Nature Morte

Nature Morte Nature Morte is a contemporary art gallery showcasing experimental forms of art; championing conceptual, lens-based, and installation genres.

Founded in New York's East Village in 1982 and closed in 1988, Peter Nagy revived Nature Morte in New Delhi in 1997 as a commercial gallery and a curatorial experiment. Since then, Nature Morte has become synonymous in India with challenging and experimental forms of art; championing conceptual, lens-based, and installation genres and representing a generation of Indian artists who have gone on to

international exposure. Nature Morte was the first gallery from India to be included in the most important international art fairs (starting with The Armory Show in New York in 2005) and has participated in Art Basel, Fiac Paris, Art Basel Miami Beach, Paris Photo, Art Dubai, Tokyo Art Fair, Art Basel Hong Kong, Abu Dhabi Art Fair and Frieze New York, among others. Nature Morte has also organized projects and exhibitions with international artists coming to India and combining their works with those of Indian artists to foster cross-cultural communications. In addition to its own programming, Nature Morte has collaborated with institutions in India such as the British Council, the Alliance Francais, the Sanskriti Foundation, the India International Centre, the India Habitat Centre, Max Mueller Bhavan, the Italian Cultural Center, Khoj International Artists Association, the Dr. Bhau Daji Lad Museum, and the National Gallery of Modern Art in both New Delhi and Mumbai. Today, Nature Morte represents such well-known artists as Subodh Gupta, Jitish Kallat, Anita Dube, Mithu Sen, Bharti Kher, Imran Qureshi, Mona Rai, Pushpamala N., Seher Shah, Thukral & Tagra, Raqs Media Collective, and Asim Waqif, as well as others.

22/08/2026

Weโ€™ve been in the busy in the kitchen, cooking up something special and tomorrow we open! ๐Ÿ‘‹๐Ÿฝ

Join us at our new home at ๐—”๐Ÿต ๐—š๐˜‚๐—น๐—บ๐—ผ๐—ต๐—ฎ๐—ฟ ๐—ฃ๐—ฎ๐—ฟ๐—ธ, New Delhi, with ๐™๐™๐™š ๐™€๐™ซ๐™ค๐™ก๐™ช๐™ฉ๐™ž๐™ค๐™ฃ ๐™ค๐™› ๐™ฉ๐™๐™š ๐™Ž๐™ค๐™ค๐™ฉ๐™๐™จ๐™–๐™ฎ๐™š๐™ง: ๐™‹๐™–๐™ง๐™ฉ 1, bringing together new works by artists who have shaped Nature Morte over the past three decades.

To mark the opening, we invite you to experience the space through two programmes:

๐Ÿญ๐Ÿฎโ€“๐Ÿญ ๐—ฃ๐— 
๐—œ๐—ป๐—ฎ๐˜‚๐—ด๐˜‚๐—ฟ๐—ฎ๐—น ๐—ช๐—ฎ๐—น๐—ธ๐˜๐—ต๐—ฟ๐—ผ๐˜‚๐—ด๐—ต with Founding Director and curator of the show ๐—ฃ๐—ฒ๐˜๐—ฒ๐—ฟ ๐—ก๐—ฎ๐—ด๐˜†

๐Ÿฑโ€“๐Ÿฒ ๐—ฃ๐— 
๐—œ๐—ป๐—ฎ๐˜‚๐—ด๐˜‚๐—ฟ๐—ฎ๐—น ๐—ฃ๐—ฎ๐—ป๐—ฒ๐—น ๐——๐—ถ๐˜€๐—ฐ๐˜‚๐˜€๐˜€๐—ถ๐—ผ๐—ป
Later in the evening, ๐—ฃ๐—ฒ๐˜๐—ฒ๐—ฟ ๐—ก๐—ฎ๐—ด๐˜† is joined by ๐—•๐—ต๐—ฎ๐—ฟ๐˜๐—ถ ๐—ž๐—ต๐—ฒ๐—ฟ, ๐—ฃ๐˜‚๐˜€๐—ต๐—ฝ๐—ฎ๐—บ๐—ฎ๐—น๐—ฎ ๐—ก., ๐— ๐—ฎ๐—ฟ๐—ธ ๐—ฃ๐—ฟ๐—ถ๐—บ๐—ฒ and ๐—”๐—ฏ๐—ถ๐—ฟ ๐—ž๐—ฎ๐—ฟ๐—บ๐—ฎ๐—ธ๐—ฎ๐—ฟ

๐Ÿ”— Registration is required for both events via links in bio.

See you there! ๐Ÿ’Œ

๐——๐—ฒ๐—ฐ๐—ฒ๐—บ๐—ฏ๐—ฒ๐—ฟ ๐Ÿฏ-๐Ÿฎ๐Ÿฐ, ๐Ÿฎ๐Ÿฌ๐Ÿฌ๐Ÿฑ๐—๐—ถ๐˜๐—ถ๐˜€๐—ต ๐—ž๐—ฎ๐—น๐—น๐—ฎ๐˜ (Jitish Kallat) has spoken of his work as being made from โ€œmany focal lengths,โ€ the int...
21/08/2026

๐——๐—ฒ๐—ฐ๐—ฒ๐—บ๐—ฏ๐—ฒ๐—ฟ ๐Ÿฏ-๐Ÿฎ๐Ÿฐ, ๐Ÿฎ๐Ÿฌ๐Ÿฌ๐Ÿฑ

๐—๐—ถ๐˜๐—ถ๐˜€๐—ต ๐—ž๐—ฎ๐—น๐—น๐—ฎ๐˜ (Jitish Kallat) has spoken of his work as being made from โ€œmany focal lengths,โ€ the intimate and the immense, held in the same frame. ๐™๐™ž๐™˜๐™ ๐™จ๐™๐™–๐™ฌ๐™ฅ๐™ค๐™ก๐™ž๐™จ worked at the scale of the city itself.

Drawing on a childhood spent navigating Mumbaiโ€™s density, its traffic, its crowds, its constant negotiation between chaos and survival, Kallat rendered the city as a living organism, forever expanding and colliding with itself. The two gargoyle sculptures that hold up the painting are replicas from the very railway terminus that carries millions through the city each day: a structure Kallat would have known intimately, long before it became art.

๐™๐™ž๐™˜๐™ ๐™จ๐™๐™–๐™ฌ๐™ฅ๐™ค๐™ก๐™ž๐™จ was never really about traffic. It was about what it means to belong to a city that never stops moving.

A look back at our Neeti Bagh years! ๐Ÿ’Œ

Installation view of a painting from the ๐™๐™ž๐™˜๐™ ๐™จ๐™๐™–๐™ฌ๐™ฅ๐™ค๐™ก๐™ž๐™จ series, 2005

Installation view of a painting from the ๐™๐™ž๐™˜๐™ ๐™จ๐™๐™–๐™ฌ๐™ฅ๐™ค๐™ก๐™ž๐™จ series, 2005

Installation view of ๐™๐™๐™š ๐™Ž๐™˜๐™–๐™ง ๐™‹๐™–๐™ง๐™  (2005)

Installation view of ๐™๐™๐™š ๐™Ž๐™˜๐™–๐™ง ๐™‹๐™–๐™ง๐™  (2005) and the painting ๐™๐™ž๐™˜๐™ ๐™จ๐™๐™–๐™ฌ๐™ฅ๐™ค๐™ก๐™ž๐™จ (๐™๐™๐™š ๐˜ฟ๐™š๐™ฃ๐™ฉ๐™š๐™™ ๐˜พ๐™๐™–๐™ง๐™ž๐™ค๐™ฉ-1) (2005) in the background

Installation view with the painting from Kallatโ€™s ๐™๐™ž๐™˜๐™ ๐™จ๐™๐™–๐™ฌ๐™ฅ๐™ค๐™ก๐™ž๐™จ (๐™๐™๐™š ๐˜ฟ๐™š๐™ฃ๐™ฉ๐™š๐™™ ๐˜พ๐™๐™–๐™ง๐™ž๐™ค๐™ฉ) series, (2005)

Installation view of ๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™ˆ๐™–๐™ ๐™ž๐™ฃ๐™œ ๐™‡๐™ค๐™˜๐™–๐™ก (2005)

Wishing Aditya Pande a very happy birthday! ๐ŸŽ‚
21/08/2026

Wishing Aditya Pande a very happy birthday! ๐ŸŽ‚

The commonplace is rarely ordinary in ๐—•๐—ต๐—ฎ๐—ฟ๐˜๐—ถ ๐—ž๐—ต๐—ฒ๐—ฟโ€™s () world.For ๐˜ฝ๐™ž๐™ฃ๐™™ ๐™ฉ๐™๐™š ๐˜ฟ๐™ง๐™š๐™–๐™ข ๐™Ž๐™ฉ๐™–๐™ฉ๐™š ๐™ฉ๐™ค ๐™”๐™ค๐™ช๐™ง ๐™’๐™–๐™ ๐™ž๐™ฃ๐™œ ๐™‡๐™ž๐™›๐™š, presented at ...
19/08/2026

The commonplace is rarely ordinary in ๐—•๐—ต๐—ฎ๐—ฟ๐˜๐—ถ ๐—ž๐—ต๐—ฒ๐—ฟโ€™s () world.

For ๐˜ฝ๐™ž๐™ฃ๐™™ ๐™ฉ๐™๐™š ๐˜ฟ๐™ง๐™š๐™–๐™ข ๐™Ž๐™ฉ๐™–๐™ฉ๐™š ๐™ฉ๐™ค ๐™”๐™ค๐™ช๐™ง ๐™’๐™–๐™ ๐™ž๐™ฃ๐™œ ๐™‡๐™ž๐™›๐™š, presented at Nature Morte in 2013, familiar forms were pulled out of their everyday lives and given another kind of existence. A staircase, a doorway, a chair: fragments of the home became objects of uncertainty, carrying psychological traces while resisting any fixed meanings.

The exhibition brought this transformation into dialogue with Kherโ€™s bindi works, where a single, intimate mark expands through repetition into something monumental. Applied across shattered mirrors or arranged in intricate geometric fields, the bindis become pattern, surface, image, and residue all at once.

๐—•๐—ต๐—ฎ๐—ฟ๐˜๐—ถ ๐—ž๐—ต๐—ฒ๐—ฟ: ๐˜ฝ๐™ž๐™ฃ๐™™ ๐™ฉ๐™๐™š ๐˜ฟ๐™ง๐™š๐™–๐™ข ๐™Ž๐™ฉ๐™–๐™ฉ๐™š ๐™ฉ๐™ค ๐™”๐™ค๐™ช๐™ง ๐™’๐™–๐™ ๐™ž๐™ฃ๐™œ ๐™‡๐™ž๐™›๐™š
๐Ÿญ๐Ÿต ๐—๐—ฎ๐—ป๐˜‚๐—ฎ๐—ฟ๐˜† โ€“ ๐Ÿญ๐Ÿฒ ๐—™๐—ฒ๐—ฏ๐—ฟ๐˜‚๐—ฎ๐—ฟ๐˜†, ๐Ÿฎ๐Ÿฌ๐Ÿญ๐Ÿฏ

A look back at our Neeti Bagh years! ๐Ÿ’Œ

Installation view of sculptures from the ๐™‹๐™ค๐™ง๐™ฉ๐™ง๐™–๐™ž๐™ฉ ๐™›๐™ง๐™ค๐™ข ๐™ˆ๐™š๐™ข๐™ค๐™ง๐™ฎ (2012) series against the backdrop of one of Kherโ€™s signature bindi work, ๐˜ผ๐™ก๐™˜๐™๐™š๐™ข๐™ฎ (2012).

Installation view of sculptures from the ๐™‹๐™ค๐™ง๐™ฉ๐™ง๐™–๐™ž๐™ฉ ๐™›๐™ง๐™ค๐™ข ๐™ˆ๐™š๐™ข๐™ค๐™ง๐™ฎ (2012) series.

Installation view of the exhibition space with Kherโ€™s 2013 work, ๐™‘๐™ž๐™ง๐™ช๐™จ ๐™„๐™‘ in the foreground.

Installation view of ๐˜ฝ๐™ž๐™ฃ๐™™ ๐™๐™๐™š ๐˜ฟ๐™ง๐™š๐™–๐™ข ๐™Ž๐™ฉ๐™–๐™ฉ๐™š ๐™๐™ค ๐™”๐™ค๐™ช๐™ง ๐™’๐™–๐™ ๐™ž๐™ฃ๐™œ ๐™‡๐™ž๐™›๐™š (2012).

A detail view of ๐˜ฝ๐™ž๐™ฃ๐™™ ๐™๐™๐™š ๐˜ฟ๐™ง๐™š๐™–๐™ข ๐™Ž๐™ฉ๐™–๐™ฉ๐™š ๐™๐™ค ๐™”๐™ค๐™ช๐™ง ๐™’๐™–๐™ ๐™ž๐™ฃ๐™œ ๐™‡๐™ž๐™›๐™š (2012).

Installation view of ๐™„๐™ข๐™ฅ๐™ค๐™จ๐™จ๐™ž๐™—๐™ก๐™š ๐™๐™ง๐™ž๐™–๐™ฃ๐™œ๐™ก๐™š (2012) in the foreground and ๐™‡๐™ž๐™ฃ๐™œ๐™ช๐™ž๐™จ๐™ฉ๐™ž๐™˜ ๐™Ž๐™ฅ๐™–๐™œ๐™๐™š๐™ฉ๐™ฉ๐™ž (2012) in the background.

We are pleased to announce the participation of Neeraj Patel (_neeraj32187) in the exhibition ๐™’๐™ค๐™ง๐™ก๐™™๐™จ ๐™’๐™ž๐™ฉ๐™๐™ž๐™ฃ ๐˜พ๐™ก๐™ค๐™ฉ๐™: ๐™‰๐™š๐™ฌ ๐™Š...
15/08/2026

We are pleased to announce the participation of Neeraj Patel (_neeraj32187) in the exhibition ๐™’๐™ค๐™ง๐™ก๐™™๐™จ ๐™’๐™ž๐™ฉ๐™๐™ž๐™ฃ ๐˜พ๐™ก๐™ค๐™ฉ๐™: ๐™‰๐™š๐™ฌ ๐™Š๐™ง๐™™๐™š๐™ง๐™จ ๐™ค๐™› ๐™’๐™ค๐™ซ๐™š๐™ฃ ๐™ˆ๐™–๐™ ๐™ž๐™ฃ๐™œ, now on view at the ๐—ก๐—ฎ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—–๐—ฟ๐—ฎ๐—ณ๐˜๐˜€ ๐— ๐˜‚๐˜€๐—ฒ๐˜‚๐—บ, New Delhi (National Crafts Museum & Hastkala Academy).

Created in collaboration with ๐—๐—ฎ๐—ถ๐—ฝ๐˜‚๐—ฟ ๐—ฅ๐˜‚๐—ด๐˜€ (Jaipur Rugs), Patelโ€™s work considers how the act of making can carry histories, knowledge and cultural memory, while opening these traditions to new forms of experimentation. His work participates in a wider conversation around the evolving possibilities of handloom and contemporary textile practice in India.

Curated by Sreyansi Singh (Sreyansi Singh) and presented by the Office of the Development Commissioner (Handlooms), Ministry of Textiles, Government of India (Ministry of Textiles), the exhibition brings together artists, designers and craft collectives working with contemporary approaches to textiles and weaving.

On view until 19 August 2026.

๐Ÿ“ Virasat Hall, National Crafts Museum & Hastkala Academy, New Delhi

๐Ÿ—“๏ธ 6โ€“19 August 2026 | 11 AMโ€“6 PM

09/08/2026

๐—” ๐—ป๐—ฒ๐˜„ ๐˜€๐—ฝ๐—ฎ๐—ฐ๐—ฒ, ๐—ถ๐—ป ๐—ฎ ๐—ณ๐—ฎ๐—บ๐—ถ๐—น๐—ถ๐—ฎ๐—ฟ ๐—น๐—ผ๐—ฐ๐—ฎ๐˜๐—ถ๐—ผ๐—ป.

As Nature Morte enters its 30th year of exhibitions and related activities in New Delhi, we are pleased to announce our new permanent home at ๐—”๐Ÿต ๐—š๐˜‚๐—น๐—บ๐—ผ๐—ต๐—ฎ๐—ฟ ๐—ฃ๐—ฎ๐—ฟ๐—ธ, on Siri Fort Road.

Just eight buildings from A1 Neeti Bagh, where the gallery spent 17 years, this new space returns us to a neighbourhood deeply woven into Nature Morteโ€™s history.

Much has changed over three decades. We look forward to welcoming you to our next chapter. โœจ

Wishing Zimbiri a very happy birthday! ๐ŸŽ‚ Zimbiri Z
07/08/2026

Wishing Zimbiri a very happy birthday! ๐ŸŽ‚ Zimbiri Z

Wishing Tanya Goel a very happy birthday! ๐ŸŽ‚ Tanya Goel
31/07/2026

Wishing Tanya Goel a very happy birthday! ๐ŸŽ‚ Tanya Goel

An exhibition can evolve as it continues.Following its presentation in New Delhi, โ€œShapes of Time IIโ€ arrives at Nature ...
27/07/2026

An exhibition can evolve as it continues.

Following its presentation in New Delhi, โ€œShapes of Time IIโ€ arrives at Nature Morte, Mumbai, bringing together artists whose practices are shaped by repetition, observation, material, and the slow evolution of an idea.

By bringing together painting, sculpture, installation, and mixed media, the exhibition reflects on time not as something fixed, but as something continually formed through making, looking, and lived experience. In its new setting, the works invite fresh encounters while continuing the conversation they first began.

Now on view at Nature Morte, Mumbai until 5 September 2026.

๐Ÿ—“๏ธ Monday - Saturday, 10 am to 6 pm

In light of the circumstances across the city today, we have decided to cancel this eveningโ€™s panel discussion.Thank you...
23/07/2026

In light of the circumstances across the city today, we have decided to cancel this eveningโ€™s panel discussion.

Thank you for understanding. We look forward to seeing you to Nature Morte for future programs.

โœŠ๐Ÿฝ

Address

The Dhan Mill, Chhatarpur
Delhi
110074

Opening Hours

Tuesday 10am - 6pm
Wednesday 10am - 6pm
Thursday 10am - 6pm
Friday 10am - 6pm
Saturday 10am - 6pm
Sunday 10am - 6pm

Telephone

+919810200082

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