Exhibit 320

Exhibit 320 Exhibit 320 showcases contemporary art from India and Sub-Continent, creating a platform for new thoughts and ideas.

This exhibit space emphasizes on new medium art, it is a room for creative endeavour, aesthetic exploration, and visual dialogue.

Exhibit 320 will remain closed for summer holidays from 1 June to 14 June 2026. We look forward to welcoming you back on...
01/06/2026

Exhibit 320 will remain closed for summer holidays from 1 June to 14 June 2026.
We look forward to welcoming you back on 15 June 2026.

Have a wonderful summer.

Introducing our director Rasika Kajaria is a Delhi-based gallerist known for founding Exhibit320, a contemporary art spa...
09/05/2026

Introducing our director

Rasika Kajaria is a Delhi-based gallerist known for founding Exhibit320, a contemporary art space that has consistently supported experimental and process-driven artistic practices in India. The galleries approach focuses on material exploration, conceptual depth, and fostering dialogue between emerging and established artists across disciplines.

Through exhibitions and collaborations Rasika has played a significant role in shaping conversations around contemporary South Asian art and its global intersections.

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Introducing our artist Sumakshi Singh is an artist and educator whose practice moves across embroidery, sculpture, insta...
09/05/2026

Introducing our artist

Sumakshi Singh is an artist and educator whose practice moves across embroidery, sculpture, installation, painting, and drawing. Based in New Delhi, her work explores memory, architecture, fragility, and disappearance through intricate thread-based structures and spatial interventions. Drawing from personal histories and sites marked by loss and migration, Singh transforms delicate materials into immersive environments that exist between presence and absence. She has exhibited internationally across museums and galleries in India, Europe, Australia, and the United States, while also teaching and lecturing at institutions including The School of the Art Institute of Chicago, Oxford University, and Columbia University.

She is currently representing India at the 61st International Art Exhibition – La Biennale di Venezia as part of the India Pavilion, *Geographies of Distance: Remembering Home*, curated by Amin Jaffer. Presented by the Ministry of Culture, Government of India, in partnership with the Nita Mukesh Ambani Cultural Centre and Serendipity Arts Foundation, the pavilion marks India’s return to the Venice Biennale after seven years. Singh’s installation, *Permanent Address*, is a life-sized reconstruction of her demolished ancestral home in New Delhi, created entirely with embroidered thread, reflecting on memory, displacement, domestic space, and the fragility of belonging.

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The National Pavilion of India presents Geographies of Distance: remembering home at the 61st International Art Exhibiti...
06/05/2026

The National Pavilion of India presents Geographies of Distance: remembering home at the 61st International Art Exhibition – La Biennale di Venezia.

Commissioned by the Ministry of Culture, Government of India, in collaboration with the Nita Mukesh Ambani Cultural Centre and Serendipity Arts, and curated by Dr. Amin Jaffer, the exhibition reflects the cultural depth of the nation at a key moment on the world stage.

For the India Pavilion at the 61st Venice Biennale, Singh presents a powerful new installation that recreates her demolished family home in New Delhi through suspended architectural fragments rendered in white embroidered thread. Hovering in space like the ghost of a vanished structure, the work transforms memory itself into a form of architecture—fragile, porous and sustained through acts of remembrance. Both deeply personal and universally resonant, the installation reflects on the disappearance of familiar spaces in a rapidly transforming India. In many ways, the project marks a culmination of Singh’s long engagement with memory, materiality, and the politics of domestic space, positioning her as an Indian woman and artist whose practice moves fluently between local histories and global conversations

Sumakshi Singh
Geographies of Distance: Remembering Home

India Pavilion, Arsenale
Preview — 6 - 8 May
09.05 – 22.11.2026

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The National Pavilion of India presents Geographies of Distance: remembering home at the 61st International Art Exhibiti...
06/05/2026

The National Pavilion of India presents Geographies of Distance: remembering home at the 61st International Art Exhibition – La Biennale di Venezia.

Commissioned by the Ministry of Culture, Government of India, in collaboration with the Nita Mukesh Ambani Cultural Centre and Serendipity Arts, and curated by Dr. Amin Jaffer, the exhibition reflects the cultural depth of the nation at a key moment on the world stage.

Sumakshi Singh is one of the most intellectually rigorous voices in contemporary Indian art, with a practice that spans installation, drawing, sculpture, embroidery and writing. Based in Gurugram, she has developed a distinctive artistic language over more than two decades, using thread as both material and metaphor to explore memory, architecture and the fragile structures that shape human experience. Her work has been presented in more than 20 solo exhibitions and over 100 group shows internationally, including at institutions such as MAXXI in Rome, the Museum of Contemporary Art in Lyon, the Saatchi Gallery in London and the Gallery of Modern Art in Queensland.

Alongside her studio practice, Singh has built a reputation as a thinker and educator deeply engaged with the intellectual life of contemporary art. She has taught at the School of the Art Institute of Chicago and lectured at institutions including Oxford University and Columbia University, reflecting a commitment to pedagogy and critical discourse that runs parallel to her artistic work. Drawing on India’s centuries-old textile traditions, Singh elevates embroidery into a structural language, dissolving the base fabric to leave behind delicate architectural drawings made entirely of thread. In doing so, she quietly challenges inherited hierarchies between craft and art and the often-overlooked labour historically associated with women’s work.

Sumakshi Singh
Geographies of Distance: Remembering Home

India Pavilion, Arsenale
Preview — 6 - 8 May
09.05 – 22.11.2026

 .india  
 

We are proud to share that Sumakshi Singh is part of the India Pavilion at the 61st International Art Exhibition – La Bi...
05/05/2026

We are proud to share that Sumakshi Singh is part of the India Pavilion at the 61st International Art Exhibition – La Biennale di Venezia.

Titled “Geographies of Distance: Remembering Home”, the pavilion is curated by Dr. Amin Jaffer features Sumakshi Singh, Alwar Balasubramaniam, Ranjani Shettar, Asim Waqif, and Sonam Tashi Skarma.

Sumakshi Singh’s practice brings together thread, embroidery, and architectural form to reconstruct spaces that exist at the intersection of memory and loss. Often drawing from personal histories and sites that no longer remain, her works translate absence into structure—delicate, intricate, and suspended between presence and disappearance.

Sumakshi Singh
Geographies of Distance: Remembering Home
Curated by Dr. Amin Jaffer

India Pavilion, Arsenale
09.05 – 22.11.2026

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For Maitreyi Desai, the world begins in outlines.Edges, contours, alignments—translated into lines that are both precise...
04/05/2026

For Maitreyi Desai, the world begins in outlines.
Edges, contours, alignments—translated into lines that are both precise and fluid.

Through repetition and variation, her drawings hold a quiet dynamism.
They ask us to slow down, to stay with the line, and to notice how much it carries.

Image 1,2

Forest view
Drawing (multiple inks
on acid-free paper)
7.9 x 11.4 inches

Fields of a dream
Drawing (multiple inks
on acid-free paper)
Size: 7.9 x 11.4 inches
2026
205

There is a certain kind of attention that abstraction demands—one that is slow, reflective, and deeply attuned to the ac...
04/05/2026

There is a certain kind of attention that abstraction demands—one that is slow, reflective, and deeply attuned to the act of making. In the practices of Anushree Rabadia and Maitreyi Desai, line and form become sites of this attention.

Rooted in everyday encounters with nature, their works distil experience into gesture, texture, and rhythm. Whether through ink on paper or tactile relief surfaces, both artists explore how something as minimal as a line can carry movement, memory, and feeling—inviting a quieter, more sustained way of seeing.

Working through line, surface, and light, Maitreyi Desai and Anushree Rabadia approach abstraction as a process of disti...
04/05/2026

Working through line, surface, and light, Maitreyi Desai and Anushree Rabadia approach abstraction as a process of distillation. Their practices are grounded in the ordinary—natural forms, fleeting moments, and quiet observations.

While one traces fluid, intuitive lines on paper, the other builds tactile compositions that shift with light and shadow. Together, their works reveal abstraction not as distance from reality, but as a way of feeling closer to it.

Purvai Rai’s works begin with an act of noticing—of what is missing, removed, or quietly rewritten. Through laborious ma...
30/04/2026

Purvai Rai’s works begin with an act of noticing—of what is missing, removed, or quietly rewritten. Through laborious mark-making on school textbooks, she transforms absence into something tangible, something that can be seen and reckoned with.

In resin and textile, threads traverse the surface like lines of memory—connecting, concealing, and sustaining. Her practice lingers on the fragile space between loss and continuity, asking what survives beyond official narratives.

Image 1

Mannat 7
69 x 68 inches
Moli & thread on jute
2023

Image 4

Mannat 12
53 x 53 inches
Moli and thread on Jute
2023

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110030

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