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Martedì 11:00 - 20:00 Mercoledì 11:00 - 20:00 Giovedì 11:00 - 20:00 Venerdì 11:00 - 20:00 Sabato 11:00 - 20:00

Magazzino

Casa
Italia
Rome
Magazzino

Since 1997 Magazzino has supported and promoted research within the field of contemporary art. Via dei Prefetti 17 - 00186 Roma

27/11/2025

Thank you all for coming last night and for welcoming the show with such warmth 💙

Here are some installation views from “Entre chien et loup” by Ala d’Amico. That in-between moment when nothing is fully light or fully dark felt just right for this exhibition.

Ala d’Amico
Entre chien et loup
curated by Ilaria Gianni

Until January 24, 2026

📸

25/11/2025

Some installation view of “Soy Energía,” the first institutional survey exhibition in Europe dedicated to Sandra Vásquez de la Horra ✨

Bringing together her iconic wax drawings, hybrid beings and debut video works, the show unfolds a cosmology where myth, memory and spiritual resilience intertwine. Rooted in indigenous worldviews yet profoundly contemporary, her practice opens a space where human experience, nature and transformation converge.

Sandra Vàsquez de la Horra
Soy Energía
Curated by Jana Baumann and Marlene Mützel

at
Until May 17, 2026

📸
Sandra Vàsquez de la Horra. Soy Energía
Exhibition view
Haus der Kunst München, 2025
Photo: Markus Tretter / Judith Buss
©️ VG Bild-Kunst, Bonn 2025

19/11/2025

- 1 week!!! ✨

Ala d’Amico
Entre chien et loup
Curated by Ilaria Gianni

Opening: November 26, 2025
6 - 9 pm

The French expression “entre chien et loup” dates back to the Middle Ages, when daily life depended heavily on natural light. It describes the moment of the day when the light fades without yet turning into full darkness, when visibility is so low that one can no longer distinguish a dog (domestic and loyal) from a wolf (wild and threatening).
It is precisely within that enigmatic uncertainty, in that transition between states, that Ala d’Amico’s new body of work is situated. “Entre chien et loup” consists of silkscreen works on wooden panels, upon which – thanks to the artist’s meticulous and patient use of graphite, silver powder, charcoal, chalk or ink – forms emerge, that lose their clarity and turn into presences. These images are permeated with an ambiguous sense of loss, in the sense articulated by Pauline Boss, to whom the artist feels deeply conntected: a relational and elusive condition that remains unresolved and instead becomes the very space the images inhabit. This “loss,” understood by Boss as relational and elusive, is experienced and overcome through a non-resolution. Ala d’Amico reworks it within the paradoxical state of uncertainty of the images produced by her hand and returned through her creative vision. From the shapes transformed by the blue, twilight light to those becoming more threatening with the arrival of darkness, what at first appeared familiar, reassuring because recognisable, slowly dissolves within Ala’s images and settles into our own projections, into the sedimentations of our thoughts. Our suspended gaze observes what is no longer there, unable to fully grasp it. No longer domesticated by our knowledge, it has shifted into something else, rendered wild. After a first step into this ambivalent and undefined transitional dimension, at the boundary between the known and the unknown (the works are no longer entirely clear or stable), the elusive dark shadows of the “wolf” metaphorically begin to appear over time, symbol of what is uncontrollable, unpredictable, untamable, and frightening.

💙

15/11/2025

Glimpses from “Eh Lampu!”, Daniele Puppi’s exhibition at the Accademia Nazionale di San Luca - a playful and powerful dialogue between light, space, and sound.

On view until December 6, 2025 ✨

📸

1. Downtown Tunes, 2025;

2. Coyote Venus, 2023;

3-4. Il Lancio del Sasso, 1995-2025;

5. Downton Tunes, 2025.

!

01/11/2025

2025

From figuration to the edge of abstraction – fragments, atmospheres, afterimages.

Magazzino is pleased to take part in this year’s edition of Artissima, presenting works by Francesca Leone, Piero Manzoni, Quayola, Alessandro Piangiamore and David Schutter.

Between the memory of gesture and the metamorphosis of matter, the presentation explores painting and its extensions across mediums: from the phenomenological investigations of David Schutter, where painting becomes an act of remembrance and a way to unveil new perspectives, to Quayola’s digital reinterpretations of Constable’s Storms, translating the sublime into motion and code.

Alessandro Piangiamore collects fragments of soil gathered during his travels, transforming them into almost monochrome panels, pure matter that unfolds into silent poetry, a continuous incipit where dust becomes vision.

With Francesca Leone, painting expands into sculpture: discarded metal sheets, moulded and painted, turn into surfaces that reclaim delicacy within strength.

Find us at White 3 / Purple 4 ✨
Until November 2, 2025

29/10/2025

Opening tomorrow 2025 ✨

From figuration to the edge of abstraction - fragments, atmospheres, afterimages.
Magazzino is pleased to participate with works by David Schutter, Quayola Alessandro Piangiamore e Francesca Leone

Come visit us at White 3 / Purple 4 ⚪️🟣

📸

1. Alessandro Piangiamore, Il cacciatore di polvere, 2022;

2. David Schutter, ICG 3, 2016;

3. David Schutter, ANB C 1.03d, 2024;

- Quayola, Storm , 2022;

- David Schutter, ICG 5, 2016;

- Francesca Leone, Carte 79, 2022.

24/10/2025

Paris, last days. “Room with a View”, because perspective changes everything.
In collaboration with _Polimeno.

With works by Alighiero Boetti, Mircea Cantor , Gabriella Crespi, Ala d’Amico , A.R. Penck, Mario Schifano, Giambattista Tiepolo and Cy Twombly.

On view until October 26, 2025

À bientôt!

Photo by Amir Hazim

16/10/2025

Magazzino is pleased to announce its participation in the exhibition Room with a view, organized in collaboration with _Polimeno

On view from October 20 to 26 at 3 Avenue Matignon, Paris, the show unfolds within a top-floor Parisian apartment overlooking the city’s most iconic landmarks — from the Sacré-Cœur to the Eiffel Tower.

Conceived as a domestic space suspended between arrival and departure, Room with a view creates a dialogue between ancient and contemporary art, from Egyptian, Greek, and Roman marbles to works by Cy Twombly, Kader Attia, Nan Goldin, Alighiero Boetti, Lucio Fontana, Mario Schifano, among others.

Through this encounter between eras, materials, and sensibilities, the exhibition explores intimacy, memory, and the pleasure of discovery — a home of encounters where art and life converge.

For this occasion, Magazzino has selected works by Alighiero Boetti, Mircea Cantor , Gabriella Crespi, Ala d’Amico , A.R. Penck, Mario Schifano, Giambattista Tiepolo (attributed to Gerolamo Mengozzi-Colonna), and Cy Twombly.

Room with a view
Oct 20 - 26, 2025
📍3, Av. Matignon, Paris

11/10/2025

Opening today at Palazzo Ducale, Genoa: MOBY DICK – The Whale explores the many symbolic and historical interpretations of Melville’s masterpiece — from the struggle between man and nature to themes of obsession, voyage, and discovery 🐋

Within this wide-ranging narrative, Elisabetta Benassi presents two new works in which books are literally harpooned to the wall. One of them is Moby Dick itself, evoking the tension between knowledge and the hunt, language and survival.

On view from October 12, 2025, to February 15, 2026.
Curated by Ilaria Bonacossa and Marina Estrada.

bonacossa

19/11/2024

✨️ This year we will once again be attending Roma Arte in Nuvola, waiting for you at booth F06-10 ✨️

For the stand at Roma Arte in Nuvola 2024, Magazzino is pleased to present the significant collection of drawings from "The Natural History of Vedovamazzei". In addition to approximately two hundred drawings, copies of the book edited by Mirta d’Argenzio and published by Trolley Books in 2003 will also be available.

November 21: VIP Preview
November 22-24: Public days

📷️ Here are some pictures of the works we will present at this year's edition:

Self-portrait, 36 x 48 cm and Self-Portrait of Simeone as the Reincarnation of Trajan, as seen by Mario Merz, 31 x 23 cm;

Botanical Tables (tribute to a friend who has to lose weight), 31 x 23 cm;

A vintage sheepskin coat from the 1970’s, 40 x 30 cm;

External form of the corpus of Vedovamazzei pictures, 21 x 14,8 cm;

Study of illuminated steps, 21 x 14,8 cm;

Study for the "Marvellous Harmony" installation. Detail of the puddle, 35,5 x 25,5; cm

Pisanello at five years old. Self-portrait as a horse, 34 x 24 cm;

Study for portrait of A.C., 31 x 41 cm.

04/11/2024

We are thrilled to share some images from "Jean-Michel Basquiat and Ouattara Watts: A Distant Conversation ", on view at Currier Museum of Art until February 23, 2025.

The exhibition, curated by Lorenzo Fusi, brings together six artworks by American artist Jean-Michel Basquiat (1960–1988), one of the most celebrated and influential artists of his generation, and seven large canvases by New York–based Ivorian painter Ouattara Watts (b. 1958). The two artists first met in 1988 at the opening of Basquiat’s solo show at Yvon Lambert Gallery in Paris, which was held only seven months prior to his death. Following this first encounter, the two artists quickly established a strong intellectual connection and artistic partnership.

This "distant conversation" imagines how their artistic alliance and mutual influence could have evolved over time and demonstrates how, despite Basquiat’s untimely death, their dialogue and spiritual exchange have effectively continued.

📸
Jean-Michel Basquiat and Ouattara Watts, 1988, c-print, photographer unknown, from Ouattara Watts’ personal archive

Pictures by Morgan Karanasios

© Estate of Jean-Michel Basquiat. Licensed by Artestar, New York

Indirizzo

Via Dei Prefetti, 17
Rome
00186

Orario di apertura

Martedì	11:00 - 20:00
Mercoledì	11:00 - 20:00
Giovedì	11:00 - 20:00
Venerdì	11:00 - 20:00
Sabato	11:00 - 20:00

Telefono

+39066875951

Sito Web

https://magazzino.gallery/

Notifiche

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