RIBOT

RIBOT .

05/05/2026

Last days to see our current exhibition at the gallery In Abeyance, by Harrison Pearce.

The title chosen for this new and unprecedented exhibition project refers to a condition of temporary suspension, a transitory and indefinite state where the subjects of the works seem to find themselves. The stasis evoked by the expression, however, reveals a repressed tension that persists as a possibility.

✨Come visit us!✨
Opening hours: Tuesday - Saturday // 3pm - 7.30pm
also by appointment

The state of expectation is no longer a neutral condition, but a pause charged with emotional intensity. It is a dense, ...
23/04/2026

The state of expectation is no longer a neutral condition, but a pause charged with emotional intensity. It is a dense, almost corporeal suspension that places Pearce’s works in a new and more explicitly “human” dimension. Body, mind and machine thus become objects to be observed simultaneously, not in opposition but in mutual relation: one is functional to the other.

Join us at the gallery and discover more about “In Abeyance” the second solo exhibition at the gallery by Harrison Pearce.
✨Come visit us!✨ Opening hours: Tuesday - Saturday // 3pm - 7.30pm also by appointment

📸
Harrison Pearce, Tactus #1, 2026, silicone, aluminium, steel, pneumatic automation system, cm 41x10.5x12.5

✨Let’s start! MIART 2026✨Come visit us at - booth C15- with a selection of works by: Harrison Pearce, Stefano Perrone...
16/04/2026

✨Let’s start! MIART 2026✨
Come visit us at - booth C15- with a selection of works by: Harrison Pearce, Stefano Perrone and Marco Reichert
Come visit us!

📌MIART 2026
April 16 - 19 2026
MICO South Liv.O
Booth C15

Ph. Mattia Mognetti

We are happy to share with you some installation views from “In Abeyance” by Harrison Pearce.The title chosen for this n...
27/03/2026

We are happy to share with you some installation views from “In Abeyance” by Harrison Pearce.

The title chosen for this new and unprecedented exhibition project refers to a condition of temporary suspension, a transitory and indefinite state where the subjects of the works seem to find themselves. The stasis evoked by the expression, however, reveals a repressed tension that persists as a possibility.

✨Come visit us!✨
Opening hours: Tuesday - Saturday // 3pm - 7.30pm
also by appointment

📸

✨OPENING TONIGHT✨ from 6 pm to 9pmIn Abeyance, Harrison Pearce The artist will be present.We are looking forward to seei...
26/03/2026

✨OPENING TONIGHT✨ from 6 pm to 9pm
In Abeyance, Harrison Pearce
The artist will be present.
We are looking forward to seeing you!

Studio visit with Harrison Pearce 👀Ahead of his upcoming exhibition “In Abeyance” at RIBOT on March 26, we visited his ...
23/03/2026

Studio visit with Harrison Pearce 👀
Ahead of his upcoming exhibition “In Abeyance” at RIBOT on March 26, we visited his studio.

Harrison Pearce (b. 1986, UK) is an artist whose practice spans painting, sculpture, installation and sound. Often exploring the conceptually entangled relationship between machines and human bodies, Pearce constructs curious machine-driven objects in his sculptural works and renders free imaginings of them on his canvases.
Presented in cold, detached and minimal, yet theatrical, aesthetics, the industrially sleek and compact shape of the entities in Pearce’s works linger between humanity and artificiality; alive and metamorphosing within a system which reflects dynamics of control, empathy and sensation.

Felix Schramm (.schramm) at Kunstmuseum Bonn.As part of the AUSGEZEICHNET series, former scholarship holders of the Kuns...
18/03/2026

Felix Schramm (.schramm) at Kunstmuseum Bonn.
As part of the AUSGEZEICHNET series, former scholarship holders of the Kunstfonds Foundation exhibit their work at the Kunstmuseum Bonn. This year, the jury has selected Felix Schramm (1970).

Schramm’s work focuses on space – its forms, its boundaries and their dissolution. For the Kunstmuseum Bonn, he is creating an installation that uses the interplay of construction and deconstruction to transform the very essence of the museum space.

The connection between construction and demolition, order and disorder runs through Schramm’s entire oeuvre. These groups of works explore Schramm’s preoccupation with the two-dimensional surface and the relationship between space and the human body, which he brings together in his art.

On view until May 17, 2026

ph Installation view: Ausgezeichnet #9 Felix Schramm, Kunstmuseum Bonn 2025: Felix Schramm, Multileyer 475, 309, 320, 2021/2025 / Out of The Waves, 2025, Courtesy Felix Schramm, Photo: Knut Kruppa
Video Credits: Interview Felix Von Boehm, Jonathan Wolf, Camera: Felix Von Boehm, Florian Mag, Olaf Becker, Editing: Svenja Neitzel, Zuzanna Gtód, Productions: art/beats

Last two days to see “If you feel me, I am you” by Simona Andrioletti, with a text by Luisa Seipp.The exhibition unfolds...
06/03/2026

Last two days to see “If you feel me, I am you” by Simona Andrioletti, with a text by Luisa Seipp.

The exhibition unfolds across two levels. On the ground floor, large quilted works hang from
metal structures assembled from construction-site scaffolding tubes. (...) They read almost like instructions for dressing, for preparing the body for battle. Each quilt becomes an armour, or part of one, holding within it the unresolved tension between care and defence, vulnerability and aggression.

On the lower level of the gallery, the visitor must enter a cage in order to see the works. Some of
its bars are composed of sentences written by the artist – Broken bones shattered souls –
phrases that speak of fear, rage, and bodily memory. These figures recall Marian iconography from scenes of the Crucifixion as gestures of mourning, care, and collective grief. We sense that within the architecture of defence, vulnerability persists.

“If you feel me, I am you”, personal history and collective trauma are stitched together through gestures of protection and care. The exhibition does not offer resolution, but recognition. It insists that solidarity is not abstract or symbolic, but embodied. It is something learned, worn, and shared. It remains today both a necessity and a fragile, urgent possibility. - Luisa Seipp

✨Come visit us!✨ Opening hours: from 3pm to 7.30pm
ph Mattia Mognetti (1,7-9-11,14)

.andrioletti .seipp

03/03/2026

Last days to see “If you feel me, I am you”, Simona Andrioletti, with a text by Luisa Seipp. On view until March 7, 2026.

In the exhibition If you feel me, I am you, personal history and collective trauma are stitched together through gestures of protection and care. The exhibition does not offer resolution, but recognition. It insists that solidarity is not abstract or symbolic, but embodied. It is something learned, worn, and shared. It remains today both a necessity and a fragile, urgent possibility. - Luisa Seipp

✨Come visit us!✨ Opening hours: Tuesday - Saturday // 3pm - 7.30pm
also by appointment

.andrioletti .seipp

✨OPENING TONIGHT✨ from 6 pm to 9pmIf you feel me, I am you by Simona Andrioletti, with a text by Luisa SeippThe artist w...
29/01/2026

✨OPENING TONIGHT✨ from 6 pm to 9pm
If you feel me, I am you by Simona Andrioletti, with a text by Luisa Seipp
The artist will be present.
We are looking forward to seeing you!

Indirizzo

Via Enrico Nöe 23
Milan
20133

Orario di apertura

Martedì 15:00 - 19:30
Mercoledì 15:00 - 19:30
Giovedì 15:00 - 19:30
Venerdì 15:00 - 19:30
Sabato 11:30 - 18:30

Telefono

+39 347 050 93 23

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