Ds-Art-Takes

Ds-Art-Takes A Blog that was started as a personal passion project by the Art From Us Director Divvya Nirula, it I invite you to join the ride! Who am I ?

D’s ART TAKES is a space for me, Art Historian, Consultant and Curator – Divvya Nirula, to express and explore all things that inspire me, make me squeamish and at times things I just can’t get enough of. A creative soul I straddle many personas as Dancer, Writer, Poet, Wanderer, Singer and Artist. Finding inspiration in fellow human experience and expression, I often find myself travelling to the

deepest-darkest and brightest, parts of human experience. Let me Introduce my Love of Arts by starting in my childhood, as I took to stage as a dancer. Playing the part of ‘Alice’ in a Bharatnatyam adaptation of “Alice through the looking glass” is a treasured experience. It was a first hand viewing of how very little is lost in translation when ideas are presented through a creative medium. What intrigued me most at the age of eleven was how the audience was the missing piece of the equation. With them present, we as performers were validated. I wasn’t sure then and I am still making up my mind whether that is a good thing! My exploration of the art world was facilitated by my family in a most unique way. Hotels and restaurants were what my family did, but it was the Arts that kept them alive. My Father, a Cornell graduate and my Mother a graduate from the London School of Art were part of a group of spiritualists who were engaged in creative expression. At a very young age I found myself in the company of the late A.R. Achrekar, Arpana Caur, Imroz, the late Amrita Pritam and the late Sheila Dhar to name a few. It is these visionaries that helped me push my boundaries of self. They allowed me to walk beside them, for a few miles, and for that I am grateful and honoured. Imroz once told me that the audience takes ownership of the work of art through their projected emotions. The battle between the artist and her audience was once again calling out to be addressed in my mind. There are those that place themselves behind the camera, the artworks, and the performance. They address the audience through manipulation and I find myself between them and the audience, trying to gather what exactly is lost in translation. It is in this role as bridge and facilitator that my work and research find true expression. By presenting art to an audience, helping it discover what lies before it and beyond, not re-defining it, but allowing the audience to absorb and experience, I feel that the Artist, the Viewer and me the Curator collectively become the story, the narrative that links us to …whatever is next!?

07/03/2022
The winter sun is out and bright in Delhi today and the   and   that came to mind is Sir Frederic Leighton’s 1895 - ICON...
21/11/2021

The winter sun is out and bright in Delhi today and the and that came to mind is

Sir Frederic Leighton’s 1895 - ICONIC - “Flaming June”

Deeply rooted in the European aesthetic, tradition and training, Leighton - born in 1830, Scarborough, England went on to be very much in the forefront of Academic Art and simultaneously in a battle and in alignment with the Pre-Raphaelites.

This work here is an excellent example of the same. With the landscape of a gentle warm sea in the background of the main female figure who is draped in an ideal and poetic manner calls to some of the core tenets of the Pre Raphaelites, it is not however taken from a literary or poetic source. Though some of Leighton’s other works do draw inspiration from literary source materials - this is not the case here.

Some viewers and critics have speculated on the ties to Greek mythological figures such as naiads and nymphs whilst others have seen the painting deeply rooted in the style of the classical, hinting at mystical symbolism where s*x and death merge onto the canvas.

This connection is further enhanced in people’s minds when they learn that Leighton painted this one year before his death and showcased it at the Royal Academy of Art where he was the long standing president.

For me - this painting is about time and how we are trapped or immortalised through it. Not only the figure in her repose that is made vibrant and alluring through her dress and posture, but the connection she has in form to the past, for Leighton was inspired by Michelangelo’s “Night” at the grave/tomb of Giuliano de Medici in Florence. Will she awaken to walk out of the canvas? Will she go deeper into her dream-state and be lost to us forever? These are the questions I ask when facing Leighton’s masterpiece.

Fast forward to 2013 December and we see that art and fashion are having a moment where Art is inspiring collections of Prada, Chanel and many many other big names on the runway. In this wave of inspiration we have Jessica Chastain gracing the cover of Vogue through the lens of Annie Leibovitz as “Flaming June”.

What do you feel, see or connect to when you look at this painting?

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