26/08/2026
The reception of Barbara Levittoux-Świderska's oeuvre have been overwhelmingly positive, even enthusiastic, highlighting her growing recognition as a pioneer of sculpture rather than just a traditional weaver.
The primary impulse for this assessment was the major joint summer exhibition
"Splątane. Abakanowicz - Levittoux-Świderska" (Entangled), which ran from June 19 to July 18, 2026,
redefining fiber as Sculpture. Critics and viewers celebrated how Levittoux-Świderska and Magdalena Abakanowicz effectively stripped fabric of its traditional decorative wall function.
Impreassivly large installations of sisal, wool and industrial scrap dominate the gallery space, forcing the viewer to interact with them as monumental, 3D architecture.
The exhibition emphasised the contrasting yet intuitive dialogue:
the fascinating juxtaposition between the two visionaries.
While Abakanowicz is known for her organic, raw physical texture, Levittoux-Świderska's works are praised for an austere ascetic, orderly geometry that are frequently compared to a Zen-like or Japanese aesthetic.
There is a fascination with material and process,
the curatorial tours led by Polswiss Art expert Maria Jaxa-Chamiec emphasised the tactile, rule-breaking technical craft.
Because Levittoux-Świderska wove intuitively without design stencils, it is remarkable how the physical energy of the artist remains frozen inside the contrasting natural and industrial fibers.
While Magdalena Abakanowicz has long commanded international acclaim and massive prices, reactions from collectors indicate a major reassessment of Levittoux-Świderska’s market value.
Long considered a hidden gem outside of specialized textile circles, her integration into high-profile fine art exhibitions is steadily positioning her as a world-celebrated pillar of post-war European art.
More to come.
next stop - Venice!
(hold on tight, mum!)
