Silvia Sguotti Design

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Silvia Sguotti Design I’m an art director, graphic designer, and digital artist with over 9 years’ experience and a de

So happy I got the chance to work on this storyboard for Superfeet Insoles last year. 💛It was all about finding the bala...
20/08/2026

So happy I got the chance to work on this storyboard for Superfeet Insoles last year. 💛

It was all about finding the balance between old and new—celebrating where the brand started while hinting at where it’s going. Almost like a bridge between its heritage and the beautiful new identity created by MLTI NYC

This was one of those projects where I completely nerded out over microtypography and tiny graphic details. 😄 The hardest part, though, was definitely selecting all the photography and archival material. It took a lot of experimenting to find combinations that felt natural and balanced, mixing vintage papers, old documents, and little pieces collected throughout Superfeet’s history into one cohesive composition.

This one was such a fun project to bring to life. 💫

Agency: MLTI NYC
Storyboard: me
Motion design: Riccardo Agostinelli Gabriele Montinaro

Some styleframes I worked on a while ago with the amazing team at ILLO !Loved mixing a bit of fake 3D with 2D for this o...
09/07/2026

Some styleframes I worked on a while ago with the amazing team at ILLO !

Loved mixing a bit of fake 3D with 2D for this one. 💫

Copy updated by me just for fun.

Creative Direction: & Valerio Di Mario
Design Direction: arianna cristiano 
Motion Lead: Valerio Di Mario 
Design: arianna cristiano & & ANDREAV & Michele Giamello & Silvia Sguotti
Motion Design: Meo & fabio orlando & Riccardo Chiara & Miguel D'Errico & Andreas Maris 
3D: Michele Giamello 
Client Director: Ani-blabla Karamanukyan 
Producer: 
Copywriting: Emilia Barbu

[motion design, storyboard, illustration, minimal]

01/06/2026

A little world made of tiny humans, soft colors and gentle interactions 💛

For Den Digitale Hotline, the character design became one of the most important parts of the visual language: each person had to feel simple, warm and approachable, while still carrying their own little personality.

I loved shaping this small community — mixing poses, expressions, outfits and everyday details to create a cast that feels alive, inclusive and easy to connect with.

Creative direction
Storyboard & illustration
Motion design
Sound design .maurin

.u.back visualmelt

[illustration, graphic design, motion graphic, character design, storyboard, vintage]

Simple shapes, soft gradients and lots of little characters for Den Digitale Hotline — a service that helps people in De...
28/05/2026

Simple shapes, soft gradients and lots of little characters for Den Digitale Hotline — a service that helps people in Denmark deal with the public sector, especially when things get digital.

We wanted the whole visual world to feel positive, friendly and easy to connect with, while showing how important community and local services are.

I honestly had so much fun testing colors and designing tons of beautiful people 💛

Sound on to hear the beautiful work by Nicolas 🔈

Creative direction
Storyboard & illustration
Motion design
Sound design .maurin

.u.back    visualmelt

[illustration, graphic design, motion graphic, character design, storyboard, vintage]

Jumping on this trend because… why not?! ✨A small selection of logos I’ve designed over the past few years.Huge thank yo...
06/05/2026

Jumping on this trend because… why not?! ✨

A small selection of logos I’ve designed over the past few years.

Huge thank you to all the clients who trusted me and let me have fun with these!

pl .now

When I first started years ago, I mainly used Photoshop for digital painting.But over time, I gradually moved away from ...
28/01/2026

When I first started years ago, I mainly used Photoshop for digital painting.
But over time, I gradually moved away from painting and leaned more into illustration — and the graphic side of brand identities.

I absolutely love working in Illustrator, but every now and then it feels so refreshing to experiment more freely: jumping from one program to another without overthinking workflows, exports, or how everything will eventually move into After Effects.

Do you also end up using multiple tools just to create a single illustration or output? 💫

-
Discarded styleframes updated and pushed more for my personal R&D 💛


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[gradients, illustration, minimal, abstract, circles, blue, geometry, design]

20/01/2026

I’m so grateful to be able to work with amazing brands, creative directors, and agencies — something I never take for granted. 💛

Lately, I’ve been choosing to take some time to recollect materials and thoughts. It’s actually quite fun to look back at the path I’ve taken, working with so many people, and at the same time, it’s a bit challenging to filter everything and prepare project presentations that truly give each one the right light. 💫✨

In the coming months, I’ll be sharing many projects I really loooved working on.

Here’s a little teaser of what’s coming next. 👀

Is there something you’d like to see first?

—

Images and videos belong to their respective owners and are shared with the clients’ permission.

Some photos (not illustrations) not related to brands were created from scratch using AI, solely to better communicate the concept. Please never use AI for final outputs — hire professionals.

[teaser, coming soon, brand identity, branding, illustration, storyboard, design, graphic design]

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08/01/2026

A few months ago, I worked on a fun collab.

I designed some illustrations… and an icon set.
Yes, it should’ve been 5 icons. It turned into 42 🤣
In the end, they didn’t fit into the final video, so they were never used.

But instead of archiving them and forgetting about them, I got the chance to play with

He gave these icons way more value than I ever imagined 💛 He animated them entirely in .app , making them fun, playful — and above all, fully interactive ✨

My favourite one is definitely the sleepy bear 🐻
Which one is yours?

Design:
Motion design:
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[motion design, animation, illustration, icon pack, colorful, cartoon, 2D]

2025 has been an incredible year — full of amazing projects, and above all, so much fun with beautiful people I deeply a...
03/01/2026

2025 has been an incredible year — full of amazing projects, and above all, so much fun with beautiful people I deeply admire.

I kept experimenting and diving deeper into the modern-vintage style I love, through brand identities and illustration projects — and honestly, I can’t wait to do more. 💛

Sometimes it feels like there’s so much to learn and explore, and yes, it can be a bit scary.
But I always try to focus on the best part: design lets us have fun, play, and move between different styles all the time.
Is it the same for you?

It was also a year of challenges, but I finally found a healthy work–life balance
(hello fellow freelancers, you know exactly what I mean).

Super grateful to have launched with my amazing friends and , and a huge thank you to all the talented people on our team I was lucky enough to work with 🧡💙

Can’t wait to see what 2026 will bring — I’m really hyped! 💫

Credits
Abstract dot + hexagon motion design:
Nature: motion design + sound .sound
Agio logo motion:



[2025 wrapped, graphicdesign, brandidentity, illustration]

15/12/2025

I love so much exploring different tools to better understand how to improve processes and push creativity. 💫💛

Mockup created in , photos from stock, video created with





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Bologna

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