Rakiography

Rakiography Artist
www.rakiography.com

Director and Co-Founder sā Biennale
www.sabiennale.com They moved to Austria, and reality ruptured between two cultural poles.

Born in Sri Lanka in 1983, Raki Nikahetiya and his parents left the country during times of Born in Sri Lanka in 1983, Raki Nikahetiya and his parents left the country during times of civil war. He studied Economics in Vienna and started off as a journalist, before joining the United Nations in 2009. After a five year posting and a cache of experience in international development work, he moved to

London. He continued his engagement in trade development and environmental conservation in Asia and Africa before fully focussing on his art practice in 2019. Now based in the UK and in India, Raki splits his art into documentary photography and interdisciplinary exploration. He ventures into the worlds of anthropology, botany and cosmology, using the camera to capture new "findings". Self-taught in documentary photography he started his interdisciplinary path after completing a foundation course at the Slade School of Fine Art in London. Both practices are intertwined; as an artist with a migrant background, the documentary aspect - In Monochrome and In Colour - focuses on individual as well as collective heritage, culture and identity. The Interdisciplinary work involves the creation and portrayal of fictional worlds through photographic negatives, land art, painting, sculpture and scientific experiments. Through this, Raki depicts interconnectivity and interdependency between different realms – and explores our understanding of what we accept as reality.

Get Repost App • Atmos Art rooted in the soil.⁠⁠High in the Himalayas, sā Ladakh Biennale offers a new framework for exp...
08/08/2026

Get Repost App • Atmos Art rooted in the soil.⁠


High in the Himalayas, sā Ladakh Biennale offers a new framework for experiencing contemporary art through landscape, culture, and ecological realities. Named for the Ladakhi word for “soil,” sā began as a land art exhibition before evolving into an event that occurs every other year, bringing together artists from around the world for an open-air constellation of site-responsive works.⁠

Curated around the theme Signals From Another Star, the biennale unfolds as a field of signals developed by artists using attentive, regenerative practices to engage with the land—its memory, weather, trade routes, communities, and histories.⁠

Photographs by Saurabh Suryan / sā Ladakh Biennale

Unknown, 1941Oil pastels on paper40 x 50cmRaki Nikahetiya,  2026
19/07/2026

Unknown, 1941
Oil pastels on paper
40 x 50cm
Raki Nikahetiya, 2026

A gathering of birds.Image 2: Amma Silk Aari Hand Embroidery and Applique on Velvet57 x 41 InchesRealised with Reyas Ali...
09/06/2026

A gathering of birds.

Image 2:
Amma
Silk Aari Hand Embroidery and Applique on Velvet
57 x 41 Inches
Realised with Reyas Ali

SWANSCOMBE II (ca 400,000 BCE)A sample of plant matter collected from Swanscombe in Kent, UK, sitting alongside evidence...
07/06/2026

SWANSCOMBE II (ca 400,000 BCE)

A sample of plant matter collected from Swanscombe in Kent, UK, sitting alongside evidence of a young woman who called this place home 400,000 years ago. She left no name, only fragments of bone. Her skull is among the earliest human fossils found in Britain, belonging to an early Neanderthal population or a closely related human ancestor (Homo Heidelbergensis?).

She lived in a Britain that was not yet an island: a shifting interglacial period landscape of rivers, forests, and open plains, where elephants, rhinoceroses, bison, and deer moved across seasonal ground, connected to the Eurasian landmass. Human presence here came and went with the climate - returning during warmer periods, vanishing when ice advanced.

Hahnemühle, FineArt Pearl archival paper
60 × 60 CM
2021

'AN ULTRASTRUCTURE OF BRITAIN'

What is a nation? When was it formed? What is it made of? These questions guided Nikahetiya’s inquiry following his relocation to the UK in 2014. Over the following five years, he visited more than thirty historically significant sites, collecting small samples of natural and human-made materials - from soil samples near early human footprints in the UK (c. 800,000 years old) to corroded metal beside the world’s first iron bridge, marking the dawn of industrial revolution.

Each tiny sample was coated in gold dust and imaged using a scanning electron microscope (SEM), revealing nanoscale landscapes, magnified at 20,000x and beyond. At this scale, history appears stripped of political or cultural narrative, exposing instead the material processes that underpin both land and human presence.

This series explores perception and belonging, inviting reflection on identity, heritage, and the idea of home. Focusing on the invisible, rethinking nationhood and belonging through its physical traces across time.

All images were produced at the Indian Institute of Technology (IIT), New Delhi, with support from King’s College London. Shortlisted for the Royal Photographic Society Award 2021.

Rate Mahaththaya, 1943Oil pastels on paper40 x 50cmRaki Nikahetiya,  2026
03/06/2026

Rate Mahaththaya, 1943
Oil pastels on paper
40 x 50cm
Raki Nikahetiya, 2026

-2° in Leh, 30% ❄️  'Signals from Another Star'  Image:  (raising flags)  Image credit: .biswas
14/05/2026

-2° in Leh, 30% ❄️



'Signals from Another Star'

Image: (raising flags)
Image credit: .biswas

A future, be present, the past.Another Sister ca. 1945 (2026)Oil pastels on paper20 x 30 CM
30/04/2026

A future, be present, the past.

Another Sister ca. 1945 (2026)
Oil pastels on paper
20 x 30 CM

What do we hold on to when the place we come from exists only in memory?‘Black Box I" retraces the contours of memory as...
28/04/2026

What do we hold on to when the place we come from exists only in memory?

‘Black Box I" retraces the contours of memory as a way of returning and connecting with an idea of home. Working from old family photographs and objects the series reconstructs an intimate world of cousins, grandparents, aunts, uncles, and parents - those who shaped the earliest sense of belonging.

The embroideries, realised in collaboration with Reyas Ali in Kolkata, India, embody a dialogue between personal narrative and collective craftsmanship.

BLACK BOX I, 2024
Aari and Zardozi silk and silver embroidery
280 × 280 CM

 x  Repost: The sā Ladakh Biennale and the Rubin Museum of Himalayan Art are pleased to share a landmark long-term partn...
26/04/2026

x

Repost: The sā Ladakh Biennale and the Rubin Museum of Himalayan Art are pleased to share a landmark long-term partnership, establishing a sustained platform for exchange that connects Ladakh with a regional network of artists and ideas.

Structured as a multi-annual, process-driven collaboration, the initiative supports continuity, research, and mindful local engagement across the 2026, 2028, and 2030 editions, moving beyond exhibition cycles toward sustained presence.

Rooted in ecological awareness and community-led knowledge, the partnership will enable new works that respond to land and the fragile conditions of high-altitude environments. Artists will work in situ, developing practices that are regenerative, context-sensitive, and ethically grounded.

The collaboration begins with the 2026 edition, running August 1-10 and featuring Nepali artist Amrit Karki, whose practice will unfold in dialogue with the terrain - shaping new ways of seeing, sensing and inhabiting the Himalayan landscape.

Image 2: ‘Breathing through the stillness’, Photo by Sameer Tamrakar, Courtesy of Amrit Karki.

Image 4: Disko Valley Bike Park, Leh, Ladakh, 2023. Photo by Urgyan Skaldan.

Image 6: ‘River of Sweat’ by Anshu Singh, sā Ladakh, 2023, Disko Valley Bike Park. Photo by Raki Nikahetiya.

"Time travels in one direction,  memory another."*Lokuattha (ca 1938), 2026Oil pastels on paper 40 x 60 CM*William Gibso...
24/04/2026

"Time travels in one direction, memory another."*

Lokuattha (ca 1938), 2026
Oil pastels on paper
40 x 60 CM

*William Gibson

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