InAbsentia Digital Pavilion

InAbsentia Digital Pavilion This is InAbsentia Digital Pavilion at The Wrong Biennale

31/03/2026

/* Dreams Never End */

Today, March 31, 2026, the 7th edition of The Wrong Biennale officially closes its digital doors.

As we look back at the "vortex of data" we navigated since November, we remember that at the root of Art is the collective, not the ego. We have been the Keepers and Seers of a "monstrous genesis"—one of unnamed creation, where biological scripts and digital biomes merged into a living archive.

To our artists, our "co-conspirators" in this biological and arcane journey: thank you for grafting your spirit to the cosmos. You didn't just show work; you redefined existence itself.

The Living Archive of the Future - Works by:
Pat Badani, Enrico Cacciatori, Hybridoa, Sanae Moskitoo, MohammadAli Famori, Garnet Hertz, Pieter Nooten, Ellina Gennadievna, Nia Bo, Magenta, Danielle Siembieda, Valerio Veneruso.

Curated by:
Lino Mocerino, Francesca Giuliani, Ryota Matsumoto, Fausto Marcon.
(Ivrea, Foggia, Treviso, Tokyo).

Patronaged by CNR IRPI. This has been a vital intersection of art and environmental awareness, recognised and supported by the Research Institute for Geo-Hydrological Protection in Turin. A patronage that underscores the importance of transdisciplinary dialogue: InAbsentia proves that artistic interpretation can serve as a companion to scientific monitoring, transforming data into empathy and risk into awareness.

The "hum of the machine dream" remains. The glitch is eternal. And Dreams Never End.

See you in the next mutation.

/* TT6 London: An Interspecies Translation */The creation of the audioreactive sphere for Pieter Nooten’s "TT6 London" s...
29/03/2026

/* TT6 London: An Interspecies Translation */

The creation of the audioreactive sphere for Pieter Nooten’s "TT6 London" stands as a pure experiment in translation: mapping the bioseignals of London’s ancient oaks—meticulously gathered by Bert Barten—into a generative digital form.

Developed throughout intense sessions in December 2025, the project emerged from a rigorous dialogue between biological data and machine logic. The systems integration between Three.js and AI-driven orchestration allowed the unraveling of complex visual structures able to redefine the boundaries of digital landscape.

In this data vortex, art transcends individual ego to become a collective act: a Digital Biome where the organic and the synthetic converge.

The future is a breathing archive.

Featured Artist: Pieter Nooten
Data Source: Bert Barten (Oak Biosignals)
Visual Architecture: Semiosphera

TT6 London Pieter Nooten Medium Type Audioreactive Generative Visual Year 2025 Genre Data-driven A/V Composition Length 00:06:08 Sonification Bert Barten Original Score Pieter Nooten Data Sources Real-time biosignals from Quercus robur Seemingly random, staccato piano notes float in and out over a d...

/* The Digital Biome */We are entering the final two weeks of The Wrong Biennale, and the energy around "InAbsentia" is ...
15/03/2026

/* The Digital Biome */

We are entering the final two weeks of The Wrong Biennale, and the energy around "InAbsentia" is higher than ever!

To celebrate this final stretch, we are excited to share a special feature: an insightful interview with the artist Danielle Siembieda-Gribben, conducted by Fausto Marcon.

In this conversation, they dive deep into the concept of the "Polar Reversal" and the evolution of the digital biome, exploring the core themes that have defined our journey in Venice this year.

As we count down the last 14 days, we want to thank everyone who has visited and supported the project. If you haven't seen it yet, now is the time!

"Art is the instrument that allows us to sense the frequency of a changing world."

Read the full interview here:
https://www.inabsentia.it/2026/03/15/the-digital-biome/

The Digital Biome 15 Marzo 202615 Marzo 2026 Techniqua Mapping the Invisible with Danielle Siembieda-Gribben As InAbsentia enters its final two weeks at the 2026 Biennale, we continue our deep dive into the artistic visions that have shaped our pavilion. It is March 15th, and the countdown to the cl...

/* A Continuous Emergence */Is infinity a location or a condition? Mohammad Ali Famori, creator of the Infinite Realms f...
08/12/2025

/* A Continuous Emergence */

Is infinity a location or a condition? Mohammad Ali Famori, creator of the Infinite Realms for "The Ecosystem of Us," discusses with our Fausto Marcon how code, Perlin noise, and audio forces perform continuous emergence in his new work. Discover his philosophy on relational existence and why "nothing exists alone."

A Continuous Emergence 8 Dicembre 20258 Dicembre 2025 Techniqua Mohammad Ali Famori on Code and Cosmology Mohammad Ali Famori, a key contributor to the “Ecosystem of Us” installation, delves into the philosophical and technical underpinnings of his work, exploring how digital visualization can e...

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