Archivio Bonalumi

Archivio Bonalumi Archivio Bonalumi
The Archivio Bonalumi is established in 2006 with the purpose of studying, preserving and promoting Agostino Bonalumi’s œuvre.

Struttura modulare bianca, 1970SerigraphyFrom Diario Italiano, 1970
12/06/2026

Struttura modulare bianca, 1970
Serigraphy
From Diario Italiano, 1970


Struttura modulare bianca, 1970, installed at the“12esima Biennale di Middelheim”, Kunsthistorische Musea, Openluchtmuse...
05/06/2026

Struttura modulare bianca, 1970, installed at the
“12esima Biennale di Middelheim”, Kunsthistorische Musea, Openluchtmuseu Voor, Beeldhouwkunst Middelheim, Antwerp, 1973.


Bianco 1992100x81 cmShaped canvas and vinyl tempera
22/05/2026

Bianco

1992
100x81 cm
Shaped canvas and vinyl tempera



Nero 1969121x145 cmShaped canvas and vinyl tempera
15/05/2026

Nero

1969
121x145 cm
Shaped canvas and vinyl tempera



Rosso 1965110x100 cmShaped canvas and vinyl tempera
08/05/2026

Rosso

1965
110x100 cm
Shaped canvas and vinyl tempera



Agostino Bonalumi in studio, 1970’s.
30/04/2026

Agostino Bonalumi in studio, 1970’s.


Verde 1985140x185 cmShaped canvas and vinyl tempera
24/04/2026

Verde

1985
140x185 cm
Shaped canvas and vinyl tempera



Bianco 1984120x130 cmShaped canvas and vinyl tempera
10/04/2026

Bianco

1984
120x130 cm
Shaped canvas and vinyl tempera



Argento 200481x81 cmShaped canvas and acrylic
02/04/2026

Argento

2004
81x81 cm
Shaped canvas and acrylic



“Various sources have correctly pointed out the ambiguity  in my work, this being a constant characteristic of what I do...
27/03/2026

“Various sources have correctly pointed out the ambiguity in my work, this being a constant characteristic of what I do. This ambiguity I intended not just – or rather, not simply – as an expressive or poetic slant to the images on which I was working, but principally as an additional component to outline the relationship between the various other ambiguities, wich were becoming dialectically the basis of my research. This was in oder to avoid the danger of the static condition of the “abbreviations of image” (static = non-research), which pervaded even the best examples of the most current developments of Constructivism.
Given that artistic inquiry is generally an inward-looking process, while man is equally attracted towards things external to him, the problem is to make these two facets mutually permeable.”


A.Bonalumi, in Elf Italiener heute, Museum am Ostwall, Dortmund, 1971


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Milan
20159

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