11/03/2026
In the latest article online at overjournal.org curator Valeria Posada-Villada writes on Nadège Mazar’s ‘Mama Coca’ questioning the image of the coca plant by suggesting a more inclusive perspective.
“Nadège Mazars, a French photographer living in Colombia since 2007, is known for taking a holistic approach to exploring the effects of global issues related to migration, nature, and war and peace. Mama Coca, a multi-faceted project that was exhibited before and is now also published as an artist book, includes photo series, texts, and historical and documentary archives. It results from a photographic investigation that aims to deconstruct prejudices about the coca plant, and the narrative developed from the countries of the global North, reducing it to an illicit product.
Mazars’ more experimental and fluid approach to camera use—long exposures, tight crops, and playful manipulations of colour— supports the spirit of coca that inhabits the territory. This exploration evokes the feeling that the plant is a living presence, intertwined with its landscape and its people.”
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