13/04/2026
Presenting a lecture and exploration with one of the most modern cinema thinkers of our time. Read his note below for context but this session will open your mind and change your view on what cinema can be.
An idea, especially a theoretical idea is like a pupa. A caterpillar that takes its own time to mature into a butterfly. The pupa of Prayoga was born in Scree Unit’s mimeographed program note, precisely on 2nd September of 1986. In this program note, I had questioned the Western terms of the Experimental and the Avantgarde. The idea of ‘prayoga’ was born in the pupa of ‘protest’. At Harkat, we are celebrating its 40th birth anniversary (1986-2026) tonight. It took almost two decades for the pupa to emerge from its shell – at the Experimenta, curated by Shai Heredia. In 2005. And then in the following year, at the Tate Modern, London, it took its first flight.
Cinema Prayoga is a rigorous practice, it resists the dominance of ‘capital’ as it works within available resources as far as possible. Without surrendering to ‘market’ pressures, the Prayoga film retains its simplicity without being simplistic. It has the basic faith in its alternative discipline and in finding new aesthetic and ingenuous ways of harnessing technology, fathoming its secrets. It is an open concept and not closed or absolute. The rigour of austerity is at its core, austerity in the sense of minimum dependence on the expensive means for cinematographic appurtenances. No stars. No glamour. Focus is not just on what story is told, but how it is told. The process.
Cinema Prayoga, both as a thought and the theory of praxis, is an enduring experience. It doesn’t separate form from content or vice versa. When market forces force ‘content’ to be supreme, it is at the cost of artistic experience and deeper joy. Cinema Prayoga is an enduring state of turmoil of ānanda, deepened both by the creator (sarjak) and the appreciator (bhāvak). It creates no binaries between East and West, rather it aims at substituting the Euro-American centric term Experiment with Indian holistic wisdom of Prayoga – in filmmaking praxis. And in the dynamism of Time & Space. The very essence of our Being.