04/10/2017
GRAVURE_le chevalier_II°quadro_2017
concept and direction: Diana Arbib, Dario Salvagnini with Confraternita della Spada – M° Iacopo Iacoponi, Francesco Mannini, Andrea Lamperi musical score: Dario Salvagnini voice and percussion: Gian Michele Montanaro recordings: cello Luca Tilli voice Nora Tigges video elaboration: Diana Arbib residency: Kollatino Underground_santasangre_Roma production: santasangre 2017 in collaboration with Confraternita della Spada di Firenze Site specific performance The figure of the knight, the music and the image come together with the space of Stazione Leopolda in a site-specific performance. In a defined time these elements have the opportunity to meet, discuss and together try to move the common point of view for a glimpse of that threshold, the border line that opens up before our eyes, in wonderful places. The dynamic sequence of events tries to recreate a dreamlike perception of time to understand, albeit for a very brief and fleeting moment, a different way of feeling. In this context, the thought runs along the perimeter of a circle that goes around the man’s/rider’s body and turns into a monstrous and animalistic world. https://youtu.be/HdSOjxQhBU0
concept and direction: Diana Arbib, Dario Salvagnini
with Confraternita della Spada – M° Iacopo Iacoponi, Francesco Mannini, Andrea Lamperi
musical score: Dario Salvagnini
voice and percussion: Gian Michele Montanaro
recordings:
cello Luca Tilli
voice Nora Tigges
video elaboration: Diana Arbib
residency: Kollatino Underground_santasangre_Roma
production: santasangre 2017
in collaboration with Confraternita della Spada di Firenze
Site specific performance
The figure of the knight, the music and the image come together with the space of Stazione Leopolda in a site-specific performance.
In a defined time these elements have the opportunity to meet, discuss and together try to move the common point of view for a glimpse of that threshold, the border line that opens up before our eyes, in wonderful places.
The dynamic sequence of events tries to recreate a dreamlike perception of time to understand, albeit for a very brief and fleeting moment, a different way of feeling.
In this context, the thought runs along the perimeter of a circle that goes around the man’s/rider’s body and turns into a monstrous and animalistic world.
https://youtu.be/HdSOjxQhBU0