Artan Betonada

Artan Betonada Breathing concrete crafted from natural minerals. Cladding โ€ข Furniture โ€ข Art โ€ข Commercial Projects
Discover our work ๐Ÿ‘‡

ืกื˜ื•ื“ื™ื• ื”ืžืชืžื—ื” ื‘ืคื™ืชื•ื— ื—ื•ืžืจื™ื ื•ืžื•ืฆืจื™ื ืืฉืจ ื‘ืขื™ืงืจื ืžื•ืจื›ื‘ื™ื ื‘ื˜ื•ืŸ ืžื•ื—ืœืง, ื‘ืžื‘ื•ืง, ืจื˜ืืŸ, ืขืฅ ืžืžื•ื—ื–ืจ, ืจืฉืชื•ืช ืจื™ืคื•ื“ ื•ืขื•ื“. ืื—ืช ืœืชืงื•ืคื” ื ื•ืœื“ ื‘ืกื˜ื•ื“ื™ื• ืื•ืกืฃ ื—ื“ืฉ ืฉืœ ื˜ืงืกื˜ื•ืจื•ืช, ื’ื•ื•ื ื™ื ื•ืžืจืงืžื™ื ื”ืžื•ืชืืžื™ื ืœืžื’ื•ื•ืŸ ืขื™ืฆื•ื‘ื™ื ื•ื™ื™ืฉื•ืžื™ื.

ื”ืกื˜ื•ื“ื™ื• ืงื™ื™ื ืžื–ื” ืฉื ื™ื ืจื‘ื•ืช ื•ืžื”ื•ื•ื” ื—ืœืง ืžื”ื•ืชื™ ืžืžืขืจืš ื”ืขื™ืฆื•ื‘ ื•ื”ืจื™ื”ื•ื˜ ื”ื™ืฉืจืืœื™.
ืคืžืœื™ื™ืช ื”ืžืขืฆื‘ื™ื ื•ื”ืžื•ืžื—ื™ื ืœื‘ื™ืช ื‘ื˜ื•ื ื“ื” ืžืืคืฉืจื™ื ืงืฉืจ ื™ืฉื™ืจ ืขื ื”ืžืชื›ื ืŸ ืื• ื”ืœืงื•ื—, ืœื™ืฆื™ืจื” ืžืฉื•ืชืคืช. ื ื™ืชืŸ ืœื”ื™ืขื–ืจ ื‘ื ื• ื‘ืขืช ื”ืชื›ื ื•ืŸ ื‘ื›ื“ื™ ืœ

ืžืงืกื ืืช ื”ื—ื•ืžืจื™ื ืขืžื ืื ื• ืขื•ื‘ื“ื™ื, ืื• ืœืฉืœื•ื— ืืœื™ื ื• ืชื›ื ื™ื•ืช ืœื‘ื™ืฆื•ืข ืฉืœ ืžื•ืฆืจื™ื ืžื™ื•ื—ื“ื™ื ืืฉืจ ื™ื™ื•ื•ืฆืจื• ื‘ื”ืชืืžื” ืœืคืจื•ื™ืงื˜.
ื”ืกื˜ื•ื“ื™ื• ืžืžื•ืงื ื‘ืžื•ืฉื‘ ืจืฉืคื•ืŸ ื•ืžื”ื•ื•ื” ื—ืœืœ ืชืฆื•ื’ื” ืœืžืจื‘ื™ืช ื”ืืคืฉืจื•ื™ื•ืช.

ืžื•ืžืœืฅ ืœื‘ืงืจ ืื•ืชื ื•, ื‘ืชื™ืื•ื ืคื’ื™ืฉื” ืžืจืืฉ.

ื‘ืกื˜ื•ื“ื™ื• ื‘ื˜ื•ื ื“ื” ืžืืžื™ื ื™ื ื‘ืขื‘ื•ื“ื” ื™ื“ื ื™ืช ื•ื™ืฉืจืืœื™ืช ืžืงื•ืžื™ืช. ื”ื—ื•ืžืจื™ื ื”ื ื‘ื—ืจื™ื ืœืฉื™ืžื•ืฉ ืžืงื•ืจ ืจื•ื‘ื ื‘ื™ืฉืจืืœ ื•ื”ื ืžื”ื˜ื•ื‘ื™ื ื‘ื™ื•ืชืจ ื•ื‘ืขืœื™ ืคืœื™ื˜ืช VOC ื ืžื•ื›ื”. ื”ื™ืฆืจื ื™ื ืื™ืชื ืื ื• ืžืฉืชืคื™ื ืคืขื•ืœื” ื‘ืขืœื™ ืชื•ื•ื™ ื”ืชืงืŸ ื”ืžื—ืžื™ืจื™ื ืœืชืคืขื•ืœื ื•ื ื™ื”ื•ืœื. ื”ื—ื•ืžืจื™ื ื”ืื•ืจื’ื ื™ื™ื ืžื’ื™ืขื™ื ืžืžืงื•ืจื•ืช ืื—ืจืื™ื™ื ื‘ื”ื ืขื•ืฉื™ื ืฉื™ืžื•ืฉ ื‘ื›ืจื™ืชื” ืžื‘ื•ืงืจืช.

25/08/2026

ืคืจื•ื™ืงื˜ ืืžื“ื•ืงืก ืจืขื ื ื”
ืคืจื•ื™ืงื˜ ื’ื“ื•ืœ ื•ืžืืชื’ืจ ืฉืœ ืฉื™ืงื•ื ื•ืจืกื˜ื•ืจืฆื™ื” ืœื‘ื˜ื•ืŸ ื—ืฉื•ืฃ.
ืžื“ื•ื‘ืจ ื‘ืืœืคื™ ืžื˜ืจื™ื ืฉืœ ืงื™ืจื•ืช ื‘ื˜ื•ืŸ ื‘ืœื•ื‘ื™ื™ื ืฉืœ 5 ื‘ื ื™ื™ื ื™ื, 8 ืงื•ืžื•ืช ื‘ื›ืœ ื‘ื ื™ื™ืŸ โ€” ื›ืฉื›ืœ ืงื™ืจ ื ื“ืจืฉ ืœื”ื’ื™ืข ืœื’ืžืจ ื‘ื˜ื•ืŸ ืžื•ืงืคื“, ื ืงื™ ื•ืื—ื™ื“.
ื”ืืชื’ืจ ื”ืจืืฉื•ืŸ ื”ื™ื” ื”ื’ื•ื“ืœ.
ื”ืืชื’ืจ ื”ืฉื ื™, ื•ื”ื•ื ื”ืืชื’ืจ ื”ืžืจื›ื–ื™ ื‘ื›ืœ ืขื‘ื•ื“ืช ืจืกื˜ื•ืจืฆื™ื”, ื”ื™ื” ืœื”ื‘ื™ืŸ ืžื” ืขื•ืžื“ ืžื•ืœื ื•: ืœืงืจื•ื ืืช ื”ืงื™ืจ, ืœื–ื”ื•ืช ืืช ื”ืคื’ืžื™ื, ืœื”ื‘ื™ืŸ ืืช ื”ื—ื•ืžืจ ื”ืงื™ื™ื, ื•ืœื”ืชืื™ื ืืช ืคืขื•ืœืช ื”ืฉื™ืงื•ื ืœืžื” ืฉื›ื‘ืจ ืงื™ื™ื ื‘ืฉื˜ื—.
ื‘ืฉื•ื ื” ืžืขื‘ื•ื“ื” ืฉืžืชื—ื™ืœื” ืžืืคืก, ื‘ืจืกื˜ื•ืจืฆื™ื” ืื™ืŸ ื“ืฃ ื—ืœืง.
ื™ืฉ ืงื™ืจ ืขื ืื•ืคื™ ืžืฉืœื•, ืขื ืกื™ืžื ื™ื, ืฉื›ื‘ื•ืช, ืคื’ืžื™ื ื•ื—ื•ืžืจ ืงื™ื™ื ืฉืฆืจื™ืš ืœื”ื‘ื™ืŸ, ืœื›ื‘ื“ ื•ืœื“ื™ื™ืง.
ื‘ืžื•ื‘ืŸ ืžืกื•ื™ื, ื–ื• ืขื‘ื•ื“ื” ืฉืœ โ€œืคื•ื˜ื•ืฉื•ืค ืื ื•ืฉื™โ€ ืขืœ ืงื™ืจื•ืช:
ื”ื‘ื ื”, ื”ืกืชืจื”, ื”ืฉืœืžื”, ืœื™ื˜ื•ืฉ, ืื™ื–ื•ืŸ ื•ื—ื™ื‘ื•ืจ โ€” ืขื“ ืฉื”ื—ื•ืžืจ ื—ื•ื–ืจ ืœื”ื™ืจืื•ืช ื˜ื‘ืขื™, ืžื“ื•ื™ืง ื•ืฉืœื.
ื›ืœ ืงื™ืจ ื•ื”ืื•ืคื™ ืฉืœื•.
ื›ืœ ืชื™ืงื•ืŸ ื•ื”ื“ื™ื•ืง ืฉืœื•.
ื•ื›ืœ ืคืจื˜ ื ื•ืขื“ ืœื”ื—ื–ื™ืจ ืœื‘ื˜ื•ืŸ ืืช ื”ื ื•ื›ื—ื•ืช ื”ืฉืงื˜ื” ื•ื”ืžื•ืงืคื“ืช ืฉืœื•.

Betonada | Material. Thought. Creation.

Amdocs Raโ€™anana Project
A large and challenging project involving the restoration and repair of exposed concrete.
The work included thousands of square meters of concrete walls across the lobbies of 5 buildings, 8 floors each โ€” with every wall required to reach a refined, clean, and precise exposed-concrete finish.
The first challenge was scale.
The second challenge, and the core of every restoration project, was understanding what stood in front of us: reading the wall, identifying the flaws, understanding the existing material, and adapting the restoration process to what was already there.
Unlike work that begins from scratch, restoration does not start with a blank page.
Each wall has its own character, its own marks, layers, imperfections, and existing ma

27/07/2026

ื‘ื“ื™ืจื” ื‘ืชืœ ืื‘ื™ื‘ ื™ืฆืจื ื• ืงื™ืจ ืœืกืœื•ืŸ ื•ืœืžื“ืจื’ื•ืช ื”ืžื•ื‘ื™ืœื•ืช ืœืงื•ืžื” ื”ืฉื ื™ื™ื”, ื‘ืขื‘ื•ื“ืช ื™ื“ ื•ื‘ื—ื•ืžืจื™ื ืžื™ื ืจืœื™ื™ื ื˜ื‘ืขื™ื™ื.

ื”ืœืงื•ื—ื”, ืฉื”ื™ื ื’ื ืื“ืจื™ื›ืœื™ืช, ื‘ื™ืงืฉื” ืงื™ืจ ืฉื™ืฉ ื‘ื• ืชื ื•ืขื”, ืงื•ืžืคื•ื–ื™ืฆื™ื” ื•ืžืงืฆื‘ โ€” ืœื ืจืง ื—ื™ืคื•ื™, ืืœื ื ื•ื›ื—ื•ืช ื—ื•ืžืจื™ืช ืฉืœ ืžืžืฉ.

ื‘ืขื‘ื•ื“ื” ื™ืฆืจื ื• ืคืกื™ื ื‘ืžืกืจืงื™ื, ื˜ืงืกื˜ื•ืจื•ืช ืฉื•ื ื•ืช ื•ืจื•ื—ื‘ื™ื ืžืฉืชื ื™ื, ืฉืžืชื—ื‘ืจื™ื ืœืฉืคื” ืื—ืช ืฉืœ ื—ื•ืžืจ, ืฆื•ืจื”, ืื•ืจ ื•ื”ืฆืœืœื”.

ื”ืื•ืจ ืฉืคื•ื’ืฉ ืืช ื”ืงื™ืจ ืœืื•ืจืš ื”ื™ื•ื ืžื“ื’ื™ืฉ ื‘ื›ืœ ืคืขื ืจื•ื‘ื“ ืื—ืจ, ื•ื™ื•ืฆืจ ืชื—ื•ืฉื” ืฉืœ ืชื ื•ืขื” ืžืชืžืฉื›ืช.

ื”ืชื•ืฆืื” ื”ื™ื ืงื™ืจ ืฉื”ื•ื ืงื•ืžืคื•ื–ื™ืฆื™ื”.
ืงื™ืจ ืฉื”ื•ื ืžืงืฆื‘.
ืงื™ืจ ืฉื”ื•ื ืฉื™ืจื” ื—ื•ืžืจื™ืช.

ืื“ืจื™ื›ืœื™ื: Aberman Ofer, Smadar Berger Yecutieli
ืฆื™ืœื•ื: Amit Gosher

In an apartment in Tel Aviv, we created a wall for the living room and the staircase leading to the second floor, handcrafted with natural mineral materials.

The client, who is also an architect, wanted a wall with movement, composition, and rhythm โ€” not just cladding, but a true material presence.

Using combing techniques, we created lines, varied textures, and changing widths that come together into one language of material, form, light, and shadow.

As the light meets the wall throughout the day, it highlights a different layer each time, creating a sense of continuous movement.

The result is a wall that is composition.
A wall that is rhythm.
A wall that is material poetry.



Betonada | Material. Thought. Creation.

21/07/2026

ื™ืฆื™ืงืช ื‘ื˜ื•ืŸ โ€” ื‘ืœื™ ืœืฆืงืช ื‘ื˜ื•ืŸ ื‘ืžืงื•ื.

ื‘ืคืจื•ื™ืงื˜ ื‘ื‘ื™ืช ื‘ืจืžื•ืช ื”ืฉื‘ื™ื ื—ื™ืคื™ื ื• ืืช ื”ืชืงืจื•ืช ื‘ืจืฆื•ืขื•ืช ื“ืงื•ืช ื•ื’ืžื™ืฉื•ืช ืฉืœ ื—ื•ืžืจ ืฆืžื ื˜ื™, ืฉื ื•ืฆืงื• ืžืจืืฉ ืขืœ ืชื‘ื ื™ื•ืช ืงืจืฉื™ื ื›ื“ื™ ืœื“ืžื•ืช ืžืจืื” ืฉืœ ื™ืฆื™ืงืช ื‘ื˜ื•ืŸ ื‘ืœื•ื—ื•ืช.

ื”ืจืฆื•ืขื•ืช ื”ื•ื“ื‘ืงื• ืขืœ ื”ืชืงืจื” ื‘ืฉืœื‘ ื”ื’ืžืจื™ื, ื•ืœืื—ืจ ืžื›ืŸ ื›ืœ ื”ืชืคืจื™ื ื‘ื™ื ื™ื”ืŸ ื”ื•ืขืœืžื• ื‘ืขื‘ื•ื“ื” ืžื“ื•ื™ืงืช โ€” ืขื“ ืœืงื‘ืœืช ืชืงืจื” ืจืฆื™ืคื”, ื ืงื™ื™ื” ื•ื‘ื’ืžืจ ืฉืœ ื™ืฆื™ืงืช ื‘ื˜ื•ืŸ ืžื•ืฉืœืžืช.

ื”ื™ืชืจื•ืŸ ื‘ืฉื™ื˜ื” ื”ื–ื• ื”ื•ื ืœื ืจืง ื‘ืžืจืื”.
ื”ื™ื ืžืืคืฉืจืช ืฉื™ืžื•ืฉ ืžื•ืคื—ืช ื‘ื—ื•ืžืจื™ ื’ืœื, ืื ืจื’ื™ื” ื•ืžื™ื, ื‘ื™ืฆื•ืข ืžื“ื•ื™ืง ื‘ืฉืœื‘ ื”ื’ืžืจื™ื ืœืœื ืฆื•ืจืš ืœืฉืžื•ืจ ืขืœ ื™ืฆื™ืงื” ื—ืฉื•ืคื” ืœืื•ืจืš ื”ื‘ื ื™ื™ื”, ื•ื‘ืขื™ืงืจ โ€” ื’ืžืจ ื™ื“ื•ืข ืžืจืืฉ, ื ืฉืœื˜ ื•ืžื•ืงืคื“, ื‘ืœื™ ื”ืคืชืขื•ืช.

ื”ืชื•ืฆืื”: ืชืงืจื” ื‘ืžืจืื” ื‘ื˜ื•ืŸ ื™ืฆื•ืง, ืขื ืขื•ืžืง ื—ื•ืžืจื™, ืงื•ื•ื™ื ื˜ื‘ืขื™ื™ื ืฉืœ ืชื‘ื ื™ื•ืช ืขืฅ, ื•ื‘ื™ืฆื•ืข ื ืงื™ ืขื“ ื”ืคืจื˜ ื”ืื—ืจื•ืŸ.

ืื“ืจื™ื›ืœื•ืช:
ื‘ื™ืฆื•ืข : ื‘ื˜ื•ื ื“ื”
ืฆื™ืœื•ื: ืขืžื™ืช ื’ื™ืจื•ืŸ
ื ื™ื”ื•ืœ : Yair David

A concrete cast โ€” without casting concrete on site.

In this project, a private home in Ramot HaShavim, we clad the ceilings with thin, flexible strips of cement-based material, pre-cast on wooden plank molds to recreate the look of board-formed concrete.

The flexible strips were installed on the ceiling during the finishing stage, and afterward all the seams between them were carefully concealed โ€” creating a clean, continuous ceiling with the finish of a perfectly cast concrete surface.

The advantage of this method is not only visual.

It allows reduced use of raw materials, energy, and water, ex*****on during the finishing stage without the need to protect exposed concrete throughout construction, and most importantly โ€” a controlled, predictable finish with no surprises.

The result: a ceiling with the look and depth of cast concrete, the natural lines of wooden formwork, and a precise finish down to the smallest detail.



Betonada | Material. Thought. Creation.

02/07/2026

ืžืฉืจื“ื™ ื—ื‘ืจืช ื’ื™ื ื“ื™

ื‘ื˜ื•ืŸ ืœื ื—ื™ื™ื‘ ืœื”ื™ื•ืช ื™ืฉืจ, ื—ื“ ืื• ื›ื‘ื“.

ื‘ื›ื ื™ืกื” ืœืžืฉืจื“ื™ ื—ื‘ืจืช ื’ื™ื ื“ื™ ื™ืฆืจื ื• ื“ืœืคืง ืงื‘ืœื” ื‘ืงื•ื•ื™ื ืžืขื•ื’ืœื™ื, ื‘ื’ืžืจ ื‘ื˜ื•ื ื“ื” ื‘ื˜ื•ืŸ ืžื“ื•ื™ืง ื•ืžื•ืงืคื“ โ€” ื—ื•ืžืจ ื—ื–ืง ืฉืžืงื‘ืœ ื›ืืŸ ืชื ื•ืขื” ืจื›ื” ื•ืืœื’ื ื˜ื™ืช.

ื‘ื—ื–ื™ืช ื”ื“ืœืคืง ืฉื•ืœื‘ ืœื•ื’ื• ื”ื—ื‘ืจื” ื‘ื—ืจื™ื˜ื”, ื•ืžืื—ื•ืจ ื—ื•ืคื• ื“ืœืชื•ืช ื”ืืจื•ื ื•ืช ื‘ื’ืžืจ ื‘ื˜ื•ืŸ ืขื ื—ืจื™ื˜ื” ื’ืœื™ืช, ืฉืžืžืฉื™ื›ื” ืืช ืฉืคืช ื”ืชื ื•ืขื” ื‘ื—ืœืœ.

ื”ืชื•ืฆืื” ื”ื™ื ื›ื ื™ืกื” ื ืงื™ื™ื”, ืžืงืฆื•ืขื™ืช ื•ืžื“ื•ื™ืงืช โ€” ืฉื‘ื” ื”ื‘ื˜ื•ืŸ ื”ื•ืคืš ืœื—ื•ืžืจ ื—ื™, ืจืš ื•ื‘ืขืœ ื ื•ื›ื—ื•ืช.

ืขื™ืฆื•ื‘ Netanel Oziel | ืชื›ื ื•ืŸ ื•ืขื™ืฆื•ื‘ ืคื ื™ื

Concrete doesnโ€™t have to be straight, sharp, or heavy.

At the entrance to Gindiโ€™s offices, we created a reception desk with rounded lines, finished in precise and carefully crafted Betonada concrete โ€” a strong material given a soft, elegant sense of movement.

The company logo was engraved into the front of the desk, while the cabinet doors behind it were also finished in concrete, with a wave-like engraving that continues the language of movement throughout the space.

The result is a clean, professional, and refined entrance โ€” where concrete becomes a living material, soft yet present.



Betonada | Material. Thought. Creation.

29/06/2026

ืคืจื•ื™ืงื˜ ืืžื“ื•ืงืก ืจืขื ื ื”
ืคืจื•ื™ืงื˜ ื’ื“ื•ืœ ื•ืžืืชื’ืจ ืฉืœ ืฉื™ืงื•ื ื•ืจืกื˜ื•ืจืฆื™ื” ืœื‘ื˜ื•ืŸ ื—ืฉื•ืฃ.

ืžื“ื•ื‘ืจ ื‘ืืœืคื™ ืžื˜ืจื™ื ืฉืœ ืงื™ืจื•ืช ื‘ื˜ื•ืŸ ื‘ืœื•ื‘ื™ื™ื ืฉืœ 5 ื‘ื ื™ื™ื ื™ื, 8 ืงื•ืžื•ืช ื‘ื›ืœ ื‘ื ื™ื™ืŸ โ€” ื›ืฉื›ืœ ืงื™ืจ
ื ื“ืจืฉ ืœื”ื’ื™ืข ืœื’ืžืจ ื‘ื˜ื•ืŸ ืžื•ืงืคื“, ื ืงื™ ื•ืื—ื™ื“.

ื”ืืชื’ืจ ื”ืจืืฉื•ืŸ ื”ื™ื” ื”ื’ื•ื“ืœ.

ื”ืืชื’ืจ ื”ืฉื ื™, ื•ื”ื•ื ื”ืืชื’ืจ ื”ืžืจื›ื–ื™ ื‘ื›ืœ ืขื‘ื•ื“ืช ืจืกื˜ื•ืจืฆื™ื”, ื”ื™ื” ืœื”ื‘ื™ืŸ ืžื” ืขื•ืžื“ ืžื•ืœื ื•: ืœืงืจื•ื ืืช ื”ืงื™ืจ, ืœื–ื”ื•ืช ืืช ื”ืคื’ืžื™ื, ืœื”ื‘ื™ืŸ ืืช ื”ื—ื•ืžืจ ื”ืงื™ื™ื, ื•ืœื”ืชืื™ื ืืช ืคืขื•ืœืช ื”ืฉื™ืงื•ื ืœืžื” ืฉื›ื‘ืจ ืงื™ื™ื ื‘ืฉื˜ื—.

ื‘ืฉื•ื ื” ืžืขื‘ื•ื“ื” ืฉืžืชื—ื™ืœื” ืžืืคืก, ื‘ืจืกื˜ื•ืจืฆื™ื” ืื™ืŸ ื“ืฃ ื—ืœืง. ื™ืฉ ืงื™ืจ ืขื ืื•ืคื™ ืžืฉืœื•, ืขื ืกื™ืžื ื™ื, ืฉื›ื‘ื•ืช, ืคื’ืžื™ื ื•ื—ื•ืžืจ ืงื™ื™ื ืฉืฆืจื™ืš ืœื”ื‘ื™ืŸ, ืœื›ื‘ื“ ื•ืœื“ื™ื™ืง.

ื‘ืžื•ื‘ืŸ ืžืกื•ื™ื, ื–ื• ืขื‘ื•ื“ื” ืฉืœ โ€œืคื•ื˜ื•ืฉื•ืค ืื ื•ืฉื™โ€ ืขืœ ืงื™ืจื•ืช: ื”ื‘ื ื”, ื”ืกืชืจื”, ื”ืฉืœืžื”, ืœื™ื˜ื•ืฉ, ืื™ื–ื•ืŸ ื•ื—ื™ื‘ื•ืจ โ€” ืขื“ ืฉื”ื—ื•ืžืจ ื—ื•ื–ืจ ืœื”ื™ืจืื•ืช ื˜ื‘ืขื™, ืžื“ื•ื™ืง ื•ืฉืœื.

ื›ืœ ืงื™ืจ ื•ื”ืื•ืคื™ ืฉืœื•. ื›ืœ ืชื™ืงื•ืŸ ื•ื”ื“ื™ื•ืง ืฉืœื•. ื•ื›ืœ ืคืจื˜ ื ื•ืขื“ ืœื”ื—ื–ื™ืจ ืœื‘ื˜ื•ืŸ ืืช ื”ื ื•ื›ื—ื•ืช ื”ืฉืงื˜ื” ื•ื”ืžื•ืงืคื“ืช ืฉืœื•.

The Amdocs Campus, Raanana
A massive, highly complex undertaking in the restoration and remediation of exposed architectural concrete.

Spanning thousands of square meters across the lobbies of five eight-story buildings, the objective was uncompromising: to elevate every single wall to a pristine, cohesive, and masterfully refined finish.

The first challenge was the sheer scale.

The secondโ€”and the defining test of any true restorationโ€”was diagnosing the canvas before us: learning to read the wall, identify its anomalies, decode the existing substrate, and calibrate our intervention to the physical reality on site. Unlike building from the ground up, restoration offers no blank slate. You are met with a material that already possesses its own temperamentโ€”its own history of marks, strata, and imperfectionsโ€”which must be understood, respected, and brought into balance.

In many ways, the work functioned as a form of โ€œhuman Photoshopโ€ applied to architecture: a meticulous sequence of deciphering, masking, infilling, honing, harmonizing, and blendingโ€”until the concrete regained an effortless, authentic, and unified state.

Every wall held its own character. Every intervention demanded its own calibration. And every detail was dedicated to a single purpose: restoring the concrete to its quiet, dignified presence.



Betonada | Material. Thought. Creation.

27/06/2026

ืžื’ื“ืœ ื‘ื™ืช ืœื™ืกื™ืŸ, ืชืœ ืื‘ื™ื‘.
ืžื’ื“ืœ ืžื’ื•ืจื™ื ื™ื•ืงืจืชื™ ืฉื‘ื• ื”ื—ื•ืžืจ ื”ื•ืคืš ืœื—ืœืง ืžื”ื—ื•ื•ื™ื” ื”ืื“ืจื™ื›ืœื™ืช.

ื”ืขื‘ื•ื“ื” ื‘ืคืจื•ื™ืงื˜ ื›ืœืœื” ืืช ื”ืœื•ื‘ื™ื™ื ื”ืจืืฉื™ื™ื, ื—ื“ืจ ื”ื›ื•ืฉืจ, ืื–ื•ืจ ื”ื‘ืจื™ื›ื” ื•ื”ืœื•ื‘ื™ื™ื ื”ืงื•ืžืชื™ื™ื โ€” ืงื™ืจื•ืช ื•ืชืงืจื•ืช ืžื—ื•ืคื™ื ื‘ื’ืžืจ ืžื™ืงืจื•ื˜ื•ืคื™ื ื’ ืฆืžื ื˜ื™, ื‘ื’ื™ืฉื” ืžื™ื ืจืœื™ืช, ื ืงื™ื™ื” ื•ืžื“ื•ื™ืงืช.

ื”ืงื™ืจื•ืช ื‘ื•ืฆืขื• ื‘ืœื•ื—ื•ืช ืขื ื—ืจื™ื˜ื” ืชืœืชึพืžืžื“ื™ืช, ื›ืืฉืจ ื›ืœ ื”ื—ื™ื‘ื•ืจื™ื ื•ื”ืชืคืจื™ื ื”ื•ืกืชืจื• ืœื™ืฆื™ืจืช ืžืจืื” ืื—ื™ื“ ื•ื”ืžืฉื›ื™.
ื”ื“ื•ื’ืžื” ื”ืฉืชื ืชื” ืžืงื™ืจ ืœืงื™ืจ, ื›ืš ืฉื”ื—ื•ืžืจ ืœื ื ืฉืืจ ืกื˜ื˜ื™ โ€” ื”ื•ื ืžื™ื™ืฆืจ ืงืฆื‘, ืขื•ืžืง, ื”ืฆืœืœื•ืช ืžืฉืชื ื•ืช ื•ืชื—ื•ืฉืช ืชื ื•ืขื” ืขื“ื™ื ื” ืœืื•ืจืš ื”ื—ืœืœ.

ื‘ื ื•ืกืฃ, ื‘ื•ืฆืขื• ืชืงืจื•ืช ื‘ืฉื™ืคื•ืขื™ื ื•ื‘ืงื™ืคื•ืœื™ื ื‘ื”ืฉืจืืช ืื•ืจื™ื’ืžื™, ื’ื ื”ืŸ ื‘ื’ืžืจ ืžื™ืงืจื•ื˜ื•ืคื™ื ื’ ืฆืžื ื˜ื™, ืฉื”ื•ืกื™ืคื• ืœื—ืœืœื™ื ืฉื›ื‘ื” ืคื™ืกื•ืœื™ืช ื ื•ืกืคืช ื•ื—ื™ื‘ืจื• ื‘ื™ืŸ ื”ืงื™ืจื•ืช, ื”ืชืงืจื” ื•ื”ืื•ืจ.

ื”ืืชื’ืจ ื‘ืคืจื•ื™ืงื˜ ื‘ืกื“ืจ ื’ื•ื“ืœ ื›ื–ื” ื”ื•ื ืœื ืจืง ื”ื‘ื™ืฆื•ืข, ืืœื ื”ื™ื›ื•ืœืช ืœืฉืžื•ืจ ืขืœ ื“ื™ื•ืง, ื—ื–ืจืชื™ื•ืช ื•ืจืžืช ื’ื™ืžื•ืจ ื’ื‘ื•ื”ื” โ€” ื’ื ื›ืฉื”ื›ื•ืœ ื ืขืฉื” ื‘ืขื‘ื•ื“ืช ื™ื“, ื‘ื“ื•ื’ืžืื•ืช ืžื•ืจื›ื‘ื•ืช ื•ื‘ื—ื™ื‘ื•ืจื™ื ื›ืžืขื˜ ื‘ืœืชื™ ื ืจืื™ื.

ื–ื• ืขื‘ื•ื“ื” ืฉื‘ื” ื”ื—ื•ืžืจ, ื”ื™ื“ ื•ื”ืื“ืจื™ื›ืœื•ืช ื ืคื’ืฉื™ื ื‘ืžืงื•ื ืื—ื“:
ืžืจืื” ื™ื•ืงืจืชื™, ืžื•ืงืคื“, ื—ื™ โ€” ื›ื–ื” ืฉืžืจื’ื™ืฉ ืฉืœืืฅ

ืฆื™ืœื•ื : ื ื™ืžืจื•ื“ ืœื•ื™
ื‘ื™ืฆื•ืข : ื‘ื˜ื•ื ื“ื”
ืงื‘ืœืŸ ืจืืฉื™ : ืืœืงื˜ืจื” ื‘ื ื™ื”
ืื“ืจื™ื›ืœื•ืช: ืคื™ืฆื• ืงื“ื ืกื™ื’ืœ ื‘ืจื ื•ื‘ื™ืฅ ืื™ืจื ื” ื’ื•ืœื“ื‘ืจื’

Beit Lessin Tower, Tel Aviv
A luxury residential tower where materiality becomes an intrinsic part of the architectural experience.

Our scope of work encompassed the main lobbies, the fitness center, the pool area, and the residential floor lobbiesโ€”featuring walls and ceilings finished in a cementitious microtopping that delivers a pure, precise, and mineral aesthetic.

The walls were crafted from 3D-engraved panels with meticulously concealed joints, creating a seamless, monolithic expanse. Because the patterns shift from one wall to the next, the material refuses to remain static; instead, it generates rhythm, depth, dynamic shadows, and a subtle sense of movement throughout the space.

In a project of this magnitude, the true challenge lies not merely in the ex*****on, but in maintaining absolute precision, consistency, and an uncompromising finishโ€”even when working entirely by hand across complex patterns and virtually invisible joints.

This is where material, craftsmanship, and architecture converge. An aesthetic that is luxurious, meticulous, and aliveโ€”one that feels profoundly whole.



Betonada | Material. Thought. Creation.

17/06/2026

ื’ืณื•ื ื’ืœ ื‘ื˜ื•ืŸ ืื•ืจื‘ื ื™ ื‘ืžืฉืจื“ื™ ืœื”ื‘ ืื ืจื’ื™ื” ื™ืจื•ืงื”

ืœืžืฉืจื“ื™ ืœื”ื‘ ืื ืจื’ื™ื” ื™ืจื•ืงื” ืชื›ื ื ื• ื•ื™ืฆืจื ื• ืงื™ืจ ืœื•ื—ื•ืช ื™ื™ื—ื•ื“ื™ ื‘ื—ื™ืคื•ื™ ืžื™ืงืจื•ื˜ื•ืคื™ื ื’ ืžื™ื ืจืœื™, ื‘ืžืจืื” ืฉืœ ื‘ื˜ื•ืŸ ืื“ืจื™ื›ืœื™ ื ืงื™ ื•ืžื“ื•ื™ืง.

ื”ืงื™ืจ ืขื•ืฆื‘ ื‘ื—ืจื™ื˜ื” ืชืœืชึพืžืžื“ื™ืช ื‘ื”ืฉืจืืช ืขืœื™ ื‘ื ื ื”, ื•ื™ื•ืฆืจ ืชื—ื•ืฉื” ืฉืœ ื’ืณื•ื ื’ืœ ืื•ืจื‘ื ื™ โ€” ืืงื–ื•ื˜ื™, ื˜ื‘ืขื™, ืืš ืขื“ื™ื™ืŸ ืžื™ื ื™ืžืœื™ืกื˜ื™ ื•ืžื•ืงืคื“.

ื›ืœ ื”ืœื•ื—ื•ืช ื—ื•ืœืงื• ื•ืชื•ื›ื ื ื• ื›ืžื• ืคืื–ืœ, ื‘ื”ืชืืžื” ืžื“ื•ื™ืงืช ืœืžื™ื“ื•ืช ื”ืงื™ืจ, ื›ื•ืœืœ ืฉื™ืœื•ื‘ ืžืœื ืฉืœ ื”ื“ืœืชื•ืช ื‘ืชื•ืš ื”ืงื•ืžืคื•ื–ื™ืฆื™ื”.

ื”ื—ื™ื‘ื•ืจื™ื, ื”ืžืขื‘ืจื™ื ื•ื”ืคืจื˜ื™ื ื‘ื•ืฆืขื• ื‘ืจืžืช ื“ื™ื•ืง ื’ื‘ื•ื”ื”, ื‘ืžื˜ืจื” ืœื™ืฆื•ืจ ืžืจืื” ื”ื•ืžื•ื’ื ื™, ืจืฆื™ืฃ ื•ื˜ื•ื˜ืืœื™.

ื—ื•ืžืจ. ืชื›ื ื•ืŸ. ื‘ื™ืฆื•ืข.

ืขื“ ื”ืคืจื˜ ื”ืื—ืจื•ืŸ.

For the Lahav Green Energy offices, we designed and created a unique paneled wall with a mineral microtopping finish, offering the clean and precise look of architectural concrete.

The wall features 3D engravings inspired by banana leaves, creating an urban jungle vibeโ€”exotic and natural, yet minimalist and meticulous.

All panels were divided and planned like a puzzle, precisely fitted to the wall's dimensions, seamlessly integrating the doors into the composition.

The joints, transitions, and details were executed with high precision to create a homogeneous, continuous, and absolute look.

Material. Planning. Ex*****on.
Down to the last detail.



Betonada | Material. Thought. Creation.

Address

Hasadan 13
Hod HaSharon

Opening Hours

Monday 09:00 - 17:00
Tuesday 09:00 - 17:00
Wednesday 09:00 - 17:00
Thursday 09:00 - 17:00
Sunday 09:00 - 17:00

Telephone

+97299553115

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