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P420 International Contemporary Art Gallery
https://linkin.bio/p420

P420 ARTE CONTEMPORANEA E LIBRI ha inaugurato lo scorso 23 gennaio 2010 il proprio spazio a Bologna in Piazza dei Martiri 5/2, adiacente al MAMBO e nei pressi del centro storico e dalla stazione di Bologna. P420 nasce con il preciso intento di presentare e trattare l'opera di artisti appartenenti alle principali avanguardie nate, in Italia e all'estero, tra gli anni ‘50 e gli anni ‘80, con particolare attenzione ai decenni '60 e '70, così incredibilmente ricchi e prolifici di nuove idee e di nuove espressioni artistiche. E' in quest'ottica che la proposta di P420 propone parte dalla corrente Informale degli anni Cinquanta per arrivare alle più recenti esperienze degli anni ‘70, attraverso la destrutturazione di Zero e Nul, le innovazioni artistiche e culturali introdotte dall'Arte Concettuale, Processuale, dalla Land Art, Minimal, Narrative, Performance, Arte ottica-cinetica e Programmata, Arte Povera, Fluxus e manifestazioni multimediali, Poesia Visiva e Concreta, Nuova Pittura, ecc. P420 dedica inoltre la massima attenzione alla ricerca nel settore della documentazione, intendendo arricchire le conoscenze del collezionista mediante una notevole proposta di documenti originali quali cataloghi e monografie degli artisti e delle correnti artistiche trattate. Il supporto documentale non sarà mai considerato secondario all'opera e sarà invece sempre presente nelle mostre e negli allestimenti come parte integrante di un progetto di presentazione dell'Arte Contemporanea al pubblico che integri gli schemi dell'attività commerciale con le esigenze collezionistiche e gli aspetti più prettamente culturali e poetici della ricerca artistica.

P420 is present at Frieze London 2026 with a selection of works by:Riccardo Baruzzi, June Crespo, Victor Fotso Nyie, Rod...
14/10/2026

P420 is present at Frieze London 2026 with a selection of works by:
Riccardo Baruzzi, June Crespo, Victor Fotso Nyie, Rodrigo Hernández, Merlin James, Khaled Jarada, Xian Kim, Francis Offman, Alessandro Pessoli, Alessandra Spranzi, Monika Stricker and Shafei Xia.

📍 Frieze London
The Regent’s Park, Park Square West, London

Booth A22

📆 14–18 October 2026

📸 Sebastiano Pellion di Persano

Courtesy the artists and P420, Bologna

 : ‘FOOD. Il gusto nell’arte’, a group exhibition at DART –  del Bramante - Roma, curated by Suzanne Landau, featuring w...
13/10/2026

: ‘FOOD. Il gusto nell’arte’, a group exhibition at DART – del Bramante - Roma, curated by Suzanne Landau, featuring works by Alessandra Spranzi and Goran Trbuljak.

The artistic research of Alessandra Spranzi is connected with photography, with photographic staging, the reuse of images of her own or taken by others, collage and “photographs of photographs.” Her work reveals a taste for humble materials, everyday situations, domestic settings, neglected and obsolete objects, handiwork and its gestures.

Zagreb-based artist Goran Trbuljak has been active since the late 1960s in the context of conceptual art and the so-called New Art Practice. While searching from the very beginning for alternative means of production and representation of the artwork, Trbuljak has redefined the status of artistic context, asking radical questions about the autonomy of the system of museums and galleries and about the mechanism by which something is accepted as art.

The exhibition explores food as a creative medium, an element of transformation, and a tool for relationships: a universe of shapes, colors, rituals, and meanings where art, history, design, and modernity meet.

📍 Chiostro del Bramante, Rome

📆 17 October 2026 – 28 March 2027

1. Alessandra Spranzi, Quando la terra si disfa #9, 1996–2005, gelatin silver print on baryta paper, 30 x 40 cm, detail

2. Goran Trbuljak, Sketch for sculpture, 2013. B/W photograph, 58,5 x 49 cm, detail

📸 Carlo Favero

Courtesy the artists and P420

Frieze London 2026 opens next weekP420 is pleased to announce its participation at  Frieze London 2026 with a selection ...
10/10/2026

Frieze London 2026 opens next week

P420 is pleased to announce its participation at Frieze London 2026 with a selection of works by: Riccardo Baruzzi, June Crespo, Victor Fotso Nyie, Rodrigo Hernández, Merlin James, Khaled Jarada, Xian Kim, Francis Offman, Alessandro Pessoli, Alessandra Spranzi, Monika Stricker and Shafei Xia.

Artworks:

1. Khaled Jarada, Remains gestures series (1), 2026, charcoal on paper, 140 x 180 cm
2. Xian Kim, Object 314, 2024, acrylic on canvas, 3 elements, 130 x 390 cm
3. Francis Offman, Untitled, 2026, acrylic, paper, fabric, coffee grounds, 100% cotton gauze, Bolognese plaster on jacquard fabric, 226 x 180 cm
4. Shafei Xia, On the mountain, 2025, watercolor on sandal paper mounted on canvas, 150 x 118 cm
5. Merlin James, Day, 2025-2026, mixed media, 60 x 90 cm

📍 Frieze London
The Regent’s Park, Park Square West, London
Booth A22

📆 14–18 October 2026

📸 Carlo Favero

Courtesy the artists and P420, Bologna

 : ‘Maison-Main, une assemblée des gestes  #2’, a group exhibition at CRAC (Centre Régional d'Art Contemporain Occitanie...
10/10/2026

: ‘Maison-Main, une assemblée des gestes #2’, a group exhibition at CRAC (Centre Régional d'Art Contemporain Occitanie / Pyrénées-Méditerranée), curated by Christian Rizzo and Anne-Laure Lestage, featuring Rodrigo Hernández’s work.

Rodrigo Hernández has developed a poetics in which elements from literature, art history and observation of the world converge in a new continuously evolving vocabulary, spoken from the surface of things.

As if left alone to gaze at each other, figurative and abstract motifs unite and dialogue with each other, generating works that remind us of the unknown, yet present themselves to us with a warm familiarity. The result, poetic and somehow ironic, looks like the coming together of a universe intended to seek balance between physics and metaphysics, figuration and abstraction.

The exhibition explores gesture, material, and the removal of boundaries between craft and the visual arts, assembling works that take different approaches: raw or ornamental, poetic or politically engaged, flirting with the sacred or the domestic.

📍CRAC Occitanie

📆 10 October 2026 – 21 February 2027

📸 Carlo Favero

Courtesy the artist and P420, Bologna

08/10/2026

: P420 at Frieze London (14–18 October 2026)

P420 is pleased to announce its participation at Frieze London with a selection of works by: Riccardo Baruzzi, June Crespo, Victor Fotso Nyie, Rodrigo Hernández, Merlin James, Khaled Jarada, Xian Kim, Francis Offman, Alessandro Pessoli, Alessandra Spranzi, Monika Stricker, and Shafei Xia.

🖼️ Booth A22

📍 Frieze London
The Regent’s Park, Park Square West, London

📆 14–18 October 2026

  Exhibition: ‘Ana Lupas. On Ritual Time’P420 is pleased to announce ‘On Ritual Time’, an exhibition by Ana Lupas at S.M...
07/10/2026

Exhibition: ‘Ana Lupas. On Ritual Time’

P420 is pleased to announce ‘On Ritual Time’, an exhibition by Ana Lupas at S.M.A.K. – Museum of Contemporary Art in Ghent (SMAK Gent), curated by Tanja Boon. The exhibition, running from October 10, 2026 to February 21, 2027, traces Lupas's work through some of the most significant stages of her practice, placing it in relation to a selection of works by S P A T A R U (1937–2011).

The multifaceted oeuvre of Ana Lupas (b. 1940, Cluj, Romania) has its origins in early textile works that draw on traditional and inherited techniques such as sewing, knotting and weaving, situating them within a contemporary visual language. This practice forms part of her broader engagement with ancestral knowledge, rituals and spiritual traditions, which also resonates throughout the monumental projects she realised between the 1960s and 1990s. Often developed outside institutional frameworks or in collaboration with local communities, these projects are considered early examples of socially engaged artistic practice.

The exhibition is accompanied by the first monograph dedicated to the oeuvre of Ana Lupas, featuring contributions by Boon, Leontine Coelewij, Marina Lupas, Letizia Ragaglia, Ramona Novicov, Christian Rattemeyer and Mechtild Widrich, jointly published by the Museum Amsterdam, Liechtenstein, Vaduz, and S.M.A.K.

Studio view, Ana Lupas, Prapori 1961–1964 (Funeral Flags)

📸 Carlo Favero

Courtesy the artist

📍 S.M.A.K., Ghent, Belgium

📆 10 October 2026 – 21 February 2027

 : 'Isa Mona Lisa', a group exhibition at Hamburger Kunsthalle, curated by Brigitte Kölle, featuring Helene Appel's work...
05/10/2026

: 'Isa Mona Lisa', a group exhibition at Hamburger Kunsthalle, curated by Brigitte Kölle, featuring Helene Appel's work.

Helene Appel's work consistently focuses on mundane, domestic subjects, rendered with such detail they border on trompe-l'oeil, yet achieve an abstract quality through their scale. Painted from life, these seemingly banal subjects suggest a deeper meaning, reflecting the slow, deliberate process of painting itself – a daily practice and personal dialogue within the artist's studio.

The exhibition provides a lively glimpse of recent art via a selection of unusual works by international contemporary artists.

📍 Hamburger Kunsthalle

📆 10 October 2024 – 11 October 2026

📸 Fred Dott

Courtesy the artist and Hamburger Kunsthalle

 : ‘Danzante’, a June Crespo’s solo exhibition at Fondazione Sandretto Re Rebaudengo, curated by Bernardo Follini.June C...
02/10/2026

: ‘Danzante’, a June Crespo’s solo exhibition at Fondazione Sandretto Re Rebaudengo, curated by Bernardo Follini.

June Crespo has been developing a sculptural and installation practice that investigates the relationship among the body, matter, and architectural space, creating a tension at the limits of scale, weight, and physical presence. Crespo’s sculptural assemblages, which the artist understands as communicating vessels, resonate within our bodies. At times delicate, at others forceful, they always emanate a vital, living quality.

The exhibition brings together sculptures and installations that engage with the body and the viewer’s perception. Inspired by the forms of flowers such as the iris and bird of paradise, the works investigate materials, surfaces, and textures to create physical and sensory experiences that evoke vitality, fragmentation, and presence.

📍 Fondazione Sandretto Re Rebaudengo

📆 15 April – 11 October 2026

📸 Giorgio Perottino

Courtesy the artist and Fondazione Sandretto Re Rebaudengo

  to Paolo Icaro! 🎉After studying music, Paolo Icaro enrolled in the Faculty of Arts and Humanities at the University of...
30/09/2026

to Paolo Icaro! 🎉

After studying music, Paolo Icaro enrolled in the Faculty of Arts and Humanities at the University of Turin. In 1958, after abandoning his studies, he began practicing sculpture in Umberto Mastroianni's studio. In 1960, he moved to Rome, where he held his first solo exhibition at the Galleria Schneider in 1962. In 1966, he moved to New York, residing there until 1968.

Icaro's practice is a journey in search of a new grammar of sculpture. A need to question everything, always. Deconstructing to reconstruct, or rather, "Faredisfarerifarevedere." A vocation for doing that goes beyond the accomplished and immutable dimension of the object in order to explore the becoming; that experiences a new sculptural situation, which runs alongside the artist in the same space of existence.

  Piero Manai on what would have been his birthday 🕊️Piero Manai, born on 28 September 1951, gained immediate notice in ...
28/09/2026

Piero Manai on what would have been his birthday 🕊️

Piero Manai, born on 28 September 1951, gained immediate notice in the early 1970s in Bolognese circles thanks to a kind of painting, to use the words of Flavio Caroli and Pietro Bonfiglioli “blends hyperrealism and conceptual abstraction,” “always somehow depicting the idea of painting itself.”

In that period Manai, just into his twenties, fell ill, and it took a number of years for him to recover. This tragic experience brought about a drastic change in his way of painting and in his subjects, in the early 1980s, which became more convulsive and dramatic.

After again falling ill, Manai died in 1988. “It was as if he had an invisible weight in his head,” Pietro Bonfiglioli recalls, after meeting him slightly earlier. His pictorial language does not seem related to any of the various artistic practices current at the time, from Austrian-German Expressionism of the 1980s to the more Italian Transavanguardia, just to indicate two of them. In fact, in its diversity it seems to reunite them all, so much so that it is hard to find a (probably useless) way of classifying the work.

📸 Antonio Guerra

Courtesy Archivio Piero Manai

Indirizzo

Via Azzo Gardino 9
Bologna
40122

Orario di apertura

Martedì 10:00 - 14:00
15:00 - 19:00
Mercoledì 10:00 - 14:00
15:00 - 19:00
Giovedì 10:00 - 14:00
15:00 - 19:00
Venerdì 10:00 - 14:00
15:00 - 19:00
Sabato 10:00 - 14:00
15:00 - 19:00

Telefono

+390514847957

Notifiche

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