Articulate India

Articulate India Articulate’s mission is in two fold. One, to preserve, the traditional performing art forms and to present them principally for a spiritual experience.

Secondly to introduce and share, across the globe the richness of the hoary Indian performing arts through pure entertainment. We have retained the purity of the form and have also contemporarised within the framework of tradition. Articulate encourages talented classical dance artists and choreographers by involving them in home productions, and until now have showcased more than seven dance feat

ures and have widely traveled outside India. Articulate’s social responsibility extends to encourage and present the visually Challenged who have mastered the Indian classical performing arts. Articulate trains them in the folk dance traditions of India making for them dance a possible alternate vocation., apart from preserving traditional performing art forms for posterity. Articulate’s artistic director Mysore B Nagaraj is an established Kathak Dancer and producer of Dance productions. His motivational talks and workshops, demonstrations and presentations of dance arts of India, has won him high encomiums both from enlightened who are connoisseurs of art and the un-initiated Corporate world. Mr Nagaraj apart from being a graded artist of Indian television, has worked as art director in motion pictures and was a visiting Scholar to the Michigan State University, USA. He now trains the Visually Challenged in the art of Kathak and provides further training in Bharathnatyam through established Gurus.

Poojashree performing SAHACHARI, through a very unique choregraphy where a gopi brings Radha and Krishna together. Selec...
01/09/2025

Poojashree performing SAHACHARI, through a very unique choregraphy where a gopi brings Radha and Krishna together. Select verses from Geeta Govinda was employed to unfold this thought. Audiance were thrilled to watch at KALAGOWRI 8 th Anniversary.

10/07/2022
30/11/2019
18/08/2019

Here i was trying to make over on Tejas to little Shiva ( Gouranga) as always me and Shakthi (founder of articulate and B.M)

Photo Credits goes to Shakthi

KATHAK-Classical dance of North India.
05/02/2012

KATHAK-Classical dance of North India.

KATHAK-in Muslim Courts-Ghazal
03/02/2012

KATHAK-in Muslim Courts-Ghazal

07/08/2011

LOST OUR SIGHT, NOT OUR ASPIRATIONS.
KANYA-01
I was born into a religious community where dance was not favored. A society where women were forbidden to pursue art that was damned as satanic. Added to this, I am blind. The music that sailed across space, the rhythm that made my heart respond, drew me to the beautiful art of classical dance. I chose out of no other alternate, Bharathnatyam, and have today no regrets. It’s not the exhaustion of the muscles, it’s not the twist of ankles during learning and it’s not the fall when we practice, it’s not the difficulty in comprehending the meaning and its association to life and objects that made me sad. It’s the act of my family and society discriminating me for my little inadequacy. Nature has made me stronger making my other sense perception sharper which I channelize to learn the complexity of the Indian dance. Today I dance to my heart’s content.
KANYA-02
I was born with visual impairment. Though not totally blind, I was put into a special school for the visually challenged. Development in medicine and technology opened for the blind to do some correction and gain at least partial vision that would make life a little more bearable. But the paradox was, I could not go and seek this help for the school for special need did not allow me. Why? Just because , my improvement would take me away from that school who gets financial aid from the government, one less will make them not eligible for grants. I was bound to the school for just to keep the number of inmates high. The grants took priority over my sight restoration. Yet I made it with determination to do something in spite of my blindness. Dance was the result.
KANYA-03
When I slept in my thatched hut the holes amidst the palm leaf roof shined like little stars in the night. But when the monsoon came, the same holes were the gate way for nature’s fury. It drizzled and drenched the living little space, leaving not an inch dry for my little feet to rest and to squat upon. My parents were reluctant, when opportunity knocked at my doorless door, to send me away to a school for the blind. It’s not the loss of a daughter that mattered, but the financial assistance my parents may not get for my maintenance from the social department mattered more. Fate had other designs for me. My ability to dance came to fore. Today I dance in joy.
We three and many more of us bring tears of joy in the eyes of the audience. We motivate them to be happy with all the advantage they have over us. We don’t need any sympathy, we need your appreciation of our ABILITY.
We three are under the loving care of the Deepa Acadamy for the differently abled. We have been nurtured in dance by Guru Dr Suparna Venkatesh. We have nine more sisters who pursue dance with us. Hope my other blind sisters will tread a path that leads to their destinations which they dreamt in their sightless dream.
Our names are hidden behind the name KANYA so society will look at us as artists and not as casualties.

23/07/2011

ARTICULATE-Visually Challenged perform- KHADGA NAMAN- Adapting motiffs of Martial Arts in offering obeisance to Godess of War

02/07/2011

DANCERS response to questions by ARTICULATE

In these days of contemporary dances and youths interest in Non classical and non Indian arts, what attracted you to classical dance.

What are the tribulations you had to undergo to come to this level of proficiency? Especially living in a place outside India.

What do you experience while performing on platforms on the soils of India.

What are your expectations from the audience towards your art?

If asked, How do you feel about being competed by Bollywood and cinema dance art.

Status of classical dance today in your opinion is.

What is your contribution to the classical dance art.

If you were asked, Where do you think classical dance will be 10 years from. now. What would you say.

Share with us your spiritual connection with dance art with repertoire you choose.

ARTICULATE expresses thanks to SAI ARTS INTERNATIONAL for
making this interview possible during their SAINRITHYOTSAVA-26

02/07/2011

In these days of contemporary dances and youths interest in Non classical and non Indian arts, what attracted you to classical dance.

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