Uranovsky Art

11/05/2026

11/05/2026

"Self Portait"

This portrait has a very raw, reflective feeling to it — like he painted himself not as he wanted to be seen, but as he truly felt in that moment. An honesty that doesn't adapt to expectations. One that only art can hold.

The rough brushstrokes, the shadows, the silence in the expression, makes it feel deeply human and vulnerable. In this painting, my father captured something rare — not perfection, but presence. Strong, reflective, and persevering.

10/05/2026

My father painted this face almost like a memory surfacing — fragmented, unfinished, emotional.

What I love most is that the portrait doesn’t give easy answers. The expression changes the longer you look at it. One moment it feels wounded, the next it feels resilient. That tension is what makes his work so powerful to me.

Art doesn’t always need to be beautiful, the honesty is the beauty.

What do you feel when you see this art?

08/05/2026

“Do We Come From the Stars?”

A figure stands suspended between worlds — human, cosmic, dissolving and becoming all at once.

The dark body feels grounded in earth, while the exploding textures and floating forms above suggest something beyond flesh… memory, spirit, stardust.

This piece asks a question older than science and older than myth:
Are we simply bodies on a planet, or fragments of the universe trying to remember where we came from?
We search the skies for answers, while carrying the stars within us.

08/05/2026

A face caught between presence and distortion.

There’s something raw here—unfinished yet intentional. The features blur, shift, almost resist being fully seen. One eye pulls you in, sharp and aware, while the rest dissolves into movement, like identity itself is being questioned.

It feels like a moment suspended between strength and vulnerability. Between being seen… and being erased.

This work doesn’t try to make things comfortable—it asks you to sit with the tension, to look longer, and to find meaning in what isn’t immediately clear.

What do you see in this face?

04/05/2026

"Les fleur du mal" by Meyer Uranovsky

How many faces do you see?

How many microphones?

The repetition isn’t accidental.
The faces blur into one another—suggesting not just a single figure, but a system, an ideology, a presence that multiplies itself. Power doesn’t always have one face.
And the microphones?
They’re not just tools—they’re symbols.
They represent amplification, propaganda, and control over narrative. A microphone can give someone a voice—but it can also drown out others. It raises a question:
Is this voice being heard… or imposed?
In a world where messages are constantly broadcast, who is really speaking—and who is being silenced?

04/05/2026

This is the art of Meyer Uranovsky. Contemporary, world recognized, and prize winning.
The brushwork is raw, yet the painting is refined and human.

21/04/2026

Featuring:
Rawan Osman — activist, recovered antisemite
Einat Wilf — intellectual, former Knesset member
Ayelet Shaked — strength of Israel
Noa Tishby — advocate against antisemitism
Gal Gadot — actress, ambassador for Israel
Mahsa Amini — murdered for not wearing hijab

14/04/2026

Currently painting a series called "beacons of light and hope." The series features inspiring people fighting antisemitism and totalitarianism.
https://www.uranovsky.com/new-beacons-of-light-and-hope