Otilia Cadar

Otilia Cadar Visual Artist
What do dreams know about boundaries?

Work in progress. Oil on canvas. 120 x 160 cm.
04/06/2026

Work in progress. Oil on canvas. 120 x 160 cm.

There is a moment, just before the world lets go of you, when everything becomes unbearably vivid.Detail of “The Trovant...
06/05/2026

There is a moment, just before the world lets go of you, when everything becomes unbearably vivid.

Detail of “The Trovants Forest”, Oil on canvas, 2026

Another work in progress. Preparing for a solo show.
23/04/2026

Another work in progress. Preparing for a solo show.

WIP
02/04/2026

WIP

Today is International Women’s Day, but I want to speak about a man. My father.He was born on this day, exactly 80 years...
08/03/2026

Today is International Women’s Day, but I want to speak about a man. My father.
He was born on this day, exactly 80 years ago, in a small village in Moldova, Romania, during the famine of 1946. He was born prematurely and so tiny that his parents believed he would not survive. My grandfather used to say that when he was born, he was not bigger than a spoon.
They were 11 children in the family, but only 6 survived childhood. Life was harsh, illness was common, and medicine was almost nonexistent. He didn’t speak until he was 4. Still, my father grew strong. In his first year of school he finished top of the class. My grandfather was a respected carpenter in the village, and because people trusted him and came to him for advice, the communist regime later imprisoned him as a political prisoner. My grandmother remained home to raise the children alone.
My father had a talent for art, so at 14 he left his village and traveled by train to Iași to attend the art high school. He lived in the school dormitory and depended on a bursary because his mother had no money for food or accommodation. Studying well was not a choice. It was survival.
Later he continued at the Art University in Bucharest, studying glass. He became a stained glass artist, devoted to traditional techniques, creating windows for churches and private homes. In those years he lived the bohemian life of Bucharest, surrounded by poets, actors, and artists. They gathered together, drinking wine and talking about philosophy and art late into the night.
That is where he met my mother. They had me when she was 29 and he was 36. I was a deeply wanted child.
At 50 he was diagnosed with leukemia and doctors gave him two years to live. Instead of surrendering, he chose to fight in his own way. He began studying nutrition and health and eventually undertook a 42-day water fast. When he returned to the hospital for tests, the doctors were shocked by the results.
From that moment on, every year in spring or summer he would fast and pray for 42 days.
He built himself a house in the mountains near the Argeș river. For 17 years that place became his retreat. A place of silence, discipline, art and prayer.
He lived 17 more years.
He used to say: “It is ugly to be sick. But it is even uglier not to fight.”
He died at 67.
When he passed away I was 8 months pregnant with my first child. He never had the chance to meet her, but he saw her ultrasound photo. He smiled and said that surviving 17 years instead of two was already a great victory.
In the past months I painted this work of him during one of his fasts in the mountains. Painting it was deeply healing. I cried a lot. I also laughed.
My father was a rare kind of man. A man of moral and spiritual principles, with extraordinary self-control and an iron will. Dignified, proud, generous and deeply fair. He never complained and never liked to burden others with his problems. He avoided conflict and always tried to restore balance.
He was incredibly intelligent and logical, but also profoundly faithful. A wise man without hatred or bitterness.
Up there in the mountains he lived almost like a monk, in obedience to God and respect for his own body. Anyone who came to him with a heavy heart would leave lighter. Somehow he always knew how to lift the weight from someone’s soul.
This was Ioan Cadar.
It has been 12 years since he left this world.
But he is still very present. 🤍

“The Pathfinder” oil on canvas, 2026

08/03/2026
WIP oil on canvas
07/03/2026

WIP oil on canvas

Today I finished the first work from “The Disappearing Mothers” project. See below the idea behind it all.“The First Dis...
04/03/2026

Today I finished the first work from “The Disappearing Mothers” project. See below the idea behind it all.

“The First Disappearing Mother”
Oil on canvas, 90cm round, 2026.

The Disappearing Mothers explores what happens to a woman’s identity when she becomes a mother, and how care reshapes visibility, time, and presence.

The first work in this series, The First Disappearing Mother, begins with the story of my own mother. She was the first woman in our lineage to pursue an academic career in the arts. A remarkable painter, she graduated magna cm laude, was accepted as the top candidate of her year at the Arts University, and received a prestigious two-year bursary. She was bold, brilliant, and ahead of her generation.

After I was born, she gradually stopped painting. She devoted herself completely to raising me. She did not disappear suddenly. It happened slowly.

From this personal history, the project expands toward other mothers whose artistic or professional identities have been quietly suspended due to lack of structural, familial, and social support. We often hear that it takes a village to raise a child, yet many mothers today carry childcare, household responsibilities, emotional labour, and postponed ambitions alone.

Only after becoming a mother myself did I fully understand the depth of this shift. When I moved to Ireland, I had two young children. My artistic practice entered a period of pause. Time became fragmented. My world became smaller. I was present in the home, but less visible in the art world. This experience sharpened my interest in how care reshapes a woman’s identity and public presence.

03/03/2026

Watching him while working 💜

“Unseen Mothers” - a work in progress oil on canvas.Study for a bigger project.
06/02/2026

“Unseen Mothers” - a work in progress oil on canvas.
Study for a bigger project.

Address

Limerick

Telephone

+353899543040

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