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Hue&Eye is the Online Magazine to Boost your Creativity by covering Emerging and Contemporary Artists THE SOURCE OF INSPIRATION TO BOOST YOUR CREATIVITY

23/06/2026

At , illustration becomes space, object, and care.

During the event, presented Isolotto, a project that brings her unmistakable visual language into a new dimension: bold shapes, bright colors, playful geometries, and a sense of joy that goes beyond the image.

But what makes this project especially meaningful is its final destination.

The event will close with a concrete act of solidarity: the furnishings will be donated to the Trastevere headquarters of PeterPan ODV, an organization that has been offering hospitality and support to families of children and teenagers with cancer for over thirty years.

A reminder that creativity can do more than inspire.
It can accompany, support, and make space for others.

👉🏻Tell us: where do you think design can make the strongest impact — in beauty, function, or care?

Cover(1-4) : Lorenzo Catena

10/06/2026

There’s a quiet harmony in the way Maria Pratas and Sofia Albuquerque work together.

At Sal Atelier, design begins with listening: to the materials, the gestures, the traditions, and the land that shaped them. Their Saloias collection, presented during Lisbon Design Week 2026, brings ceramics and natural fiber weaving into dialogue, transforming ancestral techniques into contemporary, signature pieces.

Clay and fiber intertwine through a shared rhythm.

Craft becomes language. Tradition becomes presence.

In each piece, a deep connection to the place is felt, not as nostalgia, but as a living source of inspiration and meaning.

Maria and Sofia remind us that contemporary design doesn’t necessarily have to distance itself from its roots.

👉🏻Watch the interview and tell us: which artisanal tradition from your region would you like to see reinterpreted through contemporary design?

26/05/2026

Vanessa Barragão turns textile waste into ocean-inspired worlds.

Her fiber works begin with discarded materials and become sculptural tapestries that speak about coral reefs, slow making, and our relationship with nature.

A reminder that art can be beautiful — and still carry a message.

Comment below: what discarded material would you reuse to create art?
Or leave a message for the oceans 🌊

Read the full interview on hueandeye.org
Link in bio.

20/05/2026

Clerkenwell Design Week is not only about the biggest names in design.

Sometimes, the most interesting ideas come from smaller studios asking sharper questions:
Can waste become desirable?
Can temporary design avoid becoming disposable?
Can craft move beyond nostalgia?

From lightweight furniture to textile experiments, from material reuse to contemporary craft, this carousel highlights the kind of independent thinking worth paying attention to.

Save this post if you are tracking emerging design directions.
Comment below: which question feels most urgent to you right now — sustainability, waste, craft, or temporary design?

Read the full article on hueandeye.org
Link in bio →

19/05/2026

Graphic design doesn’t need permission to disturb.

Stefan Sagmeister built a career on pushing design beyond the safe surface: into the body, into emotion, into discomfort, into beauty, into questions we don’t always want to answer.

His work reminds us that design is not just about clarity, function, or taste.
It can provoke. It can expose. It can leave a mark.

And maybe that’s the point.

If design doesn’t provoke anything, is it even doing its job?

15/05/2026

Sara Passamonti transforms real life into something brighter, stranger, and more powerful.

Her illustrations often draw on lived experiences: Italian culture, childhood memories, the places she’s lived, songs, landscapes, everyday gestures. Then, through bold colors and surreal proportions, reality becomes a visual world that revolves around her feminine universe of strong, playful, oversized, and impossible-to-ignore women.
They take up space, literally and symbolically.

Behind the joyful energy of her images lies a deeper purpose: to speak about women, freedom, rights, and the roles society still tries to assign.

This is what makes her work so magnetic: at first glance, it seems light, but it contains a very real strength.

Read the full interview with at hueandeye.org
Link in bio →

Comment below: what real-life experience has most influenced your creative voice?

Share this post with anyone who believes illustration can be joyful, surreal, and a powerful tool all at once.

13/05/2026

Gaspard Fleury-Dugy takes textile design somewhere unexpected.

With his Soft Objects, thread is no longer “just” thread. It becomes volume, shape, presence — almost a kind of soft architecture.

That is what makes his work so compelling: the objects feel familiar at first, but then they make you look twice. They are soft, but they have character. They look simple, but behind them there is a precise exploration of material, gesture, and construction.

It is one of those projects that reminds us how much design can change when we stop looking at materials in automatic ways.

Which material would you love to see reimagined next?

Read the full article on hueandeye.org
Link in bio →

©️All credit to .fleury.dugy for the artworks

07/05/2026

What does it mean to turn a fragile material into a personal language?

In our interview with , the Italian ceramic artist reflects on paper clay, creative freedom, and the long process of giving shape to what first exists only in the imagination.

Her Cartocci collection is built from contrast: solid yet light, precise yet imperfect, deeply material yet almost weightless. But what stays with us most is her advice to young designers: seek what makes you unique, and protect it.

Because in design, difference is not a detail.
It is the beginning of a voice.

Save this post if you are building your own creative language.
Comment below: what material, object, or process best expresses who you are as a designer?

Read the full interview on hueandeye.org
Link in bio →

06/05/2026

What does it really mean to build an independent design practice today?

The strongest independent designers are building ecosystems: objects, spaces, collaborations, exhibitions, research, publishing, and direct relationships with their audience.

From to and , independence becomes less about isolation — and more about authorship, strategy, and cultural presence.

Because today, the object is only one part of the story.
The real value lives in the system around it.

Save this post if you are building your own creative practice.
Comment below: what matters more today — the object or the narrative around it?

Read the full article on hueandeye.org
Link in bio →

04/05/2026

What if a desk was never just a desk?

With Work@Home, — Accademia delle Arti e Nuove Tecnologie in Rome — invites students to rethink one of the most familiar objects of home working: the desk.

Not only as a function.
Not only as furniture.
But as a space where ergonomics, technology, aesthetics, and domestic life meet.

Hue & Eye Magazine is sponsor and editorial partner of the project because we believe emerging talent needs to be seen, contextualized, and brought beyond the classroom.

For design students, visibility can be the first step toward the professional world.

Read the full article on hueandeye.org
Link in bio →

If you study design: what should a truly intelligent desk include today?
Comment with one word: ergonomics, technology, aesthetics, or flexibility?

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