ZIMMM 2016

14/01/2016

‘ZIMMM 2016’ सलाम भारतीय लोकनृत्य ला
First-of–its-kind Folk Dance Competition organized by U ‘n V Events Dombivli.

Sincere thanks to
Mr. Dr. Shrikant Shinde (खासदार-Shiv Sena) &
Mr. Rajesh More (सभागृह नेता k.d.m.c)
Mr. Rajan Abhale (भाजप- नगरसेवक)
Mr.Sunil Chaudhari (ccl-chairman & nagaradhyaksha)

To our Chief Guest/Judge for the day
Mr. Santosh Pawar (Actor-Director)
Judges :- Mr.Vivek Tamhankar & Mrs.Sushmita Tamhankar

To our Sponsorers Club Of Suncity Dombivli Dist.3140
Magic Hour Creations & CCL.
Special Thanks to Mr. Ajay Jain & Mrs. Vidya Jain for helping us to make event a Grand Success.

And to whole team of U n’ V events.

11/01/2016

रसिक डोंबिवलीकरां साठी,
प्रथमच...
यु एन व्ही इव्हेन्टस आयोजित
"झिम्म २०१६"-
भारतीय लोकनृत्याला आमचा मानाचा मुजरा.
स्थळ:- सावित्रीबाई फुले नाट्यगृह,एम.आय.डी.सी.,डोंबिवली (पू)
दिनांक:- १३ जानेवारी,२०१६.
भारतीय लोकनृत्याला वाव मिळावा,
यासाठी "झिम्म २०१६" चा हा छोटा सा प्रयास.
आमच्या या कार्यक्रमाला आपली उपस्थिति असावी ही विशेष विनंती.
#2016

09/01/2016

is mostly performed in the region of , .

It is a solo dance performed by ladies on special occasions like weddings, birthdays, or any other special occasion. In the Hindi language, Matki means a small pitcher or a small earthen pot. In this dance, the ladies are dressed in sarees or in lehanga decorated with many ornaments.

The main Musical instrument used in this dance is the dhol. Matki dance is generally performed in a circular position. Women balance an earthern pot on their head. They also have a veil on their face.

There are subtypes in this, known as Aada and Khada Nach.

08/01/2016

We are pleased to welcome Rotary Sun City (Dombivli )on board as the associate partner for our event!!

08/01/2016

Ghoomar is a traditional folk dance of Rajasthan, India and Sindh‚ Pakistan. Ghoomar was developed by the Bhil tribe and was then adopted by other Rajasthani communities. It is performed by women in swirling robes, and accompanied by men and women singing together

This folk dance gets its name from ‘ghoomna’, the pirouetting which displays the spectacular colors of the flowing ‘ghaghara’, the long skirt of the Rajasthani women. There is an amazing grace as the skirts flair slowly while the women twirl in circles, their faces covered with the help of veils.

They use measured steps and various graceful inclinations of the body, beating palms or snapping fingers at particular cadences while singing lilting songs. Mostly Goddess Saraswati is worshiped during this dance. This dance is usually done in a circle.

04/01/2016

is the name of an alluring and charming form practiced by the young ladies and girls of , Nadu and other southern states of . Kolattam is derived from Kol, which means a small stick and Attam, which means play. The dance is done by females who use two sticks to make charming and rhythmic sounds. Ladies dressed in pretty costumes, jewelry and finery dance to the beats of their sticks.

04/01/2016

Pavri Nach is an exclusive preserve of this tribe. The dance derives its name from the musical instrument ‘Tarpha’ or ‘Pavri’. Tarpha is a wind instrument, locally made of dried gourd. Both men and women participate in the performance, though forming separate groups.

The Pavri Nach is performed in tight physical formation, wherein the artists hold each other by the waist, up close. They make various complicated formations during the display of the dance. This dance form requires great set of skills, energy and efficiency from the participants. The main concentration of the dance is on the foot movements of the artists. It is not only a group dance, but also a solo acrobatic dance form. The men of the tribe perform the Pavri Nach in a group separately also or in solo. This male vigor consists of forming a human pyramid or revolving a dancer on a stout pole!

2016

03/01/2016

is the dance form of Koli fisher folk of Maharashtra. The community has its own distinct identity and lively dances.

The dance incorporates elements that this community is most familiar with - sea and fishing.
The dance is performed by both men and women divided into two groups, where fishermen stand in two rows holding oars in their hands.
The dancers move in unison, portraying the movement of the rowing of a boat. Fisherwomen are in the opposite rows with their arms linked and advancing towards men folk.
The separate formation then break up and they dance together with movements symbolizing the waves, the breakers and rowing from cliff to cliff and casting of nets to catch the fish.

03/01/2016

is one of the most renowned tribal martial dances of .The dance is known as Seraikella Chau in , Mayurbhanj Chau in and Chhau in . Since the dance is supposed to have originated in the Purulia district of , it is known as such in the state.

The dance is basically themed on the epical stories of Ramayana and Mahabharata.The most popularly used themes (ragas) are Vira and Rudra,symbolizing and .

The dance is accompanied with loud beats and triumphs and instruments like drum and marui. It starts with a drum beat, followed by an invocation to Lord Ganesha, the Hindu God of Wisdom. The dancer is supposed to wear heavy colorful head masks and perform the steps with vigor.

02/01/2016

is a form of Indian classical dance that originated in the temples of . It was described in the treatise Natya Shastra by Bharata around the beginning of the common era[]. Bharata Natyam is known for its grace, elegance, purity, tenderness, expression and sculpturesque poses. Lord Shiva in his form is considered the God of this dance. Today, it is one of the most popular and widely performed dance styles and is practiced by male and female dancers all over the world, although it is more commonly danced by women.

01/01/2016

"Kuchipudi" is one such unique form of Art which is the tasteful blend of grace and vigour, elevation and sensuality, of control and abandon. With its roots buried in the soil of Andhra Pradesh in India, Kuchipudi was born in a remote Village from which it derived its name.

In the early days, the Kuchipudi style of dance was in the form of dance dramas, the main purpose being to inculcate divine ecstasy which invokes immortal bliss and brings one closer to the path of salvation.It is strictly classical in nature incorporating Lasya,Thandava and Abinaya in the interpretation of Slokas. It incorporates Samyutha and Asamyutha Hasthas, Karana, Chari, Angahara, Mandala, Nrutha Hasthas etc. All mentioned in the NatyaSasthra.

01/01/2016