Quali sono gli orari di apertura?

Lunedì 09:30 - 13:00 15:30 - 20:00 Martedì 09:30 - 13:00 15:30 - 20:00 Mercoledì 09:30 - 13:00 15:30 - 20:00 Giovedì 09:30 - 13:00 15:30 - 20:00 Venerdì 09:30 - 13:00 15:30 - 20:00 Sabato 09:30 - 13:00 15:30 - 20:00

Gian Marco Casini Gallery

Casa
Italia
Livorno
Gian Marco Casini Gallery

Posto che possa essere vissuto quotidianamente. Mostre, incontri, dibattiti e presentazioni di libri

Gian Marco Casini consegue la Laurea Magistrale in Ingegneria Gestionale presso l’Università di Pisa, ma decide di non proseguire nell’attività di ingegnere per dedicarsi alla sua forte passione per l’arte contemporanea ereditata dal padre collezionista. Fonda la galleria nel 2017 con lo scopo di promuovere l’arte contemporanea nella sua città natale, Livorno, organizzando mostre ed eventi atti a

promulgare la conoscenza e l’amore per l’arte. Si alterneranno mostre di artisti storicizzati con mostre di artisti giovani. Gian Marco Casini mira a creare un centro per l’arte contemporanea che possa essere vissuto quotidianamente dai collezionisti e da chi mostra curiosità per la materia proponendo incontri, possibilità di consultazione dei libri presenti nella biblioteca e dibattiti sull’arte e sul collezionismo. Ogni mostra sarà accompagnata dalla pubblicazione di un catalogo al fine di lasciare una traccia dell’attività svolta dalla galleria e di allargare la conoscenza degli artisti proposti.

18/04/2026

Renato Spagnoli
solo presentation
Milano
second floor Booth 2.07
17-21 April 2026
Palazzo Galbani
Via Fabio Filzi 25r, Milan
——
ph.
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31/03/2026

Renato Spagnoli
Come in un abbraccio
07.03 - 31.05.2026
—
ph. Alessio Belloni ()
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05/03/2026

Renato Spagnoli
Come in un abbraccio
07.03 - 31.05.2026
opening: 07.03.2026 | 5pm - 8pm
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06/02/2026

Hamza Badran
One and a half

Fotografia e dintorni Section, curated by Marta Papini ()
Hall 25 Booth B22
Bologna, 6- 8 February 2026
--
Ph: Alessio Belloni

06/02/2026

Alessandro Manfrin
Windows

Prospettiva Section, curated by Michele D’Aurizio (.daurizio)
Hall 25 Booth B47
Bologna, 6- 8 February 2026
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Ph: Alessio Belloni

15/12/2025

Juan Pablo Macìas
otros tiempos y otras latitudes en pensamiento y extensión
06.12.2025 - 31.01.2026
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This exhibition brings together ideas that have been developing since 2010. That year, Juan Pablo Macías conceived a project that has not yet seen full realization, but has consistently reappeared under different forms, moments, and economies.
The initial utopian gesture—the impossibility of flying a Gamelan ensemble from Bali to play music in the remote Tarahumara mountains in Mexico—has surfaced in various ways over the years. One iteration is presented here, performed by the philosopher and composer Marco Lenzi; another emerged through the sowing, harvesting, and fermenting of maize within the contemporary art context.
The project was conceived as a dual homage: to the Rarámuri (Tarahumara) and Balinese peoples, and to two artists who previously paid their own tributes to these cultures: Antonin Artaud and Miguel Covarrubias.
Artaud addressed both peoples in his books "The Theatre and its Double" and "The Tarahumaras", narrating his 1930s trip to Mexico to witness pe**te rituals. During those same years, the Mexican artist Miguel Covarrubias traveled to Bali with his wife Rosa Covarrubias to document everyday Balinese life. Both artists in search of cultural forms that would transcend the bourgeois cultural system, withdrawing its designs from a direct contact with the Universe as a simple and humble need.
From this perspective, the creative act presents itself as a vital form performed in the specific context of the sacred. The notion of "courtyard" in the Rarámuri worldview is the context of the sacred world itself—a place to interact with God, the universe, their future, and their becomings. These are ritual performances displayed for no public, a method that informs the approach of Salvator Rosa Gallery: a commercial gallery without a gallerist, without a public, clandestine, shared between a group of artists, one after another. Art realized in solitude under the moonlight, with no public, no numbers, no communication, only people, wolves, and some documents for posterity.
[...]
—
Ph.
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01/12/2025

Juan Pablo Macìas
otros tiempos y otras latitudes en pensamiento y extensión
opening: 06.12.2025 | 5pm - 8pm
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“…When everything started
the Sun was so close to Earth drying it all
the first People
children of the Sun and the Moon
danced the Rutuguri
by dancing
they made the Sun regress
and since then
the stars reflect on the fields
and we must follow their light
to read the dance’s design

The ceremony’s site is a sacred place
an important place
this field is the World
here we sacrifice animals
so all gods, men and the dead
participate
this is the place of the dance
we must dance to make the world go round
to not interrupt its harmony

We dance because we have done something good for Papa God
He gave us life to dance
He will give us life for another year

We do not dance for pleasure
it’s a sacred work...” *

* text extracted from Nicolás Echevarría’s documentary “Teshuinada, Semana Santa Tarahumara” 1979.
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31/10/2025

Hall Pink B Booth 16
Oval Lingotto Fiere, Torino 31 Oct. - 2 Nov. 2025

The Anthropic Principle
with
Hamza Badran ()
Clarissa Baldassarri ()
Juan Pablo Macías (.juanpablo)
Alessandro Manfrin ()
Margherita Moscardini ()
——
Ph. .morittu
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09/10/2025

Alessandro Manfrin
Untitled (elevator)
2025
Full HD video, sound, loop
2’ 25”
——
[…] At the heart of this reflection is Untitled (elevator) (2025), a 2-minute-52-second video loop with a tinnitus-type hum that invades the space. Above, below, inside and out, a vibration incorporates white noise. Here, the void becomes inhabitable, in a comforting state where you watch yourself fall, as if we were in a suspended city imagined by Aldo Rossi, where the solitude of the metropolis becomes a shared space for those who observe it and traverse it. […]”
from “Bomboniera. Alessandro Manfrin” by nadir daily ()
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video:
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Alessandro Manfrin
Bomboniera
with a text by nadir daily
20.09 - 08.11.2025
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30/09/2025

Alessandro Manfrin
Bomboniera
with a text by nadir daily
20.09 - 08.11.2025
——
““Bomboniera” – from the French bonbonnière, meaning a box of candies or bonbons – has taken on a specific meaning in the Italian language. These small objects are gifted on special occasions, enclosed in boxes of various shapes. Often associated with white and an intimate, soft, delicate feel – with time they become immobilised, put away in unlikely cupboards, suspended in an ineffectual stillness.
And yet we keep accepting them, collecting them, to the point of being able to outline an imaginary map – melancholy bonbon – of people and places. Alessandro Manfrin’s “Bomboniera” wanders into this adrift state of what remains.
It’s a question of materials – but more deeply – of an arduous descent into the habits of humanity. Cardboard, polystyrene, tape, PVC, cellophane, tissue paper, used packaging, bandages. There is something deeply endearing about rummaging through scraps. As if every object found, every piece of plastic, tissue paper or piece of tape held the mood of someone that touched it, looked at it, forgot it. Disposable materials – taken from other people’s lives – become brutalist monuments of an invisible city. Like Score (2025), an expanse of architectural models that, in a suspended line, envision an unstable horizon of polystyrene, wood and cardboard. Perhaps this is the city it longs for, and whispers to us. […]”
from “Bomboniera. Alessandro Manfrin” by nadir daily ( )
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ph.
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Indirizzo

Piazza Santi Pietro E Paolo 6
Livorno
57126

Orario di apertura

Lunedì	09:30 - 13:00
	15:30 - 20:00
Martedì	09:30 - 13:00
	15:30 - 20:00
Mercoledì	09:30 - 13:00
	15:30 - 20:00
Giovedì	09:30 - 13:00
	15:30 - 20:00
Venerdì	09:30 - 13:00
	15:30 - 20:00
Sabato	09:30 - 13:00
	15:30 - 20:00

Sito Web

http://gmcg.it/

Notifiche

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