Mumbai Gallery Weekend

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Mumbai Gallery Weekend

Mumbai Gallery Weekend is a unique initiative by leading contemporary art galleries of Mumbai.

Mumbai Gallery Weekend (MGW) is a unique initiative that commenced in the year 2012 by leading contemporary art galleries of Mumbai. Its primary objective is to engage existing and potential collectors across industry, finance, media and high society and to broaden the reach and relevance of contemporary art. The Weekends feature an international level of art and conversation set within a diverse

set of locations. MGW includes a range of events to pique the interest of everyone from the casual art gallery goer to the most committed of collectors. The host galleries will mount exhibitions, forming the backdrop against which a large program of ancillary events has been planned. The gallery exhibitions will include work by some of the leading names of artists associated with the contemporary art scene in South Asia. The artists themselves will lead walkthroughs of their exhibitions. The primary purpose of the Weekend is to offer a platform to bring together avid art appreciators, while providing the larger public greater exposure to contemporary art.

10/12/2024

The last Art Night Thursday for 2024 is here! 🎄🎅

10/12/2024

Block your dates for another exciting edition of Mumbai Gallery Weekend 2025!

04/12/2024

TARQ is pleased to announce Apnavi Makanji’s (they/them) fourth solo exhibition at the gallery, featuring an all new body of works in graphite, collage, and video. Centred on themes of q***r ecology, this show will be their first after being awarded the prestigious FEMS Prize in 2024. The exhibition is accompanied by an essay by Emilia Terracciano who writes, “Water, Makanji reminds us, joins together histories, geographies, and biological life forms – forms that can be said to feel and remember in ways that are unique and distinct from anthropogenic systems of knowing, thus undoing our assumed superiority. Haunted by past, present, and future destruction, Modern Romance and Other Deaths is a prescient reminder that beautiful and terrifying monsters live inside and amongst us all...”

On view till 20 Dec 2024.

04/12/2024

presents ‘SLABS’ featuring works where Each piece is meticulously crafted by covering wooden bodies in thick, hand-hammered German silver and brass sheets, seamlessly joined with brass welding. This distinctive technique is the result of a collaboration between the Belgian studio and our partner workshop in India, helmed by the exceptional Jeevaram Suthar in Aliag.

On view till 19 December 2024.
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04/12/2024

Visit Galerie Mirchandani+Steinruecke to view ‘Indelible Black Marks’ the first major solo exhibition by Patiala-based artist Kulpreet Singh.

On view till 27 December 2024.

04/12/2024

Debosmita Samanta’s exhibition Bariwali draws deeply from her personal connection to “Bari”—the land-home, a space rich with memories and meaning. Inspired primarily by the women in her family, Debosmita’s paintings tell stories that are both deeply personal and universally resonant. Through her work, she explores the experiences of women who perceive, own, and inhabit this home, reflecting on the profound bond between women and the spaces they call their own. Bariwali serves as a tribute to these lives, capturing the essence of the home as both a physical and emotional landscape.

On view at Method Kala Ghoda till 15 Dec 2024.

04/12/2024

Galerie ISA presents a solo exhibition by Arthur Lemaitre ‘Could It Just Be An Illusion?’ on view till 21 Dec 2024.

Lemaitre is known for his use of classical drawing and oil painting to illustrate the borders of realism and surrealism, nature and architecture, past and future, terrestrial and celestial, light and shadow. His landscapes are poetic; the organic, uncertain lines and forms of the natural world offer a contrast to the stark linearity and repetition of cityscapes. The confrontation and clash of these two elements creates a strong vibrational energy.

04/12/2024

Visit 47-A .design to view ‘THE TRIUMPH OF KACHCHH’ a curation by Satish Reddy of new works from the craftspeople presented at 47-A last year, and their remarkable journey from artisans to artists.

On view till 5 January 2025.

04/12/2024

Jhaveri Contemporary presents Prabhavathi Meppayil’s debut solo exhibition with the gallery on view till 21 December 2024.
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04/12/2024

presents ‘The Body in Agreement’ a solo show by Yardena Kurulkar on view at Chemould Prescott Road, Fort till 30 December 2024.
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04/12/2024

‘To kill a bully with kindness’ Gurjeet Singh’s second solo exhibition features his distinctive soft sculptures juxtaposed with monochromatic gouache drawings on paper.

04/12/2024

presents ‘کروٹ | करवट | Karvat’ a solo exhibition by artist Bhasha Chakrabarti at Experimenter Colaba opening today 26th Oct, 6 PM onwards.

Chakrabarti will also lead a walkthrough of the exhibition with writer and curator, Mario D'Souza at 7pm.

On view till 20 November 2024.
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‘Karvat (صبح)/The Turn (Morning)’ and ‘Karvat (रात)/The Turn (Night)’, a pair of 10-foot long stretched linen pieces, which are both paintings and textile works, will be on view as part of the exhibition.

“Chakrabarti’s exhibition, Karvat, derives and extends from Ismat Chughtai’s short story, “Lihaaf”, where two women explore desire in the shadows, comfort, and/or safety of the quilt…The quilt in “Lihaaf”, like in Chakrabarti’s practice over the years, becomes a cover for the bareness of bodies and a site of self- determination and pleasure…She approaches it as a landscape, cloud, or turbulent ocean, painted and sometimes collaged. The body—a face or limb—mostly hers and occasionally a lover’s, slips out from under the vastness of the cover. The body is not at rest, but stretched, curling or twisting in search of comfort. In Karvat (صبح)/The Turn (Morning) and Karvat (रात)/The Turn (Night), used fabric is reappropriated to construct the quilt. The body continues to remain present in its trace through the worn, aged folds, possibly still holding the stench and sweat of its wearer. Under cover, Chakrabarti invariably presents a second, absent-present body, suggesting intimacy and companionship.”

— Excerpt from Mario D’Souza’s essay for کروٹ | करवट | Karvat

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