Method Delhi, Basement, D-59 , D Block, Defence Colony, Delhi (2026)

03/04/2026

Sehaj Malik (b. 2004) is an artist based between Paris and Delhi, currently completing her Master’s at the École Nationale Supérieure des Beaux-Arts, Paris.

Working primarily with charcoal, her practice unfolds through instruction-based, site-responsive drawing where the body becomes both tool and measure. Pushing movement to points of fatigue, her works emerge as residues of action: arcs, repetitions, and pressure traces that register the body in space.

Her thinking moves through the in-between between organism and machine, structure and instinct. Drawing from early experiences in her father’s factory, she approaches the body as a system in motion, where gesture, breath, and mechanical rhythm collapse into one another.

Sehaj has been part of studios led by Wernher Bouwens, Emmanuelle Huynh, and James Rielly, and has worked as an assistant to Diogo Pimentão in London, alongside research work with curator Joana P. R. Neves. Her recent exhibitions include Asia Now (Paris), Théâtre des Expositions (Paris), and Fresh Produce 2.0 at Method Delhi.

At just 22, her debuy solo Points of Cont(act) at Method marks a decisive moment - an ambitious, site-specific installation developed through durational, process-driven practice. The exhibition is on view until Sunday, 19th April.

📸

03/04/2026

Sehaj Malik (b. 2003) is an artist based between Paris and Delhi, currently completing her Master’s at the École Nationale Supérieure des Beaux-Arts, Paris.

Working primarily with charcoal, her practice unfolds through instruction-based, site-responsive drawing where the body becomes both tool and measure. Pushing movement to points of fatigue, her works emerge as residues of action: arcs, repetitions, and pressure traces that register the body in space.

Her thinking moves through the in-between between organism and machine, structure and instinct. Drawing from early experiences in her father’s factory, she approaches the body as a system in motion, where gesture, breath, and mechanical rhythm collapse into one another.

Sehaj has been part of studios led by Wernher Bouwens, Emmanuelle Huynh, and James Rielly, and has worked as an assistant to Diogo Pimentão in London, alongside research work with curator Joana P. R. Neves. Her recent exhibitions include Asia Now (Paris), Théâtre des Expositions (Paris), and Fresh Produce 2.0 at Method Delhi.

At just 22, her debuy solo Points of Cont(act) at Method marks a decisive moment—an ambitious, site-specific installation developed through durational, process-driven practice. The exhibition is on view until Sunday, 19th April.

02/04/2026

Points of Cont(act) by Sehaj Malik, now on view at Method Delhi.

In Points of Cont(act), Sehaj Malik attempts to construct a system in which the body is both instrument and particle. It is an active agent entering, testing, and reconfiguring the space it inhabits. The exhibition unfolds as a set of charged interactions between organism and architecture, gesture and surface, instruction and exhaustion.

Thank you all for coming out on the opening night. Special shoutout to Camikara and Cashmir for pouring some amazing cocktails.

The exhibition continues until Sunday, 19th April.

📷 .corder

26/03/2026

Points of Cont(act), a site specific installation at Method Delhi, by Sehaj Malik opens to a private, invite only, preview on Saturday, 28th March at 6 pm.

The exhibition opens to the public on Sunday, 29th March and continues until 17th April.

Opening night supported by and .

16/03/2026

Extended Gallery Hours until 9 PM for Def Col Art Night tomorrow, Tuesday 17th March. It’s the last week to catch our exhibition “RITES” by Alida Sun.

RITES by Alida Sun is a solo exhibition that reclaims women’s erased computational heritage through code, ritual, embroidery, and care. Rooted in her daily coding practice, the works translate hand-written software into embroidered tapestries made with women at SSMI, turning technology into solidarity and livelihood. Integrating human movement with light, code & sound, each piece becomes an abstract human–machine portrait and encrypted sigil, reimagining technology as a tool for collective creation and resistance.

This edition of Def Col Art will feature previews by 3 galleries, and extended hours for ongoing exhibitions by 7 galleries in Defence Colony.

26/02/2026

“Women Pioneered Electronic Sound Art” by

Medium : Hand Coded Generative Art + Hand Embroidered
Tapestry

Size : 28” x 38” (71 x 96.5 cms)

This hand coded generative art, by Alida has been articulated as a hand embroidered tapestry by the women at SSMI as part of Alida’s solo exhibition “RITES” at Method Delhi. The frame is custom designed and produced using discarded PCIe network cards provided by Karo Sambhav.

This is the first time Alida’s works are available to collect as hand embroidered tapestries along with her hand coded generative art.

For more details and enquiries, dm

Last slide is today’s generative artwork hand coded by in C++ on a secondhand computer well over a decade old floating freely far away from imperialist bloatware
DAY 2516

14/02/2026

The Conference of Anti-Apocryphal, performed recently at the Kochi Biennale, makes it’s way to Method Delhi. Tomorrow (Sunday, 15th Feb), 6 PM onwards, free entry on a first come first served basis.

‘The Conference of Anti-Apocryphal,’ a group project created by students at the University of Kashmir, gathers various figures from local mythology, such as Rantas, Dyev, Yachh, Agar Pachin, Atid, Bram Bram Chok and other half heard whispers, warnings, and doubtful tremors of mis-remembered presences. They arrive from Kashmiri folklore, mythology, rumor and contemporary anxieties that travel across mountains and checkpoints refusing every category meant to contain them. These beings inhabit the unstable borderland between memory and imagination, myth and history, fear and play; and they claim space not through verification, but through presence. Each holds a truth that cannot be archived, fear that cannot be contested, memories that cannot be contained, and experience that cannot be spoken of, to refuse erasure, apprise of collective unease and survival of a people.

Performed by Rabia Mohi-ud-din, Basit Qadir, Rahil Sajad, Razwan Ahad Lone, Rayees, Lubna Bashir, Zainab Bashir Mir

Sound: Gaekhir Republik
Text: Syed Hafsa
Conceptualisation : Salman B Baba (Yusmarg Collective) & Khursheed Ahmad (Shikargah Collective)

30/01/2026

RITES, a solo exhibition by Alida Sun - a code based artist and technologist opens tomorrow at Method Delhi.

For the exhibition, Alida’s hand coded artworks have been hand embroidered by the women at Swami Sivananda Memorial Institute of Fine Arts & Crafts (SSMI). The artworks are framed with repurposed e-waste (PCIe network cards) courtesy Karo Sambhav.

We’d like to thank Sanjana Rishi as the patron for the show platformimg female solidarity for women in science and arts. The preview is hosted by Ruchika Sachdeva which features a live coded a/v performance by Khoparzi.

Big shoutout to Simba, Greater Than and Sound Redefined for supporting the evening as well.

Final slide is Alida Sun’s daily somatic interactive audiovisual synesthesia ritual hand coded in C++ on a secondhand computer well over a decade old playing freely away from imperialist bloatware
DAY 2489

27/01/2026

Your guide to all things art happening in Delhi during the week of India Art Fair.

Saturday 31 Jan Exhibition Openings:

12 PM : Omens. Organisms. Objects. Order curated by Wribhu Borphukon (IAF Young Collector Program)
4 PM : Party Is Elsewhere at The Radial, CP
5 PM : In Memory Of A Totem by Jumu, Gallery XXL
5 PM : No One Can Silence Me By Saskia Pintelon
7 PM : RITES by Alida Sun w/ a live coded A/V soundscape by Khoparzi

Tuesday, 3rd Feb : Def Col Gallery Night

1 Neighbourhood, 11 Galleries!
7 New Previews
Closing Party - Def Col Jam at Method Delhi, music curated by Boxout.fm , vinyl sets by DJ Mocity and DJ Scribe, closing set by Abhi Meer

5th - 8th Feb : India Art Fair
135 Exhibitors
12 Outdoor Projects
4 Artists in Residence
Curated Program of talks, workshops and artist projects
Performance Art

Find Method at India Art Fair, Booth E10.

10/01/2026

“Signs Of Life”, a solo exhibition by Kunel Gaur is currently on view at Method Delhi, until Sunday 25th Jan 2025. The gallery is open Wednesday to Sunday, 12pm to 8pm.

The works are a culmination of four series’ that Kunel has been working on, Colour Field Studies, Interface Portraits, KUMI, and Tile Assemblies, the exhibition traces the evolving space between sensorial experience and engineered form.

Across the works, Gaur examines how contemporary life is shaped by the structures, codes, and systems that surround us. Colour, pattern, and industrial precision meet in subtle points of tension, suggesting forms that are neither entirely human nor purely mechanical, but something emergent between the two.

06/01/2026

The Helion Standstill (2025) / 304 Stainless steel, ceramic tiles, acrylic, cold cathode, car seat belt, hardware and wood. H 41 x W 12 x D 12 inches (Wt. 38.5 lbs)

Part of ’s solo show signs of life¹ at till Jan 25, 2026.

This series folds cultural memory into mechanical restraint. Patterned surfaces evoke permanence and inheritance, yet their mounting suggests adaptation rather than preservation. In this encounter, ornament becomes a fragment of life continuing inside new systems.

For additional details or enquiries DM .

05/01/2026

Sanguine Interface (2025) / 304 Stainless steel, acrylic, pigment, canvas, hardware and wood. 19 x 19 inches (Wt. 10.5 lbs)

Part of ’s solo show signs of life¹ at till Jan 25, 2026.

Signs of Life observes an encounter between colour fields and engineered form: where the sensorial and the constructed meet without fully merging. The works suggest an interface: not human, not purely material, but something evolving between the two.

For additional details or enquiries DM .

Method Delhi

03/04/2026

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