Nilufar Gallery

Nilufar Gallery Historical and contemporary art & design pieces exclusively selected by Nina Yashar since 1979. Via della Spiga 32 | Viale Lancetti 34
Milano, IT

Starting from the end of the Nineties, the Gallery knew how to cut out its own space and become the reference point to lovers of historical design as well as to people following the evolution of contemporary design, above all within that more learned, poetic and visionary area shifting between production and contemporary art. Nina Yashar, the gallery founder, works with her sister Nilu and a team

of five people. Nilufar took part in several editions of Pavillon des Arts et du Design in Paris and is always present at Design Miami/Basel. Nilufar has its own small manifesto, composed of three words: Discovering, Crossing, Creating. Discovering Novecento is the century of design, a source of extraordinary stories and objects which will be dealt with again for a long time, waiting just for the right time to come out of the oblivion. According to Nilufar's vision, modern antique dealing is an old definition. It is necessary to shift towards a less vague word, searching for names, projects, schools, manufactures, countries making history and deserving to be proposed again. Crossing The history of taste is a never-ending exercise of decomposition and re-composition, just like a kaleidoscope... This continuous joining together of pieces and traditions houses an open eye, heedless of labels, able to cross fences created by time, geography and cultural matrixes, aware that assonances and contrasts can be two sides of the same coin. This is the idea of Crossings, the name of two successful exhibitions Nilufar held in 1999 and 2000, a true invitation to build new visions of the world, being far more personal and freer. Creating Milan is an interesting lab and a privileged point to observe the euphoric and restless scene of design. Nilufar gives life to projects, editions, site-specific shows and publications, working both with great masters and emerging authors. Nilufar is operating in the scouting of new talents. Creating means bringing about occasions, sparkles. It means also obtaining new spaces and filling them with value for the future. Here in Italy we know how to do it: Renaissance was born here!

Among the new designers who joined the Nilufar universe over the past year, Alexander May (ALEXANDER MAY) contributed to...
24/07/2026

Among the new designers who joined the Nilufar universe over the past year, Alexander May (ALEXANDER MAY) contributed to the latest Nilufar Edition collection with Notte, a sculptural daybed defined by restraint, precision and presence.

Notte reinterprets the daybed as a continuous sculptural plane. Low, elongated and almost landscape-like, it carries an intense nocturnal sensuality. Its silhouette appears carved by shadow and stillness, while hair-on leather enhances its depth and tactile richness. By challenging conventional furniture logic, May creates a piece with a distinctive visual identity and a powerful architectural tension.

Across disciplines, Alexander May’s work is driven by a singular purpose: to create forms and spaces that feel necessary, enduring and quietly complete, as though they had always been there, waiting to be seen.

Explore the Nilufar Edition online | link in bio

Ceramics and paper become vessels for memory and transformation as Lola Montes (Lola Montes   Explorer 🤍) conceives two ...
23/07/2026

Ceramics and paper become vessels for memory and transformation as Lola Montes (Lola Montes Explorer 🤍) conceives two site-specific interventions for Nilufar Grand Hotel.

In the Lobby, a bespoke reception desk unfolds beneath sculpted magnolia blossoms drifting across a crystalline violet ground. Hand-modelled clay, volcanic ash from Mount Etna and the alchemy of fire shape each terracotta tile, balanced by a Pompeii-red countertop.

The narrative continues in the Dining Room with the Aloe Candelabra drawings. Vermilion blooms, stained into delicate Japanese paper with specially prepared pigments, move in fluid, calligraphic rhythms, echoing Utamaro’s Songs of the Garden while returning to a flower long cherished as an emblem of resilience and renewal.

Explore more by Lola Montes | Link in bio

Video Credits:
Narrated by Lola Montes Explorer 🤍
Post-production by Nikita
Filmed by James O Neill

Ph. 1, 3, 5, 6, 7 Filippo Pincolini
Ph. 8

Each project by Maarten De Ceulaer (Maarten De Ceulaer) unfolds as a distinct universe: a space for experimentation, tra...
21/07/2026

Each project by Maarten De Ceulaer (Maarten De Ceulaer) unfolds as a distinct universe: a space for experimentation, transformation and endless variation, free from the limits of a single aesthetic language.

The Stained Glass collection explores the expressive possibilities of handmade, mouth-blown glass. Sheets and cylinders are shaped through an intricate process in which colours can be composed and patterns gently guided, yet never entirely controlled. This delicate balance between intention and chance makes every piece unique.Light moves through the glass, revealing unexpected chromatic encounters, transparencies and shifting reflections.

Poetic and quietly playful, De Ceulaer’s work gives materials an unconventional presence. Function and emotion coexist, while meticulous details invite imagination, curiosity and a renewed sense of wonder.

Explore Nilufar collection via the link in bio

Crafted in Italy yet shaped by an international creative vision, the newest additions to the Nilufar Edition catalogue b...
15/07/2026

Crafted in Italy yet shaped by an international creative vision, the newest additions to the Nilufar Edition catalogue bring together a distinctive collection of seating pieces, each with its own character and narrative. Familiar forms are gently disrupted, taking on unexpected silhouettes, expressive textures and bold proportions.

The Peak District armchair draws inspiration from the quiet elegance of the English landscape and its domestic interiors. Its classical silhouette is subtly transformed through sculpted armrests, softened distortions and unexpected proportions.

Balancing familiarity with experimentation, the piece brings a refined yet distinctive presence to contemporary interiors.

Explore Nilufar Edition via the link in bio.

Christian Pellizzari’s luminous creations transform botanical references, memory and ritual into poetic compositions in ...
14/07/2026

Christian Pellizzari’s luminous creations transform botanical references, memory and ritual into poetic compositions in Murano glass.

Within the interiors of Nilufar Grand Hotel, the Saffron Iridacee wall lamp captures the fleeting beauty of saffron in bloom. Suspended petals glow in shades of violet, red and golden orange, as if touched by the first light of dawn. Thyrsus reimagines the ancient symbolism of papyrus through rhythmic, ascending forms, while warm amber tones and tactile surfaces cast a soft, enveloping light.

Boswellia finds its setting at Nilufar La Casa Magica, where its suspended drops of Murano glass evoke the slow movement of resin. Inspired by the tree long associated with healing and sacred rituals, the piece translates fragrance, memory and wellbeing into a warm, contemplative glow.

Explore Christian Pellizzari (CHRISTIAN PELLIZZARI) online

A glimpse inside Nilufar Grand Hotel, featuring rare works by James Mont, whose distinctive language drew on Art Deco, H...
13/07/2026

A glimpse inside Nilufar Grand Hotel, featuring rare works by James Mont, whose distinctive language drew on Art Deco, Hollywood Regency and Chinoiserie, introducing Asian-inspired references into American mid-century design.

The round dining table, finished in deep black lacquer with restrained gilt detailing, is defined by a cross-shaped base carved with delicate floral motifs. Its measured proportions lend the piece a poised, architectural presence.

The surrounding chairs provide a sculptural counterpoint, completing an intimate composition in which ornament, material and atmosphere are held in precise balance.

Explore more at Nilufar Grand Hotel.
On view at Nilufar, Viale Lancetti 34, Milan.

Carpets: cc-tapis

At the heart of the Nilufar Grand Hotel, the Dining Room elevates the art of gathering to a monumental scale. Gal Gaon’s...
08/07/2026

At the heart of the Nilufar Grand Hotel, the Dining Room elevates the art of gathering to a monumental scale. Gal Gaon’s (Gal Gaon Studio ) Raw Pebbles dining table grounds the composition, paired with the new Get In Touch chairs by Nilufar Edition. Above, Christian Pellizzari’s (CHRISTIAN PELLIZZARI) imposing Thyrsus lamp radiates a warm glow, while wall lamps from the same collection alternate with Lola Montes’ () drawings, weaving botanical inspirations and painterly gestures.

A more intimate atmosphere awaits in the Fumoir. Here, Derin Beren Yalcin’s (derin beren) seating meets the monochromatic dreamscape of Objects of Common Interest, (Objects of Common Interest.) while Flavie Audi’s () low tables suspend the swirling energy of water in resin. Framed by Christian Pellizzari’s luminous Saffron Iridacee wall lamps and mirror, the space reveals one of the most immersive chapters in Nina Yashar’s () curatorial narrative.

PART OF NILUFAR GRAND HOTEL
On view at Nilufar Viale Lancetti 34, Milan

Explore more online

03/07/2026

One of the most significant and influential design projects of the past twenty years will enter an international museum collection.

100 Chairs in 100 Days was an exercise in looking, making and reimagining. By taking apart existing chairs and recombining their elements, Martino Gamper was interested in discovering how far an everyday object could be transformed while still remaining a chair.

The project was not about perfection, but about intuition, improvisation and the possibilities that emerge when working with what already exists. Each chair became a conversation between different histories, materials and functions, revealing new identities through unexpected combinations.

For Nilufar’s founder Nina Yashar, this milestone marks the culmination of a journey began in 2009. Discover what’s next in the coming months.

Video:

After nearly two decades in the Nilufar collection and a layered exhibition history, Martino Gamper’s 100 Chairs in 100 ...
01/07/2026

After nearly two decades in the Nilufar collection and a layered exhibition history, Martino Gamper’s 100 Chairs in 100 Days has been acquired in its entirety by a major international museum institution, whose name will be revealed in the coming months. Created in London in 2007, the project transformed discarded chairs into one hundred singular works over one hundred consecutive days.

By dismantling, grafting and recombining found chairs, Gamper () explored the transformative potential of existing objects, opening up broader reflections on authorship, value and the evolving nature of design.

Its acquisition marks a significant new chapter in a journey that Nilufar’s founder, Nina Yashar, has been honoured to accompany from the very beginning.

Etienne Marc’s (Etienne Marian Marc) Primavera screen turns the mirror into a botanical archive — not a passive reflecti...
29/06/2026

Etienne Marc’s (Etienne Marian Marc) Primavera screen turns the mirror into a botanical archive — not a passive reflective surface, but a place where plant forms are captured, translated and reactivated.

Warm floral densities unfold across the piece, drawing from the decorative precision of Art Deco while moving toward a cleaner, more restrained design language. Part of Etienne Marc’s ongoing herbarium mirror research, Primavera uses an acid-treated reflective surface to preserve floral imprints in the material itself, creating a tension between ornament, memory and optical illusion.

What emerges is not simply a spring-inspired object, but a study of how plants carry meaning beyond their natural function: as cultural symbols, regional signs, mythological figures and objects of ritual imagination.

Discover more by Etienne Marc online.

Indirizzo

Via Della Spiga 32
Milan
20121

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