Unidee residency programs

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Unidee residency programs

Since 1999, the educational program for art and social change of Cittadellarte-Fondazione Pistoletto.

It provides the participants with tools to activate, develop or strengthen artistic initiatives based on the involvement of local ecologies. Partners
UNIDEE patrons are Piedmont Region, Compagnia di San Paolo, CRT Fondazione Cassa di Risparmio di Torino, Creative Europe for "Alexandria (re)activating common urban imaginaries" and for "STARTS4Water", illycaffè S.p.A.

08/05/2026

We are delighted to announce the opening of 𝐸𝑐𝑜𝑠𝑦𝑠𝑡𝑒𝑚𝑠 𝑎𝑠 𝐿𝑖𝑣𝑖𝑛𝑔 𝐶𝑜𝑚𝑚𝑢𝑛𝑖𝑡𝑖𝑒𝑠 vol. II in the framework of the 28th edition of 𝗔𝗿𝘁𝗲 𝗮𝗹 𝗖𝗲𝗻𝘁𝗿𝗼 on 15 May 2026.

The exhibition features new works by 𝗘𝗺𝗺𝗮 𝗭𝗲𝗿𝗶𝗮𝗹 and 𝗘𝗹𝗶𝘇𝗮 𝗖𝗼𝗹𝗹𝗶𝗻.
Rooted in different Alpine territories, the two projects investigate ecological transformation through months of situated and interdisciplinary research. From high-altitude meadows altered by climate change to landscapes redefined by extractive practices, the exhibition reflects on the fragile interdependencies linking environments, technologies and living communities.

Shaped in dialogue with curator 𝗔𝗻𝗴𝗲𝗹𝗮 𝗦𝗲𝗿𝗶𝗻𝗼, the projects emerge from exchanges with researchers, scientists, practitioners and local communities.
We extend our gratitude to all those who have contributed to their development.

Find out more on our website [link in bio]
Step into the exhibition and experience the works up close — on view through September.

The project is promoted by 𝗙𝗼𝗻𝗱𝗮𝘇𝗶𝗼𝗻𝗲 𝗣𝗶𝘀𝘁𝗼𝗹𝗲𝘁𝘁𝗼 𝗖𝗶𝘁𝘁𝗮𝗱𝗲𝗹𝗹𝗮𝗿𝘁𝗲 through 𝗨𝗡𝗜𝗗𝗘𝗘 𝗥𝗲𝘀𝗶𝗱𝗲𝗻𝗰𝘆 𝗣𝗿𝗼𝗴𝗿𝗮𝗺𝘀 in collaboration with 𝗨𝗻𝗶𝗖𝗿𝗲𝗱𝗶𝘁 𝗚𝗿𝗼𝘂𝗽

21/04/2026

UNIDEE Programme 𝙇𝙖𝙣𝙜𝙪𝙖𝙜𝙚𝙨, 𝙋𝙡𝙚𝙖𝙨𝙚 continued with 𝗠𝗼𝗱𝘂𝗹𝗲 𝗩: 𝘽𝙚𝙮𝙤𝙣𝙙 𝘼𝙘𝙤𝙪𝙨𝙩𝙞𝙘 𝙎𝙪𝙥𝙧𝙚𝙢𝙖𝙘𝙮—𝙂𝙚𝙨𝙩𝙪𝙧𝙖𝙡 𝙑𝙤𝙞𝙘𝙚 𝙖𝙣𝙙 𝙏𝙧𝙖𝙣𝙨𝙘𝙤𝙧𝙥𝙤𝙧𝙚𝙖𝙡 𝙇𝙞𝙨𝙩𝙚𝙣𝙞𝙣𝙜 led by dramaturg, scholar, and curator .
Building on ongoing explorations of language as a tool for resistance and political transformation, this module questioned regimes of aurality shaped by oralism and audism, moving beyond perception models centered solely on hearing. Through collective experiments, participants worked with and through scores as open, relational structures where language emerged as a vibratory, tactile, and affective force, flowing across bodies, gestures, and spaces, and opening up transcorporeal modes of listening.

Special thanks to guest contributors and .aria, whose presence expanded the research, deepening the inquiry into multiple ways of listening.

Many thanks to the mentor, guests, curators, and all the residents who continue to light up the days at Cittadellarte:

.mar .aria

𝗠𝗼𝗱𝘂𝗹𝗲 𝗩: 𝟮𝟯-𝟮𝟳 𝗠𝗮𝗿𝗰𝗵 𝟮𝟬𝟮𝟲
𝘽𝙚𝙮𝙤𝙣𝙙 𝘼𝙘𝙤𝙪𝙨𝙩𝙞𝙘 𝙎𝙪𝙥𝙧𝙚𝙢𝙖𝙘𝙮—𝙂𝙚𝙨𝙩𝙪𝙧𝙖𝙡 𝙑𝙤𝙞𝙘𝙚 𝙖𝙣𝙙 𝙏𝙧𝙖𝙣𝙨𝙘𝙤𝙧𝙥𝙤𝙧𝙚𝙖𝙡 𝙇𝙞𝙨𝙩𝙚𝙣𝙞𝙣𝙜
𝘄𝗶𝘁𝗵 𝗣𝗶𝗲𝗿𝘀𝗮𝗻𝗱𝗿𝗮 𝗱𝗶 𝗠𝗮𝘁𝘁𝗲𝗼, 𝗗𝗶𝗮𝗻𝗮 𝗟𝗼𝗹𝗮 𝗣𝗼𝘀𝗮𝗻𝗶 𝗮𝗻𝗱 𝗗𝗶𝗮𝗻𝗮 𝗔𝗻𝘀𝗲𝗹𝗺𝗼

The programme 𝙇𝙖𝙣𝙜𝙪𝙖𝙜𝙚𝙨, 𝙋𝙡𝙚𝙖𝙨𝙚 is the UNIDEE Modules 2025/2026 curated by UNIDEE Visiting Research Curators 𝗡𝗶𝗻𝗮 𝗙𝗶𝗼𝗰𝗰𝗼 and 𝗚𝗮𝗶𝗮 𝗠𝗮𝗿𝘁𝗶𝗻𝗼 at

📷Photos n.6, by
Other photos by UNIDEE team

18/03/2026

Siamo felici di annunciare la nuova open call 𝗣𝗿𝗮𝘁𝗶𝗰𝗵𝗲 𝗱𝗲𝗹𝗹𝗮 𝗣𝗲𝗿𝗰𝗲𝘇𝗶𝗼𝗻𝗲, una 𝗿𝗲𝘀𝗶𝗱𝗲𝗻𝘇𝗮 𝗱𝗶 𝗿𝗶𝗰𝗲𝗿𝗰𝗮 promossa da Fondazione Pistoletto Cittadellarte con UNIDEE Residency Programs, in collaborazione con Fondazione Paolina Brugnatelli.

L’open call è rivolta ad artisti e artiste emergenti italiani che desiderino approfondire la propria ricerca esplorando la 𝗽𝗲𝗿𝗰𝗲𝘇𝗶𝗼𝗻𝗲 𝗰𝗼𝗺𝗲 𝗲𝘀𝗽𝗲𝗿𝗶𝗲𝗻𝘇𝗮 𝘀𝗲𝗻𝘀𝗼𝗿𝗶𝗮𝗹𝗲, affrontando temi di accessibilità, inclusione, cura e vulnerabilità attraverso pratiche socialmente impegnate. Durante la residenza l’artista selezionato/a riceverà un sostegno attivo nello sviluppo della propria ricerca in un contesto interdisciplinare e condiviso, attivando dialoghi e collaborazioni con ricercatori ed esperti.

Cosa offriamo: il programma coprirà i costi di viaggio di andata, ritorno e viaggi studio funzionali allo sviluppo della ricerca fino a 600 €, alloggio presso Fondazione Pistoletto Cittadellarte, un per diem totale di 1.500 € e un budget di produzione fino a 300 €.

𝗗𝗲𝗮𝗱𝗹𝗶𝗻𝗲 𝗽𝗲𝗿 𝗮𝗽𝗽𝗹𝗶𝗰𝗮𝗿𝗲: 𝟭𝟵 𝗮𝗽𝗿𝗶𝗹𝗲 𝟮𝟬𝟮𝟲
𝗣𝗲𝗿𝗶𝗼𝗱𝗼 𝗱𝗲𝗹𝗹𝗮 𝗿𝗲𝘀𝗶𝗱𝗲𝗻𝘇𝗮: 𝟳 𝘀𝗲𝘁𝘁𝗲𝗺𝗯𝗿𝗲—𝟲 𝗻𝗼𝘃𝗲𝗺𝗯𝗿𝗲 𝟮𝟬𝟮𝟲
Per maggiori dettagli: link in bio

17/03/2026

A warm thank you to the exceptional applicants for the upcoming UNIDEE Residency Modules!
We are thrilled to announce the selected participants for the fifth residency module of 𝙇𝙖𝙣𝙜𝙪𝙖𝙜𝙚𝙨, 𝙋𝙡𝙚𝙖𝙨𝙚, who will explore listening as an embodied, relational, and experimental practice in the framework of the programme curated by UNIDEE Visiting Research Curators 𝗡𝗶𝗻𝗮 𝗙𝗶𝗼𝗰𝗰𝗼 and 𝗚𝗮𝗶𝗮 𝗠𝗮𝗿𝘁𝗶𝗻𝗼. We look forward to welcoming you to !

𝗠𝗼𝗱𝘂𝗹𝗲 𝗩:
𝟮𝟯—𝟮𝟳 𝗠𝗮𝗿𝗰𝗵 𝟮𝟬𝟮𝟲
𝘽𝙚𝙮𝙤𝙣𝙙 𝘼𝙘𝙤𝙪𝙨𝙩𝙞𝙘 𝙎𝙪𝙥𝙧𝙚𝙢𝙖𝙘𝙮—𝙂𝙚𝙨𝙩𝙪𝙧𝙖𝙡 𝙑𝙤𝙞𝙘𝙚 𝙖𝙣𝙙 𝙏𝙧𝙖𝙣𝙨𝙘𝙤𝙧𝙥𝙤𝙧𝙚𝙖𝙡 𝙇𝙞𝙨𝙩𝙚𝙣𝙞𝙣𝙜
𝘄𝗶𝘁𝗵 𝗣𝗶𝗲𝗿𝘀𝗮𝗻𝗱𝗿𝗮 𝗗𝗶 𝗠𝗮𝘁𝘁𝗲𝗼

Wen Lin Tan (SG/IT)
Rac Montoro (IT)
Anna Dusi (IT/MX)
Susana Abdulmajid (DE)
Mauro Diciocia (IT)
Olga Kozmanidze (RU/IT)
Andres Felipe Castano Rojas (CO/IT)
Marianne Holm Hansen (DK/UK)
Gloria Luca (RO/ES)
Carola Demarchi (IT)
Dominika Wasilewska (PL)
Esta Matkovic (HR/FR)
Esther Fantuzzi (IT/BE)

.mar

24/02/2026

Siamo felici di annunciare un nuovo progetto nato dalla collaborazione tra 𝗙𝗼𝗻𝗱𝗮𝘇𝗶𝗼𝗻𝗲 𝗣𝗶𝘀𝘁𝗼𝗹𝗲𝘁𝘁𝗼 𝗖𝗶𝘁𝘁𝗮𝗱𝗲𝗹𝗹𝗮𝗿𝘁𝗲 ed 𝗘𝗰𝗼𝘁𝗲𝗿𝗺𝗶𝗰𝗮 𝗦𝗲𝗿𝘃𝗶𝘇𝗶 𝗦.𝗽.𝗔.: un’opera site-specific dell’artista 𝗟𝗮𝘂𝗿𝗮 𝗣𝘂𝗴𝗻𝗼, a cura di 𝗨𝗡𝗜𝗗𝗘𝗘 𝗥𝗲𝘀𝗶𝗱𝗲𝗻𝗰𝘆 𝗣𝗿𝗼𝗴𝗿𝗮𝗺𝘀, accompagnata da un percorso partecipativo che coinvolge le comunità locali. In questo contesto l’artista esplora 𝗶𝗹 𝗹𝗲𝗴𝗮𝗺𝗲 𝘁𝗿𝗮 𝗻𝗮𝘁𝘂𝗿𝗮, 𝗲𝗻𝗲𝗿𝗴𝗶𝗮 𝗲 𝗰𝗼𝗺𝘂𝗻𝗶𝘁𝗮̀, sottolineando l’importanza che Ecotermica ha per il territorio circostante.

L’installazione permanente, progettata per l’edificio di Ecotermica che ospita la sezione a biomassa della centrale di teleriscaldamento sita in Corso Vercelli a Ivrea, nasce dal dialogo con il paesaggio eporediese — terra, acqua e boschi — e si intreccia alle memorie custodite dall’anfiteatro morenico e dalla Serra.

𝗟𝗮𝘂𝗿𝗮 𝗣𝘂𝗴𝗻𝗼 (1975, Trivero) sviluppa una pratica artistica orientata al processo, esplorando il paesaggio ai confini tra umano e non umano. Attraverso disegno, fotografia, scultura e video, l’artista indaga temi ambientali ed ecologici, intrecciando arte e scienza in un dialogo sui territori in trasformazione.

Photo credits:
1. Ritratto di Laura Pugno, Ph. Nadia Pugliese
2. Laura Pugno, Ammophila Arenaria, 2025
3. Laura Pugno, Land Unfold, 2024
4. Laura Pugno, Tra le pieghe dell’acqua, 2023
5. Laura Pugno, Autopoiesi, 2025
6. Laura Pugno, Primati, Giardino Botanico Saussurea, 2018

20/02/2026

We are thrilled to announce the artists selected for 𝙀𝙘𝙤𝙨𝙮𝙨𝙩𝙚𝙢𝙨 𝙖𝙨 𝙇𝙞𝙫𝙞𝙣𝙜 𝘾𝙤𝙢𝙢𝙪𝙣𝙞𝙩𝙞𝙚𝙨, a project developed by UNIDEE Residency Programs of Fondazione Pistoletto Cittadellarte in collaboration with UniCredit Group. The initiative aims to support research and artistic production in response to contemporary ecological challenges, while actively contributing to the sustainable transformation of society.

𝗘𝗺𝗺𝗮 𝗭𝗲𝗿𝗶𝗮𝗹 is a designer and researcher working across territorial studies, media theory, and environmental sensing. Through fieldwork, sound, and moving image, her practice investigates subsurface ecologies, mineral extractivism, and the politics of planetary representation.

Her project investigates Monte Corna as a site of renewed extractive interest, where cobalt, silver, and nickel concessions are reshaping land, ecologies, and imaginaries. Through fieldwork, local knowledge, and technological research it critically examines how “green transition” narratives reproduce extractive logics and redefine territories.

Photos:
1. Emma Zerial’s portrait
2. “Weathering as a Total Climate”, 2024
3. 4. Excerpt from “Across a Flock’s Orbit”, Design Academy Eindhoven, 2025
5. ASML Sound Installation, in collaboration with Alexandra Nazarova and Mathis Marsepoil, 2024

19/02/2026

We are thrilled to announce the artists selected for 𝙀𝙘𝙤𝙨𝙮𝙨𝙩𝙚𝙢𝙨 𝙖𝙨 𝙇𝙞𝙫𝙞𝙣𝙜 𝘾𝙤𝙢𝙢𝙪𝙣𝙞𝙩𝙞𝙚𝙨, a project developed by UNIDEE Residency Programs of Fondazione Pistoletto Cittadellarte in collaboration with UniCredit Group. The initiative aims to support research and artistic production in response to contemporary ecological challenges, while actively contributing to the sustainable transformation of society.

𝗘𝗹𝗶𝘇𝗮 𝗖𝗼𝗹𝗹𝗶𝗻 is a design researcher, director and producer working at the intersection of ecology, climate research and community resilience. Her collaborative, site-specific projects explore adaptive ecologies and human–landscape relationships through film, installation and long-term community projects, grounded in place-based research.

Her project explores how climate change is reshaping alpine species, ecosystem relationships, and cultural practices. Through collaboration with scientists and local communities of the alps, it examines climate futures, cultural adaptation, and ecosystem resilience. The project situates these questions within evolving ideas of wilderness and conservation in alpine environments.

Ph. Credits:
1. Eliza Collin’s portrait.
2. “Diane and the Ipomopsis hybrid” (2026), Eliza Collin, Federico Barni and Mark Gee.
3. “Hybridising Scentscapes in bloom, summer 2025” (2025), Eliza Collin, Aterraterra and Growing Together, the Design Museum.
4. “Interview with Stellino and son” (2023), Still from WET ZONES series, Director & Editor: Eliza Collin, DOP: Jenny Petrotta.

30/01/2026

Introducing the concept and mentor of the eighth UNIDEE Residency Module of the programme 𝙇𝙖𝙣𝙜𝙪𝙖𝙜𝙚𝙨, 𝙋𝙡𝙚𝙖𝙨𝙚 curated by 𝗡𝗶𝗻𝗮 𝗙𝗶𝗼𝗰𝗰𝗼 and 𝗚𝗮𝗶𝗮 𝗠𝗮𝗿𝘁𝗶𝗻𝗼.

𝗙𝗿𝗮𝗻𝗰𝗶𝘀𝗰𝗮 𝗕𝗲𝗻𝗶́𝘁𝗲𝘇 invites participants in residency to embark on a collective practice of humans and more-than-humans in place. The residency is organized on a 𝘤𝘳𝘦𝘴𝘤𝘦𝘯𝘥𝘰, from no voice to full volume, and from the intentions of one artist to the weaving of an artist collective. Improvisation, somatic listening, and body engagement could be used as strategies of participation. The methodologies the mentor brings come from sign language immersion programs, activist choirs, popular assemblies, and irrigation communities.

𝗠𝗼𝗱𝘂𝗹𝗲 𝗩𝗜𝗜𝗜:
𝟮𝟮—𝟮𝟲 𝗝𝘂𝗻𝗲
𝗜𝗻 𝙘𝙧𝙚𝙨𝙘𝙚𝙣𝙙𝙤: 𝘁𝗼𝗼𝗹𝘀 𝗳𝗼𝗿 𝗮𝘀𝘀𝗲𝗺𝗯𝗹𝘆
𝘄𝗶𝘁𝗵 𝗙𝗿𝗮𝗻𝗰𝗶𝘀𝗰𝗮 𝗕𝗲𝗻𝗶́𝘁𝗲𝘇

𝗗𝗲𝗮𝗱𝗹𝗶𝗻𝗲 𝗳𝗼𝗿 𝘀𝘂𝗯𝗺𝗶𝘀𝘀𝗶𝗼𝗻𝘀: 𝟭𝟱 𝗙𝗲𝗯𝗿𝘂𝗮𝗿𝘆 𝟮𝟬𝟮𝟲, 23:59 (CET).
Read the complete open call and apply in the link in bio!
| | .mar |

Photos:
1. Portrait Francisca Benítez,. Courtesy of the artist
2. La Vieja Escuela, Pichingal, Chile (). Courtesy of the artist
3. Francisca Benítez, Mapa de Riego de Pichingal, 2021 – 2022 – 2024, Charcoal drawing, 450 x 730 cm / HD video (color, sound), 44’21” Edition: 2/3. Ph. Alvaro Mardones / Die Ecke Arte Contemporáneo
4. Francisca Benítez, “Trabajo de campo”, Museo de Arte Contemporáneo, Sede Parque Forestal, Santiago, Chile, 2024-2025, exhibition view. Ph. Alvaro Mardones / Die Ecke Arte Contemporáneo
5. Francisca Benítez, “Direct Action”, Storefront for Art and Architecture, 2023. Ph. PJ Rountree / Storefront for Art and Architecture

29/01/2026

Introducing the concept and mentor of the seventh UNIDEE Residency Module of the programme 𝙇𝙖𝙣𝙜𝙪𝙖𝙜𝙚𝙨, 𝙋𝙡𝙚𝙖𝙨𝙚 curated by 𝗡𝗶𝗻𝗮 𝗙𝗶𝗼𝗰𝗰𝗼 and 𝗚𝗮𝗶𝗮 𝗠𝗮𝗿𝘁𝗶𝗻𝗼.

For 𝗖𝗿𝗼𝗺𝗼𝗮𝗰𝘁𝗶𝘃𝗶𝘀𝗺𝗼, a collective of artists and activists, color is a tool that challenges the sensitive capacity of our bodies and becomes collective by identifying and sharing forms of knowledge that put dominant narratives under tension. During their workshop, 𝙎𝙥𝙚𝙡𝙡 𝙤𝙛 𝘾𝙤𝙡𝙤𝙧, participants in residency will share collectively, building a common working protocol where colors are a metaphor for a perceptible and plural form of knowledge—of sensitive and restless gestures—with the capacity to deconstruct social and hegemonic norms.

𝗠𝗼𝗱𝘂𝗹𝗲 𝗩𝗜𝗜:
𝟭𝟱—𝟭𝟵 𝗝𝘂𝗻𝗲
𝙎𝙥𝙚𝙡𝙡 𝙤𝙛 𝘾𝙤𝙡𝙤𝙧
𝘄𝗶𝘁𝗵 𝗖𝗿𝗼𝗺𝗼𝗮𝗰𝘁𝗶𝘃𝗶𝘀𝗺𝗼

𝗗𝗲𝗮𝗱𝗹𝗶𝗻𝗲 𝗳𝗼𝗿 𝘀𝘂𝗯𝗺𝗶𝘀𝘀𝗶𝗼𝗻𝘀: 𝟭𝟱 𝗙𝗲𝗯𝗿𝘂𝗮𝗿𝘆 𝟮𝟬𝟮𝟲, 23:59 (CET).
Read the complete open call and apply in the link in bio!

| | .mar |

Photos:
1. Portrait Marina De Caro, member of Cromoactivismo
2. Parque de la memoria, Señores jueces nunca más, 2025
3. Cromoactivismo action, 2017
4. Cromoactivismo action, 2016
5. Cromoactivismo action

28/01/2026

Introducing the concept and mentor of the sixth UNIDEE Residency Module of the programme 𝙇𝙖𝙣𝙜𝙪𝙖𝙜𝙚𝙨, 𝙋𝙡𝙚𝙖𝙨𝙚 curated by 𝗡𝗶𝗻𝗮 𝗙𝗶𝗼𝗰𝗰𝗼 and 𝗚𝗮𝗶𝗮 𝗠𝗮𝗿𝘁𝗶𝗻𝗼.

𝗘𝗹𝘃𝗶𝗿𝗮 𝗘𝘀𝗽𝗲𝗷𝗼 𝗔𝘆𝗰𝗮, artist, poet, and the director of the National Museum of Ethnography and Folklore in La Paz, leads a residency from the perspective of Andean epistemologies. Through hands-on work with wool and collective verbal exchange, participants engage in verbal practices—oral narration, collective reading, speaking, and listening—function alongside textile work as modes of transmission, reflection, and collective meaning-making, in dialogue with Biella’s historical relationship to wool and textile production. The workshop is grounded in her text, 𝘜𝘺𝘸𝘢𝘪 - 𝘜𝘺𝘸𝘢𝘯̃𝘢. 𝘓𝘢 𝘤𝘳𝘪𝘢𝘯𝘻𝘢 𝘮𝘶𝘵𝘶𝘢 𝘥𝘦 𝘭𝘢𝘴 𝘢𝘳𝘵𝘦𝘴.

𝗠𝗼𝗱𝘂𝗹𝗲 𝗩𝗜:
𝟭𝟯—𝟭𝟳 𝗔𝗽𝗿𝗶𝗹
𝙄𝙣𝙩𝙚𝙧𝙡𝙖𝙘𝙚𝙙 𝙬𝙖𝙧𝙥𝙨 𝙛𝙧𝙤𝙢 𝙩𝙝𝙚 𝘼𝙣𝙙𝙚𝙨
𝘄𝗶𝘁𝗵 𝗘𝗹𝘃𝗶𝗿𝗮 𝗘𝘀𝗽𝗲𝗷𝗼 𝗔𝘆𝗰𝗮

𝗗𝗲𝗮𝗱𝗹𝗶𝗻𝗲 𝗳𝗼𝗿 𝘀𝘂𝗯𝗺𝗶𝘀𝘀𝗶𝗼𝗻𝘀: 𝟭𝟱 𝗙𝗲𝗯𝗿𝘂𝗮𝗿𝘆 𝟮𝟬𝟮𝟲, 23:59 (CET).
Read the complete open call and apply in the link in bio!

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Credits photo:
1. Portrait Elvira Espejo Ayca, Secretaría de Cultura de la Nación Argentina

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