Saitharun Vs, Kanchipuram (2026)

17/04/2026

॥श्री कामाक्षी सदा विजयति॥

After slaying Bandhaksura in the form of Astadashabhuja mahabhairavi, Ambika assumes the form of Kumari, drags the body of bandhaka, threw it infront of champakavriksha outside mahabila and waits for devatas to notice this, indradi devas notice the dead body of bandhaka being dragged by a cute little kiddo, there was a sense of relief and astonishment to indradi devas, relief as bandhaka was no more and astonished after seeing a Kumari dragging asura’s deadbody, to know what has happened, Shukarooopi devatas on champaka vriksha took their actual forms and surrounded that cute little shailabala, addressed her as Kalyani, did pradakshina namaskarams and asked her who she was, before revealing on who she was, Ambika gives few instructions to devatas starting from burying bandhaka outside mahabila and constructing a Jaya stambha over it, to building a divine mantapa over mahabila, we’ll see what all instructions that KulaKumari has given to devatas in detail in upcoming posts. For now let’s understand why Ambika has taken the form of Kumari and given Darshana to indradi devatas.

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Kamakshi Amman
feminine
Devi art
Goddess illustration
Spiritual artwork
Hindu devotional art
Shakti energy
Adi Shakti
art
Indian mythology
Traditional Indian art
Temple-inspired art
Bhakti expression
Divine energy
painting
Soulful art
Cultural art India
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Art reel

13/04/2026

॥श्री कामाक्षी सदा विजयति॥

When Amba puts things back in place, everything gets back to where it was (यथा पूर्वम् अकल्पयत्), including the parrots(indradi devas) on champaka vriksha and bandhakasura, now as bandhaka’s boon is no more valid, Ambika decides to play a divine game to kill bandhaka, on that fine night Ambika dragged bandhaka from the place of his reign and placed one foot on his heart and the other on his throat, Ambika took the form of Astadashabhuja mahabhairavi, holding chakra shoooladi ayudhas, she who is the embodiment, source and shines exceeding the radiance of Brahma, Vishnu, Rudra, Surya, Chandra and Indraadi devas. By withdrawing panchabootha tatvas from bandhaka Ambika killed bandhakasura. Ambika didn’t leave a single entity related to bandhaka that was present in the universe, samooola nashana of bandhaka santati was done. Ambika lets devatas know that the reign of bandhaka and bandhaka are no more, but not in this gigantic form, stay tuned.

दुर्लभा दुर्गमा दुर्गा दुःखहन्त्री सुखप्रदा ।
दुष्टदूरा दुराचार-शमनी दोषवर्जिता ॥

॥ कामाक्षीति त्रयोवर्णाः सर्वमंगळहेतवह॥

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Kamakshi
Kamakshi Amman
Maha tripurasundari
Durga
Chandi
Divine feminine
Devi art
Goddess illustration
Spiritual artwork
Hindu devotional art
Shakti energy
Adi Shakti
Sacred art
Indian mythology
Traditional Indian art
Temple-inspired art
mythology
spiritual art
cosmic mother
divine grace
Shakti tattva

10/04/2026

॥श्री कामाक्षी सदा विजयति॥

According to Lalitopakhyanam and Pradhanika Rahasyam, sarvasyaadya Mahalakshmi triguna Parameswari Sri Lalita Mahatripurasundari has created trimurtis and tridevis before the creation of the universe, Brahma was bestowed with Vagdevi Sharada Saraswati, Vishnu was bestowed with Sri Kamala Lakshmi, and Rudra was bestowed with uma gauri chandi. Brahma and Saraswati were engaged to perform Srishti Kritya, Vishnu and Lakshmi were engaged to perform Stithi Kritya, and Rudra and Rudrani were engaged to perform Samhara Kritya. This way trigunatmika-trigunaateeeta SriKamakshyamba has rejuvenated trimurtis and their innate saktis after dissolving and creating the universe for the sake of maintaining the functionality of the universe, once tridevas wedded tridevis universe has manifested from where it was previously before the pralayavasta, everything came back to normal, parrots on the champaka tree didn’t know what has just happened, as bandhaka’s boon in not valid anymore, Ambika decides to end the atrocities of bandhakasura. Stay tuned.

॥सृष्टि स्थिति तिरोधान सङ्कल्पायै नमोनमः॥

॥ कामाक्षीति त्रयोवर्णाः सर्वमंगळहेतवह॥

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Kamakshi
Kamakshi Amman
Divine feminine
Devi art
Goddess illustration
Spiritual artwork
Hindu devotional art
Shakti energy
Adi Shakti
Sacred art
Indian mythology
Traditional Indian art
Temple-inspired art
mythology
spiritual art
cosmic mother
divine grace
Shakti tattva

02/04/2026

॥श्री कामाक्षी सदा विजयति॥

Nourished by the Divine Mother, the Supreme Goddess Kamakshi, the Tridevas grow from infancy into radiant youth under the grace of Paraśakti, awaiting the sacred moment when they receive their divine Śaktis through Her compassionate glance.

॥ कामाक्षीति त्रयोवर्णाः सर्वमंगळहेतवह॥

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[LalithaTripuraSundari Shakti Shaktism Devi DeviBhakti DivineFeminine culture, sacred art, devotional art, Indian mythology, spiritual art, cosmic mother, divine grace, Shakti tattva, Devi kripa, spiritual awakening, divine energy, traditional art, Indian culture]

30/03/2026

॥श्री कामाक्षी सदा विजयति॥

To end the atrocities of bandhaka ambika decides to withdraw the cosmos and again rejuvenate it by her Unmesha-Nimesha, when Ambika closed her surya-Chandra-vahnyatmaka Netra everything dissolved into her including tridevas, and when she decided to open her eyes she decided to create tridevas in the first hand and then the cosmos so that they would handle it based on their respective responsibilities, from her suryatmaka netra Hiranyagrabha Brahma emerges, from her chandratmaka netra Srimannarayana emerges, from her Agnyatmaka Trinetra KalagniRudra emerges, three of them emerge in the form of babies from her eyes, and SriMaaata Kaaamakshi performs her divine leeela by feeding brahma with srushtignaaatmaka ksheera, vishnu with stithignaatmaka ksheeera, and rudra with samharagnatmaka ksheera, after ksheerapana tridevas get their yavvvana. Another version of the story will be posted soon, stay tuned.

आब्रह्म-कीट-जनन्यै नमोनमः

॥ कामाक्षीति त्रयोवर्णाः सर्वमंगळहेतवह॥

[ Kamakshi, Kamakshi vilasam, Divine mother, Parashakthi, Tripura Sundari, Uma, Durga, Mahamaya, Divine feminine, Shakthi, Sri vidya, Kanchipuram, Shakthi Peetham, art, Digital Painting,]

27/03/2026

Sri Seetha Lakshmana sametha Ramachandra Moorthy

Shubha Sri Rama Janmotsavam

16/12/2025

Godha devi

Godha Devi, also known as Andal, was a 9th-century Tamil saint-poet and the only female Āḻvār of the Sri Vaishnava tradition. Born in Srivilliputhur (present-day Tamil Nadu), she was adopted by the scholar-saint Periyāḻvār and grew up immersed in devotion to Lord Vishnu, particularly Krishna. Andal composed two major Tamil works—Tiruppāvai (30 verses) and Nācciyār Tirumoḻi—which are central to Tamil bhakti literature and are recited daily in Vaishnava temples. Revered as an incarnation of Bhūdevi (Goddess Earth), Andal symbolizes devotional surrender, spiritual agency, and women’s voice in medieval religious traditions. Godha Devi’s devotion represents Śaraṇāgati (total surrender) in Vaishnava philosophy. Through Tiruppāvai, she presents bhakti as collective, ethical, and disciplined, while Nācciyār Tirumoḻi expresses intense personal longing for union with the divine. Her poetry collapses the boundary between devotee and deity, emphasizing emotional devotion over ritual hierarchy.

Tags [Godha Devi
Āṇḍāḷ
Srivilliputhur
Tiruppāvai
Nacciyar
Tamil Bhakti
Vaishnavism
Divine Feminine
Margazhi
Krishna Bhakti
Tamil Heritage
Spiritual Art
Indian Mythology Art]

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21/11/2025

॥श्री कामाक्षी सदा विजयति॥

Mahatripurasundari Sri Kamakshi’s very own kshetra Sri Kanchipuram, Kanchipura is mainly divided into three parts, which are Punyakoti, Rudrakoti, and Kamakoti. Mahadevi Samatha Varadaraja resides in Punyakoti. The queen of the multiverses who has chosen Kanchipuram as her Rajadhani reigns from Kamakoti Mahapeetha, seated in the center of Gayatri Mantapa on PanchaBrahmatmaka Pranava peetha above MahaBilakasa, Kamakshyamba always graces her children with utmost love, in the current day structure in the center of Gayatri mantapa we see Amba being seated in the center and often referred as MoolaKamakshi, on Amba’s immediate right and to our left we see Amba’s very own swabimba which came from her trinetra often called as TapasKamkshi, below Tapas Kamakshi we have our Mahabila, in front of moola Kamakshi there is a Mantapa where we find a BhuPrasthara Srichakra enclosed with panavatta which is engraved with Vasinyadi Vagdevatas. This Srichakra is MahaKameshaParasivaBhattaraka pratistita Srichakra where 1st Archana was performed by Parasiva himself as said by Upasakas, then later on the order of Amba it was Durvasa who has done Sri Chakra pratista and compiled Kamakshi Saparya vidhana, and it is revoked in the past history by Adi shankara bhagavatpada.

The Mahatmyam of Kanchipura and Punya-Rudra-Kamakoti’s and Kamakshi’s Prabhava is described in Lalitopakhyana of Brahmanda Purana, and extensively described in Sri Sri Kamakshi Vilasam of Markandeya Purana, it’s a dialogue between Sumedha Maharshi and Raja Suratha, let us dive into this paramapavitra divya gatha of SivaVallariSriKamakshi

॥ कामाक्षीति त्रयोवर्णाः सर्वमंगळहेतवह॥

18/11/2025

॥ श्री स्वानंदेशो विजयते ॥

Sri swanandesha ganapathi

Puranaanda Prabhrama Brahmanaspati Sri MahaGanapati resides in ChintaManidweepa which is located in the center of IkshuSagara, his loka is named as SwanandaLoka as he is embodiment of Ananda and always dwells in his swasthithi I.e. Swatmananda hence he is known Swanandesha. In SwanandaLoka MahaGanapati shines as Swanandesha who lies on Sahasradala Sweta Padma, served by Animaadi Asta Siddhi devis with Chatra Chamaraadi vyajanas, Umaputra is eternally accompanied with his SwatmabhinnaSaktis Siddhi and Buddhi, ShambhuSunu enjoys Saama gaana pathana that is done by none other than Samaveda Purusha himself. In this way AakhuMaharathaSriMahaganapti graces his Bhaktas with his KrupaKataksha.

Source:- Sri Ganesha Sahasranama Bhasya Pravachana by Sri Samavedam Shanmukha Sharma garu in Telugu

॥ आनन्दात्मा गणेशोऽयम् ॥

[ art, ganesha, digital art, Indian art]

05/11/2025

Sri somaskandamurthy

Images of the lord of Kailasha, his wife Uma, and their son Skanda are common in the southern Shaiva sampradaya. This family unit represents the divine in its whole form.

Slide 1: regular skin tones of the deities

Slide 2: skin tones as per agama mentioned dhyana of somaskandamurthy

13/03/2025

जय जय जगदम्ब शिवे जय जय कामाक्षि जय जयाद्रिसुते ।
जय जय महेशदयिते जय जय चिद्गगनकौमुदीधारे ॥

मोहांधकारनिवहं विनिहंतुमीडे
मूकात्मनामपि महाकवितावदान्यान् ।
श्रीकांचिदेशशिशिरीकृतिजागरूकान्
एकाम्रनाथतरुणीकरुणावलोकान् ॥

स्वर्णागीं रत्नभूषाढ्याम् शुकहस्ताम् शुचिस्मिताम् ।
कांचीनिवासिनीम् वन्दे कामाक्षीम् कामितार्थदाम् ॥

A very happy Maasi Pooram, this art is a humble offering to the lotus feet of SrimadEkamreshaSundari Sri Kamakshi on the occasion of Maasi Pooram, Pooram is considered as Amba’s Sri Nakshatra. Here is the art work of Sri Bangaru Kamakshi based on her iconography.

Jaganmata parachudrupini SriKamakshyamba who is embodiment of Karunya and residing in Kanchi kshetra.

Amba’s Makuta is adorned with Chandralekha, Amba’s hair is adorned with kalhaara flowers, Amba’s eyes are extended till her ears, Amba is with a subtle smile, Surya and Chandra are Amba’s Tatanka yugala, Amba’s neck resembles a conch, Amba’s stanayugala are surya-chandratmaka, Amba is adorned with multiple pearl necklaces, Amba holds a parrot in her right hand and her left hand is dola hastha, Amba is adorned with a red saree, Amba is eternally served by sharada and ramaa on either sides with chamarayugala, Amba is ashrita vatsala, Amba is molten gold hued (Aruna varna), Amba is always accompanied by Maha Kamesha Bhattaraka SrimadEkamranatha in sarvanandamaya chakra of Sri chakra.

I meditate on such maha Tripura Sundari who is varadayani and anandarupini.

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Saitharun Vs

17/04/2026

13/04/2026

10/04/2026

02/04/2026

30/03/2026

27/03/2026

16/12/2025

21/11/2025

18/11/2025

05/11/2025

13/03/2025

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