Baidun Fine Antiquities

Baidun Fine Antiquities Fine Antiquities The Baidun name has been involved with antiquities business since 1927. Baidun Galleries in the city of Jerusalem.

Approximately 90 years ago, Mahmūd Baidun founded what would become Khader M. His love and deep knowledge made him one of the most prominent collectors in the region. Acting as an advisor to many dealers and collectors, his counsel was sought out by many. His passion for history and collecting was passed down to his son Khader, who as a young boy would dig around the city walls looking for antiqui

ties. Taking over the galleries in 1980, Khader’s integrity and expertise produced a great international expansion for the Gallery. Today, the next generation of the Baidun family is equally committed to discovering treasures of the past for collectors and dealers. With a customer list ranging from world-leaders, prominent businessmen, museums and auctions, we will to assist you in creating the antiquities collection of your interest. Baidun Galleries, located on Jerusalem’s historic Via Dolorosa, house a carefully chosen collection that distinguishes us as one of the country’s leading dealers in rare and exquisite antiquities. Specializing in all types of antiquities from the Iron Age to the Ottoman Empire, The Baidun collection contains works from every major Levant civilization: Canaanite, Phoenician, Israelite, Mesopotamian, Egyptian, Persian, Greeks, Romans, Byzantines, and Islamic.

Our 2020 Winter Catalog is now available https://mcusercontent.com/be3cd7539e2755ed3047ef9a3/files/ec990353-25fb-4479-a5...
24/12/2020

Our 2020 Winter Catalog is now available

https://mcusercontent.com/be3cd7539e2755ed3047ef9a3/files/ec990353-25fb-4479-a504-04d54d089e03/2020_Winter_Catalog.pdf

29/08/2020

Praying that all of our friends and family are safe during these challenging times. Looking forward to reconnect with our clients. Stay tuned for some exciting developments! The Baidun Family

FEATURED ITEM:  Roman-Egyptian Schist Stone Head Bust of Greco-Egyptian god Zeus SerapisBaidun Fine Antiquities - Since ...
24/07/2017

FEATURED ITEM: Roman-Egyptian Schist Stone Head Bust of Greco-Egyptian god Zeus Serapis

Baidun Fine Antiquities - Since 1927 - www.Baidun.com

FEATURED ITEM: Roman-Egyptian Schist Stone Head Bust of Greco-Egyptian god Zeus Serapis

This Roman-Egyptian Schist Stone Head Bust of Greco-Egyptian god Zeus Serapis (as of 24 / July / 2017) is still available for sale from www.Baidun.com:

Reference: SI_RM_1099
Civilization: Roman-Egyptian Period, 100 C.E. – 200 C.E.
Size: H. 11.4 cm
Condition: Fine condition, some of the hair locks from the forehead are missing.
Price: Available upon request
Provenance: The Baidun Collection, Ex French private collection, acquired 1975.

DIRECT WEB SITE LINK: http://baidun.com/roman-egyptian-schist-stone-head-bust-of-greco-egyptian-god-zeus-serapis/
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Roman-Egyptian Schist Stone Head Bust of Greco-Egyptian god Zeus Serapis

This Roman-Egyptian head bust of the Greco-Egyptian god Zeus Serapis is finely sculpted from black schist stone, and dates from the Roman-Egyptian Period, 100 C.E. – 200 C.E. Representations of Serapis are uncommon. The most famous representation of the deity is that by Bryaxis, the famous sculptor who is credited with creating the sculptures on the north side of the tomb of Maussollos – one of the wonders of the ancient world. Other works of Bryaxis include a bronze statue of Seleucus, king of Syria, five huge statues at Rhodes, and a statue of Apollo at Daphne near Antioch.

The depiction of Serapis is uncommon, and this sculptor’s attention to detail is evident in all aspects of the piece: Wavy hair locks flow elegantly down the back and sides of Serapis’ head, as hair bangs drape across his forehead. His thick, full beard of curly hair locks covers his face in the classic style of ancient Greece which regarded the beard as a badge or sign of virility; Greek beards were also frequently curled with tongs.

Even though from the earliest times in ancient Greece the shaving of the upper lip was not uncommon, here Serapis is depicted with full handlebar mustache which curls upward on both sides of his face, revealing only his bottom lip. The superb craftsmanship of this piece is manifest down to the finest details in Serapis’ eyes which reveal the corneas that are clearly distinguishable from the sclera of each eye, and each is accentuated by delicate, finely-crafted eyelids as well as with expressive, arched eyebrows which are visible under the hair bangs.

Some of these hair locks that cover the forehead are missing, as well as part of the nose which were broken in antiquity. The cult of Serapis was banned in 391 C.E. and many of the sculptures destroyed. Therefore this fine specimen is an uncommon example that has survived the ravages of history, and thus is a very notable piece of rare ancient art.


The Cult of Serapis / Sarapis

The cult of Serapis was introduced during the 3rd century B.C.E. on the orders of Ptolemy I of Egypt as a means to unify the Greeks and Egyptians in his realm. Sarapis was a syncretistic deity derived from the worship of the Egyptian Osiris and Apis (Osiris + Apis = Oserapis/Sarapis).

Serapis also gained attributes from other deities, such as chthonic powers linked to the Greek Hades and Demeter, as well as benevolence linked to Dionysus. However, although he was identified with various Greek gods, Serapis was above all – because of his authority and his association with rulers (the Ptolemies in this case) – identified with Zeus.

Ptolemy I Soter (r. 305–284 B.C.E) commissioned the syncretistic god Serapis in order that the native population of Egypt – who already had an extensive pantheon of deities – and the occupying forces of Greece could have a common ritual focus, and he centered the worship of the deity at Alexandria. Serapis (or Sarapis) was a Greco-Egyptian deity of the Sun first encountered at Memphis where his cult was celebrated in association with that of the sacred Egyptian bull Apis (who was called Osorapis when deceased). The god therefore shared a group of attributes common to Greeks (physically robust, bearded male) and to Egyptians (attire and accessories). He was originally shown seated, with a sceptre of power, wearing a grain measure on his head, accompanied by a snake (identified with the Egyptian royal uraeus) and with a dog (originally held to be Anubis, later Cerberus) by his side.

Roman-Egyptian Schist Stone Head Bust of Greco-Egyptian god Zeus Serapis
SHORT URL: http://www.goo.gl/g6cGgT

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Jerusalem
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Greek Terracotta Rhyton with Griffin Protome Baidun Fine Antiquities - Since 1927 - www.Baidun.com FEATURED ITEM: Greek ...
19/07/2017

Greek Terracotta Rhyton with Griffin Protome Baidun Fine Antiquities - Since 1927 - www.Baidun.com FEATURED ITEM: Greek Terracotta Rhyton with Griffin Protome This Greek Terracotta Rhyton with Griffin Protome (as of 19 / July / 2017) is still available for sale from www.Baidun.com: Reference: SI_GR_1031 Civilization: Hellenistic 500 B.C.E. - 400 B.C.E. Size: L. 23 cm Condition: Fine Condition Price: Available Upon Request… [ 551 more words ]

https://baidun.wordpress.com/2017/07/19/featured-item-greek-terracotta-rhyton-with-griffin-protome/

Greek Terracotta Rhyton with Griffin Protome Baidun Fine Antiquities – Since 1927 – www.Baidun.com FEATURED ITEM: Greek Terracotta Rhyton with Griffin Protome This Greek Terracotta Rhyt…

FEATURED ITEM:  Greek Terracotta Rhyton with Griffin ProtomeBaidun Fine Antiquities - Since 1927 - www.Baidun.comFEATURE...
07/07/2017

FEATURED ITEM: Greek Terracotta Rhyton with Griffin Protome

Baidun Fine Antiquities - Since 1927 - www.Baidun.com

FEATURED ITEM: Greek Terracotta Rhyton with Griffin Protome

This Greek Terracotta Rhyton with Griffin Protome (as of 07 / July / 2017) is still available for sale from www.Baidun.com:

Reference: SI_GR_1031
Civilization: Hellenistic 500 B.C.E. - 400 B.C.E.
Size: L. 23 cm
Condition: Fine Condition
Price: Available Upon Request
Provenance: The Baidun Collection

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Greek Terracotta Rhyton with Griffin Protome

This characterful Greek terracotta Rhyton dates from the Hellenistic period, 500 B.C.E. – 400 B.C.E. The Rhyton’s protome end is molded into the form of what appears to be a smiling Griffin whose head is at an angle that would have been comfortable to hold while in use. It has red painted slip over the terracotta to give it a warmer shade as well as an attractive shine. These type of vessels hail from the ancient Near East where more luxurious examples can be found made from precious metals.


Characteristics of Rhytons / Rhyta

A rhyton (plural rhytons or, following the Greek plural, rhyta) is a roughly conical container from which fluids were intended to be drunk or to be poured in some ceremony such as libation, or merely at table. They are typically formed in the shape of an animal’s head, and were produced over large areas of ancient Eurasia, especially from Persia to the Balkans. Many have an opening at the bottom through which the liquid fell; others did not, and were merely used as drinking cups with the characteristic that they could not usually be set down on a surface without spilling their contents.

The conical rhyton form has been known in the Aegean region since the Bronze Age, or the 2nd millennium B.C.E. However, it was by no means confined to that region. Similar in form to – and perhaps originating from – the drinking horn, it has been widespread over Eurasia since prehistoric times. Rhytons were very common in ancient Persia, where they were called takuk (تکوک). After a Greek victory against Persia, much silver, gold, and other luxuries – including numerous rhytons – were brought to Athens. Persian rhytons were immediately imitated by Greek artists as featured here with this Rhyton.


Origins of Rhyton / Rhyta

The word rhyton is the Greek neuter of rhytos “flowing,” from rhein “to flow,” plural rhyta (Wissowa, 1935, pp. 643-45). The word is often translated as “drinking horn,” primarily because of its appearance, due to its manufacture from the curved horn of a bovid. Early in prehistory the rhyton must have been developed out of such simple drinking horns. Later, the lower part of the horn was changed in form and was elaborated with a protome—the sculptured forepart of an animal.

The materials used for rhyta originally must have been the natural horns of animals such as oxen, cows, and buffalos, as well as possibly goats, ibexes, and others, but such rhyta have not survived archeologically. From the 1st millennium BCE, we find rhyta made of ceramic (Kawami, 1992; Haerinck, 1983). From the time of the Achaemenids, we find pieces in gold and silver, and from the time of Alexander the Great (Pfrommer, 1993; Giumlia-Mair and La Niece, 1998, pp. 139-45) up to the end of the Parthian period, examples in gilded silver.

Greek Terracotta Rhyton with Griffin Protome
SHORT URL: http://www.goo.gl/hKz9dW

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Hellenistic Bronze Face of Silenus Greek god of Drunkenness and Wine Baidun Fine Antiquities – Since 1927 – FEATURED ITE...
28/06/2017

Hellenistic Bronze Face of Silenus Greek god of Drunkenness and Wine Baidun Fine Antiquities – Since 1927 – FEATURED ITEM: Hellenistic Bronze Face of Silenus Greek god of Drunkenness and Wine This Hellenistic Bronze Face of Silenus Greek god of Drunkenness and Wine (as of 28 / June / 2017) is still available for sale from www.Baidun.com: Reference: SI_GR_1016… [ 377 more words ]

https://baidun.wordpress.com/2017/06/28/featured-item-hellenistic-bronze-face-of-silenus-greek-god-of-drunkenness-and-wine/

Hellenistic Bronze Face of Silenus Greek god of Drunkenness and Wine Baidun Fine Antiquities – Since 1927 –   FEATURED ITEM: Hellenistic Bronze Face of Silenus Greek god of Drunkenness and Win…

FEATURED ITEM:  Hellenistic Bronze Face of Silenus Greek god of Drunkenness and WineBaidun Fine Antiquities - Since 1927...
28/06/2017

FEATURED ITEM: Hellenistic Bronze Face of Silenus Greek god of Drunkenness and Wine

Baidun Fine Antiquities - Since 1927 - www.Baidun.com

FEATURED ITEM: Hellenistic Bronze Face of Silenus Greek god of Drunkenness and Wine

This Hellenistic Bronze Face of Silenus Greek god of Drunkenness and Wine (as of 28 / June / 2017) is still available for sale from www.Baidun.com:

Reference: SI_GR_1016
Civilization: Hellenistic 300 B.C.E. - 200 B.C.E.
Size: H. 6.5 cm
Condition: Two holes below the mouth. Surface with light punch marks
Price: $8,500 USD
Provenance: The Baidun Collection

DIRECT WEB SITE LINK: http://baidun.com/hellenistic-bronze-face-of-silenus-greek-god-of-drunkenness-and-wine/
SHORT URL: http://www.goo.gl/yAV5L4


Silenus Greek god of Drunkenness and Wine-Making

This bronze depiction of Silenus, Greek god of drunkenness and wine-press, dates to the Hellenistic period 300 B.C.E. – 200 B.C.E. He was companion of the wine god Dionysus, and from the 5th century B.C.E. the name Silenus was applied to Dionysus' foster father, which thus aided the gradual absorption of the Satyrs and Sileni into the Dionysiac cult.

Here Silenus is depicted as an old satyr with a long mustache and a square beard with big curling hair locks. The face has strong features with chubby cheeks, snub-nose, fleshy lips, frowning brows, as well as pointed ears with ivy leaves set over both of them. The face is finely modeled with a strong and living expression. It is framed with a contour line at the border of the missing upper and back parts of the head.

Such a facial depiction was applied on a statue which was possibly made of other material. The punched surface of the face may indicate that it was plated or sheathed with silver or gold.


Classical Depictions of Silenus

A notorious consumer of wine, Silenus was usually drunk and had to be supported by satyrs or carried by a donkey. When intoxicated Silenus was said to possess special knowledge and the power of prophecy: It was believed that he acquired arcane knowledge and was able to predict the future. Seilenos was, in essence, the spirit of the treading dance of the wine-press – his name being derived from the words seiô, “to move to and fro,” and lênos, “the wine-trough.”

Hellenistic Bronze Face of Silenus Greek god of Drunkenness and Wine
SHORT URL: http://www.goo.gl/yAV5L4

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Bronze Imperial Roman Bull Stomping Hoof Baidun Fine Antiquities - Since 1927 - FEATURED ITEM: Bronze Imperial Roman Bul...
23/06/2017

Bronze Imperial Roman Bull Stomping Hoof Baidun Fine Antiquities - Since 1927 - FEATURED ITEM: Bronze Imperial Roman Bull Stomping Hoof This Bronze Imperial Roman Bull Stomping Hoof (as of 23 / June / 2017) is still available for sale from www.Baidun.com: Reference: SI_RM_1085 Civilization: Roman, 200 C.E. - 300 C.E. Size: H. 16 cm Condition: Fine condition Price: Available upon request… [ 851 more words ]

https://baidun.wordpress.com/2017/06/23/featured-item-bronze-imperial-roman-bull-stomping-hoof/

Bronze Imperial Roman Bull Stomping Hoof Baidun Fine Antiquities – Since 1927 – FEATURED ITEM: Bronze Imperial Roman Bull Stomping Hoof This Bronze Imperial Roman Bull Stomping Hoof (as…

FEATURED ITEM: Bronze Imperial Roman Bull Stomping HoofBaidun Fine Antiquities - Since 1927 - www.Baidun.comFEATURED ITE...
23/06/2017

FEATURED ITEM: Bronze Imperial Roman Bull Stomping Hoof

Baidun Fine Antiquities - Since 1927 - www.Baidun.com

FEATURED ITEM: Bronze Imperial Roman Bull Stomping Hoof

This Bronze Imperial Roman Bull Stomping Hoof (as of 23 / June / 2017) is still available for sale from www.Baidun.com:

Reference: SI_RM_1085
Civilization: Roman, 200 C.E. - 300 C.E.
Size: H. 16 cm
Condition: Fine condition
Price: Available upon request
Provenance: The Baidun Collection, Ex German Private Collection, acquired in the 1980s

DIRECT WEB SITE LINK: http://baidun.com/bronze-imperial-roman-bull-stomping-hoof/
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Bronze Imperial Roman Bull Stomping Hoof

This incredible Bronze Imperial Roman Bull statuette dating from 200 – 300 C.E. is decorated with two stylized markings on its flanks and one large ribbon across its torso. The bull’s powerful stance is accentuated by his head that is turned, as well as his front left leg that is raised in an aggressive stomping motion. Additional decorations are present on the bull’s head in the form of decorous curls. This Bronze Imperial Roman Bull statuette was part of a composed relief depicting a procession that leads to the sacrifice of the bull which was performed for the welfare of the Roman empire.

For more than 5,000 years, bronze and other copper alloys have been essential materials used to create everything from life-size sculptures to objects of daily life such as weapons, jewelry, tableware, and as featured here: This incredible Bronze Imperial Roman Bull statuette. Similar pieces are found in museums such as the Met Museum in New York City, but few found are as majestic and powerful as this piece.

Roman Bull in Cult of Magna Mater (Great Mother of the gods) Cybele

The religious practices of the Roman Empire of the 2nd to 4th centuries C.E. included the taurobolium, in which a bull was sacrificed for the well being of the people and the state. Around the mid-2nd century C.E. the practice became identified with the worship of Magna Mater (i.e. the Great Mother of the gods, Cybele), but was not previously associated only with that cult (cultus).

After 159 CE all private taurobolia inscriptions mention Magna Mater. Public taurobolia enlisting the benevolence of Magna Mater on behalf of the emperor became common in Italy, Gaul, Hispania, and Africa. The last public taurobolium for which there is an inscription was carried out at Mactar in Numidia at the close of the 3rd century C.E. It was performed in honor of the emperors Diocletian and Maximian.


Roman Bull in Eastern Cult of Mithras

Another Roman mystery cult in which a sacrificial bull played a role was that of the 1st-4th century C.E. Mithraic Mysteries. The cult of Mithras was very popular throughout the Roman Empire and was followed especially by soldiers. It was one of several eastern cults that spread rapidly as a result of the Pax Romana (Roman peace) – others included the worship of Jupiter Dolichenus, Manichaeism, and of course Christianity.

Shrouded in secrecy, ancient mystery cults fascinate and capture the imagination. Like all Greco-Roman mysteries, the cult of Mithraic Mysteries was limited to initiates, and there is very little known about the cult’s beliefs or practices. In the so-called “tauroctony” artwork of that cult (cultus) – and which appears in all its temples – the god Mithras is seen to slay a sacrificial bull. The tauroctony should not be confused with a “taurobolium”, which was an actual bull-killing cult act performed by initiates of the Mysteries of Magna Mater, and has nothing to do with the Mithraic Mysteries.

Although there has been a great deal of speculation on the subject, the mystery that the tauroctony scene was intended to represent remains unknown. Like the other ancient “mystery religions” such as the Eleusinian mysteries and the mysteries of Isis, Mithraism maintained strict secrecy about its teachings and practices, revealing them only to initiates. As a result, reconstructing the beliefs of the Mithraic devotees has posed an enormously intriguing challenge to scholarly ingenuity.

Owing to the Mithraic cult’s secrecy, we possess almost no literary evidence about the beliefs of Mithraism. The few texts that do refer to the cult come not from Mithraic devotees themselves, but rather from outsiders such as early Church fathers who mentioned Mithraism in order to attack it, as well as from Platonic philosophers who attempted to find support in Mithraic symbolism for their own philosophical ideas.

However, although our literary sources for Mithraism are extremely sparse, an abundance of material evidence for the cult exists in the many Mithraic temples and artifacts that archaeologists have found scattered throughout the Roman empire – from England in the north and west to Palestine in the south and east. The temples – called mithraea by scholars – were usually built underground in imitation of caves. These subterranean temples were filled with an extremely elaborate iconography: carved reliefs, statues, and paintings – depicting a variety of enigmatic figures and scenes. This iconography is our primary source of knowledge about Mithraic beliefs, but because we do not have any written accounts of its meaning the ideas that it expresses have proven extraordinarily difficult to decipher.

Bronze Imperial Roman Bull Stomping Hoof
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FEATURED ITEM: Roman Pompeian Wall Fresco with Aquarium-like Swimming FishBaidun Fine Antiquities - Since 1927 - www.Bai...
04/04/2017

FEATURED ITEM: Roman Pompeian Wall Fresco with Aquarium-like Swimming Fish

Baidun Fine Antiquities - Since 1927 - www.Baidun.com

FEATURED ITEM: Roman Pompeian Wall Fresco with Aquarium-like Swimming Fish

This Roman Pompeian Wall Fresco with Aquarium-like Swimming Fish (as of 04 / April / 2017) is still available for sale from www.Baidun.com:

Reference: SI_RM_1103
Civilization: Roman, Pompeii 3rd Period, 100 C.E.
Size: L. 31 cm x H. 36.5 cm
Condition: Fine condition
Price: Available upon request
Provenance: Ex. Private Swiss collection, Acquired 1980s.

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Roman Pompeian Wall Fresco with Aquarium-like Swimming Fish

Fresco Wall Painting

The origins of fresco painting are unknown, but it was used as early as the Minoan civilization (at Knossos on Crete) and by the ancient Romans (at Pompeii). The Italian Renaissance was the great period of fresco painting, as seen in the works of Cimabue, Giotto, Masaccio, Fra Angelico, Correggio and many other painters from the late 13th to the mid-16th century.

Fresco is a technique of mural painting executed upon freshly-laid lime plaster. Water is used as the vehicle (or medium) for the pigment, and with the setting of the plaster the painting becomes an integral part of the wall.

Roman Pompeian Wall Fresco – 3rd Style (Period)

This extremely fine fresco is an exquisite example of ancient Roman art, originates from Pompeii in ancient Rome, and is of the 3rd Pompeian Style that was popular 20-10 BCE. This 3rd Pompeian Style (and Period) emerged and developed as a reaction to the austerity of the previous period. It leaves room for more figurative and colorful decoration, with an overall more ornamental feeling, and often presents great finesse in ex*****on. This style is typically noted as simplistically elegant.

One who beholds this fresco today wonders if the ancient Romans were making a first proto-attempt to illustrate the conceived notion of an aquarium before the advent of modern glass and other technologies that would make the invention of aquariums actually possible in the 19th century CE. It seems that the artist who painted this fresco was attempting to create a calm and relaxing environment for those who sat in the room whose walls were decorated with this fresco of swimming fish in an Aquarium-like motif – which was extremely innovative and insightful to have the foresight in his/her day 19 centuries before the advent and invention of glass aquariums!

Pompeii Destroyed by Volcanic Eruption of Vesuvius

On 24 August 79 CE, the city of Pompeii was destroyed by the violent eruption of the volcano Vesuvius. The eruption destroyed the city, killing its inhabitants and burying it under tons of ash. The circumstances of their destruction preserved their remains as a unique document of Greco-Roman life. Pompeii supported between 10,000 and 20,000 inhabitants at the time of its destruction. Fortunately for this Fresco, it also has survived and has remained intact in Fine Condition. Provenance is excellent: acquired in the 1980s, Ex. Private Swiss Collection.

The ruins at Pompeii were first discovered late in the 16th century CE by the architect Domenico Fontana. Herculaneum was discovered in 1709 CE, and systematic excavation began there in 1738 CE. Work did not begin at Pompeii until 1748 CE, and in 1763 CE an inscription (“Rei publicae Pompeianorum”) was found that identified the site as Pompeii. The work at these towns in the mid-18th century marked the start of the modern science of archaeology.

Mount Vesuvius erupted 24 August 79 CE. A vivid eyewitness report is preserved in two letters written by Pliny the Younger to the historian Tacitus, who had inquired about the death of Pliny the Elder, commander of the Roman fleet at Misenum. Site excavations and volcanological studies, notably in the late 20th century CE.

Just after midday on 24 August, fragments of ash, pumice, and other volcanic debris began pouring down on Pompeii, quickly covering the city to a depth of more than 9 feet (3 metres) and causing the roofs of many houses to fall in. Surges of pyroclastic material and heated gas, known as nuées ardentes, reached the city walls on the morning of 25 August and soon asphyxiated those residents who had not been killed by falling debris. Additional pyroclastic flows and rains of ash followed, adding at least another 9 feet of debris and preserving in a pall of ash the bodies of the inhabitants who perished while taking shelter in their houses or trying to escape toward the coast or by the roads leading to Stabiae or Nuceria.

Thus Pompeii remained buried under a layer of pumice stones and ash 19 to 23 feet (6 to 7 metres) deep. The city’s sudden burial served to protect it for the next 17 centuries from vandalism, looting, and the destructive effects of climate and weather.

Roman Pompeian Wall Fresco with Aquarium-like Swimming Fish
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Baidun Galleries, located on Jerusalem's historic Via Dolorosa, houses a carefully chosen collection that distinguishes us as one of the country's leading dealers in exquisite and rare antiquities.

Roman Pompeian Wall Fresco with Aquarium-like Swimming Fish Baidun Fine Antiquities - Since 1927 - www.Baidun.com FEATUR...
04/04/2017

Roman Pompeian Wall Fresco with Aquarium-like Swimming Fish Baidun Fine Antiquities - Since 1927 - www.Baidun.com FEATURED ITEM: Roman Pompeian Wall Fresco with Aquarium-like Swimming Fish This Roman Pompeian Wall Fresco with Aquarium-like Swimming Fish (as of 04 / April / 2017) is still available for sale from www.Baidun.com: Reference: SI_RM_1103 Civilization: Roman, Pompeii 3rd Period, 100 C.E. Size: L. 31 cm x H. [ 784 more words ]

https://baidun.wordpress.com/2017/04/04/featured-item-roman-pompeian-wall-fresco-with-aquarium-like-swimming-fish

Roman Pompeian Wall Fresco with Aquarium-like Swimming Fish Baidun Fine Antiquities – Since 1927 – www.Baidun.com FEATURED ITEM: Roman Pompeian Wall Fresco with Aquarium-like Swimming F…

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