads left unfinished for technical reasons, hence the title "Interrotto" (meaning "interrupted"), 2024.

Courtesy Fondazione Pastificio Cerere. Credits: Carlo Romano.

10/10/2024

Hidden in Plain Sight by@fiammamontezemolo is available for pre order on website, click the link in bio to get early access to the publication 📚

The volume, produced by On, curated by Martina Angelotti, and published by NERO, revisits the crossings made by the artist through a selection of her most representative writings, spanning art and anthropology (articles, essays, scripts, interviews, diaries), along with her artistic output. The book is inspired by Borges’ story El Etnógrafo (1969) and the moment of fieldwork as a fundamental rite of passage required by the ethical work of the discipline.

This project was made possible thanks to the support of the Italian Council (XI edition, 2022), a program for the international promotion of Italian art by the Directorate-General for Contemporary Creativity of the Ministry of Culture ( ).

The book's presentation will take place at MUDEC, Milan on October 15.

🗓 Tuesday, October 15 | ⏰ 6:30 PM
📍 Spazio delle Culture, MUDEC
🎟️Free entry

The event will be introduced by Martina Angelotti ( ), moderated by Marina Pugliese ( ), and feature discussions with Fiamma Montezemolo, Roger Sansi, and Marco Scotini ().

Other upcoming launches
October 24: University of California, Davis (online) / October (date TBA): UNAM, Mexico City / November (date TBA): Museo delle Civiltà, Rome / November 13: Museo Novecento, Florence.

08/10/2024

Siamo felici di annunciare che Massimo Bartolini è il vincitore del Premio ACACIA 2024.

La cerimonia di premiazione si terrà sabato 12 ottobre, alle ore 17:30, in occasione della 20a Giornata del Contemporaneo promossa da AMACI, il Museo del Novecento e l’Associazione ACACIA - Associazione Amici Arte Contemporanea Italiana.
Come di consueto, la Collezione ACACIA donata dal 2015 al Museo del Novecento, si arricchirà dell’opera Dew (2010) dell’artista premiato che sarà esposta nelle sale del Museo.

Dopo la premiazione si terrà il talk “TEMPERATURA AMBIENTE” dedicato ad approfondire la pratica di Bartolini e l’opera esposta. Alla conversazione parteciperanno l’artista insieme ai curatori Luca Cerizza e Francesca V***a, il Direttore Gianfranco Maraniello e rappresentanti di ACACIA.

Il talk è aperto al pubblico fino ad esaurimento posti.
FORUM900, Museo del Novecento, Milano
____

We are pleased to announce that Massimo Bartolini will be honored with the 2024 ACACIA Prize.
The award ceremony will take place on Saturday, October 12, as part of the 20th Day of Contemporary Art, promoted by AMACI, Museo del Novecento, and the ACACIA Association.
Bartolini's work Dew (2010) will become part of the ACACIA Collection and will be displayed in the museum’s exhibition spaces.

Following the award ceremony, there will be a talk titled "TEMPERATURA AMBIENTE" (Ambient Temperature), which will focus on Massimo Bartolini's artistic practice.
The conversation will feature Massimo Bartolini, curators Luca Cerizza and Francesca Versa, and Gianfranco Maraniello (Director of ACACIA).

The talk is open to the public, subject to availability.
FORUM900, Museo del Novecento, Milan.

ph. Pasquale Abbattista, courtesy MASSIMODECARLO

03/10/2024

Repost from
Siamo lieti di annunciare

SENZA TITOLO

il progetto vincitore del 𝗣𝗔𝗖𝟮𝟬𝟮𝟰 promosso dalla Direzione Generale Creatività Contemporanea del Ministero della Cultura.

Il Piano per l’Arte Contemporanea finanzierà la produzione di una nuova opera di 𝗩𝗘𝗗𝗢𝗩𝗔𝗠𝗔𝗭𝗭𝗘𝗜 che entrerà a far parte della Collezione del MUSEOLABORATORIO.
______

We are happy to announce that Senza Titolo (Untitled) is the winning project of PAC2024, promoted by the Directorate-General for Contemporary Creativity of the Ministry of Culture.

The PAC (Contemporary Art Plan) will fund the production of a new artwork by Vedovamazzei, which will become part of the Museo Laboratorio collection.

Ph. Cosimo Filippini
_

01/10/2024

We are thrilled to share some images from the catalogue "Alberto Garutti" conceived by Germano Celant, curated by Studio Celant and in collaboration with Studio Alberto Garutti.
The Volume is the most comprehensive survey dedicated to Alberto Garutti (1948-2023), exploring the experimental and innovative nature of his language. It focuses on key aspects that, over the years, have become essential for anyone engaging with site-specific works or the themes of public spaces.

Crucial aspects such as the idea of the anti-monument, non-invasiveness, opposition to system rhetoric, sharp critique of institutional landscapes, the role of the viewer, and the concept of the artwork as a form of open dialogue and conversation, are just some of the characteristics of Alberto Garutti’s artistic discourse. The volume addresses these themes through three distinct, transversal and parallel critical approaches: historical-critical analysis, the narration of artistic and biographical events, and the personal narrative of the author after more than fifty years of life in art.

The book Alberto Garutti is a project supported by Settore Musei Civici Bologna | MAMbo – Museo d’Arte Moderna di Bologna in cultural partnership with Centre Pompidou-Metz (Metz), Fondazione Donnaregina per le arti contemporanee – Museo MADRE (Naples), Fondazione MAXXI – Museo nazionale delle arti del XXI secolo (Rome), Kunstmuseum Liechtenstein (Vaduz), mudac – Museum of Contemporary Design and Applied Arts (Lausanne), with promotional support by Zerynthia Associazione per l’Arte Contemporanea.

With contributions by Eva Fabbris, Alberto Garutti, Antonella Soldaini
Published by , Milan and , Berlin

📸
1. shot in Alberto Garutti’studio in Milan
2. Alberto Garutti, 2000. Photo Marco Fedele di Catrano. Courtesy Zerynthia Associazione per l’Arte Contemporanea OdV

21/09/2024

Gianluca Malgeri / Arina Endo in residenza con NOSTOS
Galleria Isolotto, spazio espositivo della Compagnia Virgilio Sieni, a Firenze.

Come progetto finale della residenza artistica presso la Galleria Isolotto, Gianluca Malgeri presenta al Quartiere Isolotto un'iniziativa nata dal dialogo con gli abitanti incontrati durante il suo percorso.
Persone legate all'arte, alla creatività e all'artigianato hanno collaborato alla creazione di un'esposizione collettiva che riflette l'anima del quartiere.

IL 27 settembre 2024 gli artisti coinvolti saranno presenti in Galleria per incontrare il pubblico e condividere le loro opere.
L'esposizione rimarrà aperta fino al 4 ottobre 2024, tutti i giorni dalle 10.00 alle 19.00.

____

Gianluca Malgeri / Arina Endo in residence with NOSTOS
Galleria Isolotto, the exhibition space of Compagnia Virgilio Sieni, in Florence.

As the final project of their artistic residency at Galleria Isolotto, Gianluca Malgeri presents an initiative born from dialogue with the residents he met during his journey.
People connected to art, creativity, and craftsmanship collaborated in creating a collective exhibition that reflects the soul of the neighborhood.

On September 27, 2024, the artists involved will be present at the gallery to meet the public and share their works.
The exhibition will remain open until October 4, 2024, every day from 10:00 AM to 7:00 PM.

27/08/2024

🌟 La galleria è di nuovo aperta! 🌟
"La piazza", mostra personale di sarà visibile fino al 21 Settembre.
Vi aspettiamo!
___
The gallery is open again!
"La piazza," a solo exhibition by Francesca Leone, will be on view until September 21st.
We look forward to seeing you!

📸 In picture:
La Piazza, 2024
Oil on reclaimed metal sheet
300 x 60cm

Algae #10, 2024
Oil on reclaimed metal sheet
225 x 50 x 13 cm

Algae #5, 2023
Oil on reclaimed metal sheet
225 x 50 x 13 cm

Monaci #12, 2018
Oil on concrete, iron, gear
200 x 80 cm

24/08/2024

🚀🚀 Ultimi giorni per visitare "Leaps of faith", una mostra collettiva che indaga le relazioni fra fede e arte contemporanea, a cura di al , Hasselt (Belgio).

Nelle opere esposte lavora come un alchimista, fondendo immagini antiche e moderne. In "Viandante", repliche in rame di una statuetta di un pellegrino gallico del I secolo a.C. sono immerse in un bagno di elettrolisi. Storicamente, tali statuette venivano gettate nell'acqua come offerte a una divinità.
In mostra le statuette di Siedelcki, private gradualmente del loro rame durante il bagno galvanico, si trasformano in una sorta di reliquia. Il loro materiale viene assorbito da un catodo, che evolve gradualmente in una figura mostruosa. In questo modo, l'opera riflette su temi come la transitorietà, la perdita e il sacrificio.

📍Fino al 25 Agosto
Z33 - House for Contemporary Art, Design & Architecture, Hasselt (Belgio)
_______
Last days to visit “Leaps of faith”, a group exhibition exploring the relationships between faith and contemporary art, curated by Tom Roering at Z33 - House for Contemporary Art, Design & Architecture, Hasselt (Belgium).

In the exhibited works, Namsal Siedlecki works like an alchemist, fusing old and new images. In “Viandante”, copper replicas of a Gallic pilgrim figurine from the 1st century BC are submerged in an electrolysis bath. Historically, such figurines were thrown into the water as offerings to a deity.
In the exhibitions the Siedlecki’s figurines, gradually stripped of their copper during the galvanic bath, are transformed into a kind of relic. Their material is absorbed by a cathode, which gradually evolves into a monstrous figure. In this way, the artwork reflects on such themes as transience, loss, and sacrifice.

📍Until August 25
Z33 - House for Contemporary Art, Design & Architecture, Hasselt (Belgium)

📸 ph. .gurbuz

22/08/2024

"Autoritratto al lavoro", la personale di Elisabetta Benassi--al sarà aperta fino al 25 agosto, non perdete occasione di visitarla!

Il progetto espositivo presenta oltre venti anni della sua produzione, giustapponendo lavori storici dei primi anni 2000 a opere recenti e a tre nuove produzioni realizzate appositamente per l’occasione.
Muovendosi con libertà tra i più diversi linguaggi, medium e immaginari, Benassi osserva criticamente l’eredità culturale, critica e artistica della modernità con l’intenzione di «entrare nella storia non per citarla ma per poterla far rivivere nel presente, creando una sorta di intrusione», suggerendo un’idea del tempo sempre paradossale.
____
"Autoritratto al lavoro" (Self-Portrait at Work), Elisabetta Benassi's solo exhibition at MACRO - Museum of Contemporary Art in Rome, will be open until August 25. Don't miss the chance to visit!

The project presents over twenty years of her artistic output, juxtaposing works from the early 2000s with more recent pieces and three new productions made specifically for the show.
Moving freely across a wide range of languages, media and imagery, Benassi wryly observes the cultural, critical and artistic legacy of modernity, with the aim of “entering history not to quote from it, but to bring it back to life in the present, creating a sort of intrusion”, suggesting an always paradoxical idea of time.

📸 Ph. Agnese Bedini – DSL Studio

20/08/2024

🪐 🌌 Siamo felici di condividere alcune immagini della mostra "The Murmur of the Cosmos" di alla@akademiederkuenste di Berlino.

L'inaugurazione della mostra è avvenuta concomitanza con la cerimonia di premiazione del Käthe Kollwitz Prize 2023, conferito in questa edizione proprio a Sandra Vasquez de la Horra.

In mostra sono presenti oltre 60 disegni, fotografie e oggetti che affrontano il tema dei conflitti mondiali, combinando archetipi provenienti dalla nostra coscienza collettiva, taboo, questioni di genere e sessualità, riflessioni interculturali e interrogativi sulla spiritualità e sulla religione.
Avvalendosi di visioni oniriche, del subconscio e dei ricordi, vasquez de la Horra crea scenari poetici a metà fra l'immaginazione e la realtà, al centro dei quali trova il suo posto l'essere umano.

📍Fino al 25 agosto
Akademie der Künste, Berlino
___
We are happy to share some images from Sandra Vasquez de la Horra's exhibition "The Murmur of the Cosmos" at the Akademie der Künste in Berlin.

The opening of the show coincided with the awarding ceremony of the Käthe Kollwitz prize 2023, which is awarded, this year, to Sandra Vasquez de la Horra.

The exhibition features more than 60 drawings, photographs, and objects that explore the theme of global conflicts, incorporating archetype coming from our collective consciousness, taboos, issues of gender and sexuality, intercultural reflections and inquiries into spirituality and religion.
Drawing on oneiric visions, the subconscious and memories, Vasquez de la Horra creates poetic landscapes that blend imagination and reality, with human existence at its centre.

📍Until August 25th
Akademie der Künste, Berlin

📸 Exhibition view "The Murmur of the Cosmos. Sandra Vásquez de la Horra" at the Akademie der Künste, Hanseatenweg © Akademie der Künste, 2024
© VG Bild-Kunst, Bonn 2024

15/08/2024

✨ Qualche altro scatto di "Arca", la personale di alle di Torino. ✨
La mostra, a cura di , presenta per la prima volta insieme i diversi capitoli del “poema utopico” di Biasiucci. Nello sforzo di realizzare una rappresentazione poetica ed estesa della vita degli esseri umani, gli oltre 250 scatti esposti, toccano sia temi esistenziali sia elementi autobiografici che hanno, per prima cosa, formato il carattere e la sensibilità dell’artista stesso.

📍Fino al 6 gennaio 2025
Le Gallerie d'Italia, Torino
___
Some more shots from "Arca", Antonio Biasiucci's solo show at Le Gallerie d'Italia in Turin.
Curated by Roberto Koch, the exhibition presents for the first time the different chapters of Biasiucci's “utopian poem” together. In an effort to create a poetic and extended representation of the life of human beings, the more than 250 photographs on display, touch on both existential themes and autobiographical elements that make up the foundation of the artist's character and sensibilities.

📍Until January 6th, 2025
Le Gallerie d'Italia, Turin

📸Photos by

Indirizzo

Via Dei Prefetti, 17
Rome
00186

Orario di apertura

Martedì	11:00 - 20:00
Mercoledì	11:00 - 20:00
Giovedì	11:00 - 20:00
Venerdì	11:00 - 20:00
Sabato	11:00 - 20:00

Telefono

+39066875951

Sito Web

https://magazzino.gallery/

Notifiche

Lasciando la tua email puoi essere il primo a sapere quando Magazzino pubblica notizie e promozioni. Il tuo indirizzo email non verrà utilizzato per nessun altro scopo e potrai annullare l'iscrizione in qualsiasi momento.

Contatta L'azienda

Invia un messaggio a Magazzino:

Video

#FiammaMontezemolo

#FiammaMontezemolo Hidden in Plain Sight by@fiammamontezemolo is available for pre order on @nero_editions website, click the link in bio to get early access to the publication 📚 The volume, produced by On, curated by Martina Angelotti, and published by NERO, revisits the crossings made by the artist through a selection of her most representative writings, spanning art and anthropology (articles, essays, scripts, interviews, diaries), along with her artistic output. The book is inspired by Borges’ story El Etnógrafo (1969) and the moment of fieldwork as a fundamental rite of passage required by the ethical work of the discipline. This project was made possible thanks to the support of the Italian Council (XI edition, 2022), a program for the international promotion of Italian art by the Directorate-General for Contemporary Creativity of the Ministry of Culture (@mic_italia ). The book's presentation will take place at MUDEC, Milan on October 15. 🗓 Tuesday, October 15 | ⏰ 6:30 PM 📍 Spazio delle Culture, MUDEC 🎟️Free entry The event will be introduced by Martina Angelotti (@martinanjj ), moderated by Marina Pugliese (@magicarina ), and feature discussions with Fiamma Montezemolo, Roger Sansi, and Marco Scotini (@marco_scotini). Other upcoming launches October 24: University of California, Davis (online) / October (date TBA): UNAM, Mexico City / November (date TBA): Museo delle Civiltà, Rome / November 13: Museo Novecento, Florence.