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Eswariart

🎨 Watercolor | Mixed Media | Mandalas
✨ 30 Days of Watercolor Explorations
👩‍🎓 Art Educator | 2200+ students
💬 Comment “COLOUR” to join the challenge

04/09/2026

The history of this color is actually lethal...

Let’s dive into understanding Vermillion.

Vermillion is a bright, high-chroma red-orange valued for its fiery intensity and dramatic presence.

Unlike cooler primary reds, it carries an unapologetic warmth that instantly breathes life and glowing light into a composition.

Historically, this color carried a dark, deadly secret—it was made from toxic mercury.

Thankfully, modern formulations give us that exact legendary, vibrant fire completely risk-free.

It is a transparent, non-granulating shade that flows beautifully for clean, even washes and luminous layering.
When diluted, it creates soft, glowing passages that feel like a sunlit melon-orange—especially effective for radiant skies, sunsets, and warm reflections.
With layering, it intensifies into a rich, commanding flame-red that steals the spotlight without turning muddy or chalky.

What makes this colour especially powerful is its transparent luminosity—it mixes clean, vibrant oranges with yellows and holds its warmth beautifully across the page.

It’s an essential choice when you want high-energy warmth rather than muted earthiness.

This study explores how a single historic shade can move from a delicate, airy glow to bold, radiant layers through controlled application.

If you enjoy slow art, intentional colour studies, and understanding pigments with clarity, this space is for you.

Day 14 of the 30 days | 30 colours exploration — simplifying watercolours, one colour at a time.

Cheat sheet for materials used:
Paper: MENORAH Creatif
Colour: Thoovi Arts | Art store & Artist Community
Brush: Silver Brush Limited

🛒 Use code “ESWARI10” for 10% off at Thoovi Arts | Art store & Artist Community

💬 Comment “COLOUR” to get the full 30 colours playlist (longer step-by-step versions included).

09/07/2026

Nobody tells you that being a creative person comes with a lot of guilt.

The sketchbook you haven’t opened in weeks. The canvas facing the wall. The piece you never posted because it didn’t feel finished enough. The version of yourself you keep apologising for.

But here’s what I want you to hear:

Unfinished doesn’t mean failed.
Paused doesn’t mean abandoned.
Imperfect doesn’t mean not enough.

You showed up. You tried. You made something from nothing — and that is never, ever wasted.

Your art doesn’t need to be finished to matter. And honestly? Neither do you.

Save this for the day you need it most. 🤍

30/06/2026

Plot twist: I’m not behind. I’m just maintaining an active waitlist of 47. 🪄

Tag your friend or yourself, if you are like me 😅

18/06/2026

If buying paint counted as practice, I’d be a master by now.

Tag the friend who does this too, and tell me what’s sitting unused in your art stash right now.

Do you also stash art supplies?

16/06/2026

Ever feel like your watercolor layers have a mind of their own? Let’s change that. 🗺️👇

I’m diving back into our 30 Days 30 Colours exploration with a quick recap of Days 4 to 6! If you’re ready to stop guessing how your paints will mix and start creating with true confidence, you are in the right place.

Instead of just making standard color charts, we are using these mini monochromatic mountain landscapes to test how each individual professional pigment handles layers, values, and atmosphere.

Here is what this set of shades taught us:

🟥 Day 4: Scarlet Lake – The ultimate glowing red that mimics stained glass, letting light shine directly through your layers for sunsets that actually radiate.

🟦 Day 5: Ultramarine Deep – The historical, deep-space blue that breathes life into shadows and pulls the eye back to create instant, effortless distance.

🟫 Day 6: Burnt Umber – The absolute backbone of your palette—an incredibly smooth earth tone that builds believable form and shadows without ever going muddy.

👉 Swipe through the slides to see the visual breakdown and pigment profiles. Make sure to check out the final slide for a quick reality check on why we need to stop hoarding art supplies and start mastering them!

Which of these three tones is calling your brush today? Let me know your favorite in the comments! 👇💬

💬 Comment “COLOUR” to get the full 30-colors playlist sent straight to your DMs (including longer, step-by-step process tutorials!).

📐 Materials: Paper: | Colour: .arts (Code: “ESWARI10” for 10% off) | Brush:

[Watercolor for beginners, color theory for artists, mixing watercolors, professional watercolor palette, art studio practices, monochromatic landscape painting tutorial, art challenge inspiration, watercolor pigment properties, swatching paint]

12/06/2026

The secret weapon for realistic paintings isn’t a bright color. It’s this earthy staple. 🌾👇

Welcome to Day 11 of 30 Days 30 Colours—simplifying watercolours, one pigment at a time! Today we are decoding Yellow Ochre (PY42) from Thoovi Arts.

Unlike synthetic, high-chroma yellows that can look harsh or neon, Yellow Ochre is a natural earth pigment. It brings an instant, muted warmth that creates perfect tonal harmony in landscapes, portraits, and architectural studies.

🧪 The Pigment Profile:
👉Soft Golden Washes: When heavily diluted, it yields luminous, soft washes—perfect for skin undertones, sunlit backgrounds, and dry foliage.
👉Believable Structure: Painted thickly, it deepens into rich ochre-browns, adding realistic value and shadow without making your mix look muddy or overpowered.
👉Palette Moderation: As an opaque pigment with strong permanence, it’s incredible for underpaintings. Use it to effortlessly tone down loud, bright colors.

Watch how this single earth pigment transitions from airy layers to dense, textured warmth on this mini bookmark study.

If you love slow art and intentional color mastery, hit follow! ✨

💬 Comment “COLOUR” to get the full 30-colors playlist sent straight to your DMs

📐 Materials: Paper: | Colour: .arts (Code: “ESWARI10” for 10% off) | Brush:

Watercolor for beginners, color theory for artists, mixing watercolors, professional watercolor palette, yellow ochre pigment properties, swatching paint, monochromatic landscape painting tutorial, art challenge inspiration, art studio practices, painting skin tones, earth pigments.

09/06/2026

The secret to realistic greens? Stop mixing them from scratch. 🌿👇

If your landscape paintings always end up looking a bit too neon or muddy, meet Hooker’s Green. It takes away the absolute guesswork of mixing foliage, transitioning seamlessly from soft morning light to dense, rich woods.

Swatched here using my favorite formulation from .arts. It holds its clarity beautifully, whether it’s a sheer wash or a deep, moody layer.

🛒 Grab this shade at .arts using code “ESWARI10” for 10% off!

📐 Materials: Paper: | Brush:

satisfyingart thooviarts

[Watercolor for beginners, landscape painting tutorial, art studio practices, mixing greens, watercolor pigment properties, swatching paint, monochromatic landscape, dark green aesthetic, gouache and watercolor, forest painting, slow art challenge, painting tips for beginners]

07/06/2026

Are you actually controlling your palette, or is it controlling you? 🎨✨

I’m diving back into our 30 Days 30 Colours exploration with a quick recap of the first three days!
If you’re ready to stop guessing how your paints will mix and start creating with true confidence, you are in the right place.

Instead of just making standard color charts, we are using these mini monochromatic mountain landscapes to test how each individual professional pigment handles layers, values, and atmosphere.

Here is what the first three days with these shades taught us:
💙 Day 1: Phthalo Blue (PB15) – An incredibly intense, vibrant shade. Because this specific formulation grips the paper fibers almost instantly, it forces you to map out your light and dark values with absolute care from the very first wash.
💚 Day 2: Hooker’s Green (PG7, PY110, PY150) – A beautifully clear landscape staple. It takes away the guesswork of mixing a realistic foliage green from scratch, transitioning seamlessly from soft morning light to dense, rich woods.
🖤 Day 3: Payne’s Grey (PBk6, PB15, PR122) – A cool-leaning alternative to flat darks. It is perfect for building smoky mists and heavy shadows while keeping your overall painting looking crisp and full of life

👉 Swipe through the 12 slides to see the visual breakdown. Make sure to check out Slide 11 for a quick reality check on why we need to stop hoarding art supplies and start mastering them

Which of these three tones is calling your brush today? Let me know your favorite in the comments! 👇💬

📝 Cheat sheet for the supplies I have used:arts Watercolours
Watercolour Paper
Brushes

🛒 Use my code “ESWARI10” for an instant 10% off site-wide at .arts

🎥 Scroll through my profile grid to binge the individual process reels for all the other pigments we’ve decoded so far! ✨

[Watercolor for beginners, color theory for artists, mixing watercolors, professional watercolor palette, art studio practices, monochromatic landscape painting tutorial, art challenge inspiration, watercolor pigment properties, swatching paint]

30/05/2026

7 years of growth, laughter, and choosing each other.

Happy 7th wedding anniversary to us ✨🎉🧿

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Vijayawada Buckinghampet

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