Gallery Latitude 28

Gallery Latitude 28 A contemporary art gallery based in New Delhi Latitude 28 Gallery is located at the dynamic and diverse art district of Lado Sarai, New Delhi.
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The shows conceived and presented under LATITUDE 28 are a concocted gesture implicating a grounded and innovative curatorial strategy. LATITUDE 28 attempts to represent contemporary Indian art not only through exhibitions in the white cube of its distinctive gallery space, but also by supporting residencies, and the organization of outreach programs, seminars and talks. A consortium of defined ser

vices also includes art management facilitation, building effective portfolios for clients, consultancy, art funds, research and documentation.

18/06/2026

A look back at Evolution/Involution, the closing evening presented by Rasāsvādana at LATITUDE 28 in collaboration with Bindu in Indian Movement Traditions on 12 March 2026.

The evening featured an evocative Odissi and Kalaripayattu performance by Sonali Das, exploring the concept of the Bindu, the primordial point from which movement, rhythm, and form emerge. The performance traced the presence of the Bindu as a source of infinite possibilities for expression: a dynamic, vibrating, and generative symbol of consciousness that conceals immense creative potential.

We extend our heartfelt gratitude to everyone who joined us for this special evening.

“Sri Lankan artist Sabeen Omar’s collaged textiles stand upright under the weight of gesso made from clothes within her ...
10/06/2026

“Sri Lankan artist Sabeen Omar’s collaged textiles stand upright under the weight of gesso made from clothes within her family and architectural shapes encountered in familiar spaces within unfamiliar cities.” - Upasana Das

Sabeen Omar is a visual artist who gives a new life to everyday discarded materials like cardboards, packaging and fabric, shifting their value from negligible to something that preserves memory and reflects lived experience.

In her work, objects are displaced from circuits of use and repositioned within intimate and mnemonic frameworks. Her practice examines how attachment, memory, and labour confer value onto matter. Drawn on geometric vocabularies associated with Islamic architecture, her patterns operates as a structuring devices, while the surrounding fields introduce flux, instability, and duration creating sustained tension between order and transience.

Explore her transformations at Lived-in Skin: Textile as Armour as Memory, a group show by LATITUDE 28.

On view until 25 June 2026
Mon–Sat | 11 AM – 7 PM
LATITUDE 28, B 74, Defence Colony, New Delhi
RSVP +91 8368320353; [email protected].

05/06/2026

“The river remembers. It carries everything with it.”

On this World Environment Day, we reflect on the rapid expansion of our cities and its impact on the environment which is a very lifeline for human life.

Greed, urbanisation and unchecked development has made us blind to what’s most important.

In Pratul Dash’s “The Bend in the River” pollution takes the form of a demon quietly overtaking his beloved hometown, Burla. A river that gave birth to the village, now flows carrying traces of memory, history, birth and destruction through the town.

Through his works, Pratul reflects on the vulnerability of landscapes altered by human intervention and environmental neglect.

“Baroda-based Meenakshi Nihalani encloses this tension within pickle jars appliqued over soft cotton, signifying recipes...
01/06/2026

“Baroda-based Meenakshi Nihalani encloses this tension within pickle jars appliqued over soft cotton, signifying recipes her grandmother carried with them as knowledge even as they crossed borders during Partition.” -

Meenakshi Nihalani’s art examines the psychological and material residues of colonialism, labour and agrarian histories through textile, sculpture and drawing. Her works function as spatial and tactile investigations into structures of power, where textile becomes both medium and historical witness.

Processes of stitching, layering and suspension operate as acts of reconstruction, allowing historical and political conditions to emerge through material accumulation. Her works often hold together irony, absurdity, and psychological unease, foregrounding the instability through which systems of authority and collective histories are experienced.

Step into her universe at Lived-in Skin: Textile as Armour as Memory, a group show by LATITUDE 28

On view until 25 June 2026
Mon–Sat | 11 AM – 7 PM
LATITUDE 28, B 74, Defence Colony, New Delhi
RSVP +91 8368320353; [email protected].

29/05/2026

Some glimpses from the installation of the exhibit, Lived in Skin Textile as Armour as Memory

Textiles are more than garments. They carry emotion, history, and lived experience within every weave, thread, and motif, passed down through generations as vessels of memory.

Lived-in Skin: Textile as Armour as Memory, a group show at LATITUDE 28, reflects on the emotional and historical weight textiles hold, and the stories they continue to preserve and protect.

Previews today evening
6PM onwards

On view
Till 30 June 2026
Mon–Sat | 11 AM – 7 PM

📍LATITUDE 28, B 74, Defence Colony, New Delhi
RSVP: +91 8368320353 | [email protected]

“For Delhi-based artist-weaver Anshu Singh, a past life of garments is conjured as she works with industrial textile rem...
28/05/2026

“For Delhi-based artist-weaver Anshu Singh, a past life of garments is conjured as she works with industrial textile remnants in her locality, foregrounding the labour of textile creation and inherited designs passed down through generations.” — Upasana Das

In Anshu Singh’s practice, textile is approached not merely as material, but as a social and cultural structure carrying histories of labour, inheritance, and collective knowledge. Working with everyday recycled materials such as jute sacks, discarded sari threads, and factory waste, she creates tactile surfaces that speak of repair, endurance, resilience, and transformation.

Her practice draws from the hand-worked carpet weaving traditions of Mirzapur and Bhadohi in Banaras, craft lineages sustained across generations. Through acts of stitching, weaving, and accumulation, discarded fragments are reassembled into works that hold together vulnerability and strength.

The work emerges through a close attention to process and the intelligence of making, where the gesture of the hand becomes central to how memory and labour are embedded within form. Trained in weaving and design, Singh’s engagement with textile practices is deeply informed by her early exposure to weaving communities through her mother’s boutique in Banaras.

Witness her work at Lived-in Skin: Textile as Armour as Memory, a group exhibition by LATITUDE 28.

Preview: 29 May 2026 | 6 PM onwards
On view until 25 June 2026
Mon–Sat | 11 AM – 7 PM
LATITUDE 28, B 74, Defence Colony, New Delhi
RSVP: +91 8368320353 | [email protected]

Pooja Iranna approaches architecture as a carrier of memory, emotion, and psychological presence, often without the reco...
26/05/2026

Pooja Iranna approaches architecture as a carrier of memory, emotion, and psychological presence, often without the recourse to the figure. Her work examines the relationship between external structures and internal states, treating the urban environment as both material condition and space of introspection.

Through formal vocabularies of repetition, tension, and accumulation, Iranna registers the pressures of habitation and transformation. Built form in her practice is never inert; it becomes a site where containment, instability, and endurance are continually negotiated. Human presence lingers indirectly, allowing the city to emerge as a psychological and affective field.

We are pleased to present her work as part of The Houses I Almost Lived In.

On view until 26 May 2026
📍 Latitude 28, B 74, Defence Colony, New Delhi

“Home is not held in walls alone. It gathers slowly in repetitions, in quiet structures, in things that are felt before ...
25/05/2026

“Home is not held in walls alone. It gathers slowly in repetitions, in quiet structures, in things that are felt before they are seen.”

Raj Jariwala examines systems of spatial representation and numerical abstraction, questioning how maps and data operate as constructed forms of knowledge. Using cartographic and numerical frameworks, his practice foregrounds the gap between recorded information and lived experience.
Working primarily through drawing, Jariwala employs repetition, sequencing, and fragmentation to destabilise the perceived neutrality of data. His works register a tension between the “objective” gaze and embodied perception, where information is continuously filtered and reconstituted.

In recent works, this inquiry extends into sound, translated into line, density, and spatial structure.

We are pleased to present his work as part of The Houses I Almost Lived In.

The show remains on view till 26th of May.
Mon–Sat | 11 AM – 7 PM

📍 Latitude 28, B 74, Defence Colony, New Delhi

Address

74, B Block, Bhishma Pitamah Marg, Defence Colony
New Delhi
110024

Opening Hours

Monday 11am - 7pm
Tuesday 10:30am - 7pm
Wednesday 10:30am - 7pm
Thursday 11am - 7pm
Friday 11am - 7pm
Saturday 11am - 7pm

Telephone

+911146791111

Website

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